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The past is never dead. It's not even past

Not Even Past

A Revolting People: Three Lesser-known Makers of the American Revolution

By Robert Olwell

Last spring, I divided the students enrolled in my course on the “Era of the American Revolution” into groups of four and assigned each group the task of researching, writing, and then producing a four-five minute “video essay.” (For more on the video essay form see “Show & Tell: The Video Essay as History Assignment.”)

I called the project “A Revolting People” playing off a line from the Marx Brothers’ film “Duck Soup.” Someone tells Groucho that the “peasants are revolting!” and he replies, “They certainly are, and they’re rebelling too.”

Each group was given the name of a lesser-known participant in the events of the American Revolution. My teaching assistants, Ms. Signe Fourmy and Ms. Jeanne Kaba, and I sat together and watched all of the thirty-three video essays that were submitted. We were pleased with the quality of research and creativity that most of the student groups achieved.

Now, in the spirit of this summer’s Olympics, I would like to present (with the permission of the students producers) the three video essays that we deemed to be worthy of the “gold,” “silver,” and “bronze” medals.

 

Bronze Medal
Topic: Jemima Wilkinson
Produced by: Nancy Trinh, Rebecca Swan, Noah Villabos, Albert Zhao

Silver Medal
Topic: George Robert Twelves Hewes
Produced by: Emma Meyer, Garret Mireles, Letitia Olariu, Nikole Pena

Gold Medal
Topic: John Laurens
Produced by: Jordan Gamboa, Logan Green, Nicholas Klesmith, Alexandria Lyons

 

You Say You Want a Revolution? Reenacting History in the Classroom

by Robert Olwell

Two students stand back-to-back in the center of the room.  At my signal, they step in opposite directions, turn, and shoot. Afterward, one crumples to the floor dead while the rest of the class erupts in cheers of glee or howls of outrage. This scene took place in my classroom last fall. My students were all “in character,” acting the part of historical figures. The duelists were Abraham Brasher, a New York City silversmith and member of the “Sons of Liberty,” and Christopher Billop, a Staten Island farmer loyal to the king. Although Brasher and Billop were both genuine historic figures and real political foes, their fatal meeting never actually took place. The student playing Billop had provoked the duel, gambling that if the dice fell his way (the projectiles they each “shot” were not bullets but dice), Brasher’s death might prevent the New York Provincial Congress from voting for independence.

Such fictitious events and “unhistoric” outcomes are an integral part of a class that I have taught for the past few years called “Debating the American Revolution.” The class was first inspired by the book Patriots, Loyalists, and Revolution in New York City, 1775-1776 written by William Offutt (a history professor at Pace University in New York City). This book is part of a series called “Reacting to the Past” launched in the late 1990s by Professor Mark Carnes of Barnard College. Each of books in the series focuses on a particular historical event or debate. Carnes believed that students would be more engaged with history if they encountered it as a participant rather than as a spectator. In the case of Offutt’s book, the chosen setting was New York City in the period between the start of the revolutionary war in April 1775 and the passage of the Declaration of Independence fifteen months later, and the historical debate was whether or not New York should join the American Revolution.

As soon as I read Offut’s book I knew that I wanted to try it. However, as I became more excited about the idea, I also became convinced that I would need an entire semester, and not merely the five weeks he allotted, to do the job properly. I believed the students’ role-playing would be more historically accurate if they were given a deeper background in the ideas and material life of late colonial New York before the “game” began.

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In my course we devote the first half of the semester to background research. We begin by discussing things colonial New Yorkers would have, or at least could have, read. These include extracts from “classics” of early modern political theory (Locke, Hobbes, and Montesquieu) as well as from less well remembered writers  such as Lord Bolingbroke, and John Trenchard and Thomas Gordon’s “Cato’s Letters.” From there we progress to reading the pamphlets published on both sides of the Atlantic during the imperial crisis of the decade prior to 1775. We finish with political tracts written by colonial New Yorkers themselves. Students read an essay by the loyalist parson, Samuel Seabury, writing under the pseudonym the “Westchester Farmer,” and the robust rebuttal penned by Alexander Hamilton, then a twenty-year-old student at Kings College (now Columbia University).

