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The Environment on History & History in the Environment

Environmental history is one of the most exciting fields of history at the moment as scholars seek to understand the role the environment played in familiar events and the ways the environment has been shaped by historical forces. Here is a list of important works selected by Erika Bsumek and Mark Lawrence, two of the authors of our featured book this month (some of which have been reviewed on NEP).

Kurk Dorsey, The Dawn of Conservation Diplomacy: U.S.-Canadian Wildlife Protection Treaties in the Progressive Era (University of Washington Press, 1998). A landmark in the scholarship combining diplomatic and environmental history, this book examines U.S.-Canadian diplomacy aimed at managing migratory animals and birds — a notable and overlooked success of Progressive-era effforts to impose control over nature.

J.R. McNeill and Corinna R. Unger, Environmental Histories of the Cold War (Cambridge University Press, 2010). Like Nation-States and the Global Environment, this book collects essays from leading international and environmental scholars, uncovering various ways in which the Cold War involved struggles for natural resources and an the horrific ways in which the Cold War damaged the natural environment.

William Cronon, Nature’s Metropolis: Chicago and the Great West (W.W. Norton, 1991).

Greg Grandin, Fordlandia: The Rise and Fall of Henry Ford’s Forgotten Jungle City (Picador Press, 2009).
Reviewed by Cristina Metz on Not Even Past

Joachim Radkau, Nature and Power: A Global History of the Environment (Cambridge University Press, 2009).

The Deepest Wounds: A Labor and Environmental History of Sugar in Northeast Brazil by Thomas D. Rogers (2010)

by Elizabeth O’Brien

There is a vast historiography on worker strikes and resistance to economic exploitation in Latin America and Brazil, yet most scholars disregard the environmental backdrop to struggles over land, labor, and resources. Aiming to fill this lacuna, The Deepest Wounds is a combination of labor and environmental histories, and it has elements of commodity-chain and literary analysis as well. Examining over four centuries of sugar production in Pernambuco, Brazil, Thomas Rogers demonstrates that sugar monocropping not only changed the environment, it also altered the nature of politics, social dynamics, and labor mobilization in the region. Above all, Rogers claims that the exploitation of nature and labor shaped the power dynamics that harmed workers and damaged the land itself.

Rogers claims that discourses of landscape underscored the transition from slavery to a new paradigm that relied on old logic: the planter class still saw the landscape and the workers as objects to be controlled. Pointing to literature for evidence, Rogers proposes that novelist Joaquim Nabuco’s nostalgia for a landscape actually represented his longing for the paternalistic racism of slavery. José Lins de Rego and Gilberto Freyre, on the other hand, protested the havoc that cane monoculture wrought on humans and nature alike. Workers, for their part, allegedly used a language of captivity to describe post-slavery social conditions, and, by highlighting worker poverty and lack of opportunity, Rogers points to the persistence of slave-like exploitation throughout the twentieth-century.

Rogers chronicles the development of usinas (sugar mills), which grew immensely between the mid-1930s and the 1950s. Powerful families still controlled the mills, but centralization and modernization occurred under the Vargas regime. For example, the use of fertilizer in the 1940s led one producer to increase sugar output by 220% in just a decade and a half. The establishment of the Institute of Sugar and Alcohol (IAA sparked economic and labor reforms. Yet rationalization was patchy in these decades and worker-patron relations still functioned as patronage. By paying close attention to agricultural processes, Rogers shows that modernization altered systems of work without eliminating oppression. Agrarian reform laws, for example, required bosses to pay workers by the task instead of by the day. Patrons manipulated this system so that it did not result in higher wages: instead, workers labored in tasks for longer periods of time.

Many laborers resisted abuse and exploitation, and their struggles evoked solidarity from union organizers, communists, and Church groups. Overt politicization of the sugar fields began in the 1940s, and the first rural union emerged in 1946. Communist leaders organized a conference of rural workers in 1954. Shortly thereafter, 550 “suspected militants” were arrested and the regional committee collapsed. Peasant leagues soon spread throughout the region, and the Sociedade Agro-Pecuária de Pernambuco (SAAP) gained particular prominence. Governor Sampaio selectively acquiesced to union demands, eventually distributing land to members of the peasant league. Not surprisingly, some mill-owners resented the mobilizations and retaliated by shooting and killing union delegates. As a result of continued agitation and struggle, November 1963 saw the biggest strike in Brazil’s rural history: an estimated 90% of the region’s workers (200,000 people) halted production in order to protest abuses in the cane fields.

By focusing on environmental history, Rogers shows that the 1960s was an important decade for additional reasons. Scientists and mill owners introduced CO 331, a strain of sugar cane known as 3X, with the goal of increasing cane output. By 1963, mill owners were mono-cropping the strain, and 3X accounted for about 80% of state’s harvest. The per-hectare weight of yields rose, but the amount of sugar per ton of cane fell dramatically — by as much as 20 kilograms per ton between the mid-1950s and 1964. The combination of economic pressure and worker strikes weakened production, and enhanced state opportunities for intervention. Wielding the language of science and technocracy, the military regime stepped in to assert control over sugar production in 1964.

Under the military regime, agricultural workers experienced new forms of state control. The state issued identification cards designed to transform anonymous workers into “fichados,” or documented employees. Women often secured cards instead of working alongside men without their own proper wages. Characterizing worker incorporation into the state as proletarianization, Rogers points out that laborers could benefit from new legal channels and use them to challenge patrons. Nevertheless, oppressed and underpaid workers continued to organize strikes in order to protest labor abuses, and the state began to repress workers to a greater degree than before.

State incorporation did not free workers, and sugar cane production continued to pollute the environment and generate proletarian struggle.

