“Colón 2000” is a short video about the experiences of tour guides, taxi drivers, and other service workers who make their living in the historic city of Colón, Panama.
Films & Media
Hayao Miyazaki and Studio Ghibli produced many internationally celebrated and beloved animated films, including the award-wining Spirited Away. His farewell masterpiece, The Wind Rises, however, received mixed reactions from international audiences.
A new HBO documentary, “All About Ann: Governor Richards of the Lone Star State,” takes a look back at the life of the political icon. by Zachary Montz “Good evening, ladies and gentlemen. Buenas noches, mis amigos! I am delighted to be here with you this evening, because after listening to George Bush all these […]
“The past is never dead,” as William Faulkner and this website remind us, “It’s not even past.” We explore the endurance of the past in the present through ethnographic filmmaking. In January 2013, we traveled to Panama to observe and participate in the country’s growing tourism industry.
The challenge of informing an inquisitive American public about the nation’s own two-hundred year old tragedy—slavery—has not fallen squarely on the shoulders of historians and other scholars. Artists, and particularly filmmakers, have played a central role in helping the larger public grapple with the horrors and indeed, aftershocks of human bondage.
An extravagant party on the rooftop of a Havana hotel. It’s the late 1950s; hedonistic tourism is booming in the City. A band plays loud. Drinks. Laughter. Our line of vision moves from the hotel’s rooftop to a crowd of tourists below, where we see a woman and follow her into the pool. Underwater….Hailed today a classic for its inventive cinematography, “I am Cuba” was virtually forgotten for three decades.
The new film 42 tells the story of Jackie Robinson’s heroic effort to integrate Major League Baseball.
Wayne Blair’s The Sapphires is the best new historical film that you most likely have not seen, yet. It is based on Tony Briggs’ 2004 play with the same name and premiered at the Cannes Film Festival in 2012.
As a French historian, I was bombarded with questions from friends, family members, and even strangers about whether I was excited to see “Les Miz,” the film version of the wildly popular stage musical, which was released in December. For some reason, knowing that someone who studies French history is excited to see Les Misérables makes people want to see the film more.
We all know that films on historical subjects distort events for the sake of entertainment. The goal of this review is to examine this latest rendition of slavery in popular culture from a historian’s point of view to see how those distortions are used and what affect they may have on popular ideas about slavery.