Latin America Archives - Page 3 of 10

Of Merchants and Nature: Colonial Latin America Through Objects (No. 1)

This new series features five online museum exhibits created by undergraduate and graduate students at the University of Texas at Austin for a class titled “Colonial Latin America Through Objects.” The class assumes that Latin America was never a continent onto itself. The course also insists that objects document the nature of historical change in ways written archives alone cannot.

Diana Heredia López’s exhibit centers on the Florentine Codex, a twelve volume encyclopedia of Aztec knowledge compiled by Franciscan friars and dozens of Nahua scribes trained in the mid sixteenth century in in Latin and classical learning. These polyglot Indians surveyed the natural history of central Mexico using Pliny’s model. The latter described objects along the ways they were processed, consumed, and transformed. She focuses on Nahua agave, cotton, figs, and gourds and the fabrics and containers they engendered.

Cuba’s Revolutionary World

by Jonathan C. Brown

On January 2, 1959, Fidel Castro, the rebel comandante who had just overthrown Cuban dictator Fulgencio Batista, addressed a crowd of jubilant supporters. Recalling the failed popular uprisings of past decades, Castro assured them that this time “the real Revolution” had arrived. Castro’s words proved prophetic not only for his countrymen but for Latin America and the wider world.

Fidel Castro announcing the arrival of “the real revolution,” 1959.

The political turmoil that rocked a small Caribbean nation in the 1950s became one of the twentieth century’s most transformative events. Initially, Castro’s revolution augured well for democratic reform movements then gaining traction in Latin America. But what had begun promisingly veered off course as Castro took a heavy hand in efforts to centralize Cuba’s economy and stamp out private enterprise. Embracing the Soviet Union as an ally, Castro and his lieutenants, Che Guevara and Raúl Castro, sought to export the socialist revolution abroad through armed insurrection. Chairman Khrushchev’s early support aided the Cuban revolutionaries in defeating of the CIA invasion of Cuban émigré fighters at the Bay of Pigs. However, he subsequently lost his job over the 1962 Missile Crisis that pushed the superpowers to the brink of nuclear war.

By the end of the 1960s, rural and urban uprisings linked to the Cuban Revolution had spilled over from Central America into the bigger countries of South America. Revolutionary groups whose leaders had trained in Havana were operating in Venezuela, Colombia, Peru, and Argentina. Most of the rural and urban guerrillas may not have traveled to Cuba. Yet they certainly followed Fidel’s “anti-imperialist” example. Che himself attempted to spread the revolution to Bolivia, where he died. Other rebel groups with names such as the Tupamaros and Montoneros and still others with initials like FALN, ELN, and MIR defined the 1960s as the age of student unrest.

Castro’s provocations inspired intense opposition. Cuban anti-communists who had fled to Miami found a patron in the CIA, which actively supported their efforts to topple Castro’s regime. American presidents supported anti-communist forces that often utilized disproportionate violence against pro-Cuban dissidence in their own countries. The insurrections fomented by leftist guerrillas lent support to Latin America’s military castes, who promised to restore stability. Brazil was the first to succumb to a coup in 1964. A decade later, juntas of generals governed most Spanish and Portuguese-speaking nations of the Western Hemisphere. Rightwing terror claimed increasing numbers of casualties into the 1980s. Thus did a revolution that had seemed to signal the death knell of dictatorship in Latin America produce its tragic opposite.

Latin America’s military establishments especially came to oppose revolution because they learned what had happened to the Cuban army that failed to defeat Castro’s guerrilla rebellion. Revolutionary firing squads killed hundreds of military and police officers when the Batista dictatorship fell. Consequently, Che Guevara’s travels in Latin America proved especially toxic. President Jânio Quadros of Brazil resigned one week after presenting Guevara with a medal and Argentina’s army generals deposed President Arturo Frondizi several months after he “secretly” met with El Che.

Omar Torrijos and Fidel Castro in 1976

However, it is instructive that two generals who performed coups d’état in 1968 took advantage of the nationalist feelings of peasants and workers to establish pro-Cuban juntas. Generals Juan Velasco of Peru and Omar Torrijos of Panama ousted elected governments in order to implement overdue social reforms. Many countries of Latin America followed the Brazilian example of establishing long-term counterrevolutionary military dictatorships. Brazil’s generals governed for twenty-one years.

The Cold War that Cuba introduced to Latin America affected the lives of countless ordinary citizens. Humberto Sorí Marín, the revolution’s first agriculture minister. opposed the turn toward communism, resigned, and fled to Miami, only to return with a cache of weapons for an uprising against Castro. He died before a firing squad. There was also Osvaldo Ramírez, the bandit king of the Escambray Mountains who led a widespread guerrilla rebellion against Castro’s rule until militia troops shot and killed him in battle. His anti-communist guerrilla successors endured within Cuba until 1965.

Cuban militiamen capture an anti-Castro guerilla fighter, c. 1962.

Antonio “Tony” Zamora was one Castro opponent who survived. He aspired to study law but left Cuba in 1960 to join the brigade of exiled Cuban youths who landed at the Bay of Pigs. President Kennedy ransomed Zamora and his fellow prisoners following the Cuban Missile Crisis. Tony became a lawyer in Miami and went on to advocate greater dialog with the Castro regime as the Cuban Revolution approached its fiftieth anniversary.

Cuba’s revolution attracted youthful visitors from all over Latin America who wished to learn how they too might become armed revolutionaries. Julio García left the University of Buenos Aires to learn how to fight as a guerrilla in 1962. However, he and several other Argentineans quit the camps after training became too rigorous for them. Venezuelans like Luben Petkoff did finish Cuban guerrilla training. Luben engaged in combat for nearly ten years only to give up finally with a pardon from one of the few democracies that survived the 1960s.

Venezuelan Leftist Guerillas

Women too became involved in the turmoil. The guerrilla Tania gave up her life for the revolution, this one in Bolivia. Tania’s real name was Tamara Bunke Bider, an Argentinean-born East German who first met Che Guevara as a government translator in East Berlin. She immigrated to Cuba in the early 1960s and eventually became Che’s spy in La Paz, Bolivia. Tania campaigned with Guevara’s last guerrilla group in 1967 and suffered the fate of most of his followers.

