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Not Even Past

Great Books on Women’s History: Europe

Not Even Past asked the UT Austin History faculty to recommend great books for Women’s History Month. The response was overwhelming so we will be posting their suggestions throughout the month. Since today is International Women’s Day, a celebration that began in Europe, we will begin with some terrific book recommendations on women and gender in Europe.

In no particular order:

woolfRosa

Philippa Levine recommends:

Alison Light, Mrs. Woolf and the Servants: An Intimate History of Domestic Life in Bloomsbury (2008)

In a brilliant reading of the great modernist novelist Virginia Woolf, Alison Light compares the absence of servants in Woolf’s published fiction with the constant references to them in her correspondence with friends and family.   Woolf was still employing servants at the moment when what had been a veritable army of available female domestic labour began to shrink as women rejected the constraints of such work and sought better paid and less intimate work elsewhere. In detailing Woolf’s fraught relationship with her long-time live-in servant, Nellie Boxall, with whom  she fought constantly, Light reveals the class and gender tensions that continued to shape British culture in the early twentieth century in elegant prose and with really sharp insights. A fantastic read!

Tracie Matysik and Yoav di Capua recommend:

Kate Evans, Red Rosa:  A Graphic Biography of Rosa Luxemburg (2015).

A compelling book, that introduces the reader to the passionate life and convictions of Rosa Luxemburg.  And the illustrations are beautiful, even moving.  Along the way, you’ll get a good glimpse of the aims and challenges of revolutionary thought in Europe in the early years of the twentieth century.  

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Tatjana Lichtenstein recommends:

Janina Bauman, Beyond these Walls: Escaping the Warsaw Ghetto – Young Girl’s Story (2006).

In this book — part diary, part memoir — Janina Bauman tells the fascinating story of how three Jewish women escaped the Warsaw ghetto and, assisted by a small network of courageous and devoted Polish helpers on the “Aryan” side, survived the war in hiding and by passing as non-Jews.

Mary Neuburger recommends:

Jelena Batinić, Women and Yugoslav Partisans: A History of World War II Resistance (2015)

This book traces both the fascinating phenomena of women’s role in the largest resistance movement in Europe during World War II, and women’s postwar memory of the changes in gender roles caused by the war and the communist period that followed.

Andy Villalon recommends: 

Vera Brittain, Testament of Youth.

The most moving memoir (male or female) to come out of the Great War.  Highly readable and easily obtainable, this is the story of love and unfathomable loss by a woman who saw all of her close male friends, including her fiancé and her brother, slaughtered in the holocaust of 1914-18.  The book also sheds considerable light on the trials women faced in pursuing an education during the decades just before the conflict.  It is the story of the making of a great crusader for pacifism.  I have read Testament of Youth several times and have never been able to avoid crying at various passages.

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Miriam Bodion recommends:

Elisheva Baumgarten, Mothers and Children: Jewish Family Life in Medieval Europe (2007)

This thoughtful, often surprising work makes use of a broad array of sources, from theoretical works on gender to ancient and medieval rabbinic texts, to explore how medieval Jews thought about birth, infant care, and the raising of children.

Julie Hardwick recommends: 

Judith Bennett, History Matters: Patriarchy and the Challenge of Feminism (2006)

A leading medievalist takes a brilliant, lively, provocative, and very accessible look at the persistence of gender inequality and insists we can only understand that pattern by looking back — well back.  Her topics range from work to sexuality, and she makes a very important and compelling argument.

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My Life on the Road, by Gloria Steinem (2015)

By Megan Seaholm

Gloria Steinem’s eighth book is part feminist memoir, part autobiography of personal growth and change, part invocation to the adventure of living in the present, and part story book. Her style is relaxed and conversational but never random or sloppy. She presents four purposes of the book in the Introduction, but I found two recurring themes: the joy of serendipitous discovery while traveling to new places and the value of listening, the power of groups talking and listening, that she learned from the talking circles while in India.

