Medieval Europe Archives

Medieval Facial Hair in Major League Baseball

What is it with baseball players and whiskers?

The 2013 Red Sox perfected the art of beard-bonding on the way to their third World Series championship in ten years. Boston players and their fans rallied around what Christopher Oldstone-Moore calls the “quest beard” in his history of facial hair, Of Beards and Men. Two years later the Yankees began winning only after Brett Gardner stopped shaving his upper lip and, seeking to propitiate the baseball gods, his teammates followed suit. Lip caterpillars soon dwindled along with victories that first year without naked-faced Derek Jeter, but there were still more staches and wins than pundits predicted before the season began. The 2017 Fall Classic featured two rosters—the Houston Astros and Los Angeles Dodgers—modeling a wide assortment of trendy beards, with Dallas Keuchel’s voluminous but well-tended shrubbery taking first-place honors.

Dallas Keuchel and his beard (via wikimedia)

The Washington Nationals entered this 2018 season determined to supplant the Astros for best overall beard garden, but Houston more than held its own in facial fashion and on the diamond, finishing the year with the second best record. Helped by long-bearded pitchers Craig Kimbrel and David Price, the Red Sox led all teams in victories, pulling away from the mighty yet clean-shaven Bronx Bombers, and could well square off against the Astros in the American League Championship Series for a ticket to the 2018 World Series.

Facial hair has been attached to masculine dominance as far back as the late Middle Ages and the early modern period: “No hairs,” so went the pun, “no heirs.” The trend continues. Adjusting to the new normal of fewer shaves and more beards over the past decade, Procter & Gamble (parent company of Gillette), has sought to increase revenue by marketing styling and grooming products more aggressively.

A recent survey of 8,520 women by researchers at the University of Queensland in Australia found that, while stubbled faces are deemed sexiest, full-bearded men are favored for long-term relationships. Gay men surveyed also respond more favorably to men with facial hair. Another scientific study reveals that bristles make men wearing aggressive expressions appear that much more threatening. Hence the many pitchers who forgo razors the day of the game in search of a predatory advantage over club-wielding scruffs standing sixty feet, six inches away.

Woodcut of Ezzelino III da Romano, unfortunately without the famous nose hair (via wikipedia)

But forget about staring down plain old beards and mustaches. Just imagine having to face the facial hair sported by the medieval warlord Ezzelino da Romano. By facial hair I mean just that, one single strand. This alpha male, a dark and hairy beast of a man, sprouted a single black hair on the tip of his nose, a genetic abnormality that had nothing to do with fashion but made quite a statement nonetheless.

Ezzelino terrorized inhabitants of northern Italian cities and towns in the thirteenth century. A murderous despot, he was said to be responsible for taking over 50,000 lives, on one occasion slaughtering over 10,000 Paduans by fire, sword, and starvation. He was such a bad dude that the pope of the time, Alexander IV, called him “a son of perdition . . . the most inhuman of the children of men” and launched a crusade against him.

Ezzelino’s nose ornament took hostile facial fuzz to another level. Whenever he became enraged, the long dark hair on his nose immediately stood up, making those around him run for their lives. Anger on steroids. Little wonder that the poet Dante condemned Ezzelino to the circle of violence in his Inferno (canto 12, lines 109-110), placing him with other homicidal tyrants in the Phlegethon, a river of hot blood. Like a meatball in a pot of tomato sauce, a dark head of hair is all that appears of Ezzelino above the bubbling red surface.

Dante and Virgil observe the centaurs shooting the tyrants in Phlegethon. Charles S. Singleton (Inferno XII) (via wikimedia)

Imagine plucking Ezzelino da Romano from Dante’s red river and fitting him in an Astros uniform for game seven of the 2018 American League Championship Series against the Red Sox. There is no score with two outs in the bottom of the ninth inning. José Altuve, Marwin Gonzalez, and Evan Gattis beam their impressive face rugs from third, second, and first base. Pinch-hitting for peach-fuzzed Alex Bregman, Ezzelino steps to the plate and digs in.

