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The past is never dead. It's not even past

Not Even Past

Dolores del Río: Beauty in Light and Shade, By Linda B. Hall (2013)

By Ann Twinam

Linda Hall provides a compelling biography of one of the most famous and beautiful women of the twentieth century: actress Dolores del Río.  She traces critical stages from del Río’s sheltered life as a daughter of a Mexican elite family to her early marriage and transition to Hollywood starlet in the 1920s, where she figured in silent and then talking pictures; to her return south where she became a pivotal actress of the Mexican “Golden Age of Cinema” of the 1940s.  In later decades, technology revived del Río’s celebrity, when a new generation viewed her film performances on the newly-invented television.

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Hall concentrates on del Río’s professional and personal life through analysis of letters, interviews, film contracts and posters, movie reviews, and local newspapers.  These track the ups and downs of her career, her multiple husbands, her real and possible lovers, and her famous friends.  Woven throughout, are the pervasive themes of how gender, sexuality, race, transborder crossings, changing technologies and celebrity defined del Río’s career.

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Dolores del Río (via Wikimedia Commons)

Every camera loved Dolores del Río. Still, a persistent theme running throughout her career was the continuing mandate to negotiate even her astonishing beauty through the constraints of class, gender, race and Mexican-ness.  After her 1925 arrival in Hollywood she, her directors and the studios emphasized her origins as an elite Mexican, her status as a lady playing ladylike parts.  In later years, with her celebrity assured, she assumed roles that more emphasized her sexuality or challenged racial norms as she portrayed Native women. When Hollywood parts diminished, del Río returned to Mexico in 1942.  She collaborated with director Emilio “El Indio” Fernandez and co-star Pedro Amendáriz to produce some of the classics of Mexican cinema including Maria Candelaria.  She sporadically revisited Hollywood including a cameo in 1960 playing the Indian mother of “Elvis.”

Del Río was not only herself a celebrity, she moved in the circles of the famous.  Hall traces Hollywood business and social friendships that included Marlene Dietrich, Greta Garbo, Mary Pickford, Douglas Fairbanks, Charlie Chaplin, Orson Welles, and William Randolph Hearst.  Del Río also maintained her transborder contacts with Mexico, as she counted Diego Rivera, Frida Kahlo, José Clemente Orozco, Pablo Neruda, Emilio “El Indio” Fernandez, and co-star Pedro Armendáriz among her intimate friends.

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Dolores del Rio and Orson Welles in 1941 (via Wikimedia Commons).

If there is any flaw in this marvelous biography, it seems rooted in the very ambiguities and opaqueness of del Río’s life. She never wrote an autobiography.  Hall deftly surmounts such challenges by writing “around” the business and personal life of del Río, although questions remain.  How did she overcome the dominance of husbands, directors and studios to chart her own path?  Were her first two husbands gay?  Did she engage in affairs with Greta Garbo or Frida Kahlo? How much wealth did she eventually accumulate, given the fabulous sums paid to pre-depression stars?

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Dolores del Río mural by artist Alfredo de Batuc in Hollywood, California (via Picryl).

Linda Hall has offered an engaging look into what historians can likely uncover of this enigmatic star.  She concludes that del Río “led a rich, fulfilling up-and-down life that was unusual largely because of her celebrity, her great wealth, her beauty and ultimately her power to shape her own destiny.”  Hall’s book proves to be a fascinating resource for readers interested the history of women, gender, sexuality, transborder crossings, celebrity, and film.

Linda Hall. Dolores del Río: Beauty in Light and Shade. Stanford: Stanford University Press, 2013.  

Also by Ann Twinam on Not Even Past:

Purchasing Whiteness: Race and Status in Colonial Latin America.
15 Minute History Episode 52: The Precolumbian Civilizations of Mesoamerica.
No Mere Shadows: Faces of Widowhood in Early Colonial Mexico, by Shirley Cushing Flint (2013).

The Global United States

by Mark A. Lawrence

For many students, the most exciting thing about history is not the scholarly monographs that we spend years researching and writing and they are often expected to read. Rather, many students are most intensely drawn to the study of the past by reading and analyzing primary sources – the original documents that constitute the raw material of history.

Primary documents can sweep us into the past, giving us direct access to the words, cadences, biases, insights, and passions of remote historical actors. History comes alive, and voices whisper across chasms of time, space, and perception. In the best case, such material can enable students to make their own judgments about the past and to weigh the claims of scholars.

To promote the study of primary source material in my field, the history of U.S. foreign relations, I teamed up with two colleagues over the last few years to compile a volume of documents that we hope will inspire students to delve further into the subject.

