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Not Even Past

Digital & Film

Age of Revolutions and the Newberry French Pamphlet Collection

Digital Archive Review: Age of Revolutions and the Newberry French Pamphlet Collection

Digital Archive of Latin American and Caribbean Ephemera

Digital Archive Review: Latin American and Caribbean Digital Primary Resources

Digital Tools for Studying Empire: Transcription and Text Analysis with Transkribus

Digital Archive Review – Imágenes y relatos de un viaje por Colombia

Film Review – Jojo Rabbit (Dir: Taika Waititi, 2019)

Digital Archive Review – Ticha: A Digital Text Explorer for Colonial Zapotec

Digital Archive Review – Más de 72

Digital Archive – Rising From the Ashes: The Oklahoma Eagle and its Long Road to Preservation

Film Review – Ayka (Dir: Sergei Dvortsevoy, 2018)

Digital Archive Review – Authorship and Advocacy: The Native American Petitions Dataverse

Digital Resources – “The Reddest of the Blacks”

Between King and People: Digital Tools for Studying Empire

Play Review – Monroe by Lisa B. Thompson (2018)

Film Review – Dazed and Confused (Dir: Linklater, 1993)

Film Review – The Miseducation of Cameron Post (Dir: Desiree Akhavan, 2018)

Of How a Hopi Ancient Word Became a Famous Experimental Film

Faces of Migration: The Grand Budapest Hotel

Faces of Migration: Lone Star

Faces of Migration: Lamerica

Faces of Migration: Moi, Un Noir

Faces of Migration: Take Out

Faces of Migration: Classic and Contemporary Films

Historical Perspectives on Marshall (dir: Reginal Hudlin, 2017)

Legacies of the Vietnam War

Nature Boy, 30 for 30 (directed by Rory Karpf, 2017)

Watch: The Wider Arc of Revolution: The Global Impact of 1917 (Part II)

Film Review – A View From the Bridge (Directed by Sidney Lumet, 1962)

Watch: The Wider Arc of Revolution: The Global Impact of 1917 (Part I)

The Battle of Chile

Victoria & Abdul: Simulacra & Simulation

Mapping & Microbes: The New Archive (No. 22)

Faces of Migration: Classic and Contemporary Films

Virtual Auschwitz

The Prague Spring Archive Project

Before Hamilton

Digital Learning: Starting from Scratch

Historical Perspectives on The Birth of a Nation (2016)

The Enemy Within: Cold War History in FX’s The Americans

Chan is Missing (1982)

Historical Perspectives on Michael Bay’s 13 Hours: The Secret Soldiers of Benghazi (2016)

The Public Historian: Quilombola Seeds

Screening Vietnam: First Blood and Jaws

Magical Realism on Drugs: Colombian History in Netflix’s Narcos

Historical Perspectives on Agnieszka Holland’s In Darkness (2011)

Historical Perspectives on Isao Takahata’s Grave of Fireflies (1998)

Honest Abe’s Archive: The New Archive (No. 21)

From the Humanities to the Digital Humanities: The New Archive (No. 20)

A Graphic Revolution: The New Archive (No. 19)

Colón 2000: Tour Guides, Cruiseships, and Tourists in Panama

Digital History: Resources

Digital History: A Guide by Daniel J. Cohen and Roy Rosenzweig (2006): New Archive (No. 18)

Digital Visualization Workshop, Venice 2014: The New Archive (No. 17)

“Oh this learning, what a thing it is!”: The New Archive (No. 16)

Historical Perspectives on Hayao Miyazaki’s The Wind Rises (2013)

Has Texas Seen its Last Liberal?

California’s Gold Rush in Pictures: The New Archive (No. 15)

Seeing John Donne Speak: The New Archive (No. 14)

Visitors of the Nile: The New Archive (No. 13)

Hearing the Roaring Twenties: The New Archive (No. 12)

Harper’s Weekly’s Portrayal of the Civil War: The New Archive (No. 11)

Mapping The Slave Trade: The New Archive (No. 10)

Persuasion, Propaganda, and Radio Free Europe: The New Archive (No. 9)

An Emotional Database: The New Archive (No. 8)

Hungary 1956. Crimea 2014? The New Archive (No. 7)

Sound Maps: The New Archive (No. 6)

iTunes Remembers Black History: The New Archive (No. 5)

I am Tourism/Yo Soy Turismo

History in Motion: The New Archive (No. 4)

History Made Magic: The Scrapbooks of Harry Houdini Come Alive

Visualizing Emancipation(s): Mapping The End of Slavery in America

A Rebellion Remembered: The Irish Easter Rising’s New Digital Archive

“12 Years a Slave” and the Difficulty of Dramatizing the “Peculiar Institution”

I am Cuba, for Sale (1964)

42 (2013)

Digital History: A Primer (Part 2)

Digital History: A Primer (Part 1)

The Sapphires (2012)

Pinching and Swiping, or How I Won the Digital War

Why is Anne Hathaway So Sad? The History Behind “Les Misérables” (2012)

Quentin Tarantino’s Django Unchained (2012)

Elevate (2012)

What’s Missing from ‘Argo’ (2012)

A Historian Views Spielberg’s Lincoln (2012)

“You have died of dysentery” – History According to Video Games

The Invisible History of Hawaii in Alexander Payne’s “The Descendants”

For Greater Glory (2012)

Twitter for Historians

Film Review – Baseball by the Numbers: Moneyball (2011)

Film Review – A Separation (2011)

Footnote (2011)

African American History Online

Camila (1984)

J. Edgar (2011)

Two documentaries on Guatemala’s violent civil war

Film Review – Amigo (2011)

Sankofa (1993)

Nat Turner: A Troublesome Property (2002)

The Adventures of Robin Hood (1938)

The Present in the Past: Ohio State’s website

Lend-Lease Live: The Video

Twitter for Historians, or #twitterstorians

Life and Nothing But (1989)

Flickers of the Past

The Help

Day of Wrath (1943)

Hollywood’s Brazil: Rio (2011)

Death and Decadence: Vatel (2000)

Everyday Crimes: The Shop on Main Street (1965)

Small Towns and Big Dreams

Sounds of the Past

Thurgood (2011)

Rebel With a Cause: Johnny Tremain (1957)

I am Twenty (1961, released 1964)

Cynical Realism: Miller’s Crossing by Joel and Ethan Coen (1990)

The Old Man and the New Man in Revolutionary Cuba

Recent Posts

  • 15 Minute History – Environmental Justice and Indigenous History
  • Celebrating Research Excellence: The Lathrop Prize and the Perry Prize, 2021
  • Digital Archive Review: Age of Revolutions and the Newberry French Pamphlet Collection
  • IHS Talk: “Confessions of a Failed Pandemic Planner” by Nancy Tomes, Stony Brook University
  • Citizens at Last Film
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