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The past is never dead. It's not even past

Not Even Past

Commemorating 9/11 in 2017

By Joan Neuberger

For too many of us, the events of September 11, 2001 have been embalmed in political rhetoric so thick, that we have lost sight of what happened that day and what it meant. Our greatest city was attacked. Our capital was attacked. 2996 people died.

In addition to our regular programming I want to commemorate that day by re-posting one of the articles from our tenth anniversary series in 2011.


Let’s end our week of commentary on September 11, 2001 with some images. Visualizing and re-visualizing shape our memories differently than describing and talking. Poetry, photography, and song open up different dimensions to understanding the past. Images keep the past present in different ways as well.

It’s probably fair to say that everyone alive in 2001 can see pictures from that day. And that looking at them again makes everything we’ve read take on new meanings. My then-second-grader still pictures a drawing he made in school of smoke coming from the two “Thin Towers.” The image that first made me aware, viscerally aware, of the magnitude of the attack is a photograph by Marty Lederhandler of three New Yorkers, absolutely horrified by what they were seeing, but they’re standing in front of St Patrick’s Cathedral, all the way up on 51st St, miles away. Here is The New York Times’ collection of photographs from September 11 and the days that followed. (And here is a collection of Times’ articles.)

Frank Guridy shared with us a poem he reads in his classes every year on September 11. “Alabanza: In Praise of Local 100,” by Martín Espada is dedicated to the restaurant workers at Windows on the World. It is a wonderful elegy both for its affection for the international, early-morning world of a restaurant kitchen and for the music — “the kitchen radio/ dial clicked even before the dial on the oven” — that bridged gaps of language and class; and distance.

And finally, Paul Simon. Watch and listen to this perfect rendition of a perfect song, perfectly attuned to the moment, sent to us by Richard (Kip) Pells. “The Sound of Silence” on 9/11 at Ground Zero.

Related posts:

Passover 1934: An American Jewish Family Story On Flags, Monuments, and Historical Myths Default ThumbnailAn Ode to a High School History Teacher: Or, What 9/11 Means to Me Today Introducing the keynote speakers for Climate in Context – Bathsheba Demuth

Posted September 11, 2017 More 2000s, Features, Memory, United States

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