From the world of political ideas, we move on to the nitty-gritty of daily life. To give students a sense of the physical landscape of colonial New York City, we pore over a wonderful map of the southern end of Manhattan Island made by an officer in the Royal Engineers on the eve of the revolution. On the map, the city sits on the southernmost tip of the island, occupying an area about the same size as UT’s campus. Colonial New Yorkers still lived in close proximity to the countryside. On the engineer’s map, Greenwich village was still literally that, a rural hamlet separated from the city proper by a mile and a half of fields and forest.

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Yet, despite its small size, colonial New York City was a surprisingly urban place. With approximately 25,000 inhabitants, the city was the second largest in the colonies (after Philadelphia). Crowded together into such a confined space, in buildings only three or four stories tall, all colonial New Yorkers, rich and poor, black and white, lived in close proximity to each other. They walked the same broad streets or narrow alleys and often slept beneath the same roofs (although the poor – or enslaved – were likely to be relegated to cramped and unheated attics, or dank basements).

Lastly, each of my students is tasked with reading one month’s worth of a newspaper printed in New York City between July 1773 and March 1775. Digital versions of these and many other Early American newspapers are available online through the UT library web-site. Then as now, newspapers are written for the moment; yesterday’s newspaper is used to wrap the fish. Everything you read in the paper speaks to immediate concerns. We will never know if the runaway slave advertised for by his master escaped or was caught and returned for the reward. In the woodcut that accompanies the advertisement, he is caught in mid-stride, perpetually on the run. My students are naturally appalled by such notices, but they also are intrigued by the minutiae of a distant time and place whose fervent desires (for wealth, good health, fashionable attire), and fears (illness, debt, death) seem surprisingly familiar.

Besides writing papers on their newspaper reading, the students present their findings to the rest of the class. Because each student reports on a different month between July 1773 and March 1775, listening to their presentations in chronological order encapsulates the last stages of the imperial breakdown as it was happening. This sense of the impending crisis ends in April 1775, the first meeting of the New York Provincial Congress, and the start of the “game.”

At last, midway through the semester, comes the moment everyone has been waiting for. From a tri-cornered hat, each student draws the name of his or her character. I leave the room for five minutes and anyone unhappy with their “lot” can try to persuade someone to trade with them. I then give every student a sealed envelope containing secret information about their character which they are not to reveal to anyone and which they should use to guide their conduct in the game.

Each character belongs to one of four larger groups or in 18th-century language “factions.” Five students are patriots, charged with promoting the revolution and declaring independence. Four students are loyalists, tasked with preventing the same. Another four classmates are “moderates,” members of the Provincial Congress who have yet to decide between the first two options. This moderate bloc forms the “swing vote” whose support the patriots will need to win if they are to prevail. The tri-partite division of our in-class Congress echoes John Adams’s post-war calculation that at the start of the revolution Americans were evenly divided between patriots, loyalists, and neutrals.

The patriots’ challenge of winning over the moderates is made harder by the last and largest segment of the class representing the great majority of colonial New York’s inhabitants: those people who were not permitted to vote or sit in the Provincial Congress. In our class, this group consists of two poor men, two women, two slaves, and a clandestine Catholic. In class, we call the politically disenfranchised the “People-Out-of-Doors” (or PODs). This was a polite 18th-century term for people more often called “the lower sort,” the “mob,” “crowd,” or, in Edmund Burke’s memorable phrase: “the swinish multitude.” In modern political parlance, we might call them “the street.”

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Pulling Down the Statue of King George III by William Walcutt (Wikimedia Commons)

In the early modern era, however, people excluded from the formal political process could still make their opinions known by means of popular protest. Once each class session, I ask the back of the classroom where the PODs gather if a mob is forming in the city’s streets, and if so, who is the crowd’s target and what is their demand? Those confronted by a mob have three choices: capitulate to the mob’s demand, flee (in which case they cannot vote in that game session), or resist. The latter choice could end in tar-and-feathers or even death.

