• Features
  • Reviews
  • Teaching
  • Watch & Listen
  • About

The past is never dead. It's not even past

Not Even Past

On Veterans’ Day: War Photos

by Joan Neuberger

Photographs of war, more than photographs of any other subject, make war seem both very distant and impossibly close.

The earliest war to be extensively caught on film was the Crimean War, waged by allies France and Britain against Russia in 1853-55. Roger Fenton’s photographs of that war have been digitalized and made available in a number of sites, including the Library of Congress.  Sepia tinting, lines of pristine white tents, soldiers on horseback  make that war seem very distant, almost illegible.

One of Fenton’s photographs was the subject of a New York Times blog series (and now a book) by the film maker and photographer Errol Morris, who, together with Philip Gourevitch, wrote the best book on the soldiers who photographed their abuse of prisoners at Abu Ghraib, Standard Operating Procedure.

During the Crimean War and the US Civil War, the size of camera equipment and slow speed of the film made action shots impossible. Civil War photographer Mathew Brady and his team of field photographers, like Fenton before them, would often rearrange corpses for dramatic effect.

Two hundred of Civil War era photographs can be seen here on the National Archives website.

In honor of Veterans’ Day, the George Eastman House International Museum of Photography and Film has posted 576 photographs of soldiers and war scenes, primarily from the nineteenth and early twentieth centuries. And the New York Times has posted a series of photos from readers, “Lives During Wartime,” with background descriptions by those shown in the photos.

More recent wars can be seen in such unforgettable detail that war and its impact can seem very close — and still very difficult to fully comprehend.

This series of photographs by Kate Brooks on the Foreign Policy website, “This is What War Looks Like,” makes one wonder how any responsible government can justify the human costs of war.

But then photographs of “Afghanistan, October 2011,” posted this week on the excellent Boston Globe photojournalism site, “The Big Picture,” makes palpable how hard it is sometimes to weigh the varied results of war.

You may also enjoy:

Looking at World War II here on NEP
and More Looking at World War II
On the history of photographs of wars in Afghanistan on NPR
A brief general history of war photography

Related posts:

Banner image with "Black Resistance and Resilience Collected Works From Not Even Past" in white text on a multi-colored blue backgroundBlack Resistance and Resilience: Collected Works From Not Even Past Black and white image of covered wagons crossing the stone bridge at AntietamTexans at Antietam: 150 Years Ago Today World War I: Teaching at the Museum Putin’s Effort to Make Conquest Acceptable Again

Posted November 11, 2011 More 1800s, Features, Film/Media, Transnational, War

Recent Posts

  • NEP’s Archive Chronicles: A Brief Guide Through Some Archives in Gaborone and Serowe, Botswana
  • Review of Hierarchies at Home: Domestic Service in Cuba from Abolition to Revolution (2022), by Anasa Hicks
  • Agency and Resistance: African and Indigenous Women’s Navigation of Economic, Legal, and Religious Structures in Colonial Spanish America
  • NEP’s Archive Chronicles: Unexpected Archives. Exploring Student Notebooks at the Institut Fondamental d’Afrique Noire (IFAN) in Senegal
  • Review of No Place Like Nome: The Bering Strait Seen Through Its Most Storied City
NOT EVEN PAST is produced by

The Department of History

The University of Texas at Austin

We are supported by the College of Liberal Arts
And our Readers

Donate
Contact

All content © 2010-present NOT EVEN PAST and the authors, unless otherwise noted

Sign up to receive our MONTHLY NEWSLETTER

  • Features
  • Reviews
  • Teaching
  • Watch & Listen
  • About