The Internet is an indelible part of the 21st century world, exerting a powerful impact over our work, social lives and even our politics. So how did it become such a powerful and ever-present tool?
American History, in many ways, represents the nation’s résumé. It is a catalog of achievements and events – some good, some regrettable – that are used to encourage citizens and outsiders to buy into the nation.
An ardent feminist and leftist scholar, Mahmood assumed a certain degree of internalized subordination in women who find solace and meaning in deeply patriarchal traditions. Yet, over the course of two years listening to and learning from several religious revival groups run by da’iyat (female “callers”), she discovered an entirely different understanding of religious devotion.
The video game is a relatively new medium, but it has a long record of using history to tell stories like the one found in Assassin’s Creed. Given the mass popularity of video games and gaming culture, it seems appropriate that we begin to analyze the history portrayed in this medium in the same way we consider a historical novel or period film. Why and how is history used in video games?
Kelley was a late-nineteenth-century outlaw whose larger than life exploits have been the subject of many retellings in films and novels. The son of impoverished Irish convicts, Kelley has been embraced as a symbol of the harsh colonial regime; as someone whose violent life was a response to the official violence of the colonial government.
To what extent is national identity directed from the political center of a nation? Do individuals living on the periphery of nations have agency in defining their own national identities?
Bulgaria became one of the most important points of entry for Phillip Morris, RJ Reynolds, and other US tobacco companies to penetrate the Iron Curtain into a growing and untapped market. While the direct imports of cigarettes into the Bloc remained limited, Bloc states signed licensing agreements with US companies in the mid-1970s that resulted in the production of Marlboro (Phillip Morris) and Winston (RJ Reynolds) in local factories.
As students and faculty members resume their classwork at Garrison Hall this semester, it is worth examining the iconic building’s colorful history and architectural conception. The first stages of Garrison’s development began in 1922 as the Board of Regents sought a new campus plan for the university.
Gauri Viswanathan provides a fascinating account of the ideological motivations behind the introduction of English literary education in British India. She studies the shifts in the curriculum and relates such developments to debates over the objectives of English education both among the British administrators, as well as between missionaries and colonial officials.
After World War II, American Jewish history emerged as a significant field of study. Historian Hasia Diner has argued that the subfield actually began to emerge as early 1892, but if we consider pioneering texts about Jews composed by American writers during the nineteenth century, the work of Hannah Adams suggests that it began far earlier.