Although their power lay in numbers, each of the PODs also has an individual agenda. Slaves want to gain their freedom. One of the women seeks the right to divorce her absent ne’er-do-well husband. All of the PODs would like political rights, and a chance to vote in the class’s ultimate vote on independence. To this end, they must persuade the Congress to remove the disqualifications, whether of property, gender, or religion that barred them from having political rights in the colonial period. Both the patriot and loyalist factions fear the mob’s wrath, but they also see it as a weapon that can be used to threaten their opponents and whose actions might be swayed by promising to support some of the “liberal” reforms.

With the possibility of adding members to the Congress (as individual PODs gain the vote), as well as the likelihood of subtracting them (either permanently by death, or temporarily by flight), you can see how complicated the political calculus and game strategy can become and why the weekly game sessions of the class as well as the weeks between classes were filled with intense negotiations and intrigue.

At the start of each week’s game session students meet briefly with the members of their group to plan and plot. Afterwards comes the most formal item on the agenda: speeches. In the course of the game, each student has to write and present two ten-minute-long speeches. Although everyone speaks from the same podium at the front of the classroom, members of the Congress are presumed to be speaking before that assembly, while the PODs pretend to address the tavern-table-democracy at the “Bunch O’ Grapes” tavern, located across the street from the statehouse      I am always pleased (and, to be honest, surprised) by the earnestness and skill students display in portraying their characters and presenting their opinions to the rest of the class. Nor does the rest of the class sit idle while the speeches were being made. I encourage the audience to interject freely with cheers, and table-pounding when they approve of what the speaker says or with hisses or cries of “rubbish!” when they disagree with the sentiments being expressed.

Besides speaking and voting, students’ are also required to submit two anonymous (or pseudonymous) letters to our in-class newspaper. The letters allow for a great deal of mischief (the Billop-Brasher duel began when the former planted a letter falsely accusing the latter of beating his wife), but the assignment also reflects a historical reality, for the print culture of the 18th-century was filled with pseudonym and imposture. Famous examples in early American history include young Benjamin Franklin’s “Silence Dogood” letters, or the contributions made to the New York newspapers by “Publius,” (a composite of James Madison, Alexander Hamilton, and John Jay) which urged ratification of the Constitution and which are now collectively known as the “Federalist Papers.”

Students first send their letters to me (so I know who wrote what and can assign grades), and I remove their actual names before publishing the letters in the our newspaper, “The New York Gazette and Weekly Mercury” that I distribute before each week’s meeting.

newspaper2

(View a full issue of “The New York Gazette and Weekly Mercury” below)

Our in-class newspaper also provides students with a short reminder of the previous week’s class and what was scheduled to happen this week. Most importantly, the paper advances the hands of time. Each weekly session of the game is set three months after the previous one from April 1775, until our sixth and final session: July 1776. Each issue of the newspaper informs the students what had happened in England and in the other colonies since the last game turn. These “outside” events, decisions, and declarations, drawn verbatim from the actual historic record, force students to react to the changing political and military situation as events in America and Britain spiral toward revolution.

It is this ongoing “course of human events” (to quote from Jefferson’s Declaration of Independence) that drives the game. For example, if the main item on the patriots’ agenda in the April 1775 session was to get New York to join the economic boycott of Britain, by the next week’s session (July 1775), the war has begun and the patriots are charged with answering the call of the Continental Congress to raise troops for General Washington’s new Continental Army. By the winter of 1775, New Yorkers read of the royal governor of Virginia’s call to arm slaves who agree to fight for the King against their patriot masters. In the spring of 1776, the newspaper includes extracts from Thomas Paine’s “Common Sense,” then hot-off-the-press.

My loyalist students find the rising revolutionary tide vexing. Often, when they read the latest issue of the newspaper they learn that their carefully negotiated agreement with the moderate faction has been undermined not by the radicals in Philadelphia, but by the hard-liners in London, and by a British policy that becomes increasingly militaristic and intransigent as the year wears on.

Eventually, the middle ground erodes, and everyone must choose sides. Most of the moderates reluctantly join the patriots. Those PODs who have gained the vote, also tend to lean patriotic, reasoning that their new found liberties depend on the success of the American cause. All my classes thus far have voted to declare independence and join the revolution when the push finally comes in July 1776.

