Films about historical events have enormous power to affect us, both to enlighten and to mislead. Historical films are perennially popular, often because they tell history through individual lives, because they invent characters and add personal, emotional drama to events that we want to learn about. Those same fictionalizing qualities make them great tools for […]
15 Minute History
Host: Christopher Rose, Department of History
Guests: Mary Neuburger, Departments of History & Slavic Studies; Yoav Di-Capua, Department of History
On October 30, 1918, the Ottoman Empire signed a treaty of capitulation to the Allied Powers aboard the HMS Agamemnon, a British battleship docked in Mudros harbor on the Aegean island of Lemnos. Bulgaria and the Ottoman Empire were the first of the Central Powers to formally end their participation in World War I. Five days later, the Austro-Hungarian Empire followed suit, and finally the guns fell silent with the capitulation of Germany on November 11. World War I dramatically changed the face of Europe and the Middle East. The war had caused millions of deaths and millions more were displaced. Two great multinational empires–the Austro-Hungarian Empire and the Ottoman Empire–were dissolved into new nation states, while Russia descended into a chaotic revolution.
In this first of two roundtables on the legacy of World War I, I am joined by Mary Neuburger, Professor of History and Director of the Center for Russian, East European and Eurasian Studies, and Yoav Di-Capua, Professor of Modern Arab History, to discuss the war’s impact on Southeastern Europe and the Middle East.
The first notes of the samba and the tango instantly capture ones attention, transporting the listener to Bahia and Rio de Janeiro in Brazil and the River Plate in Argentina. Seen as national symbols for their respective countries, the samba and the tango are more than just popular musical and dance genres. A deeper dive into the development of these musical genres reveals a conflict between African slaves, indigenous people, and European migrants over musical identity and Latin American state formation.
Andreia Menezes, a linguistics and literature professor at the Federal University of São Paulo in Brazil, joins us to explain how the samba and the tango transformed from the music of the socially marginalized to an important issue for national intellectuals.