by Gajendra Singh University of Exeter Posted in partnership with the History Department at the University of Exeter and The Imperial and Global Forum. One of the earliest films to be shot and then screened throughout India were scenes from the Delhi Durbar between December 29, 1902 and January 10, 1903 The Imperial Durbar, created to celebrate […]
Films & Media
On Monday, September 18, 2017, José C. Moya of Barnard College delivered a talk considering migration not as a current concern or “crisis” but as an intrinsic element of the human condition. Moya discusses migration as the very origin of our species, of its “racial” and cultural diversity, its global dispersion, and an engine of opportunity, innovation, and socioeconomic […]
What do statues commemorating Confederate leaders mean? Why has the university decided to remove such statues? And why has the issue been so controversial? On Thursday, August 31 2017, speakers from the University of Texas, the Texas State Historical Association, and the Briscoe Center for American History came together to address these questions and more. […]
“They killing people everywhere for no reason at all but being black.” —Cherry (the wife of Nat Turner played by Aja Naomi King) By Ronald Davis The number of books, novels, articles, plays and movies committed to the life and times of Nat Turner is vast. None of these sources is without controversy. It should […]
By Clay Katsky Those who watch the television show The Americans share a secret with its protagonists: they are not a quintessential American couple living in the suburbs of D.C.; they are, in fact, spies for the Soviet Union. Set against the backdrop of a resurgent Cold War in the early 1980s, this serialized spy […]
In this affectionate insider’s portrait of San Francisco’s Chinatown in the late 1970s, director Wayne Wang riffs on the well-known adventures of Charlie Chan, the stereotyped Chinese-American 1930s film detective, by following the meandering investigation of two cab drivers.
Reactions to Michael Bay’s latest venture have so far cropped up along predictable lines. Some, looking to the film’s scrupulously non-political focus and standout performances by Krasinski and James Badge Dale, applaud the comparatively restrained take and fact-driven story. Others challenge the film’s simplistic take on a complex geopolitical event, lacking historical context and rife with cultural assumptions.
Quilombola Seeds is the second in a three-part series produced by the Instituto Socioambiental (ISA). It explores quilombola agricultural systems in São Paulo’s Ribeira Valley, the last reserve of endangered species and wildlife in Brazil’s most heavily industrialized state.
Today, I will be offering a short meditation on cultural memory and the Vietnam War using two case studies that first appeared as blockbuster novels published during the war, and then adapted into popular films, which premiered after the war had ended.
Seen through the eyes of Steven Murphy, the DEA agent whose voice-over narrates the new Netflix series Narcos, Colombia appears to viewers all over the world as a land of sicarios (hired young assassins), putas (whores), and malparidos (the fucked-up). In short, Colombia becomes the quintessential Macondo of Gabriel Garcia Marquez.