Craig Kimbrel and his red beard (via wikipedia)

Red-bearded Craig Kimbrel gets the sign and checks the runners. Ezzelino waits, his head steady and slightly tilted toward the mound. Kimbrel rocks back, lifts his left leg, and just as his eyes find the target—boing!—Ezzelino’s nose hair snaps to attention, perfectly parallel to the bat in his hands. The terrified hurler uncorks a wild pitch, allowing Altuve to sprint home with the winning run. The Astros are headed to the World Series, while the Red Sox and their fans brace themselves for a long, cold New England winter.

Bibliography:

Will Fisher, “The Renaissance Beard: Masculinity in Early Modern England,” Renaissance Quarterly 54, no. 1 (2001): 155–87, JSTOR, www.jstor.org/stable/1262223; Christopher Oldstone-Moore, Of Beards and Men: The Revealing History of Facial Hair (Chicago: University of Chicago Press, 2015); Douglas Biow, On the Importance of Being an Individual in Renaissance Italy: Men, Their Professions, and Their Beards (Philadelphia: University of Pennsylvania Press, 2015), 181-224; Giovanni Villani (c. 1280-1348), Nuova cronica, ed. Giuseppe Porta, 3 vols., 2nd ed. (Parma: Fondazione Pietro Bembo, 2007); Dante Alighieri, La Divina Commedia, ed. Giorgio Petrocchi. (Turin: Einaudi, 1975); Benvenuto da Imola (1375-1380), commentary on Inferno 12.109-112, database of the Dartmouth Dante Project, https://dante.dartmouth.edu; Paget Toynbee, A Dictionary of Proper Names and Notable Matters in the Works of Dante (Oxford: Clarendon Press, 1968).

Beard Links:

Beard bonding: http://www.bostonglobe.com/sports/2013/10/02/beards/BAQGj2IcEckzCq5Z0Piy3N/story.html

Brett Gardner stopped shaving his upper lip:

http://m.yankees.mlb.com/news/article/120449078/for-brett-gardner-yankees-its-not-a-stache-decision

Wide assortment of trendy beards:

https://ftw.usatoday.com/2017/10/world-series-dodgers-astros-beards-ranked-turner-keuchel-kershaw-reddick-mlb-mlbeard

Long-bearded pitchers Craig Kimbrel and David Price:

https://www.masslive.com/redsox/index.ssf/2018/07/craig_kimbrels_long_beard_isnt.html

Best overall beard garden:

http://www.nbcsports.com/washington/washington-nationals/years-nationals-are-stacked-glorious-facial-hair-bryce-harper-jayson-werth-beard

Fewer shaves and more beards:

https://chicago.cbslocal.com/2018/08/08/909324-beards-bad-gillette-razors/

Early modern period:

https://www.jstor.org/stable/1262223?seq=1#page_scan_tab_contents

A recent survey:

https://www.nytimes.com/2017/05/17/well/family/are-men-with-beards-more-desirable.html

Another scientific study:

https://academic.oup.com/beheco/article/23/3/481/221987

A river of hot blood:

https://upload.wikimedia.org/wikipedia/commons/3/35/Inf._12_anonimo_fiorentino.jpg

Did Race and Racism Exist in the Middle Ages?

For generations, race studies scholars—historians and literary critics alike—believed that race and its pernicious spawn racism were modern-day phenomena only. This is because race was originally defined in biological terms, and believed to be determined by skin color, physiognomy, and genetic inheritance. The more astute, however, came to realize race could also be a matter of cultural classification, as Ann Stoler’s study of the colonial Dutch East Indies makes plain:

“Race could never be a matter of physiology alone. Cultural competency in Dutch customs, a sense of ‘belonging’ in a Dutch cultural milieu . . . disaffiliation with things Javanese . . . domestic arrangements, parenting styles, and moral environment . . . were crucial to defining . . . who was to be considered European.”*

Yet even after we recognized that people could be racialized through cultural and social criteria—that race could be a social construction—the European Middle Ages was still seen as outside the history of race (I speak only of the European Middle Ages because I’m a euromedievalist—it’s up to others to discuss race in Islamic, Jewish, Asian, African, and American premodernities).

This meant that the atrocities of the Medieval Period—roughly 500-1500 CE—such as the periodic extermination of Jews in Europe, the demand that they mark their bodies and the bodies of their children with a large visible badge, the herding of Jews into specific towns in England, and the vilification of Jews for putatively possessing a fetid stench, a male menses, subhuman and bestial characteristics, and a congenital need to ingest the blood of Christian children whom they tortured and crucified to death — all these and more were considered to be just premodern “prejudice” and not acts of racism.

