Please join UT Libraries, Texas Catholic Historical Society, The Summerlee Foundation, LLILAS Benson Latin American Studies and Collections and The Institute of Historical Studies for: “Carlos E. Castañeda’s ‘Catholic’ Texas?” Wed & Thu, Sep. 20-21, SRH.1, Nettie Lee Benson Latin American Collection, Second Floor Conference Room) Texans may remember singing the state song, “Texas, Our Texas,” during their state history classes in […]
From the Syllabus: Teaching the Practice of Early Modern Censorship in the Classroom
Introduction From the editors: From the Syllabus is a new series from Not Even Past designed to spotlight thought-provoking essays, texts, and other teaching resources that generate great classroom discussions. Each installment features an introduction by a leading educator explaining on what we can learn from each featured resource. From the Syllabus will serve as […]
Lecturing in Kherson: A One-Year Reflection on Maps, Occupations, and Russia’s War against Ukraine
One year ago, on March 18th, 2022, I was lecturing via Zoom on the history of Ukraine and Ukrainian cartography in the city of Kherson. My public talk to a classroom of students, faculty, and administrators was entitled “Ukraine Mapped: Between History and Geopolitics.” My talk was not normal. Kherson is a strategic port city […]
IHS Workshop: Whose Decolonization? The Collection of Andean Ancestors and the Silences of American History
A discussion on Dr. Christopher Heaney’s article “Skull Walls: The Peruvian Dead and the Remains of Entanglement,” American Historical Review, 2022. Christopher Heaney’s “Skull Walls” offers a new history for the foundations of American anthropology and scientific racism, locating their paradigm of collecting Indigenous ancestors in early US encounters with Peruvian and Andean colonial and republican knowledge […]
NEP Faculty Feature: Dr. Daina Ramey Berry
As some of our readers may know, the Chair of the History department, Dr. Daina Ramey Berry, will leave UT to become the next Michael Douglas Dean of Humanities and Fine Arts at UC Santa Barbara. In addition to being a brilliant scholar, inspirational teacher, and remarkable leader, Dr. Berry has also been an incredible […]
Re-imagining Public History: A Tribute to Joan Neuberger
by the Editor of Not Even Past, Adam Clulow As Not Even Past winds down for another academic year, we want to take a moment to celebrate the remarkable contribution of Dr. Joan Neuberger, our Founding Editor, who will be retiring from the University of Texas this summer. Joan guided the magazine for almost a […]
Coding Viceregal Art: Project Arca and Spanish Visual Culture Within the Digital Humanities
In honor of the centennial of the Nettie Lee Benson Latin American Collection, the 2022 Lozano Long Conference focuses on archives with Latin American perspectives in order to better visualize the ethical and political implications of archival practices globally. The conference was held in February 2022 and the videos of all the presentation will be available soon. Thinking […]
“Reflections on Resistance”: Memoria Abierta preserves the documentary legacies of heroes who faced down the junta
by Paula O’Donnell In honor of the centennial of the Nettie Lee Benson Latin American Collection, the 2022 Lozano Long Conference focuses on archives with Latin American perspectives in order to better visualize the ethical and political implications of archival practices globally. The conference was held in February 2022 and the videos of all the presentation will be […]
NEP Second Edition: Casta Paintings
From the Editors: Not Even Past Second Editions update and republish some of our most important and widely read articles. This is an electronic version of an article published in the Colonial Latin American Review © 2005 Copyright Taylor & Francis; Colonial Latin American Review is available online at www.tandfonline.com http://www.tandfonline.com/doi/abs/10.1080/10609160500314980 In 1746 Dr. Andrés Arce […]
Review of The Optic of the State: Visuality and Power in Argentina and Brazil (2007) by Jens Andermann
The Optic of the State explores a wide array of images, image-making processes, and display methods in nineteenth-century Argentina and Brazil. Jens Andermann argues that the ideas of the state as law in practice, or as a group that holds the monopoly of legitimate violence, are insufficient. The state also entails a visual form, a […]