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The past is never dead. It's not even past

Not Even Past

Road Rage

by Alison K. Smith

This article is reposted from Russian History Blog.

This blog post is inspired by petty anger. In this deeply weird and unsettling time, I am, like virtually everyone, staying at home. I am in almost every way lucky—I have a job (though hoo boy do I sometimes wish I had listened to my gut and not said yes to being department chair), I have a comfortable home, our restrictions are not too extreme. I live alone, which on balance right now feels like probably also a lucky thing, though it has its own stresses and sources of sadness. I’ve in particular come to rely on a daily walk to get out into the air, to stretch my legs, to try to turn off from all the stresses of my job right now.

Gatchina Palace (via Flickr)

On these walks, though, I often find myself seething with rage at the pettiest of things—people who do not keep to the right while walking or riding or running. Even in a time of social distancing, my rage feels out of proportion to the offense. But then I remembered a letter of complaint I came across in one of my beloved files of random correspondence from the Gatchina Palace administration [Gatchina Palace was built near St. Petersburg in the 18th century for a favorite of the Russian Empress, Catherine the Great].

To His Excellency, the Director of the Gatchina Palace Administration

Riding yesterday, the 3rd of August [1892], at 9 in the evening, on a bicycle, in the Imperial Priorate Park, I came upon a gentleman unknown to me, driving a white trotter at full speed, who, despite my increasingly ringing my bell, continued to ride on the left side of the road, as a result of which I, at risk of being trampled, was forced to jump down from my bicycle onto the grass; at my comment, made in the most polite form, that one should drive on the right side, the gentleman sitting in the charabanc and driving the horse answered me with unacceptable obscenity. On my way back, about twenty minutes later, I had the misfortune to again come across this same gentleman, continuing as before to drive on the left side of the road; in response to my bell and to my comment that besides the existing rule to drive on the right side, even only politeness demands that one should give way, the gentleman informed me that such a rule does not exist, having added along with this message personally to me insulting expressions so impolite, that repeating them word for word in the present letter I consider impossible; in the end of all of this insulting actions were threatened. Of all of this I immediately gave a report to the duty officer of the Gatchina Police. [Hearing] my description of the characteristics of the horse and the gentleman, the Police officers sitting in the duty room recognized the owner of the horse as Gatchina homeowner Bronislav Liudvigovich Adamovich; in order to definitively establish the identity of the culprit, I gave the Police a detailed description.

Having in mind that a simple monetary penalty such as laying a fine by judicial process will hardly guarantee that the public visiting the Imperial Priorate Park [will not be bothered by] a repetition of such misconduct on the part of the above mentioned gentleman, [misconduct that] violates social morality and order in the Imperial park, and that the insult given by him to me was without any reason on my part, I have the honor to present all above noted to the discretion and resultant decision of Your Excellence, humbly asking that you inform me of what is done about this matter.

Collegiate Secretary

Feodor Feodorovich Rein.

4 August 1892

Someone looked into the matter the day it was sent, and noted down the following report:

Feodor Feodorovich Rein, Collegiate Secretary, works as a Secretary of the Main Military-Sanitary Committee of the Ministry of War. Residence: in the town of Gatchina, on Baggovutovskaia ulitsa, no. 46, the home of engineer Rein.

I have the honor to report … that in the matter of the offenses committed in the Priorate Park by nobleman Bronislav Liudvigovich Adamovich to Collegiate Secretary Fedor Fedorovich Rein, a witness statement by Luga meshchanin Artur Karlov Reikhenberg, residing in the village Bol’shaia Zagvozdka, Gatchina township, explains that it was completely possible for Rein to pass without obstruction along the road on the right side, and beside that it is necessary for all bicyclists to pull over and get off their bicycles when they meet people riding on horses in light of the fact that every horse seeing the unfamiliar sight of a bicycle without fail begins to buck and to shy and in general to sidle, so for Rein to be offended by Adamovich there is no foundation, all the more so because, as Reikhenberg reports, Rein was the first to address Adamovich in rude form, with the comment “you do not know how you should drive, why don’t you keep to the right side,” but all the same from my point of view Adamovich should be given proper warning that he should drive more calmly, and that if there is a second complaint about him driving quickly and not following the general rules of driving, then he will be prohibited from driving in the Priorate Park forever and for reckless driving in general he will face legal liability. 