Duccio di Buoninsegna, Christ Accused by the Pharisees, c. 1308-11.
Source: Wikimedia Commons

The exclusion of the medieval period from the history of race issues derives from an understanding of race that has been overly influenced by the era of scientific racism (in the so-called Age of Enlightenment), when science was the magisterial discourse of racial classification.

But today, in news media and public life, we see how religion also can function to classify people in absolute and fundamental ways. Muslims, for example, who hail from a diversity of ethno-races and national origins, have been talked about as if their religion somehow identified them as one homogenous people.

“Race” is one of the primary names we have for our repeating tendency to demarcate human beings through selected differences that are identified as absolute and fundamental, so as to distribute power differentially to human groups. In race-making, strategic essentialisms are posited and assigned through a variety of practices. Race is a structural relationship for the management of human differences.

Rather than oppose premodern “prejudice” to modern racisms, we can see the treatment of medieval Jews—including their legalized murder by the state on the basis of community rumors and lies—as racial acts, which today we might even call hate crimes, of a sanctioned and legalized kind. In this way, we would bear witness to the full meaning of actions and events in the medieval past, and understand that racial thinking, racial practices, and racial phenomena can occur before there’s a vocabulary to name them for what they are.

We can see medieval racial thinking in art and statuary, in maps, in saints’ lives, in state legislature, church laws, social institutions, popular beliefs, economic practices, war, settlement and colonization, religious treatises, and many kinds of literature, including travel accounts, ethnographies, romances, chronicles, letters, papal bulls, and more.

English Jew wearing the Jewish badge on his chest in the form of the tablets of the Old Testament (BL Cotton MS Nero, D2, fol.180, 13th century. British Library, UK, reproduced from The Invention of Race in the European Middle Ages).

Accordingly, the treatment of Jews marks medieval England as the first racial state in the history of the West. Church and state laws produced surveillance, tagging, herding, incarceration, legal murder, and expulsion. A popular story of Jews killing Christian boys evolved over centuries, showing how changes in popular culture helped create the emerging communal identity of England. England’s 1275 Statute of Jewry even mandated residential segregation for Jews and Christians, inaugurating what would seem to be the beginning of the ghetto in Europe; and England’s expulsion of its Jews in 1290 marks the first permanent expulsion of Jews in Europe.

Similarly, Muslims in medieval Europe were transformed from military enemies into non-humans. The renowned theologian, Bernard of Clairvaux, who co-wrote the Rule for the Order of the Templars, announced that the killing of a Muslim wasn’t actually homicide, but malicide—the extermination of incarnated evil, not the killing of a person. Muslims, Islam, and the Prophet were vilified in numerous creative ways, and the extraterritorial incursions we call the Crusades coalesced into an indispensable template for Europe’s later colonial empires of the modern eras.

Even fellow Christians could be racialized. Literature justifying England’s colonization of Ireland in the twelfth century depicted the Irish as a quasi-human, savage, infantile, and bestial race—a racializing strategy in England’s colonial domination of Ireland that echoes from the medieval through the early modern period four centuries later.

Statue of the Black African St. Maurice of Magdeburg, at Magdeburg Cathedral, Germany, 1220-1250 (The Menil Foundation, Houston; Hickey and Robertson, Houston; and Harvard University’s Image of the Black Project, reproduced from The Invention of Race in the European Middle Ages)

The treatment of Africans in medieval Europe tracks the pathways by which whiteness ascended to primacy in defining Christian European identity from the mid-thirteenth century onward. Sub-Saharan Africans were grimly depicted as killers of John the Baptist and torturers of Christ in medieval art. Africa also allowed European literature to fantasize the outside world, and imagine what the world outside could offer—treasure, sex, wealth, supremacy—and consider how to make the rest of the world into something that better resembled Latin Christendom itself.

After Greenlanders and Icelanders encountered Native Americans in the early eleventh century, when the Norse founded settlements in North America, Icelandic sagas gleefully show the new colonists cheating Native Americans in exploitative trade relations half a millennium before Columbus. The colonists also kidnap two native boys and abduct them back to northern Europe, where the children are Christianized and taught Norse—an account of forced migration that may help explain why, among the races of the world today, the C1e DNA gene element is shared only by Icelanders and Native Americans.