But what I find fascinating is that no two classes have arrived at that destination by the same route. John Adams once famously remarked that getting the Congress to declare independence was like trying to “make thirteen Clocks, Strike precisely alike, at the Same Second.”  As Adams’s remark suggests, until July 1776, the American Revolution consisted of thirteen closely related but distinct crises. Each colony followed its own peculiar political path to independence, shaped in part by the colonies’ own particular histories and circumstances, but also by the choices made by individual actors. No two of these thirteen revolutions were exactly alike.

In trying to make the revolution happen in our class, my patriot students often unknowingly follow the actual historical paths that lead one colony or another to join the revolution. For example, when one class voted to print paper money in order to pay for the troops required by Congress (risking inflation and the wrath of the poor), they inadvertently adopted the same course their historic predecessors chose in the New York Provincial Congress. In another case, the class-appointed commander of New York’s Continental Brigade ordered his troops to purge the Congress and declared New York to be independent by something like a military coup-d’etat, (which parallels what actually happened in Pennsylvania).

Playing historical characters based on real historical sources immerses my students in ideas, events, and drama of the American Revolution. Better than any class I have ever taught, this  format teaches students how history is woven from the interaction between structure and contingency, between the warp of the larger forces of economics, politics, and culture and the weft of immediate consequence of events and of individual choice. In “Debating the Revolution,” my students learn about history by helping to make it.

As to what my students feel they get out of the class, perhaps the best way to illustrate this is to let one of them speak for herself. Sara Gordon shared this description of her experience in the course, written for another purpose, with me:

“Every week, I temporarily become Bathsheba Spooner, an impoverished laundress who supports women’s civil rights and the Patriot cause. As Bathsheba, I yell my opinions and pleas through the windows of the Colonial Assembly, I argue with my fellow people-out-of-doors regarding what the best course of action for our colony of New York would be, and I march through the streets with the Daughters of Liberty.

I am able to become Bathsheba through my History 350R seminar class entitled “Debating the American Revolution.” Though this class began with a . . . study of British and early American political theory and a detailed summary of the years leading up to the American Revolution, it was not long before my professor, Dr. Robert Olwell, assigned us each a character from the colonial time period, and as a class, we began historical role-playing.

I must admit, I was at first skeptical and hesitant about this aspect of the class. I have such a deep interest in the study of the American Revolution that I was inclined to prefer a more traditional lecture and discussion based class. This class, however, has made me incredibly glad and grateful to be a history major. When my peers and I enter the classroom, we take on our assigned character’s identities. We have set aside time for faction meetings, for congressional discussion and voting, for court, and even for mobs. Each class period is intense, and we must each be able to truly represent our character and argue, debate, and vote as if we are he or she.”

In “Debating the American Revolution,” history comes alive for my students, and, in the end, that is what I hope to achieve in all of my classes.

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The New York Gazette and Weekly Mercury (A full issue of the course newspaper.)

More books in the series, Reacting to the Past

 

 

Black Loyalists and “The Book of Negroes”

by Cassandra Pybus

The Book of Negroes is an extraordinary historical resource, a meticulous list drawn up by the British authorities between May and November 1783, in which they recorded the personal details of some 3,000 African Americans evacuated from New York. The great majority of these people were originally enslaved workers who had defected to the British and were now leaving America as free people. The most significant thing about the Book of Negroes is that most people are recorded with surnames that allow them to be tracked through the archives. It is organized by ship with each person given a name, in many cases with a surname, age, brief description, owner’s name, date of absconding, geographic location and, where appropriate, the name of a loyalist sponsor. Even though the surnames of listed individuals are often misheard, the ages are wildly inaccurate and the time of absconding is ambiguous, we simply don’t have demographic data like this about enslaved people in the eighteenth century in any other source.

In addition to the Book of Negroes, a related resource is the muster of black settlers at Birchtown 1783/1784, which was created by the British authorities for the purposes of distributing rations at the biggest black settlement in Nova Scotia. This list provides first names and surnames, ages and sometimes occupations and, crucially, it is organized by households with the names and ages of wives, children and other household members. In addition, the British archives yield other lists of black refugees including Revolutionary musters, land grant schedules in Nova Scotia; Nova Scotia parish records of the settlements of Birchtown, Digby and Annapolis and lists of people migrating to Sierra Leone. These are all partial lists and frustratingly opaque, but they all provide surnames and some demographic information.

