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The past is never dead. It's not even past

Not Even Past

Digital Archive Review – Más de 72

by Ashley Nelcy García, Department of Spanish and Portuguese

An earlier version of this review was published on halperta.com.

 What is a digital archive? I asked myself this question in the weeks before submitting this review. While digital archives are typically defined as a coherent set of digital objects that have been put online by a library or an official archival institution, Más de 72 challenges the notion of what we can identify as a digital collection of records.

Screenshot of Más de 72

Más de 72 is a digital project that collects primary sources pertaining to the massacre of 72 migrants from Central and South America and India. The documents and media shared on this site shed some light on the mass murder that occurred in San Fernando, Tamaulipas, Mexico in 2010, under the administration of Felipe Calderón. The collection was created by Periodistas de a Pie, an organization of active journalists that seeks to raise the quality of journalism in Mexico. The International Center for Journalists  (ICFJ), CONNECTAS, and journalists who were invited to participate in the project supported the development and completion of this project.

The collection is a valuable resource for individuals interested in Mexico’s recent history, memory, and human rights issues. Visitors can access primary sources such as official documents from Mexico and the United States, including some judicial records and declassified files. Testimonies from surviving family members recorded in video and audio by journalists, as well as photographs and maps are also available. Additionally, journalistic investigations and reports published by human rights entities provide context to users unfamiliar with the case.

via Más de 72

Más de 72’s primary strength is its presentation. The site contains six different tabs or capítulos (chapters) that provide different types of information. For instance, the sections titled “La Masacre” (The Massacre) and “Después de la Masacre” (After the Massacre) include official and visual documents associated the mass murder of the 72 migrants. Under these tabs, visitors can access documents like the press release from the Secretaría de Marina (Secretary of Marine) and the diplomatic cable that the U.S. Embassy sent to the Department of State. Online browsers with an interest in the role of official documents can also download more than 50 files under the tab titled “Transparencia” (Transparency). On the other hand, users interested in criminal records and procedures and migration studies can access a list of objects found in the location where the massacre occurred and the names of the victims under “Después de la Masacre.” In regard to organization, it is important to note that the names of the victims are listed under their country of citizenship and under the month and the year they were identified.

On the other hand, the tabs titled “Las Víctimas” (The Victims), “Los Culpables” (The Culprits), and “Sobre San Fernando” (About San Fernando)  provide more detailed information regarding people and location. These sections can benefit visitors interested in oral history, memory, gender studies, and digital cartography. Under “Las Víctmas”, users can listen to four testimonies provided by victims’ surviving family members. “Los Culpables” has a list of the men and women involved in the mass murder; this section includes the names, the photos, the list of crimes they committed, and external links that provide additional information. The section titled “San Fernando” includes a digital map from Time Mapper that helps users identify the mass graves and the people that have been disappeared in Tamaulipas by geographic location.

Overall, the site benefits users who cannot visit Mexico or Tamaulipas. Aside from scholars, people who can potentially benefit from this repository include but are not limited to: family members of migrants and people who have been disappeared, residents from the state of Tamaulipas, people with relatives in the northern part of the Mexico, journalists, lawyers, and activists. Although the project is not affiliated with libraries, governmental, or academic institutions, Periodistas de Pie is open to working with community members. As stated in “Creditos” (Credits), users can share documents or materials by sending an email to the listed email address. In addition, the organization invites visitors to collaborate–either with skills or donations–to continue developing the site.

The website has some technical problems. It would be difficult for someone who is unable to read Spanish to understand the majority of the information included on the platform. Additionally, some links, hyperlinks, and images need to be updated. More descriptive metadata would also benefit the project and there is a need to assist with the second part of the collection titled, “Segunda Entrega: Fosas de San Fernando” (Second Delivery: San Fernando’s graves).  While these are minor setbacks, they also provide an opportunity for archivists, scholars, and web developers to get involved with the project.

