Undergraduates

By Madeline Schlesinger

The UT history department has announced that Madeline Schlesinger is the winner of this year’s Claudio Segre Prize, which recognizes each year’s best History Honors Thesis. For her award-winning project, Madeline researched the infamous Hadamar Institution, a German hospital in which Nazi officials undertook a mass sterilization and euthanasia program against “undesirable” elements of society. Madeline’s project specifically focuses on the legal proceedings that took place after Allied Forces discovered the facility and placed its personnel on trial for crimes against humanity. You can read her project’s abstract below or download the entire paper in the link above.

Abstract:

Throughout the Second World War, the Third Reich used facilities at the Hadamar institution to carry out the Nazi euthanasia program—an operation that targeted German citizens suffering from mental illness and physical disabilities. Just months after Allied victory and the American liberation of Hadamar, a United States Military Commission led by the young Leon Jaworski tried personnel from Hadamar for violation of international law in the murder of 476 Soviet and Polish forced laborers. The Hadamar War Crimes Case, formally known as United States of America v. Alfons Klein et al., commenced in early October of 1945 and figured as the first postwar mass atrocity trial prosecuted in the American-occupied zone of Germany.

Smoke rising from the crematoria at Hadamar, probably 1941 (Image courtesy of the United States Holocaust Memorial Museum)

Hadamar Institute personnel socializing, sometime between 1940 and 1942 (Image courtesy of the United States Holocaust Memorial Museum)

Although often overlooked in the shadow of the subsequent events at Nuremberg, the Hadamar Trial set precedent for war crimes trials and the rewriting of international law to include the charge of crimes against humanity. In its historical context, the Hadamar trial tells a story much larger than the conviction of seven German citizens. It tells the story of the Third Reich’s murderous euthanasia program, one of the United States’ first confrontations with the crimes of the Holocaust, the inadequacies of international law in the immediate postwar period, the impossibility of true retribution in the aftermath of Nazi atrocities, and the slow erosion of justice in the years following the war.

Three inmates of the Hadamar Institute soon after the U.S. military discovered the facility, April 5, 1945 (Image courtesy of the United States Holocaust Memorial Museum)

Irmgard Huber, chief nurse at Hadamar Institute, after American soldiers liberated the facility (Image courtesy of the United States Holocaust Memorial Museum)

My thesis aims to accurately depict the crimes committed at Hadamar, present the collision of German and international law during the proceedings, and prove the inadequacy of contemporary legal infrastructure to prosecute the crimes against humanity committed during World War II.

by Kate Maddox

This year’s John Ferguson Prize for Best Undergraduate Thesis went to Kate Maddox, a history major at the University of Texas at Austin. Her thesis explored the European political, social, and ideological influence in the making of the Lebanese city of Beirut. Read her abstract and take a look at some old photographs of early twentieth century Beirut below.

Abstract:

The processes that led to the remaking of Beirut reveal European powers’ economic penetration of the city, which resulted in to an ideological penetration of the city. This ideology, informed by the Enlightenment and French conceptions of modernity, manifested itself in several dominant themes, both in the period of informal European influence under the Ottomans and continuing during the period of direct French rule under the Mandate system.

In their production of the city center, and in the Ottoman urban planning projects that preceded the Mandate, French efforts drew directly and indirectly on concepts of the Enlightenment and modernity as well as other trends in imperial city building. The theory behind the making of a space deserving of the nickname “the Paris of the Middle East” can be divided into three motives, each addressed in turn in this thesis. The first, accessibility between the port and the city, owes more to economics than the social paternalism that marks imperial efforts of Westernization. The second principle manifests those efforts, the improvement of permeability of the downtown area and its buildings. Finally, the threat posed by disease and illness for the local population and, more importantly, European agents unaccustomed to the environment, combined with the concept of individual needs resulted in a focus on public health and hygiene. These ideas, however, are not mutually exclusive and developments often addressed all three. But together they drove the planning schemes in the central district that created the urban landscape that still exists, for better or worse.

About Katherine Maddox:

Katherine Maddox was born and raised in Houston, Texas. In 2008 she graduated from the High School for Performing and Visual Arts where she specialized in clarinet and bass clarinet. In the summer of 2011 she traveled to Beirut, Lebanon to study Arabic at the American University in Beirut and conduct research for her thesis. After completing her bachelor’s degree in history at the University of Texas she is travelling to Tanzania to climb Mount Kilimanjaro. Following that she will be returning to Beirut where she will continue her Arabic studies and work for an NGO.

The Hadamar Trial: Inadequacies of Postwar Justice

Failed Enlightenment: Urban Design and French Modernity in Beirut

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