Europe’s evolving relationship with the Mongol race is traced in Franciscan missionary accounts, the famous narrative of Marco Polo and Rustichello of Pisa, Franciscan letters from China, the journey of a monk of the Church of the East from Beijing to Europe, and other travel narratives, that transform Mongols from a terrifying alien race into an object of desire for the West, once the Mongol imperium’s wealth, power, and resources became known. Mongols even offered a vision of modernity, of what that future might look like—with a postal express, disaster relief, social welfare, populace-maintained census data collection, independent women leaders, and universal paper money. Unlike the other races encountered by Latin Christendom—Jews, Muslims, Africans, Native Americans, and the Romani—Mongols were the only race representing absolute power to a fearful West.

Detail from the Catalan Atlas showing Marco Polo traveling the Silk Road. Source: Wikimedia Commons

Slavery in the medieval period was also configured by race: Caucasian slave women in Islamic Spain birthed sons and heirs for Arab Muslim rulers, including the famed Caliphs of Cordoba; the ranks of the slave dynasties of Turkic and Caucasian sultans and military elites in Mamluk Egypt were regularly resupplied by European, especially Italian slavers; and the Romani (“Gypsies”) in southeastern Europe became enslaved by religious houses and landowning elites who used Romani slaves as labor well into the modern era, making “Gypsy” the name of a slave race.

In the Middle Ages and today, it is the Romani—who consider themselves an ethnoracial group, despite considerable internal heterogeneity among their peoples—who best personify the paradox of race and racial identification. Romani self-identification as a race, despite substantial differences in the composition of their populations, suggests to us that racialization—by those outside, as well as by those who self-racialize—remains tenacious, well into the twenty-first century.

* Ann Laura Stoler, “Racial Histories and Their Regimes of Truth.” Political Power and Social Theory 11 (1997): 183-206

Geraldine Heng, The Invention of Race in the European Middle Ages

Recommended reading:

Madeline Caviness, “From the Self-Invention of the Whiteman in the Thirteenth Century to The Good, the Bad, and the Ugly.” Different Visions: A Journal of New Perspectives on Medieval Art 1 (2008).
A key study on the ascension of whiteness to centrality in European identity, as depicted in medieval art, with fifty-nine full-color images.

Jean Devisse, The Image of the Black in Western Art: From the Early Christian Era to the “Age of Discovery.” Trans. William G. Ryan. Vol. 2 Pt. 1: From the Demonic Threat to the Incarnation of Sainthood (2010).
An extraordinary, indispensable volume, with a vast collection of images of objects, illustrations, and architectural features depicting blackness and Africans in medieval European art. Part of an invaluable multi-volume series on blackness and Africans in art history, that ranges from antiquity to the modern period.

Ian Hancock, We are the Romani People (2002). A major study on the Romani, and Romani slavery, by a distinguished Romani studies scholar at the University of Texas in Austin.

Debra Higgs Strickland, Saracens, Demons, and Jews: Making Monsters in Medieval Art (2003).
An important study showing us the implications of the iconography that visualized Jews, Muslims, Mongols, and monstrous humans for medieval audiences. Strickland reminds us that the human freaks depicted in art, cartography, and literature—often celebrated as wondrous and marvelous—shouldn’t teach us that medieval pleasure is pleasure of a simply and wholly innocent kind.

John V. Tolan, Saracens: Islam in the Medieval European Imagination (2002) and Sons of Ishmael: Muslims through European Eyes in the Middle Ages (2008).
Two indispensable studies on portrayals of Muslims in medieval Christian Europe.

Header image: Alexander encounters the headless people —Historia de preliis in French, BL Royal MS 15 E vi, c. 1445.