I’m not going to try to spin this out too much—of course, there’s plenty of stuff to say about these figures and who they might be, or of the fact that Mr. Rein was a thoroughly modern man on his bicycle in 1892. Perhaps I’ll come back to them in another post at some point. But I copied this all out because I thought it was sort of funny, and I loved the resonance of the idea of bicyclists and drivers at odds over road usage, because that’s still such a present part of urban discourse.

Image of a bicycle from B. Kaul’fus, Kratkoe rukovodstvo k izucheniiu ezdy na velocipede i obrashcheiiu svelosipedami fabric Adamants Opelia v Riussel’sgeime (Kiev, 1893)

Now, though, I’m struck by the anger. The anger that seemed to motivate Rein—if Reikhenberg was right and he really did have enough space, his action to jump down into the grass feels like a bit of a conscious display of being inconvenienced for the sake of show, rather than anything real—the anger he received in return—although Reikhenberg reported that Rein was the first person to be rude, his reported statement (which, I should note, used the proper vy, not the familiar and potentially offensive ty) hardly seems to be enough to cause someone to respond with obscenity.

In 1892 Gatchina was a bustling place, with Alexander III often in residence (though probably not in August) and its two railway lines making it an increasingly desirable suburban residence for people who worked in St. Petersburg. The park might simply have been busier than normal with summer dacha residents, making the whole exercise of bicycling or driving more frustrating. I suppose one could also make a case that the quickness to anger on the part of these men reflects the internal opposition they might have felt about their own status as modern men—one a nobleman (probably a Polish nobleman) with a fancy horse, one with cutting edge bicycle—in an anti-modern system, an anti-modern system that could not be ignored at that time and in that place because it was centered on the palace next to the park.

And then I think about my own petty anger, and wonder about which of the many background worries we all face right now that is manifesting itself in those feelings of rage.Sources:
RGIA [Russian State Historical Archive) f. 491, op. 3, d. 386, ll. 311-312ob.

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The views and opinions expressed in this article or video are those of the individual author(s) or presenter(s) and do not necessarily reflect the policy or views of the editors at Not Even Past, the UT Department of History, the University of Texas at Austin, or the UT System Board of Regents. Not Even Past is an online public history magazine rather than a peer-reviewed academic journal. While we make efforts to ensure that factual information in articles was obtained from reliable sources, Not Even Past is not responsible for any errors or omissions.

Age of Anger: A History of the Present, by Pankaj Mishra (2017)

By Ben Weiss

In Age of Anger: A History of the Present, acclaimed author and journalist Pankaj Mishra explores what he describes as the tremors of global change. For the past several decades, liberal cosmopolitanism provided a false sense of security after the fall of the Soviet Union. Now, Mishra claims, world schisms have begun to manifest in increasingly overt displays of violence by state and non-state actors alike, leaving dubious possibilities for the coming years. In this accessible work of public history, Mishra traces a long arc of the rise of the Age of Anger from the Enlightenment to what he perceives as the precarious present.

The book was written and published as we watched the explosion of chaos in Syria and Iraq, the collapse of established and relatively balanced political and economic relationships, increases in terrorist activity in places such as Turkey, Kenya, and Nigeria, and increasing violence stemming from racial prejudices in France, Great Britain, and the United States. The rise of rancorous populism cracking its way through the foundations of traditional model democracies in the West, evidenced by the success of Donald Trump, Marine Le Pen, and Brexit, leads Mishra to fear that the globe is on the precipice of world wide disaster.

“After a long, uneasy equipoise since 1945, the old west-dominated world order is giving way to an apparent global disorder.” This new disorderly Age of Anger ranges both from the destabilizing fury of history’s marginalized populations as well as the counterrevolutionary response that has mobilized hatred within mainstream political discourses. Unfortunately, Mishra offers little perspective on how the world may emerge from this predicament. For him, the tumultuous year that was 2016 is only the beginning.