Capítulo 5: Sobre San Fernando (Chapter 5: About San Fernando) via Más de 72

Even though Más de 72 is not described as a “digital archive” by the journalists at Periodistas de Pie, this platform serves as a repository of digitized primary documents associated with an historical event. In this regard, it is important to consider how the digital humanities field can be co-opted by elites to control historically politicized spaces. We need to be thinking about what is at stake when the term “archive” is used to control information. The politics of archiving is especially important where journalists–the authors of many of the documents in Mas de 72–find themselves in a violent climate and are rarely protected by institutions of power.


Read More:
Más de 72

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History Between Memory and Reconstruction

By Sumit Guha

Nothing seems easier than remembering. Each of us remembers a great deal – from the recent past and the remote past. And even if we cannot remember something it surely is recorded somewhere in a collective memory – perhaps in the vast ragbag of information, disinformation, and speculation to be found on the internet? But once we think of verifying what we remember, we find that we are all – including the most eminent – sometimes mistaken. As the forensic psychologists Loftus and Doyle describe it,

“Sometimes information was never stored to begin with. Sometimes interference prevents memory from emerging to consciousness. Sometimes witnesses wish to forget; sometimes they are temporarily unable to retrieve… Moreover, another force, known as a constructive force, is also at work. People seem to be able to take bits and pieces of their experience and integrate them to construct objects that they never saw and events that never really happened.”

With audiences of millions, true crime stories and celebrity criminal trials form the most widely consumed form of historical memory in the USA – and perhaps in the world – today. A criminal trial elicits and tests evidence to a standard that few historical narratives could consistently meet. Yet, as Loftus and many others have pointed out, they can generate false narratives, either though bad laboratory science or the frailties of eye-witness memory.

So where does that leave historians, they who deem themselves the custodians of authentic memory? Are we simply writing the most tedious genre of “magical realism,” as Alice suspected? Historians are not writing imaginary history, but they cannot transcend either the passage of time or the loss of knowledge. They must live in the society of their own time, with all the limitations that that implies.

Maurice Halbwachs (Wikipedia)

All thought on this must begin with the work of the great French sociologist Maurice Halbwachs who was murdered in Buchenwald in 1945. Halbwachs sought to integrate the then emerging science of social psychology with his concept of collective memory. He wrote that we can remember the past only by retrieving the location of past events “from the frameworks of collective memory.” Almost a century of psychological research after Halbwachs has solidly supported his claim. “Remembering” is not an act of retrieval, but of reconstruction within a social group.

The reconstructive process is where mistakes occur, such as the implanting of false memories. Experimental psychologists have long known about false or implanted memory. But obviously, demonstrating falsity depends on our capacity to recover authentic truth. So if the memory claims to be a statement of fact, then it is open to interrogation – even first-person eyewitness narrative may be questioned. These have failed scrutiny more than once.

A Tale from the Decameron by John William Waterhouse, 1916 (Wikimedia)

In reconstructing historical memory, scholars have often focused only on the high scholarship of the past, ignoring folk and popular modes of reconstructing pasts. The family estate, the clan, the village, up to the larger imagined communities of ordinary folk — these commonplace and everyday pasts also tell important stories  At various times and places, such narrations  occupied the whole space of historical practice: all history was non-professional history. It was also often consciously public, directed, for example, to establish present privilege through an inherited right. Only gradually was history that was based on claims to sanctity, honor, property, and taxation displaced by new histories written by professionals, at least in the confines of the formal educational system. That transition required the determination of the protocols of historical inquiry within the community of scholars.

Collective memory is defined by its public and societally monitored character. It is necessarily made and reproduced within a framework of social and political relations that create and bind a community of thought. It also follows that the disintegration of that framing community will also cause its social memory to vanish. Sometimes – usually in recent millennia, collective memory has left some legible trace in the historical record: more often it has not. That indeed, is what has happened to the greatest part of human collective memory: the bards and sages died and left no disciples. Inscriptions and monuments crumbled. Scribal traditions died out and scripts became illegible. In the past two centuries, that collective memory has increasingly, but not solely, been built by standardized and state-controlled education. It has also been deeply imprinted by any given state’s variety of nationalism.

