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The past is never dead. It's not even past

Not Even Past

White Women and the Economy of Slavery

by Stephanie E. Jones-Rogers

Harrington Fellow at The University of Texas at Austin, 2018-2019

In 1849, sixty-five “ladies of Fayette County” Tennessee wanted their State legislature to know that a central dimension of patriarchy was failing. In a collective petition, they highlighted the ways that this failure was unfolding and how it impacted the lives of Tennessee women, particularly those who were married or who were soon to be wed. At the center of their petition were “thoughtless husbands” who fell far and short of patriarchal ideals. These men, through “dissipation or improvident management,” created circumstances which compelled their new wives to endure lives plagued by “destitution,” “hardship, and suffering.”

The signatories went on to draw astonishing contrasts between the patriarchs of old and those of a new age, and the ways that these different generations of men treated the women in their lives. The young women they purported to represent entered marriages with “competent estates descended to them from the estates of their deceased fathers,” noble men who accumulated their wealth and property through years of labor, diligence, and frugality. They waxed nostalgic about those hardworking men of their fathers’ generation who hoped to pass the fruits of their extensive and admirable efforts onto their children. Yet, within no more than two years of marriage, they alleged, their husbands had wasted it all. Playing to the legislature’s fatherly sentiments, the Fayette County ladies told its members that the men whom they entrusted their daughters to were inept, thieving failures who stole their fortunes and financial legacies, and left their most vulnerable children in “want and suffering.”

The legal doctrine of coverture and the constraints it imposed upon married women were central to the failures of which they spoke. Coverture provided that when a woman married her assets or wages became her husband’s. If she acquired any property after she married, those assets would belong to her husband as well. In other words, the legal doctrine of coverture robbed married women of their independent legal and economic identities.

These sixty-five Fayette County women challenged the tenets of coverture and asked the legislature to consider whether the elements of this legal doctrine were “based on the principle of equity and justice.” They queried whether it was “right and justice to subject the patrimony of married Ladies to the payment of the debts of the husbands which often exist before marriage.” Their line of questioning made it clear that, in their eyes, it was not.

They called upon the legislature to “devise and enact some Law for the State” whereby “the personal estates of females [would] be placed upon a similar basis as their Real estate, and so protected and secured that it cannot be sold, and taken from them without their consent.”

There was a specific reason why they deemed this “placement” necessary: slavery and the region’s dependency upon it. Slave-owning parents typically gave their daughters more slaves than land, and as a result, slaves were profoundly important to women’s personal stability. These women asked the legislature to protect the kind of property that was worth the most to them, because in light of “peculiar Southern institutions, manners, and customs, it [wa]s in most cases a much greater privation and inconvenience to the married ladies to be deprived of their slaves than of their land.”

Harpers Weekly. August 1879.

The petition put forth by these sixty-five “ladies” was exceptional because of its collective nature, but the arguments and circumstances they laid bare in this document echoed those which married slave-owning women voiced in their homes and communities as well as in the individual bills of complaint they filed in nineteenth-century chancery courts throughout the South. In the not-so-private conversations at home and in their petitions, married slave-owning women throughout the South repeatedly made it clear that their husbands were robbing them of their slaves, squandering their assets, and violating what these women believed to be their property rights in enslaved people.

They explained how they came to own the slaves in question—i.e. whether they were inherited, given as gifts, or purchased—as well as the kind of control they exercised over them. They provided documents such as bills of sale, wills, and deeds to support their claims. With striking candor, they informed family, friends, and judges alike that their husbands came to their marriages impoverished and slave-less. It was women, they argued, who owned the slaves in their households, not their husbands. And when it was necessary, they produced witnesses whose testimony substantiated their assertions. One by one, at home and in court, married slave-owning women throughout the South did what the sixty-five women from Fayette County, Tennessee did collectively; they called upon family, friends, and judges throughout the region to help to secure their ownership of slaves and shield their property from their husbands’ ineptitude and misuse.

New Orleans, 1850s. Daguerrotype. The Burns Archive via Wikimedia.