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A Medieval Nun, Writing

by Martha G. Newman

On a research trip last summer, I found a previously unidentified thirteenth-century manuscript in a library in Poznan, Poland, and recognized that it contains the writings of a late twelfth-century monk named Engelhard of Langheim. One of the Latin texts in this manuscript is the saintly biography of a religious woman named Mechtilde of Diessen. The following story, found only in this one Polish manuscript, appears as a postscript:

Saint Mechtilde, as was said earlier, was in the habit of writing. She did so to avoid eating the bread of leisure, and in this especially she believed she greatly pleased her God. She frequently brooded like a mother hen over the writing of missals and psalters because she thought – or rather she hoped – to serve the divine more earnestly in doing this. Her hope did not betray her. For one day, when she still had work remaining, she wished to repair a blunt pen, but she did not succeed. The pen was very troublesome to prepare. She was knowledgeable about cutting quills, but once cut, this quill did not respond when tested. This caused in her not a little disturbance of her spirit. “Oh,” she said, “if God would only send me his messenger, who could prepare this pen for me, for I have rarely suffered this difficulty, and it is now greatly troubling me.” As soon as she said this, a youth appeared. He had a beautiful face, a shining robe, and sweet speech. He said, “What troubles you, O beloved?” And she said, “I spend my time uselessly, I toil for nothing, and I do not know how to prepare my pen.” He said, “Give it to me, and perhaps you will not be hindered anymore by this knowledge when you wish to prepare it.” She gave it to him, and he prepared it in such a way that it remained satisfactory for her until her death: she wrote with it for the many years that she lived. After this miracle, when she spent time writing, no one could write so well, no one so quickly, no one so readily, and no one so correctly, nor could anyone imitate in likeness her hand. The pen’s preparation, as I said, was permanent, but the preparer disappeared and appeared in the work of which he was the maker. I have reported this just as the daughter of the duke of Merania, herself a holy virgin, has testified. She, reading this little work on the life of Mechtilde, asked to add what was missing.[1]

This brief little anecdote tells us a great deal about the literacy of medieval nuns. First, it reminds us that nuns as well as monks copied manuscripts. In recent years, our understanding of medieval literacy has become more nuanced. Scholars have separated the ability to read, to write, and to compose texts into discrete aspects of what we now call “literacy.” We know that many nuns and many aristocratic women could read: noble women in the later middle ages commissioned elaborate prayer books called Books of Hours, mothers were pictured reading to their daughters, and convents sometimes had extensive libraries. We also know women composed texts, but they often did so with the cooperation of male scribes who wrote down what the women dictated. Female scribes, however, are hard to locate. Scribes did not always sign their names to their work, and women may have been particularly reticent to do so. But we are beginning to realize that writing was a form of work for nuns as well as for monks and that, at times, religious men and women even worked together to produce manuscripts. Monks also sent drafts of their compositions to nuns to be copied. As one twelfth-century monk told the abbess of a convent, “having no scribe at my disposal, as you can see by the irregular formation of the letters, I wrote this book with my own hand.” As a result, he asked to have his text “copied legibly and carefully corrected by some of your sisters trained for this kind of work.”[2]

This is a 15th century image of Christine de Pisan (1363 – c. 1430), one of the best known authors of medieval Europe. She is shown writing her own book, but she is using the same tools that Mechtilde would have employed: she has a pen in one hand and a scraper in the other

Mechtilde probably did not copy texts that she herself composed. The story depicts writing as a form of spiritual labor that prevented a dangerous leisure: Mechtilde’s irritation that she wasted her time trying to fix her pen demonstrates her concern for purposeful work. But the content of the books still mattered.

A second interesting element of this story is that Mechtilde associated her careful copying of missals and psalters with serving God, a phrase more frequently used to describe the prayers and rituals that these texts depicted. The Psalms formed the fundamental prayers for monks and nuns; in praying six times a day and once at night, monks and nuns sang the entire psalter every week and repeated some Psalms daily. By copying psalters, Mechtilde could pray while she wrote. Copying missals, however, had a different implication, for the missal was the liturgical book for the mass. Mechtilde could not perform the mass, but the story suggests a parallel between her writing and the actions of a priest. Although Mechtilde asked God to send his messenger to assist her, the young man’s appearance and his reference to Mechtilde as his “beloved” suggest that he was Jesus. Just as a priest, using the prayers and instructions laid out in a missal, transformed the bread and wine into the body and blood of Christ, so Mechtilde, in copying missals with devotion, filled those books with the presence of Jesus: “he appeared in her work of which he was the maker.” As a woman, Mechtilde was unable to serve at the altar, but she had found another way to participate in the performance of the mass.