Collective memory was not trivial: it affected political life, criminal justice, and property claims in concrete and specific ways. It is a reconstruction that is socially sanctioned and institutionalized. In 1658, the noble Raymond de Gigord who carried the armorial symbols shown above had to prove his nobility to avoid a royal tax (franc-fief).

But before and alongside the modern state, many smaller social entities also provided frameworks for the organization of memory. Some operated by the creation of ‘micro-histories.’

Hero-stone commemorating warriors who fought large numbers of enemies to protect their herds of cows. (Sagar Borkar’s Blog. Used with permission)

The descendants of an impoverished lineage revived their claim some sixty years after fleeing their village during an invasion. They told the tribunal their story and authenticated it by referring to a well-known village monument:

“Our ancestors maintained their lordship through the generations, but we cannot discover who first obtained the right. In the days of Bijapur rule [i.e. before the 1650s] Krishna-shet son of Yesa-shet ran the lordship. Krishna-shet’s brother Sona-shet died in the village, his wife immolated herself, her masonry memorial is still extant in the village. Then Bhāg-shet son of Krishna-set managed the lordship.”

This hero stone commemorates a “sati,” a woman who burned herself on her husband’s funeral pyre. (Sagar Borkar’s Blog, used with permission).

Such episodes were recorded on the landscape in thousands of monuments, like the memorial shown immediately above and below, and at the top of the page.  The local community would have preserved their hero’s memory and associated it with the stone. After the community is long since dispersed, the stones remain.

Original memory has worn away but stone still survives (Wikipedia)

Historical memory is not only lost: it is also made anew by emerging communities. For the past two centuries and in a growing part of the world, such communities include emergent nations struggling against colonial empires. Nationalists sought to shape various alternative memories to fit their own future projects. The departure of the British Empire from South Asia left its apparatus of schooling and research in new hands. That is the frame in which modern practices of historical memory were shaped in nineteenth and twentieth-century South Asia and elsewhere. But they exist as bubbles in the stream of other narratives, some concocted for entertainment, some for more sinister purposes.

For more on history and memory in India, see Sumit Guha’s new book: History and Collective Memory in South Asia, 1200-2000.

Suggestions for further reading:

Maurice Halbwachs On Collective Memory. Edited, translated, and with an introduction by Lewis A. Coser. (1992).
This was written in the 1930s and essentially founded the study of historical memory. It contains a particularly important study of the remembered and imagined topography of Jerusalem that later Christians sought to find and sometimes implanted.

Yosef H. Yerushalmi Zakhor: Jewish History and Jewish Memory. (1982).
This book studies not only the textual record of a community that preserved and expanded it for 2500 years, but also develops an elegant explanation of why it took the shape that it did.

Prachi Deshpande. Creative Pasts: Historical Memory and Identity in Western India, 1700-1960. (2007).
Tracks a continuous tradition of historical memory in Western India and illustrates the leakages from tradition to historical text to theatre and novels in a major Indian language, Marathi.

Christian L. Novetzke. Religion and Public Memory: A Cultural History of Saint Namdev in India. (2008).
Novetzke tracks the many textual traditions and performative oral memories of a pan-Indian religious figure through seven centuries.

Indrani Chatterjee. Forgotten Friends: Monks, Marriages, and Memories of Northeast India. (2013)
Shows how a religious tradition and network were erased under the pressures of colonial conquest and a new set of identities and memories were implanted under the joint pressures of Western anthropology and Protestant missionary enterprise.

Header photo credit: Shreyans Vasa, Memorial in Chhatardi, Bhuj, India (Wikipedia)

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