White slave-owning women were not the only ones to insist on their profound economic investments in the institution of slavery; the enslaved people they owned and white members of southern communities did too. The testimony of formerly enslaved people and other narrative sources, legal documents, and financial records dramatically reshape current understandings of white women’s economic relationships to slavery, situating those relationships firmly at the center of nineteenth-century America’s most significant and devastating system of economic exchange. These sources reveal that white parents raised their daughters with particular expectations related to owning slaves and taught them how to be effective slave masters. These lessons played a formative role in how white women conceptualized their personal relationships to human property, imagined the powers that they would possess once they became slave owners in their own right, and shaped their techniques of slave control.

These lifelong processes of indoctrination make it clear why some white women did not feel compelled to relinquish control over their slaves to their spouses once they married, why they sought to manage and “master” their slaves, why they felt completely comfortable buying and selling enslaved people, and why they sued their husbands in court over their slaves, too. The ownership of slaves was gendered: white women slave owners played roles in the trans-regional domestic slave trade and nineteenth-century slave markets. And they responded to the Civil War and adapted to its economic aftermath in the ways that were often different from their husbands, fathers, and brothers.

The Petition of Ladies of Fayette County Tennessee, November 9, 1849, is Document Number: 19-1849-1, Legislative Petitions, Tennessee State Library and Archives, Nashville Tennessee, Accession #: 11484907 Race and Slavery Petitions Project, Series 2, County Court Petitions

Stephanie E. Jones-Rogers, They Were Her Property: White Women as Slave Owners in the American South

Books for Further Reading

Walter Johnson, Soul by Soul: Life Inside the Antebellum Slave Market (1999) is the most recent and comprehensive study of southern slave markets to date. Johnson examines the interplay between white sellers, buyers, and enslaved people within the context of the slave market and the interstate slave trade.

Steven Deyle, Carry Me Back: The Domestic Slave Trade in American Life (2007) complements Johnson’s study by exploring the ways in which the slave market permeated every town, city, and rural landscape. By doing so, Deyle makes visible how the indifferent calculations of white southerners, and the trauma which these calculations brought about in the lives of enslaved people, occurred far beyond the slave market and often via private sales between members of southern communities.

Edward Baptist, The Half Has Never Been Told: Slavery and the Making of American Capitalism (2016) lays bare the human impact and toll of the slave trade and how the forced migration and labor of enslaved people in the West and Lower South, and the violence white southerners perpetrated against them in order to get them to do that work, proved fundamental to American capitalism.

Daina Ramey Berry, The Price for their Pound of Flesh: The Value of the Enslaved, from Womb to Grave, in the Building of a Nation (2017) studies the actual human cost of slavery via the prices affixed and values assigned to enslaved people from conception to after death. Ramey Berry’s study also reveals that enslaved people developed their own systems of value that forthrightly challenged those imposed upon them.

Featured Image: Eastman Johnson, Negro Life at the South (1859). New York Historical Society via Wikimedia (detail)

 

The Works of Steven Hahn

By Jacqueline Jones

This week on February 15 and 16, the Littlefield Lecture Series in the Department of History presents Dr. Steven Hahn, Pulitzer Prize Winning Historian and Professor of History at New York University. (Details on the lectures below).

Here, Prof. Jacqueline Jones, Chair of The Department of History and regular contributor to Not Even Past, offers a short review essay of Dr Hahn’s major works.

In all his works, Steven Hahn, Professor of History at New York University, seeks to challenge, or at least de-center, prevailing historical narratives especially for the period 1830 to 1920 or so. The results are invariably provocative and fresh.

9780195306705His first book, The Roots of Southern Populism: Yeoman Farmers and the Transformation of the Georgia Upcountry, 1850-1890  (1983) took us away from the great planters of the South, and examined small, non-slaveholding farmers.  Before the Civil War, these family farmers were self-sufficient, growing corn, instead of cotton, and relying on the spinning and weaving skills of their wives and daughters.  The war caused severe damage to these homesteads and, in order to repair and rebuild, farmers had to secure loans from local banks and other credit institutions.  To get these loans, they had to promise to grow cotton, which could be sold reliably in foreign and domestic markets.  Bad harvests meant that increasing numbers of these small farm owners lost their property to the bank, causing tremendous resentment and paving the way for the Populist Party of the 1890s.