Student rioters in Córdoba, Argentina, 1969

Argentina’s Norma Arrostita visited Havana in 1967 to attend a conference of armed leftists from all over Latin America. When she returned to Buenos Aires, Norma acted as the lookout for the kidnapping and killing of a former general who once served as Argentina’s president. A founding member of the urban guerrilla group known as the Montoneros, Arrostita later “disappeared” in a military prison like thousands of other suspected radicals.

As Mao used to say, “The revolution is not a dinner party.” Fidel Castro provided the corollary. “But the counterrevolution” he said, “is always more cruel.”

Jonathan C. Brown, Cuba’s Revolutionary World (2017)

For more on twentieth-century Latin American revolutions, try these:

Jorge I. Domínguez, Cuba: Order and Revolution (1978).
The foundational text for any serious study of Cuba’s three revolutions in the modern age: the Wars of Independence, the 1933 Revolution and rise of Fulgencio Batista, and the 1959 Revolution of Fidel Castro and his many associates.

Alexandr Fursenko and Timothy Naftali, One Hell of a Gamble: Khrushchev, Castro, and Kennedy, 1958-1964 (1997).
A fascinating account of Havana-Moscow relations culminating in the October Missile Crisis of 1962. The authors had access to Soviet and US document collections but only a few Cuban ones, which are generally not available to researchers. The title derives from a statement by President Kennedy during a White House discussion about Premier Khrushchev’s possible motivations for placing nuclear missiles in Cuba.

Jan Lust, Lucha revolucionaria: Perú, 1958-1967 (2013).
The most thorough study of a guerrilla movement in any country of Latin America during the 1960s. The author interviewed survivors and collected detailed information on leaders and fighters from a variety of sources.

Valeria Manzano, The Age of Youth in Argentina: Culture, Politics, and Sexuality from Perón to Videla (2014).
An important study of the student movements of one important country in South America during an age of youthful protests and cultural change wrought by national political turmoil and military interventions. The book covers the period from the 1955 overthrow of Juan Perón to the 1976 coup d’état that preceded the last military dictatorship of the country.

The Battle of Chile

by Nathan Stone

“Where is that terrible beauty we planted so long ago?”

-Santiago del Nuevo Extremo

Rodolfo Müller is almost a hundred years old, now. He still lives in the same house as always, off Simón Bolivar, between Hamburgo and Coventry. That’s in Ñuñoa, a township on the near west side of Santiago. It’s a big house, and very nice but unpretentious. If he had wanted, he could have picked a more prestigious address further north, in Providencia, or up higher, in Las Condes. But he didn’t.

Rodolfo was born in Germany in about 1920. Before World War II, he came to Chile with his parents and his brother. They were just teenagers. I met him when he was almost sixty. He still looked very German after all those years: tall, blond, and blue-eyed. But he was a Jew. That’s what people said, anyway. Maybe, just on his mother’s side. They came to Chile to escape from Hitler. They left in time and made new lives in South America.

Rodolfo was a violinist and a pretty good one, apparently. Until he lost a segment of his little finger in an accident. If it had been his right hand, it wouldn’t have mattered as much, not for the violin. But it was the left. Violinists use that a lot. Rodolfo was a mechanic. It was a work-related accident. Machines are cold-hearted and unforgiving in that way.

He drove a ’64 Volvo. It was old, even then, but it ran like a Swiss watch. He did all the work on it personally. Rodolfo was not the mechanic at the shop on the corner. He was the ace; the mechanical surgeon. A horse-tamer for steel and steam. When big industrial contraptions at local factories broke down, they came and got Rodolfo. He understood machines.

When he gave up the violin, Rodolfo started playing the accordion. You can’t have music from Chiloé without an accordion. Besides, after Beethoven’s quartets, the melodies from Chiloé were simple, comrade. He played in a group was called Aydar. His wife, Irma Silva, was the director.

Jorge Müller shooting for the film The Battle of Chile — Jorge Müller shooting for the film *The Battle of Chile* (via Patricio Guzmán)

Chiloé is an island in the south. Potatoes, sheep, and seafood. Theirs was a picturesque culture and they had a music all their own. Aydar comes from the local vocabulary. It’s a contraction of ayudar, to help. Solidarity is fundamental for survival in a place like that. It was primitive island communism. It’s just how it was.

Irma and Rodolfo were members of the Association of the Relatives of the Detained-Disappeared, (Agrupación de Familiares de Detenidos-Desaparecidos). Aydar was not the official group of the Association. There was one. But this was Irma’s project, where Inelia sang and danced the cueca with Lucho from Lo Hermida. It’s where I met Pepe and Alfredo, Victor and Jaqueline, Sonia and the unforgettable Miguel Marín. I played guitar and sang backup vocals. I could do harmony. People liked that. Everyone there had been hurt by the Pinochet regime in one way or another. It was our protest group. They couldn’t kill the joy.

Irma was a professional folklorist. She even taught folklore at the University, before the coup. After the coup, folklore was considered suspicious. Too many leftists.

Irma and Rodolfo were the parents of Jorge Müller, the filmmaker. He disappeared on November 29, 1974, along with his girlfriend, the actress and producer, Carmen Bueno. Inelia’s boy, Tito, had been gone four months by then. Miguel Angel, Doris Meniconi’s boy, just ten days.

Jorge Müller and Carmen Bueno were clandestine members of the Movement of the Revolutionary Left, also known as MIR. Before the coup, they had worked for Chile Films. With director Patricio Guzmán, they made the documentary, La batalla de Chile –The Battle of Chile. It was about the historical process in Salvador Allende’s Popular Unity government. It was meant to be a memoir of the revolution, but it devolved into a denunciation of the coup. Jorge was the cameraman. The whole world can now see the coup unfolding through his eyes.

Jorge Müller and Patricio Guzmán (via Patricio Guzmán)

Now, if MIR wanted a documentary about the Popular Unity government, it wasn’t to come out in support of the idea that the ballot box was the right way to have a revolution, comrade. MIR wasn’t a part of the Popular Unity coalition. They believed in violent overthrow or nothing at all. The theory was that if you tried to take over the means of production nicely, there will be a coup. They were right about that. But Chile Films was more than just MIR, and documentaries are more than just propaganda. In the long run, The Battle of Chile got out of control. Now, it’s a classic.

The unedited footage was smuggled out after the coup. That cost Jorge his life. Irma was inconsolable. She was a high society lady, deep down. She liked things done properly, efficiently and on time. She joined the Association when Jorge disappeared. Later, she created Aydar.