Finally, the transmission of the story is noteworthy. The author of Mechtilde’s life, the monk Engelhard of Langheim, never met Mechtilde, but he knew members of her family: they were important patrons of his monastery. In the saint’s life, Engelhard had mentioned briefly that Mechtilde was a scribe but he did so only to emphasize her willing obedience to put down her pen immediately when summoned. He learned the story about the pen from Mechtilde’s niece. The niece, a daughter of a duke, was also a nun, and she placed more emphasis on her aunt’s writing. Her memories of her aunt suggest that in the middle ages, as today, family histories were often the preserve of women and that tales were often recounted orally from one generation to the next. The niece’s story, as Engelhard recorded it, gives us a brief glimpse into the family legends of this one aristocratic lineage.

A Medieval Vision

by Martha G. Newman

In the last years of the twelfth-century, a monk named Engelhard, from the German monastery of Langheim, composed stories about miraculous events and visions he believed his fellow monks had experienced. This was not a decision made lightly: parchment was expensive, the process of writing laborious, and monastic authors needed permission from their superiors to write at all. But Engelhard (and his abbot) considered this project worthwhile. His stories preserved memories of holy monks, celebrated the special sanctity of his monastic order, and encouraged proper behavior. Other monks must have found this collection of stories worthwhile. Over the next century, it was copied – still by hand, still on parchment – at least four times.

A Cistercian manuscript of Gregory the Great's Moral Commentary on Job, created around 1111. A monk is seen wielding an ax, and the tree has some marks near the base. The monks and the tree form the letter "I." — A Cistercian manuscript of Gregory the Great’s *Moral Commentary on Job*, created around 1111. Today it is in the municipal library in Dijon, France (ms 173). The monks and the tree form the letter “I.”

The historical text I present here is one of Engelhard’s monastic stories. I have transcribed it from an early thirteenth-century manuscript and translated it from Latin into English. It contains a striking and unusual image: an apparition of the Virgin holding a vase filled with the sweat she had collected from monks laboring in fields. The image reinforces the purpose of Engelhard’s collection, for Mary praised the monks’ work and the holiness of their monastery; after hearing the story of the vision, Engelhard claimed that the monks worked still harder. However, this story does more than exhort and praise these Cistercian monks. It also illustrates changing attitudes toward labor as Europe moved from a subsistence to a commercial economy.

Engelhard was a monk in the Cistercian order. The first Cistercian monastery was founded in 1098, the same year that the crusaders conquered the city of Jerusalem. Just as the First Crusade demonstrated the combination of technological and economic advances and new religious impulses that allowed Europe to go on the offensive, so the growth of the Cistercian order in the twelfth century also combined a new understanding of religious ideas with technological and economic innovations. These monks sought to follow, as closely as possible, the strictures of the monastic rule written by St. Benedict 600 years earlier. One result of their adherence to the Benedictine Rule was that they rejected the economic practices of their monastic contemporaries, most of whom lived off the labor of a subject peasantry. The Cistercians instead wanted to live off their own labor; they refused gifts of manors and peasant revenues and, as a result, accumulated pasture, waste, and other territory not already settled by peasants. As the monks cleared these lands, raised sheep and pigs, and created workshops for metallurgy and other crafts, they quickly became participants in a new commercial and money-based economy.

The Cistercians’ attitudes toward work did not change as quickly as their economic practices. Medieval society inherited two sets of ideas about work, both of which held work in low esteem. The classical tradition of ancient Greek and Rome valued a cultured leisure and disdained the labor of those who made this cultured leisure possible. The early Christian interpretation of Genesis emphasized that God condemned Adam and Eve to toil and pain and presented labor as a result of human sinfulness. Throughout much of the middle ages, peasants were often seen as cursed by God because they had to labor in order to survive. When the Cistercians monks included agricultural work in their monastic customs, many of their contemporaries were puzzled to see aristocratic men working as peasants: “How, truly, is it religion to dig the ground, to cut down trees, to haul manure?” critics asked.

Even the early Cistercians still viewed labor as a penance for sin. They saw their willingness to take on the work of peasants as teaching them humility and control over their bodies: work was a means of imitating the humility and suffering of Christ, not a way to produce goods for consumption and sale. Soon after the foundation of their order, the Cistercians recognized that it was difficult to combine their prescribed hours of prayer with the demands of an agricultural economy; they may also have realized that aristocratic monks were not skilled at tending sheep and harvesting grain. As a result, they formed a second group of monks within their communities. These “laybrothers” spent less time at prayer and more at work, and they were probably responsible for the economic success of many Cistercian communities.