51o87Mk1n6L._SX325_BO1,204,203,200_His second book, A Nation Under Our Feet:  Black Political struggles in the Rural South from Slavery to the Great Migration (2005) was awarded the Pulitzer Prize for History, the Merle Curti Prize in Social History, and was also a finalist for both the Lincoln and Frederick Douglass Prize.  In this book, Hahn seeks to account for black political organization before and after the Civil War, looking not to the cities or to the North, but to the rural South.  Here he finds resistance to slavery before the war and a variety of proto-political organizations after the war.  These include extended kin networks, the Republican Party, emigrationist schemes (to go out West or to Africa), and, in the 1920s Garveyism, a movement for black empowerment and pride organized Marcus Garvey.  Hahn locates the sources of these organizations in families, churches, and workplaces, and suggests that during Reconstruction and after, black men and women offered up an expansive view of American citizenship—one that highlighted the role of work, family, and schools in defining equality for all citizens.  The result of this organizational activity was a nation within a nation—that is, a sense of heighted black collective consciousness–that paved the way for the civil rights struggles of the twentieth century and beyond.

9780670024681Hahn’s most recent book, A Nation Without Borders:  The United States and Its World in an Age of Civil Wars, 1830-1910 (2016) offers a fresh overview of U.S. history during this period.  Hahn chronicles the growth of a centralized U.S. government that was the agent of both industrial capitalism and expansionism of various kinds.  He considers the land grab in Mexico (the War of 1848), the destruction of native tribes in the West during the last third of the nineteenth century, and imperialist designs on Hawaii, Cuba, and the Philippines in 1898.  He argues that these wars of conquest and relentless expansionism had wrenching effects on various groups—not only blacks and Indians, but also New England farmers and others who lost out when the circuits of international trade came to dominate the American economy.   He shows how different groups reacted to these developments, fighting back against employers, landowners, and government officials.  This book offers a counter-narrative to the conventional view, which highlights “progress” in the form of technological innovations, the growth in foreign immigration, and the spread of the factory system after the Civil War—all supposed to be ingredients in the forging of a “modern” nation.

In all these works, Hahn brings to the fore groups that have not received their due as political and proto-political actors (small family farmers, slaves and freedpeople, Indians, and industrial workers), in order to provide a fuller, more nuanced picture of the development of industrial capitalism and the role of the state in promoting expansionism (in the form of conquest over vulnerable groups) at home and abroad.

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The Littlefield Lectures:

Day 1 | Wednesday, February 15

The United States from the Inside Out and the Southside North
4:00 PM | AT&T Center, 1900 University Ave. | Amphiteater 204 on Level M2
liberalarts.utexas.edu/history/events/41026

Day 2 | Thursday, February 16
Reconstruction and the American Political Tradition
4:00 PM | AT&T Center, 1900 University Ave. | Amphiteater 204 on Level M2
liberalarts.utexas.edu/history/events/41028

Directions: http://www.meetattexas.com/page/directions
Parking: http://www.meetattexas.com/page/parking

Free and open to the public. No RSVP necessary to attend.
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More from Jacqueline Jones on Not Even Past:

History in a “Post-Truth” Era.
On the Myth of Race in America.
On Civil War Savannah.
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Historical Perspectives on The Birth of a Nation (2016)

“They killing people everywhere for no reason at all but being black.”