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The life on-the-road theme begins as she recalls that until she was ten years old her family spent most of each year travelling around the country as her father bought and sold antiques. Though she longed for a “real home” when she was a child, she is grateful for her father’s “faith in a friendly universe” and credits him with her tolerance for a life of relative insecurity. She writes with sadness about her lonely mother who worked as a journalist before she married. This migrant life ended when her parents divorced and she lived in Toledo with her clinically depressed mother. She went to Smith College on a scholarship—Government major, Phi Beta Kappa—and, then, spent two years in India on a fellowship. She studied at the University of Delhi and spent several months with a Gandhi-inspired group who walked from village to village after terrifying caste riots in east India. The walking group invited villagers to meet with them, and with each other, to share their grievances and to provide reassurance after the riots. She credits this experience with teaching her the value of listening and the amazing things that happen when people share with each other in groups.

Gloria Steinem and Dorothy Pitman Hughes, circa 1970. Photograph by Dan Wynn.
Gloria Steinem and Dorothy Pitman Hughes, circa 1972. Photograph by Dan Wynn.

She returned to the U.S. to work as a free-lance journalist and an avid participant in political campaigns, the first being the 1952 Adlai Stevenson campaign for president. She became aware of the women’s rights-women’s liberation movement in the 1960s. In 1971, after New York Magazine published her article “After Black Power, Women’s Liberation,” she began to receive invitations to speak about feminism. Terrified of public speaking, she enlisted the help of her friend Dorothy Pitman. As a bi-racial team, they spoke at community centers, in union halls, and school gyms. As Steinem gained skill and confidence, this duo was soon traveling to college campuses, to meetings of the National Welfare Rights Organization, to speak with United Farm Workers chapters, lesbian groups, and antiwar activists. Steinem saw her job as helping the audiences become “one big talking circle” — there was always discussion after she and Pitman made their presentations. Later, she would work and travel with the inimitable Florynce (Flo) Kennedy.

Most of the stories that Steinem shares are stories from the road as she became “a public speaker and a gatherer of groups” and one of the best-known feminists in the U.S. She refers to these campus speaking engagements as the “largest slice of my traveling pie.” One of her best stories is about the often-tense 1977 National Women’s Conference in Houston. This account features Bella Abzug, co-founder of Women Strike for Peace in 1961, three-term Congresswoman from New York, and tireless activist. Abzug, Congresswomen Shirley Chisholm and Patsy Mink asked Steinem to help them organize the National Women’s Political Caucus, which they did in 1971 with a diverse group of notable women. There are other stories from the feminist trenches, but this book is only part feminist memoir. There is a curious and very fun chapter titled “Surrealism in Everyday Life,” and there is a chapter about her time in “Indian Country” by which she means her relationships with Native Americans, including Wilma Mankiller, deputy chief of the Cherokee Nation. Speaking of “Indian Country,” I was troubled when she confidently asserted the popular, but erroneous, notion that that the U.S. Constitution was modeled on the Iroquois Confederacy.

Steinem shares these stories in the most-unassuming way as if you were a long-time friends visiting over a cup of coffee after having not seen each other for a while. She talks (writes) about covering Eugene McCarthy after Robert Kennedy’s assassination in 1968 and about the Clinton-Obama contest in 2008. My favorite chapter, “Why I Don’t Drive,” is an account of conversations she has had with taxi drivers. Oh, the stories!

Gloria Steinem and Dorothy Pitman Hughes in 2014.
Gloria Steinem and Dorothy Pitman Hughes in 2014.

But, of the lessons that she has learned and that she shares, my favorite is this: “One of the simplest paths to deep change is for the less powerful to speak as much as they listen, and for the more powerful to listen as much as they speak.”

From Virile Woman to Woman Christ: Studies in Medieval Religion and Literature, by Barbara Newman (1995)

By Jacob Doss

What do virility, erotic passion, and child abandonment have to do with the history of Christianity? In her collection of essays entitled From Virile Woman to WomanChrist: Studies in Medieval Religion and Literature, Barbara Newman addresses these subjects in relation to a shift in gender ideologies in the medieval Church between the twelfth and sixteenth centuries. Newman’s essays explore ways women expressed holiness within an oppressive medieval religious culture. Newman is particularly interested in a gradual shift in gendered models of behavior from, what she terms the virago, or virile woman, to the “womanChrist.”. According to the virago model, women were measured against a normative male expression of righteousness. They could be equal to men inasmuch as they became like men. Women’s holiness entailed conquering their innate weakness and becoming virile. Conversely, the womanChrist model represented an emerging ideology of gender complementarity. According to this budding, though not universally accepted model, women could achieve holiness through devotional practices that drew upon their innate “femininity.”