Engelhard was not the only Cistercian to tell a story about an apparition of the Virgin Mary who encouraged Cistercian labor. There are versions in other Cistercian story collections, but these depict Mary visiting the monks while they are at work, and they emphasize the wonder of seeing such noble men toiling as peasants in the fields. They emphasize labor as a form of penance which has a spiritual value only if it has been chosen voluntarily. Engelhard’s story is different, and suggests a changing attitude toward work. The monk in his story was the cellerar – the official in charge of the laybrothers, of paying hired workers, and generally maintaining the economic well-being of the monastery. And, in Engelhard’s version, this cellerar asks the apparition whether work done out of necessity has the same spiritual value as that done voluntarily. Mary’s response is remarkable: she says that she values both forms of labor and both will receive a reward.

Engelhard’s story suggests a growing recognition of the economic value of work. His ideas are akin to those of other late twelfth-century authors who rejected the idea that those who toiled out of economic necessity were cursed by God, who began to value the involuntary labor of peasants, and who started to quantify both time and production. We are not yet observing a society in which goods are valued primarily by their market worth: Engelhard’s story depicts monks producing sweat for Mary to collect rather than commodities to sell. But Engelard’s story of a monastic vision demonstrates that European attitudes toward work had started to change in tandem with the rise of a new commercial economy in the high middle ages.

The grange of the monastery of Langheim. Plants at the forefront of the image are decorated with gold and purple ribbons. — The grange (barn and workshops) of the monastery of Langheim. Today, the remaining buildings from Langheim are part of the town of Lichtenfels, in Upper Franconia, Germany.

A Monk’s Vision of the Virgin Mary (translated by Martha G. Newman)

This event happened in a monastery of our order, in a monastery that is renowned throughout France. Everyone believes it, because the man who saw it has many witnesses to his testimony.

It was harvest time, and as the monks worked in the fields, they sweat heavily with the hard work and under the heat of the day. When evening came, they went to bed and closed the door to their dormitory. The cellarer was a holy man, wise and mature, and of such good character that he alone was allowed to remain outside to take care of the hired workers. When he was finished, he went in to go to sleep, but the door to the dormitory was closed. What should he do? Beat on the door? He was not willing to knock, because the monks were resting. Should he then leave? But then he himself would have no rest. Preferring to inconvenience himself rather than his brothers, he entered the chapter room and sat on the steps.

But he did not sleep, and behold! the young woman entered, her light preceding two other women, and she approached the monk and asked if he slept.

He responded that he was awake, but asked why, against all monastic custom and in the middle of the night, the women entered the monastery without a care.

The woman said, “I am Mary, who cares for all who are in this abbey and in this order.” She carried a glass vase, which she held to her nose as if capturing the smell from it. And she said, “ I have visited today my monks in the field, and I collected their sweat for myself in this vase. For me it is the most pleasant smell, and it is certainly worthy for my Son, and it will return the highest reward.

The monk then asked, “O holy Lady, how important is our labor for you which is not so much done from voluntary devotion as from the necessity of our poverty?”

And she answered, “What do you say? Have you not heard that what is voluntary receives a penalty and duty earns the reward? If duty receives the reward, what is voluntary now receives a part. But whether out of necessity or voluntary, what you do is mine. I claim all of your work for myself, and what I receive, I remunerate.”

Having said this, she disappeared, and the monk slept sweetly, thus refreshed in hope, comforted in faith, and willing to work.

When morning came, he joyfully and devotedly reported what he had seen to the abbot at the chapter meeting. All were joyful, all believed him, and no one doubted it because of the seriousness of his character. All were stirred up, each was aroused to work. They labored and they sweated in such a manner that Mary, as she came near, could fill up her vase.

And thus Mary was accustomed to sport sweetly with her sons; thus she showed herself in a vision to them, offering them the gift of peace and grace. Those who were meek heard and rejoiced, those who were discouraged heard and were comforted; the lazy were inspired; all ran easily and without exhaustion to give glory to Christ and Mary, and from them receiving grace.

From Engelhard of Langheim’s Miracle Book. Munich, Bayerische Staatsbibliothek, clm 13097, ff. 145v-146r.

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