In order to interpret the data and unlock the meanings and implications of the vital demographic information contained in the Book of Negroes and other British sources, the data on each person needs to be read against American colonial sources such as lists of tithable slave property, minutes of county Committees of Safety, runaway notices, parish vestry books, wills and probate records, letters and diaries of prominent individuals, petitions to government, shipping records, plantation records, court records, and county militia records. The seemingly impossible task of locating individuals and their kin is made viable for the largest single cohort from the Lower Chesapeake region of Virginia.  By a stroke of luck the Norfolk Tithable lists from 1730 to 1780 survive largely intact and these provide a single name for slave property, aged between 16 years and 60 years, belonging to heads of households in Norfolk County.

By meticulous cross referencing the information in the Book of Negroes and other British sources I have been able to construct life trajectories, kin relationships, naming patterns and religious affiliations for hundreds of people. These biographies form the first phase of the website Black Loyalist, a repository of historical data about the African American loyalist refugees whose names are recorded in the Book of Negroes

A passport for Cato Ramsay to emigrate to Nova Scotia in 1783. Black refugees behind British lines needed passports to leave the United States. Without this document, they risked a return to their place of origin, which meant a return to enslavement. Source: Nova Scotia Archives

Here is brief sketch of one individual: 

James Jackson is said to be fifty years old in the Book of Negroes and described as “Formerly slave to late Robert Tucker, Norfolk, Virginia; left him with Lord Dunmore when he left that country & was employed as a pilot.” In 1775 his owner was the Norfolk merchant and mariner Robert Tucker Jr, and he was inherited from Colonel Robert Tucker, whose extensive estate was mostly sold after his death in 1767. He must have defected to Lord Dunmore sometime between June and November 1775 when Lord Dunmore had taken refuge on a British warship in the James River, just offshore from Norfolk.

Years later the widow to Robert Tucker Jr lodged a claim for property lost to the British at the burning of Norfolk in December 1775 and during the British occupation of the spit of land known as Tucker’s Mill Point in April 1776. The property list includes the names of nine enslaved men, two women and a boy but does not list James, who is appeared in Tucker’s tithables in 1774. This evidence strongly implies that, like several other pilots, James Jackson had defected to Dunmore earlier in the conflict.

During the revolution James Jackson worked as a pilot for the Royal Navy and in 1783 he travelled to Nova Scotia in the company of Captain Henry Mowatt, commander of HMS La Sophia. Travelling with him was another pilot named London Jackson, aged 32, who was apparently his brother and was described as “Formerly slave to William Ballad, Hampton, Virginia; left him two years past.” According to the Norfolk Tithables, London’s owners were Daniel Barraud and his son William, merchants in Norfolk and Hampton, who had close business and kin connections to Robert Tucker. He would have have defected to General Leslie who made a foray into Hampton in 1781. The Jackson brothers did not go to Birchtown but were given a land grant on nearby Nutt Island where they settled with their respective families.

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John Murray, 4th Earl of Dunmore, depicted in 1765 by Sir Joshua Reynolds. Dunmore’s Proclamation of 1775 offered freedom to American slaves who joined the Loyalist cause.

Also travelling with London and James Jackson is a woman named Nelly Jackson, aged 33, said to be “Formerly slave to Hampstead Bailie, Hampton, Virginia; left him two years past.” She appears to have run away with London Jackson, but there is no apparent connection between their owners to suggest a kinship connection, and she does not settle at Nutt Island or Birchtown. It is most likely that Nelly was actually the wife of John Jackson who was travelling on the Clinton, which sailed some months later. He was said to be 26 and described as “Formerly the property of Anthony Walk, Princess Ann, Virginia left him 3 years ago.”  He must have run to the British forces of General Leslie in late 1780 at the same time as London Jackson; there is a difference in the stated time they ran because of John Jackson’s later departure from New York. He settled at Birchtown where he was said to be 41, with his wife Nancy, aged 32, whom I believe to be the same woman as Nelly Jackson. Johnny can be found in the Tucker Tithables 1765 and in Tucker’s estate in 1768 and listed with Tucker’s widow until 1774. After Mrs Tucker’s death in 1779 he must have been sold to Anthony Walke, who lived in Princess Anne County Norfolk, who also had a mercantile business in Norfolk with connections to Tucker.