—Cherry (the wife of Nat Turner played by Aja Naomi King)

By Ronald Davis

The number of books, novels, articles, plays and movies committed to the life and times of Nat Turner is vast. None of these sources is without controversy.  It should be no surprise that Nate Parker’s latest rendition has found its way into the controversy surrounding the life of Nat Turner.  Turner and the insurrection he led challenged the perception of the enslaved as passively accepting their enslavement.  Early twentieth-century scholars of African-American history often ignored or dismissed the Turner rebellion as an anomaly, as not representative of the institution of slavery in the United States.  These writers — U.B. Phillips, Frank Tannebaum, and Stanley Elkins, to name a few — point to the prevalence of revolt in the Caribbean and South America, where large-scale rebellions of the enslaved took place.  These scholars deduced that slavery in the United States was mild in comparison to the other slave societies in the Americas because here, in the United States, there were only two or three insurrections of note. Besides the Turner revolt, most early twentieth-century scholars only considered the Denmark Vesey conspiracy and the John Brown slave revolt at Harpers Ferry, West Virginia as evidence of slave discontent and evidence of martial organization. All these revolts, including that of Nat Turner in Southampton, Virginia always stood as a reminder that some enslaved people would kill, bleed, and die to establish freedom.

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Illustration of Nat Turner’s capture (via Wikimedia Commons).

Nate Parker refashions the memory of Nat Turner, in a sense reclaiming the “fiend,” as described by Thomas R. Gray in The Confessions of Nat Turner, and creating a hero.  Parker is not the first (nor I suspect the last) to attempt this revision of Turner.  In his 1947 seminal work on enslaved resistance, Herbert Aptheker describes Nat Turner as one of history’s greatest leaders because “he sensed the mood and feelings of the masses of his fellow beings, not only in his immediate environment but generally.” Aptheker’s Nat Turner is an undervalued hero,  a  man of revolution and liberty: a leader who was able to rouse his compatriots and create in them the desire to fight, and eventually die, for their liberty.

Throughout his life, Nat Turner was the human property of Benjamin Turner, Samuel Turner, Putnam Moore and Joseph Travis.  However, in Parker’s film, the audience is presented with only one enslaver, Samuel Turner. Parker portrays Samuel Turner through several different lenses. As children, Nat and Sam are depicted as playmates. Several narratives of the enslaved recount how, in childhood, they played with their enslaver’s children.  As Nat and Sam aged, their relationships began to reflect the societal differences between the races. James Curry, a successful runaway from North Carolina, related playing with his enslaver’s children and the feeling of brotherhood between black and white as children.  Curry relates that as the children aged they were separated, with white children attending school and black children remaining on the plantation.  According to Curry, the children “learn that slaves are not companions for them…the love of power is cultivated in their hearts by their parents, the whip is put into their hands, and they soon regard the negro in no other light than as a slave.” (Slave Testimony 130). After depicting childhood friendship, throughout the remainder of the film, Parker’s Nat Turner wields an almost supernatural influence over Samuel Turner. Parker demonstrates Nat’s psychological influence over Samuel when Nat convinces Samuel to purchase an enslaved woman who eventually became his wife. The depiction of influence continues until Samuel Turner realizes he can commodify not only Nat Turner’s physical labor, but also his mental labor as a preacher to the enslaved.

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Armie Hammer as Samuel Turner and Nate Parker as Nat Turner in The Birth of a Nation (Fox Searchlight Pictures via wbur).

Perhaps the most historically accurate portion of The Birth of a Nation is Nate Parker’s depiction of various enslavers. Parker sketches the enslavers as violent, when enslaved men are forced fed during a hunger strike; as paternalistic, in the case of Samuel Turner; and as sexually predatory, when Samuel Turner offers the wife of an enslaved man for intercourse with one of the guests at his party.  The different types of enslavers portrayed are not all-encompassing; however, within the limitations of movies and film, Parker made specific choices to expand the American public’s understanding of slavery’s cruelties and daily life.

Given the limitations of filmmaking (budget, time constraints on character exploration, and film length) Parker simplified some aspects of slavery while complicating enslaved masculinity and resistance.  At times Parker’s representation of enslaved women simplifies the complexities of womanhood in the Antebellum South, leaving much to be desired. Although his movie is essentially one of raw masculinity, the decision to minimize the intellectual influence of enslaved women does a disservice to the strength of women as agitators, resistors, and participants in the Antebellum South’s peculiar institution.  By contrast, some women play a very important role in the film; Nat’s mother, grandmother, and wife are integral to his life. However, Parker makes the decision to limit the viewer’s understanding of enslaved women’s complex humanity. There are moments in the film where it appears that Parker forgets that mothers, wives, and daughters performed the same arduous labor as men.