Folklore from Chiloé was raucous, sentimental, and fun. Someone would speak briefly, at the beginning of our presentations, to say who we were and why we were there. Then, it was strictly repertoire from Chiloé. Some of the songs talked about lovers lost at sea, or travelers who never came home, but the listeners had to make the connection themselves. It was a challenge to the regime, but an indirect one. A clever one.

Among the mothers in the Association, Irma was one of the youngest. She died of cancer in ’94. Pinochet was no longer in power, but there was still no news of Jorge. Rodolfo was left alone. A grandson went to live with him. And there are many friends from the old days. He hasn’t been forgotten. His son was an artist. One of the best Chile has ever known. But there can be no poets in Plato’s Republic, comrade. As it turns out, the real battle of Chile was one that we would lose. The whole project of a world that is fair, just, and free has collapsed.

The Battle of Chile movie poster (via Patricio Guzmán)

They started filming in May of ’72. The tale had begun, but no one knew how it would end. Víctor Jara had a song about that, from before. After the coup, Santiago del Nuevo Extremo gave us the verse, where is that terrible beauty we planted, so long ago? Nostalgia, comrade.

The revolution failed, but the film is still a treasure. It has its rightful place today in the shantytowns of poor Chilean youth, the ones who never knew that once there had been a dream.

Irma and Rodolfo had a house on the coast, at El Quisco. That was a beautiful beach and, in its heyday, pretty elegant. Now, it has sort of come down in the world. People with money don’t go there anymore. They prefer Algarrobo, Papudo and Zapallar. Not because the beaches are any better, only because the crowd is more exclusive.

Irma and Rodolfo’s house was up on a cliff, right near the shore. It was a wooden house, red and white, with a huge pine tree in the front. The beach was about five hundred feet away, but to get there, you had to take the stairs. It was about two-hundred feet down. Which was why the view from the back porch was so spectacular. There was a well that never went dry. In a coastal town with a chronic water shortage, Irma and Rodolfo’s house was the oasis.

Deep down, Jorge liked the good life. Given a choice between a political demonstration downtown and a day at the beach with his friends, he preferred the day at the beach. El Quisco was his beach. I bought that house in 1987. Irma and Rodolfo sold it because they needed the money and because they weren’t going very often anymore. It was hard, because it was Jorge’s house, too. It was as if his footsteps could still be heard there. As if his heart were still beating there. Something about the smell. When I went, which was quite often, it was as if I dreamed his dreams and saw his visions. Irma and Rodolfo wanted the house to stay in the family. It was a simple place, but enchanting.

Aydar performed from ’76 until ’88, more or less. Those were glorious years, tragic and triumphant. Irma and Rodolfo had another child, a daughter, but Jorge was their pride and joy. And they were right to be proud. Repressive government doesn’t work out when people can see the truth.

The DINA took Jorge Müller and Carmen Bueno at 9:30 am on the corner of Bilbao and Los Leones. They had been to a party with the cast and crew of another film that had opened the night before at Cine Las Condes. They were on their way to work at Chile Films, but they never made it there. Agents appeared in civilian clothing, driving a grey Chevrolet pick-up. We have seen them before. They tried to rip out the people’s eyes and ears, comrade, but we still have the film. That’s not ever going away.

Perhaps, Jorge and Carmen died believing that victory was imminent. That’s what MIR had taught them. Song, poetry and cinema are more powerful than bombs and bullets. Maybe they are, but sometimes, they are not powerful enough.

For more on Chile’s disappeared ones, see www.memoriaviva.com.

La Batalla de Chile is available on Youtube, linked here is part one of four.

Also by Nathan Stone on Not Even Past:

Rodolfo Valentín González Pérez: An Unusual Disappearance

You may also like:

Monica Jimenez reviews Remembering Pinochet’s Chile
Jimena Perry on memory and violence in Colombia
Elizabeth O’Brien reviews Partners in Conflict: The Politics of Gender, Sexuality, and Labor in the Chilean Agrarian Reform, 1950-1970

Infrastructures of Race: Concentration and Biopolitics in Colonial Mexico by Daniel Nemser (2017)

by Haley Schroer
By focusing on the relationship between race and physical space, Nemser analyzes colonial concepts of race through an unexpected and innovative lens. His investigation of concrete structures and their effect on the creation of Mexico’s caste society spans the Spanish colonial period, from the sixteenth through the nineteenth centuries. Examining the dynamic among the indigenous, Spanish, and mestizo populations in Mexico City, Nemser claims that the conceptualization of race in colonial Mexico developed not only through interpersonal relationships but also grew out of the physical separation of peoples into distinct spaces.

Nemser focuses on four key spaces: religious congregations, mestizo schools, urban neighborhoods, and the city’s royal gardens. Ultimately, he finds that the physical separation of cultural groups implicitly created the subordinate status of non-Spanish populations. These racialized spaces, then, cultivated and institutionalized the inequality still found in Mexico today.

Nemser begins his discussion with the first Spanish efforts to separate indigenous populations into religious settlements known as congregations. He builds upon this foundational Spanish-indigenous dichotomy by then investigating the paradoxical existence of the mestizo and the segregation of Mexico City’s neighborhoods. Initially, biracial mestizos appeared to be the perfect mediators to bring the Spanish Catholic faith to indigenous populations. However, by the end of the sixteenth century, mestizos’ role in society had declined from missionary to vagabond. The subsequent separation of mestizos into different schools and neighborhoods further cultivated their reputation as dangerous and untrustworthy. Finally, Nemser experiments with a much more conceptual argument. Focusing on early modern Spanish understandings of botany, he asserts that the organization of the city’s botanical gardens throughout the nineteenth century acted as the predecessor to the scientific racism characteristic of the twentieth century. As imperial botanists in Mexico City separated plants into distinct spaces and micro-climates based on their biological characteristics, new concepts of biopolitics developed to address New Spain’s growing multiracial population.

A painting showing the casta system in eighteenth-century Mexico (via Wikipedia)

Nemser structures his book in a way that capitalizes on accessibility to the reader. Each of the four core chapters discusses an increasingly more complex separation of space. The reader thus moves from concrete religious congregations to more abstract botanical divisions. This allows Nemser to delve into the complexity of racial separation in the colonial era without confusing readers. Finally, he utilizes the introduction and conclusion to tie these colonial concepts back to the modern era.