The strong circumstantial evidence — close connections between their owners, their shared occupation, the times and places at which they defected—lead me to conclude that these Jackson men are all from one family. There was no reason for me to presume a connection between this family and several other Jacksons from Norfolk who settle at Birchtown. Then I made the chance discovery of a land transfer deed for the Nutt Island grant that states that Jane Thompson was the mother of James Jackson and by extension the mother of London and John.

Jane Thomson was said to be aged 70 and worn out. The Book of Negroes indicates that she was travelling with a five-year-old grandchild and that she  “Says she was born free; lived with Col. Tucker, Norfolk, Virginia; left him 6 years ago.” Jane Thompson is one of the oldest members of the cohort of Black Loyalists from Virginia evacuated to Nova Scotia. At Birchtown she is living with Hannah Jackson and two grandchildren, Robert and Peter Jackson. Close examination of the opaque and fragmentary documentary record about Jane Thompson in colonial Virginia reveals an extraordinary narrative of determination and family resilience.

For more on the Book of Negroes, the Black Loyalists, and the historical recovery of the lives of African American slaves, see the website Black Loyalist: http://www.blackloyalist.info

And Cassandra Pybus, Epic Journeys of Freedom: Runaway Slaves of the American Revolution and Their Global Quest for Liberty

Images via Wikimedia Commons.

Rebel With a Cause: Johnny Tremain (1957)

by Robert Olwell

Johnny Tremain Cover (via Wikipedia)

As a historian of early America, my subject predates the invention of film or video, voice or music recording, or even photography.  When I watch my modernist colleagues deliver multi-media lectures  – including film clips, snatches of popular music or speeches, and photos –  I feel a twinge of envy. The closest 18th-century Americans ever got to a multi-media presentation was to paint the words: “No Stamp Act!” on the side of a porcelain teapot.image A few years ago, after discussing the origins and consequences of the Boston tea party, including reading contemporary newspaper accounts, letters, and cartoons, I treated my students (and I will admit, myself) to the Boston tea party scene from Disney’s 1957 film Johnny Tremain, based on the 1943 novel by Esther Forbes.   The depiction of the “tea party” as an oddly orderly act of vandalism is probably accurate, but one cannot escape the impression of watching 1950s Americans playing at being 18th-century revolutionaries, and not even bothering to wash the Brylcreem out of their hair.  Of course, as I told my students (in self-defense) before showing them the clip, any historical film is a document of the age that produced it rather than of the age it depicts. So what can Johnny Tremain tell us about America in the 1950s?

At the start of the film, Johnny Tremain, a young orphan and silversmith’s apprentice, is portrayed as petulant, conceited, and disdainful of authority.  In one scene that anyone who has ever seen the movie will remember, Johnny breaks the rules by working on the Sabbath and gets his come-uppance when he accidentally puts his hand into a puddle of molten silver.  Audiences in the 1950s would likely have recognized Johnny as a colonial version of an emerging cultural phenomenon: the “teenager.” Newspapers, radio, and the new medium of television were full of stories of teenage “rebellion,” which, sociologists warned, was creating a new social problem called “juvenile delinquency.” In the spring of 1954, a Congressional sub-committee held televised hearings on the causes of juvenile delinquency that competed for viewers’ attention with the simultaneous, and subsequently far more famous, Army-McCarthy hearings.  The troubled and violent teen became a common character in popular films. Perhaps the best known were Marlon Brando in “The Wild One” (1953), and James Dean in “Rebel without a Cause” (1955).

Theatrical Release Poster, 1955 (via Wikipedia)

Hal Stalmaster, who plays Johnny Tremain, is no Brando or Dean in terms of acting skills. Similarly, Johnny’s angst is depicted far more crudely; with a crippled hand he literally cannot find a place for himself in society.