The real value of this fairly pessimistic yet stimulating work is in Mishra’s analysis of how we arrived in the Age of Anger. Scholars in subaltern and imperial histories have argued for decades that the sheer arrogance of narratives of Western liberal progress have concealed the crumbling foundations of modernized globalization. Mishra offers an accessible and nuanced narrative of the emergence of popular rage from the European Enlightenment, through the advent of industrialization and imperialism, and the various alignments of the non-Western world within a Eurocentric global order during the twentieth century. From the upheavals of the Reign of Terror in revolutionary France to the rise of fascism in the twentieth century, he shows that the neatly packaged concept of liberal modernization mostly consists of a process of “carnage and bedlam.” Mishra argues that elites, unable to cope with the reality of modernization, take refuge in precipitating alienation: destruction of civil liberties, states of emergency, anti-Islamic movements, rhetoric purporting the global clash of civilizations, and the like. Though perhaps framed within too much of a polarized dichotomy, Mishra’s analysis reveals a massive schism between political and economic elites and the larger masses who have been directed into “cultural supremacism, populism and rancorous brutality” as a result of being denied the promised advantages of modernity. The consequential tension leaves us on the threshold of a “global civil war.”

A Tea Party protest in 2009 (via Wikimedia Commons).

Mishra predicts that continuing economic stagnation will exacerbate the bitterness of these existing divisions. Many will react to literal displacement from their societies or social and political displacement as we have seen with the recent and rapid expansion of activities in United States immigration. The subsequent fear and rage will divide those who may resort to radical violence because they have nothing left to lose from those who will empower more radical elites who promise to tear down the existing system. However, for Mishra, this chaos is fully representative of the process of liberal modernization. Once you strip the implications of liberal modernization of its positive rhetoric, what remains is a cacophony of violence. Slavery, imperialism, and warfare have always been the dark underbelly of the liberal project.

While modernization has generated the context for this violence to take on truly global proportions for the first time, Mishra’s detailed history describes the development of these themes through earlier centuries. For example, Voltaire routinely emphasized the exemplary capacity of humanity to exercise free will, however, he actively encouraged Catherine the Great to coerce Poles and Turks into Enlightenment education under threat of violence. All the while, Catherine’s actions allowed him to make a fortune in the commercial investments of new markets that arose as a result of this coerced ideological diffusion. Mishra also alerts readers to the various thinkers such as Rousseau and Nietzsche who prefigured the growth of dissident populations and their inevitable role as destabilizers during the emergence of modernization, drawing interesting parallels to the role of Islam in the twentieth century.

The Ottoman capitulation in 1877 ended the Russo-Turkish War (via Wikimedia Commons).

By demonstrating the connection of ideas in Europe with the rest of the world, Mishra is able to draw heavily from Nietzsche’s concept of ressentiment, which encapsulates the innate hatred and envy fostered by groups who are positioned as inferior. For example, ressentiment could describe the attitude of the colonized under imperial regimes. Mishra claims that Muhammad Iqbal, an Islamic poet and religious reformist, and Lu Xun, an activist in China all pulled from Nietzsche’s ideas, while “Hitler revered Atatürk” and “Lenin and Gramsci were keen on Taylorism.” This mix of Enlightenment thought with global adaptations speaks to the paradoxical fusion of self-contempt instilled by liberal otherization with the rage that facilitates resistance to the same system. Indeed, as Mishra contends, leaders from all over the global south and east met imperialism by synchronizing with Western ideology in order to secure their independence from the West. This aspiration failed locking much of Africa, Asia, Latin America, and various Marxist movements into liberal modernity. “The key to man’s behaviour lies not in any clash of opposed civilizations, but, on the contrary, in irresistible mimetic desire: the logic of fascination, emulation and righteous self-assertion that binds the rivals inseparably. It lies in ressentiment, the tormented mirror games in which the West as well as its ostensible enemies and indeed all inhabitants of the modern world are trapped.”

The Paris Commune stormed the Tuileries Palace in 1792 during the French Revolution (via Wikimedia Commons).

The ambitious project of Age of Anger is not without its faults, namely some oversights and generalizations. For one, Mishra does not consider social democracy or Marxism as the alternatives to neoliberal world systems that they perceive themselves to be. In other ways, his attempts to paint a larger history in broad strokes risks overgeneralizing some phenomena and exaggerating historical causality. Due to some of these flaws, proponents of liberalism may find his arguments unconvincing, but for those sympathetic to analysis of the darker sides of modernity, Mishra’s work should prove thought provoking while drawing attention to potential linkages in historical developments across multiple centuries in a way that brings arguments previously sequestered to academia into the public sphere.

Pankaj Mishra, Age of Anger: A History of the Present (New York: Farrar, Straus and Giroux, 2017).


Also by Ben Weiss on Not Even Past:

My Alternative PhD in History.
The British Industrial Revolution in Global Perspective, by Robert C. Allen (2009).
Violence: Six Sideways Perspectives, by Slavoj Žižek (2008).

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