Infrastructures of Race relies on public resources such as administrative reports, academic debates, and urban surveys that allow Nemser to demonstrate how Spanish officials restructured urban spaces into racialized areas. Due to the nature of the sources, it is difficult to gauge the indigenous perspective. As such, Nemser’s analysis emphasizes the role of elite administrators in codifying race but cannot provide the indigenous response to such separation.

Infrastructures of Race provides a compelling discussion of the role of physical spaces in creating and solidifying definitions of race in society. Weaving a narrative between established theory and new research, Nemser has created an investigation that is both innovative and accessible to the reader. Taking care to consistently maintain the relevancy of the colonial caste system to modern Mexico, Nemser sheds light on both historical racial organization and contemporary institutional racism. Both academic and non-academic audiences will find Nemser’s work thought provoking.

Also by Haley Schroer on Not Even Past:

Antonio de Ulloa’s Relación Histórica del Viage a la America Meridional

You may also like:

Casta Paintings, by Susan Deans-Smith
Mapping the Country of Regions: The Chorographic Commission of Nineteenth-Century Colombia by Nancy Applebaum, reviewed by Madeleine Olson
Imperial Subjects: Race and Identity in Colonial Latin America edited by Andrew Fisher and Matthew O’Hara, reviewed by Kristie Flannery

The National Museum of Anthropology in San Salvador

Picture of a mural at the Museo Nacional de Antropología (National Museum of Anthropology), San Salvador — Museo Nacional de Antropología (National Museum of Anthropology), San Salvador (via Brittany Erwin)

By Brittany Erwin

With its multiple universities, extensive commercial sector, and fast-growing population, the city of San Salvador has become an important axis of cultural production for the Salvadoran nation. As the country’s capital city, it houses many notable institutions, including the National Archive, The Museum of Art, and the National Theater, in addition to several historic churches. Included in these important institutions is MUNA, the Museo Nacional de Antropología.

Founded in 1883, MUNA was a product of cooperation between Salvadoran president Rafael Zaldívar and David J. Guzmán, a politician and scholar. Today the full name of the museum is the David J. Guzman National Museum of Anthropology in honor of his contributions to natural and archaeological knowledge in the country.

Located in the heart of downtown San Salvador, this museum offers the nation’s most comprehensive exhibition of Salvadoran history. With five exhibit halls, space for temporary displays and artists’ showcases, MUNA serves as a pillar of El Salvador’s effort towards cultural preservation.

The current temporary exhibit explores the legacy of the last significant eruption of the San Salvador Volcano a hundred years ago, in 1917. Seismic activity and its effects on all aspects of daily life is an important reoccurring theme in the historical narrative that this museum presents.

As visitors enter, they encounter a large, striking mural on the interior courtyard wall. Its vibrant colors and graphic scenery illustrate the significant historical impression that this small country has made. Painted by Antonio Barilla and completed in 2011, the work illustrates the story of the nation. Over centuries, struggles for power among different social, cultural, and ethnic groups have manifested in cycles of conquest, internal conflict, and war. In this sense, Barilla’s mural represents the history of this country as a story about people who have turned a legacy of suffering into one of perseverance and triumph. In that same sense, the mural also provides a thematic map to enhance the museum visitor’s examination of the artifacts that make up that history.

The quantity of exhibits in this museum is impressive, ranging from early-Mayan ceramics to modern-day markers of Catholic culture. Three of its more prominent specialties are the agricultural foundations of El Salvador’s early civilizations, the ongoing role of ritual worship in community life, and the consequences of living in a highly volcanic region.

For the student, this institution offers a wide range of historical, biological, and anthropological information about the interesting dynamics between the past, present, and future in this Central American country. In addition to the artifact displays, MUNA is home to a specialized library. Its collections comprise a variety of primary and secondary works pertaining to the political, economic, social, and cultural history of the nation. These resources are available to local and international researchers.

For the tourist, the historian, or the curious visitor, MUNA allows for a Salvadoran excursion to the past, starting from the earliest days of inhabitance and ending in the contemporary reality of twenty-first century life.

For more information about this museum and its collections, visit: http://www.cultura.gob.sv/museo-nacional-de-antropologia-dr-david-j-guzman/

Also by Brittany Erwin on Not Even Past:

The Museo Regional de Oriente in San Miguel, El Salvador

You may also like:

Too much Inclusion? Museo Casa de la Memoria, Medellín, Colombia, by Jimena Perry
History Museums: Museo Nacionál de Antropología, Mexico, by Robert Wilks
History Museums: the Good, the Bad, and the Beautiful by Joan Neuberger

Che Guevara’s Last Interview

by Jonathan C. Brown

October 9th marks the fiftieth anniversary of the death of Ernesto ‘Che’ Guevara. Among the documental gems housed in the Lyndon Baines Johnson Presidential Library is Guevara’s last interview. It occurred on the very morning of his execution. A Cuban-American agent of the Central Intelligence Agency, Félix Rodríguez, conducted the interview. Rodríguez composed a memorandum of his talk with the revolutionary and sent it from Bolivia to CIA headquarters at Langley, which forwarded it to the White House.

The CIA agent even convinced Guevara to pose for his last live photograph.

For years, the Central Intelligence Agency had been tracking the activities of the Argentinean-born revolutionary who served as Fidel Castro’s guerrilla lieutenant, economic czar, and international agent provocateur. In the spring of 1964, CIA lost the scent. They speculated that Che Guevara was dead. The White House did not learn that he might still be alive until April 1967, when Bolivia’s president, René Barrientos, wrote directly to President Johnson requesting urgent military assistance. Barrientos was facing a guerrilla uprising by both Cubans and Bolivians led by the legendary El Che.

Why Bolivia? Guevara had grown weary of his leadership role in socializing Cuba’s economy and having to explain why production had declined drastically. At the same time, his diplomatic role involved justifying Cuba’s deviation from the doctrines of its chief benefactors in Moscow. Fidel and Che aided revolutionary insurgencies abroad at a time that Soviet leaders carried on policies of “peaceful coexistence” with the West.

Guerrillero Heroico, 1960 (via Wikimedia Commons)

Ideologically, Guevara had more in common with Chairman Mao Zedong than Leonid Brezhnev. Yet on his final trip to Beijing, Mao refused to meet with Che. Other Chinese officials accused him of “revisionism” for accepting aid from the Soviets. Guevara decided to retire from politics and economics and devote himself to what he knew best – guerrilla warfare.

