Matthäus Schwarz of Augsburg was, in many respects, a rather typical (if unusually successful) early modern merchant: he worked his way up from an apprentice clerk to a chief accountant in the powerful Fugger banking dynasty, he married, went to war, had children, and, in 1574, he died.
Almost a century after its publication, Lytton Strachey’s Eminent Victorians remains a landmark work in the field of biography. The author chooses four notable personalities – Henry Manning, Florence Nightingale, Thomas Arnold, and Charles George Gordon – and uses their lives to illuminate the broader history of Victorian England.
Kern calls time and space the universal, “essential” realities through which humans perceive, experience and live life, and he uses them to understand historical change.
The Voices of Morebath chronicles the coming of the English Reformation to a small village in sixteenth-century Devonshire. Duffy tells the story of Morebath through the eyes of its boisterous vicar, Sir Christopher Trychay, who kept exceptionally detailed records during his fifty-four year career in the village.
Three brilliant but frustrated editors amuse themselves by inventing European history anew in Umberto Eco’s bestselling novel, Foucault’s Pendulum. The protagonists rearrange names both familiar and obscure from a millennium of European politics, religion, and science to create a dizzying alternative narrative of Templar plots, secret society schemes, and occultist conspiracies.
With all of the components of a riveting murder-mystery, including a baffling disappearance, a set of gossipy characters, a love triangle, conflicting evidence, and a scandalous trial, A Tale of Two Murders: Passion and Power in Seventeenth-Century France by James R. Farr is a fascinating read.
In the last years of the twelfth-century, a monk named Engelhard, from the German monastery of Langheim, composed stories about miraculous events and visions he believed his fellow monks had experienced. This was not a decision made lightly: parchment was expensive, the process of writing laborious, and monastic authors needed permission from their superiors to write at all. But Engelhard (and his abbot) considered this project worthwhile.