Interested in popular music and the music industry in the early twentieth century? The Cylinder Preservation and Digitization Project at the University of California at Santa Barbara has built perhaps the most useful archive on the planet for you.
Private family photographs document events, such as births, marriages, and reunions, that are important in the history of individual families, but they can also teach us about the events we think of as real history.
For nearly 30 years, historians have debated about the use of former slave narratives as a “valid” historical source. Scholars question the authenticity of interviews collected in the 1930s, often by white Works Progress Administration (WPA) field workers.
Prof Juliet E. K. Walker recalls being a student of the great pioneer of African Amercian history and discusses his importance to history writing and teaching.
Black is beautiful. The Black Power movement of the 1960s and 1970s popularized this slogan and sentiment, but almost half-a-century earlier, black beauty companies used elaborate advertisements like the one pictured here to sell their vision to uplift and beautify black women.
We learn to listen before we learn to read and we speak long before we learn to write. Most archives, however, are built to store printed pages, maps, personal letters, diaries, logbooks, notebooks, and manuscripts.
This weekend, as Cairo’s protestors struck their tents and tidied up Tahrir Square, a clean-up operation of another sort was underway nearby: in the Egyptian Museum, home to King Tutankhamen and countless other archaeological treasures.
Setting aside large tracts of land for preservation and public use was a unique idea in the late nineteenth-century United States as the country focused on westward expansion and development.
These posters were circulated in Nicaragua in 1980 when campaigns to celebrate the end of dictatorship, to increase literacy and to improve public health were central policy concerns.
History can sometimes surround us – sometimes it’s even underfoot. This rug, from the Art and Art History Library Collection at the University of Texas, represents the kind of textiles that were made by skilled Navajo weavers and sold on the Navajo reservation from the late 19th into the early 20th century.