Che Guevara had always fancied himself as Latin America’s chief guerrilla strategist. He suggested that the lessons of the Cuban Revolution could be replayed elsewhere in Latin America. Guerrilla movements were still active in Central American and in Colombia and Venezuela. His idea was to spread thin the forces of imperialism, to “create two, three Vietnams,” as Guevara wrote in his famous message to the Tricontinental Conference. Che, then 38 years old, wanted to ignite the revolution in Southern South America while he still had the stamina he had under Fidel’s orders nine years earlier.

In the eastern foothills of Bolivia, Che assembled a fighting force of about fifty men, divided between thirty Bolivians and the rest Cubans and other foreigners. Remarkably, neither the CIA nor Latin American customs officials had picked up any indication of the movement of men and arms into the heart of South America. Guevara had planned that Paraguayans, Peruvians, and Brazilians would join his group and gain sufficient skills to begin guerrilla uprisings in their own countries. Eventually, Che wanted to return to his native Argentina with a band of his own paisanos. It was not to be.

The White House responded to President Barrientos by dispatching two Cuban-American CIA agents and seventeen Green Berets from the Panama Canal Zone. The Green Berets were to train a battalion of Bolivian guerrilla-hunting rangers. The intelligence agents offered to supervise Bolivian units in the field. Agent Félix Rodríguez was assigned to the Bolivian Army at the rank of a captain.

Che in Bolivia, 1967 (via Wikimedia Commons)

Months of isolation and firefights with Bolivian forces had reduced Che’s group from fifty to some twenty men by the end of September 1967. At that moment, the first units of the ranger battalion trained by the US Special Forces arrived on the front lines. In its first battle with the guerrillas on October 8, a company of rangers captured the leader. “Don’t shoot,” he yelled. “I’m El Che and I’m worth more to you alive than dead.”

Guevara’s surrender allowed several of his men to retreat, though the rangers caught up and killed many of them. On the morning of the next day, Agent Félix Rodríguez flew to the small hamlet in eastern Bolivia where the wounded Che was held prisoner. The CIA agent pleaded with the commanders to permit him to take Guevara to the Panama Canal Zone for interrogation, but they informed him that President Barrientos had already announced that Che had died in battle the day before.

Rodríguez went to talk to Che Guevara. “Nobody interrogates me!” said Che, although he did consent to have a conversation with the CIA officer. Rodríguez untied the captive and invited him outside into the bright sunlight for a photo. The agent and the prisoner returned inside for a chat.

Che refused to denounce Fidel. He told Rodríguez that Castro was not a communist until after he came to power. Moreover, Guevara wanted Fidel to know that the revolution in Latin America would ultimately succeed. Che advised his wife back home in Cuba to marry again. He knew he was going to die, reported Rodríguez, but “Che never lost his composure.”

Within a few minutes, a Bolivian sergeant came to shoot the world famous revolutionary. “Let me stand up,” El Che said to him. “Know that you are killing a man! Now shoot, dammit!”

172. Memorandum From Director of Central Intelligence Helms

Washington, October 13, 1967.

MEMORANDUM FOR
The Secretary of State
The Secretary of Defense
Mr. Walt W. Rostow
Assistant Secretary of State for Inter-American Affairs

SUBJECT
Statements by Ernesto “Che” Guevara Prior to His Execution in Bolivia

Further details have now been obtained from [less than 1 line of source text not declassified] who was on the scene in the small village of Higueras where Ernesto “Che” Guevara was taken after his capture on 8 October 1967 by the Bolivian Army’s 2nd Ranger Battalion.
[less than 1 line of source text not declassified] attempted to interrogate Guevara on 9 October 1967 as soon as he got access to him at around 7 a.m. At that time “Che” Guevara was sitting on the floor in the corner of a small, dark schoolroom in Higueras [sic]. He had his hands over his face. His wrists and feet were tied. In front of him on the floor lay the corpses of two Cuban guerrillas. Guevara had a flesh wound in his leg, which was bandaged.
Guevara refused to be interrogated but permitted himself to be drawn into a conversation with [less than 1 line of source text not declassified] during which he made the following comments:
Cuban economic situation: Hunger in Cuba is the result of pressure by United States imperialism. Now Cuba has become self-sufficient in meat production and has almost reached the point where it will begin to export meat. Cuba is the only economically self-sufficient country in the Socialist world.
Camilo Cienfuegos: For many years the story has circulated that Fidel Castro Ruz had Cienfuegos, one of his foremost deputies, killed because his personal popularity presented a danger to Castro. Actually the death of Cienfuegos was an accident. Cienfuegos has been in Oriente Province when he received a call to attend a general staff meeting in Havana. He left by plane and the theory was that the plane became lost in low-ceiling flying conditions, consumed all of its fuel, and crashed in the ocean, and no trace of him was ever found. Castro had loved Cienfuegos more than any of his lieutenants.
Fidel Castro Ruz: Castro had not been a Communist prior to the success of the Cuban Revolution. Castro’s own statements on the subject are correct.
The Congo: American imperialism had not been the reason for his failure there but, rather, the Belgian mercenaries. He denied ever having several thousand troops in the Congo, as sometimes reported, but admitted having had “quite a few”.
Treatment of Guerrilla Prisoners in Cuba: During the course of the Cuban Revolution and its aftermath, there had been only about 1,500 individuals killed, exclusive of armed encounters such as the Bay of Pigs. The Cuban Government, of course, executed all guerrilla leaders who invaded its territory. . . . (He stopped then with a quizzical look on his face and smiled as he recognized his own position on Bolivian soil.)
Future of the Guerrilla Movement in Bolivia: With his capture, the guerrilla movement had suffered an overwhelming setback in Bolivia, but he predicted a resurgence in the future. He insisted that his ideals would win in the end even though he was disappointed at the lack of response from the Bolivian campesinos. The guerrilla movement had failed partially because of Bolivian Government propaganda which claimed that the guerrillas represented a foreign invasion of Bolivian soil. In spite of the lack of popular response from the Bolivian campesinos, he had not planned an exfiltration route from Bolivia in case of failure. He had definitely decided to either fall or win in this effort.
According to [less than 1 line of source text not declassified] when Guevara, Simon Cuba, and Aniceto Reynaga Gordillo were captured on 8 October, the Bolivian Armed Forces Headquarters ordered that they be kept alive for a time. A telegraphic code was arranged between La Paz and Higueras with the numbers 500 representing Guevara, 600 meaning the phrase “keep alive” and 700 representing “execute”. During the course of the discussion with Guevara, Simon Cuba and Aniceto Reynaga were detained in the next room of the school house. At one stage, a burst of shots was heard and [less than 1 line of source text not declassified] learned later that Simon Cuba had been executed. A little later a single shot was heard and it was learned afterward that Aniceto Reynaga had been killed. When the order came at 11:50 a.m. from La Paz to kill Guevara, the execution was delayed as long as possible. However, when the local commander was advised that a helicopter would arrive to recover the bodies at approximately 1:30 p.m., Guevara was executed with a burst of shots at 1:15 p.m. Guevara’s last words were, “Tell my wife to remarry and tell Fidel Castro that the Revolution will again rise in the Americas.” To his executioner he said, “Remember, you are killing a man.”
At no time during the period he was under [less than 1 line of source text not declassified] observation did Guevara lose his composure.

