Anyone who’s been to the music store lately (or shopped for digital downloads) is probably familiar with the concept of music categorized not only by genre, but also more subtler categorizations that might make us think of country music as “white” or hip-hop as “black.” It might be surprising that such categorizations were a deliberate mechanism of the music industry and that, even at a time when American society was as racially divided as the late 19th century, such distinctions were usually neither considered nor proscribed onto genres of music.
Guest Karl Hagstrom Miller has spent a career using popular music to explore the economic, social, legal, and political history of the United States. In this episode, he helps us understand how popular music came to be segregated as artists negotiated the restrictions known as the “Jim Crow” laws.