Photo Credits:

A Brazilian worker harvests sugar cane (Image courtesy of Webzdarma.cz)

A mills worker in Moema, Brazil puts out fires in a sugar cane field. To reduce labor costs, the leaves of the plants are burned off prior to harvest (Image courtesy of the United Nations, Photo # 160780)

Images used under Fair Use Guidelines

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Further Reading:

Eyal Weinberg writes about the Brazilian government’s efforts to promote “social peace” among the working class

And Darcy Rendón explores the origins of Brazil’s lottery, jogo do bicho

Pipelines along Uncle Tom’s Cabin: Standard Oil in Louisiana

This is part of an occasional series of articles highlighting the fascinating collection of historical documents in the Briscoe Center for American History at UT Austin.

by Henry Wiencek

The January 1919 edition of The Lamp, Standard Oil Company of New Jersey’s nationally circulated trade publication, marvels at the firm’s gleaming new refinery in Baton Rouge. After being spun off from John D. Rockefeller’s Standard Oil Company, the newly independent company was eager to grow its business in the Bayou State. And the Baton Rouge plant had done just that, becoming an enormous industrial concern refining over 40,000 barrels of crude each day.

This issue of The Lamp, which Standard Oil-NJ sent to its employees, stockholders, and outside subscribers, tries to assuage contemporary anxieties over big business by celebrating the economic development and social uplift occurring in Louisiana. Thanks to company investment, a productive and modern industry is replacing fallow cotton fields and the primitive, old ways they represent. The Lamp even presents Baton Rouge’s new refinery as an agent of Post-Reconstruction reconciliation, a harmonious project of regional collaboration between northern expertise and southern natural resources. Oil refining represents nothing less than societal transformation: a “New South” of productivity, sectional reconciliation and affluence, all brought to Louisianans by the Standard Oil Company of New Jersey.

Company photographs depict Louisiana as a landscape in transition—a space where farming is slowly giving way to modern industry. Under the title, “The Transformation of the ‘New South’ Under the Magic Wand of Industry,” two large horizontal photographs spread parallel across the page. The top image depicts a 1909 cotton plantation of overgrown weeds and ramshackle fencing set against a winding dirt road. The photograph directly below displays the same patch of land ten years later, where an enormous refinery dominates the horizon and bears no mark of any agricultural predecessor. This striking visual comparison offers a clear and proud juxtaposition: the old giving way to the new.

By working towards a future of economic modernity, Louisiana was also escaping a legacy of north-south antipathy. The Lamp depicts the refinery as a national project in which northern industry and southern land work in concert towards a productive future. “A Southern Business Home,” which discusses the company’s Baton Rouge headquarters, inscribes this language of regional partnership into the building’s very architecture. Elegant colonial windows look upon orderly refining processes and converging railway lines, creating a dynamic interplay between old world repose and modern productivity. Standard Oil-NJ’s headquarters physically embodies peaceful collaboration: the industry and expertise of the north working alongside the abundant lands and bucolic lifestyle of the south. Even as pipelines and factories consume more and more Louisiana bayou, the form and style of Standard Oil-NJ’s development promotes an image of peaceful coexistence with the southern landscape.

Yet despite all the enthusiasm for the company’s role in Louisiana, The Lamp also conveys a quiet anxiety as it ponders the bucolic, pre-modern past that industry is steadily replacing. Photographs and articles simultaneously celebrate industrial change and commemorate the people and lifestyles that are vanishing as refineries engulf plantations. In “Pipe Lines in the South,” C.K. Clarke, manager of the company’s Pipe Line and Producing Department, describes the intersection of industrial expansion and romantic traditions in Louisiana, whimsically imagining Standard Oil’s pipelines stretching within sight of Uncle Tom’s cabin. Although Clarke concedes that Louisiana’s old ways are incompatible with the modern world, he strikes a nostalgic tone as he considers the lamentable, if necessary, end to a romantic, pre-modern time.

For just a moment, The Lamp‘s narrative of progress and optimism pauses to consider the consequences of industrialization. The company publication creates a wistful historical record of the wild landscapes and wild characters of the “Old South” before they disappear—a kind of strange recompense for its own role in their destruction. Changes in land use represent progress, but also the end of an era. To be sure, this is a “history” told entirely on company terms, reinforcing the backwards and fundamentally un-modern character of old Louisiana. But it does suggest that Standard Oil-NJ officials were, at very least, conscious of their public—and historical—image. The Lamp accordingly presents company men not as mindless capitalists, but as thoughtful stewards of the past, rightly or not.

Amidst a national climate of anti-monopolism and trust busting, The Lamp unapologetically promotes the benefits of big business in Louisiana. Articles and photographs celebrate rapid changes to the state’s landscape as symbols of progress and betterment. Pipelines and refineries engulfing cotton fields augur a “New South” of industry, profitability and sectional reconciliation.

But for all the confidence its narrative exudes, The Lamp cannot help but consider what is being lost in the march to modernity. Company officials remain deeply fascinated by the vanishing “Old South” and the nostalgia it conjures. At certain moments, The Lamp reads like a romantic history book, chronicling the quaint ways of the old bayou before it becomes just another factory. While the employees of Standard Oil-NJ are undoubtedly proud of their work in Louisiana, they remain highly attuned to contemporary fears over industrialization and its potentially corrosive impact on American society. The Lamp is ultimately both confident and defensive: optimistic about the future Standard Oil-NJ is creating and nostalgic for the past it is destroying.

Photo Credits:

Selected pages from the January 1919 edition of The Lamp

The ExxonMobil Historical Collection

di-09040, di_09041, di_09042

The Dolph Briscoe Center for American History, The University of Texas at Austin

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You may also like:

Stephen F. Austin’s 1835 bookstore receipt

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