Dick

[Richard Helms, Director of the CIA]

Source: Johnson Library, National Security File, Country File, Bolivia, Vol. IV, Memoranda, January 1966-December 1968. Secret. Copies of this memorandum in CIA files indicate that it was drafted by Broe and [name not declassified] in the Western Hemisphere Division and approved by Karamessines. (Central Intelligence Agency, DDO/IMS, Operational Group, Job 78-06423A, U.S. Government-President).

For more on Che in Bolivia see Jonathan C. Brown, Cuba’s Revolutionary World (2017)

Also by Jonathan C. Brown on Not Even Past:

On the Future of Cuba-Texas Relations
How Washington Helped Fidel Castro Rise to Power
Capitalism After Socialism in Cuba
On the Phone with LBJ and Panamanian President Roberto F. Chiari

Yoav Di-Capua on the story behind an image of Che in Gaza
Edward Shore reviews Che: A Revolutionary Life by Lee Anderson
Franz D. Hensel Riveros reviews Che’s Afterlife: The Legacy of an Image by Michael Casey

Watch: Beyond ‘Crisis’ and Headlines: The History of Humanity as a History of Migration

On Monday, September 18, 2017, José C. Moya of Barnard College delivered a talk considering migration not as a current concern or “crisis” but as an intrinsic element of the human condition. Moya discusses migration as the very origin of our species, of its “racial” and cultural diversity, its global dispersion, and an engine of opportunity, innovation, and socioeconomic growth but also a source of disparities, inequalities, and conflict at global and local scales.

José C. Moya is professor of history at Director of the Forum on Migration at Barnard College, Director of the Institute of Latin American Studies at Columbia University, and Professor Emeritus at UCLA, where he taught for seventeen years and directed an equal number of doctoral dissertations. He has been a visiting professor at the universities of Paris, San Andres (Argentina), and Santiago de Compostela (Spain) and invited speaker or research fellow at the universities of Berlin, Vienna, Krakow, Oxford, Leiden, Louvain, Fudan in Shanghai, Tel Aviv, Sao Paulo, the London School of Economics, and the Colegio de Mexico, among others.

Professor Moya has authored more than fifty publications, including Cousins and Strangers: Spanish Immigrants in Buenos Aires, 1850-1930, a book that received five awards, World Migration in the Long Twentieth Century, co-authored with Adam McKeown, and The Oxford Handbook of Latin American History, an edited volume on Latin American historiography. He is currently working on a book about anarchism in Buenos Aires and the Atlantic World during the belle époque and editing a book titled “Atlantic Crossroads: Webs of Migration, Culture and Politics between Europe, Africa, and the Americas, 1800-2010.”

The talk was sponsored by the Institute for Historical Studies, LLILAS Benson, and International Relations and Global Studies.

More than Archives: Dealing with Unfinished History

by Jimena Perry

In July 2017, as part of my dissertation research, I had the opportunity to participate in an assembly of the Association of Victims of Granada (Asociación de Víctimas de Granada, ASOVIDA), in Colombia. This organization is composed of the survivors of the violence inflicted by guerrillas, paramilitaries, and the National Army during the 1980s, 1990s, and early 2000s. ASOVIDA was legally created in 2007 after three years of victims organizing, learning about their rights, and finding ways to prevent brutalities from happening again. Since the early 2000s, amidst the ongoing armed conflict in Colombia, the people of Granada began a process of awareness, prevention, and production of memories of the atrocities they experienced. To this day, the members of ASOVIDA gather on the first Saturday of each month to talk about their concerns as victims, to participate in community decisions, and to continue with their grieving and reparation process.

Gloria Ramírez, President of ASOVIDA introduces Jimena Perry to the crowd (Jimena Perry, 2017)

My dissertation is about the production of historical memories about the armed conflict in Colombia, including institutions like ASOVIDA and The Hall of Never Again, a space for remembering and honoring the victims of massacres, disappearances, targeted killings, bombings, and other forms of violence in Granada. Therefore, ASOVIDA´s president asked me to present my project before the assembly. She wanted me to tell the community why I am interested in ASOVIDA and the Hall, what I am going to do with the information gathered, and what benefits my work could bring to them. ASOVIDA´s president requested my presence at the assembly because some of my primary sources are the contents of so-called bitácoras, notebooks designed to make the victim´s grieving process easier. In these texts, one can read mothers talking to their children, husbands to their wives, brothers to sisters, children to their parents, and other family members remembering their departed loved ones. The bitácoras become both objects to be exhibited and historical sources for studying the violence endured by a particular person or family and how they survived. Bitácoras also provide an account of the story and character of the dead person, why he or she was important and help the public and visitors of the Hall to learn about local history and to link the survivors to community reconstruction processes. They are intimate accounts of the survivor’s feelings along with very personal stories, consequently, using them requires an ethical commitment and a deep respect towards their authors.

When requested to present my project before the assembly, my first reaction was surprise. Why should I do this? If the bitácoras are part of the Hall of Never Again´s exhibit they are already public records; they are meant to be read, but when I thought carefully about the request, I realized that the authors had reasonable suspicions. I am an outsider, a researcher who comes and goes; I have not suffered violence in the same way, and there I am using their cherished stories for an academic endeavor.

