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The past is never dead. It's not even past
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Past
Digital & Film
It’s all Connected: Introducing Filmmaker Adam Curtis
Digital Archive Review: Age of Revolutions and the Newberry French Pamphlet Collection
Digital Archive of Latin American and Caribbean Ephemera
Digital Archive Review: Latin American and Caribbean Digital Primary Resources
Digital Tools for Studying Empire: Transcription and Text Analysis with Transkribus
Digital Archive Review – Imágenes y relatos de un viaje por Colombia
Film Review – Jojo Rabbit (Dir: Taika Waititi, 2019)
Digital Archive Review – Ticha: A Digital Text Explorer for Colonial Zapotec
Digital Archive Review – Más de 72
Digital Archive – Rising From the Ashes: The Oklahoma Eagle and its Long Road to Preservation
Film Review – Ayka (Dir: Sergei Dvortsevoy, 2018)
Digital Archive Review – Authorship and Advocacy: The Native American Petitions Dataverse
Digital Resources – “The Reddest of the Blacks”
Between King and People: Digital Tools for Studying Empire
Play Review – Monroe by Lisa B. Thompson (2018)
Film Review – Dazed and Confused (Dir: Linklater, 1993)
Film Review – The Miseducation of Cameron Post (Dir: Desiree Akhavan, 2018)
Of How a Hopi Ancient Word Became a Famous Experimental Film
Faces of Migration: The Grand Budapest Hotel
Faces of Migration: Lone Star
Faces of Migration: Lamerica
Faces of Migration: Moi, Un Noir
Faces of Migration: Take Out
Faces of Migration: Classic and Contemporary Films
Historical Perspectives on Marshall (dir: Reginal Hudlin, 2017)
Legacies of the Vietnam War
Nature Boy, 30 for 30 (directed by Rory Karpf, 2017)
Watch: The Wider Arc of Revolution: The Global Impact of 1917 (Part II)
Film Review – A View From the Bridge (Directed by Sidney Lumet, 1962)
Watch: The Wider Arc of Revolution: The Global Impact of 1917 (Part I)
The Battle of Chile
Victoria & Abdul: Simulacra & Simulation
Mapping & Microbes: The New Archive (No. 22)
Faces of Migration: Classic and Contemporary Films
Virtual Auschwitz
The Prague Spring Archive Project
Before Hamilton
Digital Learning: Starting from Scratch
Historical Perspectives on The Birth of a Nation (2016)
The Enemy Within: Cold War History in FX’s The Americans
Chan is Missing (1982)
Historical Perspectives on Michael Bay’s 13 Hours: The Secret Soldiers of Benghazi (2016)
The Public Historian: Quilombola Seeds
Screening Vietnam: First Blood and Jaws
Magical Realism on Drugs: Colombian History in Netflix’s Narcos
Historical Perspectives on Agnieszka Holland’s In Darkness (2011)
Historical Perspectives on Isao Takahata’s Grave of Fireflies (1998)
Honest Abe’s Archive: The New Archive (No. 21)
From the Humanities to the Digital Humanities: The New Archive (No. 20)
A Graphic Revolution: The New Archive (No. 19)
Colón 2000: Tour Guides, Cruiseships, and Tourists in Panama
Digital History: Resources
Digital History: A Guide by Daniel J. Cohen and Roy Rosenzweig (2006): New Archive (No. 18)
Digital Visualization Workshop, Venice 2014: The New Archive (No. 17)
“Oh this learning, what a thing it is!”: The New Archive (No. 16)
Historical Perspectives on Hayao Miyazaki’s The Wind Rises (2013)
Has Texas Seen its Last Liberal?
California’s Gold Rush in Pictures: The New Archive (No. 15)
Seeing John Donne Speak: The New Archive (No. 14)
Visitors of the Nile: The New Archive (No. 13)
Hearing the Roaring Twenties: The New Archive (No. 12)
Harper’s Weekly’s Portrayal of the Civil War: The New Archive (No. 11)
Mapping The Slave Trade: The New Archive (No. 10)
Persuasion, Propaganda, and Radio Free Europe: The New Archive (No. 9)
An Emotional Database: The New Archive (No. 8)
Hungary 1956. Crimea 2014? The New Archive (No. 7)
Sound Maps: The New Archive (No. 6)
iTunes Remembers Black History: The New Archive (No. 5)
I am Tourism/Yo Soy Turismo
History in Motion: The New Archive (No. 4)
History Made Magic: The Scrapbooks of Harry Houdini Come Alive
Visualizing Emancipation(s): Mapping The End of Slavery in America
A Rebellion Remembered: The Irish Easter Rising’s New Digital Archive
“12 Years a Slave” and the Difficulty of Dramatizing the “Peculiar Institution”
I am Cuba, for Sale (1964)
42 (2013)
Digital History: A Primer (Part 2)
Digital History: A Primer (Part 1)
The Sapphires (2012)
Pinching and Swiping, or How I Won the Digital War
Why is Anne Hathaway So Sad? The History Behind “Les Misérables” (2012)
Quentin Tarantino’s Django Unchained (2012)
Elevate (2012)
What’s Missing from ‘Argo’ (2012)
A Historian Views Spielberg’s Lincoln (2012)
“You have died of dysentery” – History According to Video Games
The Invisible History of Hawaii in Alexander Payne’s “The Descendants”
For Greater Glory (2012)
Twitter for Historians
Film Review – Baseball by the Numbers: Moneyball (2011)
Film Review – A Separation (2011)
Footnote (2011)
African American History Online
Camila (1984)
J. Edgar (2011)
Two documentaries on Guatemala’s violent civil war
Film Review – Amigo (2011)
Sankofa (1993)
Nat Turner: A Troublesome Property (2002)
The Adventures of Robin Hood (1938)
The Present in the Past: Ohio State’s website
Lend-Lease Live: The Video
Twitter for Historians, or #twitterstorians
Life and Nothing But (1989)
Flickers of the Past
The Help
Day of Wrath (1943)
Hollywood’s Brazil: Rio (2011)
Death and Decadence: Vatel (2000)
Everyday Crimes: The Shop on Main Street (1965)
Small Towns and Big Dreams
Sounds of the Past
Thurgood (2011)
Rebel With a Cause: Johnny Tremain (1957)
I am Twenty (1961, released 1964)
Cynical Realism: Miller’s Crossing by Joel and Ethan Coen (1990)
The Old Man and the New Man in Revolutionary Cuba