Fortunately, the American Revolution arrives to give Johnny a healthy outlet for his destructive (and patricidal) impulses.  At the tea party, Johnny gleefully smashes tea chests alongside approving and participating adults (Paul Revere, Sam Adams, and Joseph Warren).  Even an on-looking British admiral admires the tea partiers’ politeness and principles. The only disapproving authority figure is, significantly, also Johnny’s only blood relation, his uncle, played with panache by Sebastian Cabot as an effete popinjay who is eventually revealed to be an anti-revolutionary loyalist and thus, in a phrase that was loaded with meaning in the 1950s,  “un-American.”  The film’s depiction of the American Revolution as an Oedipal conflict resembles (in a far less disturbing and simplified fashion) the version provided by Nathaniel Hawthorne in his 1831 short story: “My Kinsman, Major Molineaux.”

After the tea party, Johnny joins the “Sons of Liberty” and becomes active in the revolutionary underground.  Eventually, he finds himself on Lexington green when the first shots in the war are fired, and takes part in the running battle to drive the redcoats back to Boston.  The film ends that night with Johnny in the camp of the patriot army gathering outside of Boston, a warrior in the cause of American (and his own) freedom.  But unlike Forbes’s novel, in which the outbreak of the war (and the death of a friend) forces Johnny to grow up and accept the responsibilities of adulthood, the film’s Johnny makes no such psychological breakthrough. He is the same callow, smart-alecky teen at the film’s end as at the beginning.  War (and revolution) do not change him.  In the film’s depiction of combat, it is disconcerting to watch Johnny cackle with laughter as he ambushes and kills the king’s soldiers (as if fulfilling a long repressed desire).  The film also shies away from espousing any overt political  ideology.   James Otis, the only character in the film who tries to articulate a larger meaning to the struggle, is described and portrayed as mentally unbalanced.

The film’s reluctance to ground the revolution on either abstract ideals or nitty-gritty class struggle closely reflects the views of American historians writing in the 1950s, who argued that, by crossing the ocean, the colonists had left the ideological conflicts of the old world behind them and instead shared in a broad liberal consensus.   In 1955, Louis Hartz argued, in The Liberal Tradition in America,  that colonial American society was an egalitarian world of small property holders.  Lacking either an aristocracy or a peasantry, concepts such as class (and class struggle) were meaningless.  Not that they thought about politics much. Lockean, possessive individualists by nature rather than persuasion, early Americans were blessed with a “charming innocence of mind.” For obvious reasons, these historians tended to focus their attention on the northern colonies, where slavery was of relatively small consequence.

In retrospect, one can readily see how the hopes and fears of larger 1950s society shaped this so-called “consensus school” of early American history, both in terms of  its celebration of middle class values and bourgeois conformity, and its dread of radicalism.  Forbes’s novel, written in 1943, reflected the concerns of the depression era and was far more focused on issues of class and poverty than was the film. After a brief theater run – it premiered on July 4, of course – Johnny Tremain was broadcast on Disney’s weekly television program in 1958 and was rerun many times thereafter.  Like me, the vast majority of Americans probably first saw Johnny burn his hand in the comfort of their living rooms. For this reason, Johnny Tremain perhaps should be compared not to contemporary movies, but to 1950s television. More than Brando or Dean, the fictional teen who Stalmaster’s Johnny Tremain most closely resembles is Eddie Haskell, played by Ken Osmond in the T.V. series Leave it to Beaver, who made his first appearance in 1957.  Although a wiseass and troublemaker when adults are absent, Eddie’s sycophancy in their presence indicated his desire to conform.  Likewise, with the singular exception of his loyalist uncle, Johnny is deferential to all the adults in the film.  Even when he takes up arms against the establishment, it is a reflexive, almost thoughtless, act rather than the result of a deliberate decision to turn the world upside down or from a radical hope to build a new heaven and a new earth. Johnny Tremain’s version of the revolution is an orderly one, in which rebellious teens fall in line behind their patriotic elders, Brylcreem tubes in hand.

For more on history writing in the 1950s, see
Peter Novick, That Noble Dream: The “Objectivity Question” and the American Historical Profession
On the invention of juvenile delinquency:
James Gilbert, A Cycle of Outrage: America’s Reaction to the Juvenile Delinquent in the 1950s
On the Boston Tea Party, take a look at:
Alfred Young, The Shoemaker and the Tea Party: Memory and the American Revolution

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