Assembly victims discussing about what forgiveness means to them (Jimena Perry, 2017)

It made even more sense when I saw the inhabitants of Granada at the assembly´s meeting. Regular people working to achieve peace in their town looked at me with curiosity. They wanted to know who was I and what was I doing there. Seeing all those people, interested in finding peace for themselves, their families, and town, I understood that academic research becomes secondary to dealing with people´s lives and feelings. I was willing to leave out of my dissertation the contents of the bitácoras if the community did not grant me permission to use them. The main purpose of my presence at the assembly was letting people know that I intend to use their stories in an academic endeavor, as an example of memory production ASOVIDA´s president introduced me and stated why I was there giving me the floor. I started by telling them about my own story. I mentioned my background, where I came from, and why I was so interested in the bitácoras. They listened carefully. I emphasized the academic purpose of my research and assured them that I would not use their names, that I was not going to sell their stories, and that when my research is over I would go back and show it to them. So far, I have traveled to Granada three times.

After my presentation, ASOVIDA´s president told the members of the assembly to think about my request to use their testimony. She asked them to consider why would they let me use their stories and to take their time. When the time for voting came, I was surprised and delighted with the results. The victims’ assembly approved my project and my use of the bitácoras by a vast majority. Then there were some questions and even suggestions. Granada´s victims want visibility, their voices heard, the world to know all the brutalities committed against them and their struggles for survival. Granada´s inhabitants believe that letting the world know what happened in their town can help prevent violent acts to happen again. With this in mind, they told me they granted their authorization to use their testimonies. I thanked them feeling grateful for their trust and an immense commitment to use my work to serve the people of Granada.

During this assembly the victims were asked to work in groups to think about what peace and reconciliation can be achieved in Granada (Jimena Perry, 2017)

This experience with Granada´s victims of violence changed my priorities regarding my work. I realized the enormous ethical commitment I had made in dealing with memories about a recent violent past that is still fresh, remembrances that still give people nightmares and fears. I also understood that more than the bitácoras, victims themselves are the ones who really matter. I knew this before, but seeing the people, talking to them, answering their questions raised different questions about academic research. How can one deal with intimate stories of pain without being disrespectful? How far must researcher go to achieve her or his goals? How to avoid being the kind of person that goes to a community, takes what is needed from the people, and never returns? How not to be another source of stress for the victims?

After speaking to the assembly and talking to the real protagonists of the Colombian armed conflict, I believe that analyzing the community coming to terms with its pain can encourage other social groups to do the same. In addition, I want to think that my work will inspire more victims to tell their stories and start a grieving process. I want to honor the trust Granada´s people gave me. I want my work to help them heal and I want to make the testimonies of the bitácoras known to as many audiences as possible. After attending the assembly, I feel that one of the priorities of my work should be writing a story in which the community of Granada can recognize itself. I want my dissertation to become a text in which the Granada inhabitants find their own voices. Memory production is an ongoing process that hopefully would continue until the victims feel their healing is complete, but meanwhile, their efforts for achieving peace in their town should be encouraged and acknowledged.

More by Jimena Perry on Not Even Past:

Too much Inclusion? Museo Casa de la Memoria, Medellín, Colombia
Time to Remember: Violence in Museums and Memory in Colombia, 2000-2014
History Museums: The Hall of Never Again

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Madeleine Olson reviews Mapping the Country of Regions: The Chorographic Commission of Nineteenth-Century Colombia
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Rodolfo Valentín González Pérez: An unusual disappearance

by Nathan Stone

They weren’t all the same. We know of at least one soldier who had a conscience. There were several, actually. Most were weighty figures, captains and colonels who refused to follow orders. Some of them quit or went into exile. Others died. But I’m talking about conscripts, the powerless boys who were in military service when the decision was made to interrupt the institutional process of the Chilean state on September 11, 1973. When the elected socialist government of Salvador Allende was overthrown by the US-backed Chilean military. When those boys were commanded to arrest, torture, and kill their own brothers and sisters.

Rodolfo González was one such conscript. He was proud that he had been chosen for the Air Force. He was just eighteen. After the coup, he was commissioned to serve at the DINA, Dirección de Inteligencia Nacional. That was General Pinochet’s secret police.

Rodolfo wasn’t an agent, but he did participate. He had guard duty. He delivered messages. He got coffee for the boss when the boss got tired of torturing someone.

He lived with his aunt, María González. I knew her. She was a member of the Association of the Relatives of the Detained-Disappeared (Agrupación de Familiares de Detenidos-Desaparecidos) until the day she died. She marched alongside Doris, Inelia, and the mothers of so many others who had disappeared, carrying her placard with the picture of Rodolfo. María González was an anomaly. Rodolfo was unusual company for the other prisoners at Villa Grimaldi, too.

Demonstration by members of the Association of the Relatives of the Detained-Disappeared (Photographer: Kena Lorenzini, via Wikimedia Commons)

María González said that, when her nephew started out at the DINA, he stopped wearing a uniform. They gave him a dark suit and black shoes. They picked him up in a car every day, a black Chevrolet Impala with tinted windows. Once, Rodolfo showed his military ID to his aunt. It identified him as a member of the DINA. That was a violation of protocol. The first one.

During the dictatorship, showing military ID was understood as a threat. It was a way to cut in line and get preferential treatment. But the DINA was different. You weren’t supposed to show that one anywhere, except at the door. They had several doors, actually, all of them, secret.

Rodolfo Valentín didn’t do well at the DINA. His own humanity betrayed him. Some days, he was sent to guard prisoners with bullet wounds, internal injuries, and broken bones at the Military Hospital. He would use his privileged access to tell to the prisoners what their respective situations were. Later, he contacted some family members, letting them know where their loved ones were and in what condition.

Rodolfo Valentín González Pérez (via Memoria Viva)

Maybe he wasn’t so clever. Maybe Rodolfo really thought that was how it was done. That was, after all, the Chilean way. But not in the DINA. One would think he had been thoroughly briefed. My suspicion is that our Rodolfo Valentín was very clever. If so, he was in open rebellion.

I don’t know if he really thought he had a chance of not getting caught. Maybe, like many others, he believed the military government would be over soon. Or, maybe, he was just very brave. Rodolfo was already a witness to the wildness of the DINA. If he wasn’t on board, then he was dangerous. The day would come when he would speak out.

He had an older brother who was a leftist militant. He had been given temporary asylum at the Argentine embassy.

Rodolfo was the third of ten. He had lived with his aunt since he was small. His father had died in ’64, leaving his mother more mouths than she could feed. His aunt had raised him to lighten the load. But someone had taught him very young that there are things one would never do to another human being. Perhaps that was his father.