Newman Cover

Newman begins in the twelfth century by comparing pastoral writings by men for religious women with those meant strictly for men. Using the letters of Heloise and Abelard as a ground for her analysis, Newman, echoing Heloise, asks a basic, but significant question, “is the nun’s life gendered or gender-neutral?” Abelard responds to Heloise by suggesting the basics of religious life are fit for both sexes, echoing the long-standing virago tradition; however, he then explains the inherent virtue and potential superiority of religious women. For Abelard, God’s power was more evident in holy women than holy men because of women’s inherent weakness. Furthermore, holy women enjoyed a closer relationship to God by virtue of their being “brides of Christ.” Exalted bridal status, however, was contingent on the strict maintenance of virginity. Women were thought particularly prone to lasciviousness, therefore imperiling their exalted but precarious status. In order to protect women (and men) from their lascivious, passionate, and impulsive nature, the church advised strict enclosure for religious women behind the monastery walls.

Abaelardus and Héloïse in the manuscript Roman de la Rose (14th century)
Abaelardus and Héloïse in the manuscript Roman de la Rose (14th century)

Newman finds the transition from virago to womanChrist in those supposed female shortcomings. Heloise, whose “chief claim to fame was…erotic passion,” did not aspire to spiritual virility, nor was she concerned with maintaining chastity. Through Heloise’s letters to Abelard, Newman finds the geneses of a “feminine” spiritual discourse of desire. Within this understanding a particularly female spirituality grew out of women’s innate passion and their propensity for intense love. This discourse championed passion, loyalty, and absolute self-surrender to the beloved. Newman reads Heloise as a “mystic manquée” whose language and impulses would later re-emerge in the mystical writings of the beguines, an urban, lay religious movement, consisting primarily of women, focused on works of charity and adherence to voluntary poverty.

Mechthild von Magdeburg
Mechthild von Magdeburg

A particular feature of the womanChrist model is that of vicarious suffering. Drawing on the Passion and the Virgin Mary’s life as models, cultivation of this suffering, along with a loving desire for and fearless obedience to Christ was often the goal of devotional literature for women. Though Heloise’s desire was for Abelard, three famous beguines, Hadewijch, Mechthild of Magdeburg, and Marguerite Porete, used similar language to express their desire for and dedication to Christ. These beguine writers preferred to suffer in Hell if that were God’s will and might vicariously save others from the fire. For some mothers, the suffering that followed abandoning their child or allowing its death came to be praised. By merging the story of Abraham and Isaac with the Virgin Mary’s willing, but excruciating, personal sacrifice of her child on the cross, mothers had an innovative model of suffering to imitate. Children were sacrificed or abandoned to free their mothers to take monastic vows.

Medieval manuscript page of a Hadewijch poem from the 14th century.
Medieval manuscript page of a Hadewijch poem from the 14th century.

Another way women imitated Christ through their femininity was their “apostolate to the dead.” Women, now clearly exhibiting Newman’s womanChrist model, could reduce the deceased’s time in purgatory through their own suffering, thus mirroring Christ’s passion and descent into Hell to rescue the souls held captive there. A late thirteenth-century heterodox sect, the Guglielmites, further illustrate emerging notions of gender complementarity and the redemptive potential of women. They claimed their leader, Guglielma, was the Holy Spirit incarnate. Her promoters preached that the feminine Holy Spirit and a female leadership would restore the wayward Church to its true glory. Newman ends with a work lauding femininity, Cornelius Agrippa’s early sixteenth-century treatise On the Nobility and Superiority of the Female Sex. Newman argues that Agrippa’s work, though potentially satirical, illustrated a time of convergence where both female gender models, the virago and the womanChrist, could be employed as an intellectual challenge to patriarchy.