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Aja Naomi King as Cherry (via NCR).

Nat Turner was a father, husband, son, and revolutionary. No one word can describe him except “complex.”  Parker, however, makes no attempt to complicate Nat Turner; he wants to create a hero. Parker’s Nat Turner makes this reviewer wonder if slavery is a pretext to depict contemporary African-American masculinity in the film.  Parker’s desire is to demonstrate that enslaved men were not passive receptors of slavery but active fighters against an unjust institution.  The filmmaker emphasizes one trope of masculinity: to fight until the death for freedom.  He inscribes his Nat Turner with this type of masculinity and creates a character full of compassion for the downtrodden and rage at injustice.  In one scene, when Nat Turner is helping a young white child, the child’s father notices and begins to hit Turner.  Turner does not flinch from the blows but stands tall in the face of injustice.  Parker’s Nat Turner begins his insurrection because his wife is raped and beaten beyond recognition (the image of Cherry, Nat Turner’s wife, is reminiscent of the beaten face of deceased Emmett Till).  Parker makes the impetus for revolution not the rape of his wife but the power structure that would allow this type of brutality to go unpunished.  Although there is no evidence to suggest that this was the historic Nat Turner’s inspiration, it remains plausible that Turner or his co-conspirators fought for the mothers, sisters, and daughters sold or raped by enslavers.

800px-james_hopkinsons_plantation_slaves_planting_sweet_potatoes

Henry Moore’s 1862 picture of slaves on James Hopkinson’s plantation (via Wikimedia Commons).

The Nat Turner of historical record is somewhat different than Nate Parker’s representation.  Much of what we know of Nat Turner relies on his confession to the attorney Thomas R. Gray (available for free from Project Gutenberg).  It is important to interrogate this source, to question Turner’s voice as presented in the text and the motivations of Thomas Gray: was it profit, fame, or a desire for truth that led him to Turner’s prison?  As with much of the story of the enslaved, the historical record is woefully incomplete and often clouded in mystery.

Can a movie created for entertainment and education accurately reflect a historical record full of silences?  Do the archival silences (i.e. Nat Turner speaking for himself, not as interpreted by another person) of Nat Turner’s life give license to an entertainer; license to create a hero and remove the stain of villainy associated with his memory? Parker does not hesitate to refashion Nat Turner.

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Historical marker in Southhampton, VA (via TheClio).

Scholars can and should take issue with many aspects of The Birth of a Nation’s historicity.  The film takes wide liberties with history while portraying underrepresented aspects of slavery accurately. However, as a film it also moves into the realm of popular history and some members of the audience inevitably will absorb the film as a factual representation of nineteenth-century Virginia.  This is a problem of the film and filmmaking about historic events in general.  However, I would challenge myself and other scholars to view Parker’s movie as an opportunity to further affect the public’s understanding of history.  It is an opportunity for historians to have a dialogue with the nation about America’s past and to better explain the complexities of American institutions.

Is Nate Parker’s The Birth of a Nation historically accurate?  No. But what historical drama can lay claim to 100% accuracy? Nate Parker did not set out to make a documentary, nor did he write a history of American slavery.  He created a movie at a particular moment in American history.  A moment where black lives are confined to prisons at disproportionate rates.  A moment when much of the African-American population is frustrated with the callousness of society.  The Birth of a Nation is a beginning; it is a chance to continue the conversation about racial inequality.  Nate Parker’s The Birth of a Nation should be seen not for its historic content but for its commentary of this moment in American history.

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Sources:
John W. Blassingame, ed. Slave Testimony: Two Centuries of Letters, Speeches, Interviews, and Autobiographies (1977).

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You may also like:
Daina Ramey Berry and Jermaine Thibodeaux review Nat Turner: A Troublesome Property (2002).
Mark Sheaves discusses Slavery and its Legacy in the United States.
Not Even Past contributors offer an overview of articles about the history of slavery in the United States.
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