The book, America in the World: A History in Documents from the War with Spain to the War on Terror, encompasses about 125 years of history. It charts the rise of the United States from a peripheral, comparatively weak power in the late nineteenth century to the pinnacle of its military, diplomatic, and cultural influence in the early twenty-first. How and why did this momentous transformation occur? Who resisted and why? What were the attitudes of foreign nations as the United States became a great power of the first order and then surpassed them all?

Via 228 documents, the book helps answer these questions by inviting readers to consider the opinions and pronouncements of some of the people who took part in American policymaking and witnessed the American rise to power. Other historians have published collections of primary-source material on American foreign relations before. But our collection is new and different in at least three respects.

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1900 campaign poster celebrating American imperial expansion

First, the book covers a relatively long period of time. Whereas most document collections focus on particular segments of this period, especially the Cold War, our book reveals and explores continuities across the larger flow of time, including the recent post-Cold War years. In fact, the collection features two chapters on the period since 1989, enabling readers to consider contemporary dilemmas faced by the Bush and Obama administrations in light of historical experience.

Second, the collection reflects key recent trends in the study of U.S. foreign relations. In recent decades, diplomatic historians have increasingly called into question the tendency among an older generation to write histories of U.S. policymaking on the basis of U.S. sources alone. Scholars should strive for a truly international kind of history that sets U.S. behavior within an international context and, by making use of foreign archives, views the United States through the eyes of foreign governments and peoples. Diplomatic historians in recent years have also called into question the field’s traditional focus on elite policymakers. Increasingly, scholars have recognized the need to take account of popular opinion and the influences of powerful people outside of government.

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Duke Ellington in the Soviet Union, 1971. Ellington and his orchestra encountered a vibrant – if still partially underground – jazz scene and played with Russian musicians in both official and unofficial capacities. The band leader’s Soviet tour followed the announcement of the upcoming and historic trip to the USSR by President Richard Nixon, a pianist and avid jazz fan.

Our book takes account of both of these critiques of diplomatic history. To be sure, we include many documents reflecting the views of elite American policymakers – presidential declarations, policy memoranda, diplomatic dispatches, are still important sources. But we intermingle this kind of material, which has been the sole focus of nearly all the existing document readers in U.S. foreign relations, with two other kinds of documents: some reflecting foreign perceptions of the United States and others reflecting the opinions of Americans outside policymaking circles – clergymen, cartoonists, musicians, novelists, polemicists, and others.

Third, the book features relatively tight thematic coherence. There is, of course, an infinite number of documents that could reasonably have gone into our book. We handled the problem of over-abundance partly by building each chapter around a single interpretive question that guided our selections. Our chapters are not, that is, mere compilations of important documents related to a general topic or time period – the usual approach in document books. Rather, the chapters contain documents reflecting various perspectives on an interpretive problem that scholars have identified as crucial to understanding U.S. foreign relations. For example, the chapter on the great Cold War crisis of the early 1960s asks why the East-West conflict became so dangerous at that particular time. The chapter on the 1990s, asks how the United States reoriented its foreign policy following the collapse of the enemy that had given shape and purpose to American diplomacy for decades.

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Coca Cola in Morocco

Following this approach, we place conflicting points of view in dialogue with one another to show the development of particular sets of ideas over time. While this approach means that we pass over some important questions, it does, we hope, enhance the book’s appeal by giving the chapters a clear logic and flow.

Whether we have achieved our goals is for readers to decide. But one thing that I and my co-editors – Jeffrey A. Engel of Southern Methodist University and Andrew Preston of Cambridge University – can say for sure is that the book was no small undertaking. Although all three of us pursued other projects at the same time, locating, selecting, editing, and writing introductory material for 223 documents took far longer than we had anticipated – nearly a decade, in fact.

But we’re pleased with the end result, and we hope that innumerable students – and perhaps other readers interested in America’s foreign relations – will use it in the years ahead to find inspiration for the study of history.

Jeffrey A. Engel, Mark A. Lawrence, and Andrew Preston, eds., America in the World: A History in Documents from the War with Spain to the War on Terror

Mark Lawrence’s suggestions for Further Reading can be found here.

 

You may also enjoy:

Introduction to America in the World

Mark Lawrence on Not Even Past: “The Lessons of History,” “The Prisoner of Events in Vietnam,” “CIA Study [on the consequences of war in Vietnam]”

Jonathan C. Brown, “A Rare Phone Call from one President to Another“

 

Campaign poster: Wikimedia

Duke Ellington Collection, Archives Center, National Museum of American History, Smithsonian Institution

Coca cola in Morocco via Creative Commons, ciukes/Flickr

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