Heinrich Cornelius Agrippa (1486-1535/1538)
Heinrich Cornelius Agrippa (1486-1535/1538)

Newman’s essays illustrate a significant shift from an ancient Christian gender model to a gender complementarity model still prevalent today. Women’s roles in Christianity are still a cause of debate, illustrated by Jimmy Carter’s recent resignation from the Southern Baptist Convention over women’s unequal roles in leadership and the Vatican’s controversial investigation of American nuns. Similarly, in the context of the Vatican’s “Humanum: An International Interreligious Colloquium on The Complementarity of Man and Woman,” Newman’s study remains relevant to understanding current Christian gender ideologies. Newman illuminates Christianity’s longstanding subordination of women and how women undermined patriarchy, while revealing the origins of current models. The stories Newman relates are often shocking, interesting, and counterintuitive. Rather than anachronistically seeing her subjects’ actions as illustrating personal commitments to self-empowerment or conscious subversion, Newman rightfully understands her subjects’ stories to be based in expressions of their religion, thus seeing their self-understanding as products of the texts and traditions of Christianity.

Barbara Newman, From Virile Woman to Woman Christ: Studies in Medieval Religion and Literature (University of Pennsylvania Press, 1995)

You may also like:

Julia Gossard reviews State of Virginity: Gender, Religion, and Politics in an Early Modern Catholic State by Ulrike Strasser (2004).

Miriam Bodian discusses seventeenth-century radical theology

 

All images via Wikimedia Commons.

Politics of Piety: The Islamic Revival and the Feminist Subject by Saba Mahmood (2004)

by Janine Jones

jones mahmoodPakistani anthropologist Saba Mahmood began her field research among Muslim women’s revival (da’wa, Arabic “call”) movements in Cairo in 1995 with a number of admitted preconceptions. An ardent feminist and leftist scholar, Mahmood assumed a certain degree of internalized subordination in women who find solace and meaning in deeply patriarchal traditions. Yet, over the course of two years listening to and learning from several religious revival groups run by da’iyat (female “callers”), she discovered an entirely different understanding of religious devotion. Her innovative ethnography of that time, Politics of Piety, sets out a new vision of feminist theory that re-examines the complicated, underexplored relationship between gender and religion from the perspective of women who participate within – as opposed to fight against – patriarchal systems. In doing so, Piety advances a new and timely approach to the study of ethics, identity, agency, and embodiment in post-colonial cultures.

Popularly accepted da’iyat are historically quite new. Concerns about possible gender-mixing improprieties and the belief that only men are intellectually and spiritually able to lead Muslim communities mean that, generally speaking, Islamic preaching and community leadership have been the prerogative of men alone. Female Islamic preachers arose as part of the resurgence of Islamic devotion that swelled region-wide in the Middle East beginning in the 1970s. They continued to gain popularity and acclaim as modern communications technologies facilitated women’s access to Islamic education. By the 1990s, Muslim women from different social classes and backgrounds, all interested in rediscovering their religious community’s rich traditions and ethical moorings, were regularly attending classes associated with local mosques, learning at the feet of dai’yat known for their moral rectitude and religious wisdom.

Mahmood describes Hajja Samira, a da’iya associated with a working-class mosque, and Hajja Faiza, a quiet, articulate Qur’anic exegete who teaches women from upscale neighborhoods, both of whom are deeply concerned with what they view as the modern abstraction of Islam into a private, personal affair that can be distinguished from other aspects of life. They teach their students to counter this secular division, emphasizing the “old Islamic adage: ‘All life is worship.’” Other da’iyat engage in lively debates with their students and each other about the purpose and function of the hijab, or Islamic headcovering.

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“Marching Women,” a mural in Cairo dedicated to the women of the Egytian Revolution (Image courtesy of Schweizer Radio und Fernsehen)

Mahmood meets with students as well, interviewing participants in the mosque movement from all walks of life, educational levels, and philosophies. She notes the complex self-awareness with which many women seek to negotiate the conflicting claims of modern life and Muslim morality, including, for example, women whose work demands require them to participate in practices of dubious piety like transacting business with men or traveling in mixed-sex vehicles. Throughout, Mahmood observes that the wilting, oppressed Muslim woman of popular imagination is nowhere in sight. This is, in part, because the women of the urban women’s mosque movement are not primarily concerned with political equality or the implications of gender hierarchy. Rather than view their lives through a filter of political rights, they orient their understandings of self and role in terms of their obligations to God. Mahmood explores the intersection of that understanding with embodied practices, ethical issues, and personal identity, elaborating a theoretically dense and evocative approach to religion that will be useful to scholars in a variety of fields.

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