He fell in step with the DINA at the beginning. Afraid, perhaps, or just following orders, as they say. And, maybe, he missed his father. That would leave any boy vulnerable to the military style. And maybe he was the favorite recruit of someone important. Military hierarchy works that way, believe it or not. And it just might be true that Rodolfo was momentarily tempted by the unlimited power of the DINA. It was naked, corrupt, clandestine, total power.

One thing we know for certain. His parents loved the cinema. That’s how he got the name Rodolfo Valentín. Perhaps, they were romantics, fans of Gardel, the tango singer. The cosmopolitan night life of Santiago in the ‘50’s ended, for them, abruptly. A heart attack, or an accident; I’m not sure. Rodolfo was ten when he went to live with his aunt.

The DINA caught him, of course. Communicating with the incomunicados. The next day, he was one of them. They took him from aunt’s home on the night of July 23, 1974. He could have met Inelia’s boy, Héctor, first as a DINA man, with infinite power over him, and, a few days later, as a comrade in the anonymous darkness at Villa Grimaldi.

During the Popular Unity years, Luz Arce had belonged to the Socialist Party. She was taken in June 1974. Rodolfo was her guard at the Military Hospital. He became too friendly. He even asked for her advice about how to get his brother out of the country.

Then, Luz Arce defected to the enemy. First, she became an informant and, later, a full-blown DINA agent. Stockholm Syndrome, that’s what they called it. When someone who is abducted begins to collaborate with their abductors. It’s what happened to Patty Hearst.

In 1990, when military rule was over, Luz Arce recanted. She told everything she knew to the Rettig Commission. She said she saw Rodolfo at Villa Grimaldi. He had his leg in a cast. Out of desperation, he had thrown himself from the tower. Maybe he thought he could escape, but no one ever escaped from the DINA.

They might have thrown him from the tower. The DINA agents were especially cruel with Rodolfo. For them, he was a traitor. Because of his brother, they figured he was a leftist infiltrator.

That wasn’t true. The other prisoners even said he was different. He had no political background. Leftist parties had training. Militants knew the drill. They knew what to expect when they were tortured. Rodolfo, they said, was “like a virgin.” An inexperienced, innocent boy.

Luz Arce said that the last time she saw Rodolfo alive, he was stripped naked and hanging from a beam at Villa Grimaldi. We don’t know if he was hanging by his hands, by his feet, or in some unimaginably painful stress position, barely breathing and wishing he could stop.

In 1977, two Air Force officials showed up at his aunt’s apartment in Santiago to confiscate Rodolfo’s military insignia. It seems they made a special effort to make sure that he never reappeared. Or maybe they did it just to be cruel. Why they waited so long was a mystery.

If all children had someone to teach them right from wrong; someone who would say that sometimes the authorities are evil; that power and goodness are not the same thing; then there would be no DINA, no CIA black ops, no My Lai massacres. There would be no cruelty, no abduction and no torture. I am surprised that there were so few like Rodolfo. Sometimes, in this world, there seem to be more cowards than heroes, more darkness than light. It doesn’t have to be that way.

There were nearly 2,000 who disappeared in Chile between 1974 and 1976. Most of them were convinced of an ideology. They had chosen to sacrifice their lives for the dream of a better world. But Rodolfo’s option was more primitive. He decided that he could not become a torturer, even if it meant he would be tortured. He chose solidarity, and it cost him everything he had.

For more on Chile’s disappeared ones, see www.memoriaviva.com.

Nathan Stone is a new graduate student in Latin American History. He lived in Chile for many years, starting in 1979.

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The Museo Regional de Oriente in San Miguel, El Salvador

By Brittany T. Erwin

In the tiny nation of El Salvador, the West dominates. As a result of commercial and political relationships that developed in the nineteenth and twentieth centuries, there has been significant influence in this Central American country from the United States and Western Europe. However, within the Salvadoran context, the predominance of western history and culture refers to the marked differences between the eastern and western regions of the country, and the east often gets the short end of the stick. One institution born in 1994 pushed back against this enduring stigma by celebrating the difference of the east.

In the west of this mountainous and volcano-ridden country lies the capital city of San Salvador. Founded in 1524, this sprawling metropolis is home to busy streets and extensive networks of both interregional and international exchange. Far away from that hustle and bustle, and at the foot of the frequently active Chaparrastique Volcano, lies San Miguel. This city, the third-largest in the nation is the proprietor of the first museum built in the eastern half of the country.

Museo Regional de Oriente (Brittany Erwin, 2017)

Housed in a former textile factory and one-time military complex, the Regional Museum of the East (Museo Regional de Oriente) tells the story of the east through the multidisciplinary lenses of archaeology, ethnography, and history. Under the direction of Saúl Cerritos, this institution promotes a celebration of the distinct history and heritage of the East. Even without capital-city resources, it tells the important stories of indigenous life in the pre-hispanic era, the complexities of sociocultural interactions during centuries of conquest and immigration, and the resulting diffusion of cultural practices that continues today.

The collections begin with a display of ceramic artifacts whose particular motifs and production techniques place them firmly outside the Mayan influence that permeates western El Salvador. Extensive historical context in Spanish and English accompanies these carefully preserved pieces, dating from the Paleo-Indian period through the post-Classical period, which ends around the time of Spanish contact.

The exhibitions then shift to reflect the living culture of the zona oriental. Displays of artisanal products and pottery with both a modern presence and historical roots reveal the enduring influence of indigenous culture. The final permanent exhibition hall showcases the dozens of local festivals that guide public life in the city and throughout the east. From the elaborate costumes they inspire to the coordinated offerings and ritualized dances that they require, these fiestas reveal an important aspect of local identity. On that note of energetic cultural pride, the tour concludes.

Inside the Museo Regional de Oriente (Brittany Erwin, 2017)

The museum also houses two temporary exhibits, which change several times a year to reflect contemporary issues of historical interest and investigation. Currently on display are a photographic history of the railroads that connected the people and markets of the East until the early 2000s and an exhibit reflecting on the nation’s anniversary of peace after the civil wars of 1980-1992.

This modest museum, constructed in the shadows of its influential western rival leaves a strong impression. Through a careful selection of local artifacts and the presentation of a region-centered dialogue, it encapsulates both the history and culture of the proudly idiosyncratic eastern region of El Salvador.

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Julia Guernsey discusses the links between sculpture and political authority in Mesoamerica
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