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Not Even Past

The Enemy Within: Cold War History in FX’s The Americans

By Clay Katsky

Those who watch the television show The Americans share a secret with its protagonists: they are not a quintessential American couple living in the suburbs of D.C.; they are, in fact, spies for the Soviet Union. Set against the backdrop of a resurgent Cold War in the early 1980s, this serialized spy thriller and period drama follows the fictional lives of Elizabeth and Philip Jennings, played by Keri Russell and Matthew Rhys, who were born in Russia and trained as KGB officers to be “sleeper” agents in America. Activated when Reagan throws détente out the window, no one suspects that they have two deeply separated lives, one as travel agents who live in Northern Virginia with two young children, and a second filled with spy missions where they don disguises to seduce and assassinate targets and gather intelligence by blackmailing officials and recruiting assets. The dichotomy of their lives is by day marked by their genuine devotion to their children and to each other, and by night by the violent and frequently murderous clandestine missions directed by their Russian handlers. These Americans are not what they seem to be.

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Kerri Russell and Matthew Rhys star in The Americans (via FX).

Ultimately, it is Reagan’s hardline against the U.S.S.R. that gives the show context. The first season begins as Reagan assumes the presidency and the third ends with the Jennings family watching his “evil empire” speech together. During the most recent fourth season, a family viewing of the TV movie The Day After, which is about nuclear Armageddon, adds another dimension to a subplot involving powerful bioweapons. The writers of The Americans do a good job of using 1980s popular culture and history to add contextual drama to the show, but sometimes ignore chronological specifics and the technical aspects of espionage tradecraft for the sake of storytelling. Regardless, the late Cold War works well as a general guide for the narrative arc of the series; the escalating tension between superpowers is directly responsible for the increasing drama in the lives of its main characters.

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President Reagan in 1982 (via Wikimedia Commons).

Perversely, The Americans sometimes makes you root for the enemy within.  Fueled by terrific performances from Russell and Rhys, the Jennings can come off as sympathetic, and patriotic in their own way. Reminiscent of James Gandolfini in The Sopranos, these are bad people with redeeming qualities. She is an ideologically driven cold-blooded killer who is loyal to her family, while he is more sensitive and compelled by emotion, yet also capable of extreme violence. Both struggle with the conflict between their mission as spies and their duty as parents, which is a major plot device of the show. The tension of the first season is driven by their fear that the FBI will catch them. Right away evading capture is set up as synonymous with protecting their family. The second season expands on the theme of protecting their family from their world – after two other sleeper agents and their young children are murdered the Jennings fear they are next. The danger in the third season comes from within the family, with their daughter suspecting her parents are way more than just travel agents. And in the fourth season an assignment to steal bioweapons puts the whole world in jeopardy, pitting their loyalty to their country against their instinct to protect their children. Making the show about more than just spying and the Cold War, there are strong subplots involving the family’s next door neighbor, the FBI agent who works in the counter-intelligence division, and their daughter’s increasing devotion to Christianity, which comes to a head when she over shares with her pastor. The drama is about the characters, how they develop and how they react to one another in the context of the world around them.

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The images of nuclear destruction in The Day After (1983) were troubling to many American families (via Wikimedia Commons).

In The Americans, history is used as the setting. The show underscores Reagan’s determination to defeat the forces of Communism using clips from his speeches – as Soviet agents, the Jennings find the rhetoric palpable. And at their house, the news always plays in the background at night, helping to give a timeline of events while also highlighting the television culture of the time – pop culture events like David Copperfield making the Statue of Liberty disappear are drawn on to both diffuse the tension and offer social nostalgia. But the headlines are also used to drive the drama. When Reagan gets shot, the Jennings go on high alert because they are not sure if their government was involved; and when Yuri Andropov, their former leader at the KGB, takes power in 1982, they know their lives are about to get busier. The writers incorporate the shift towards renewed hostilities that occurred during the late Cold War in order to give the viewer the sense that the Jennings mission is important. The rivalry between the superpowers could have spun out of control very quickly and at any moment, and the “the Americans” are caught in the middle of it.

The show begins as Reagan kicks the Cold War into high gear in 1981 and it will end with the collapse of the Communist superpower – having been renewed for a final two seasons, the story will be told to its conclusion. The Soviet fear of the Strategic Defense Initiative, Reagan’s anti-ballistic missile “Star Wars” project, is a centerpiece of the first few episodes. In reality, 1981 is too early for the Russians (or even Reagan) to be thinking seriously about SDI, but it works as an easy set up. At that time, however, it was mostly Reagan’s rhetoric that threatened to turn the Cold War hot. Nicaragua comes to the fore in the second season, again a little early in terms of chronology, but it works well because the Jennings’ sympathy for the Sandinista movement helps humanize them. Oliver North is credited as a technical advisor on an episode where the Jennings infiltrate a Contra training base. Empathy for the Jennings continues to build as they assist the anti-apartheid movement during the third season, while meanwhile the seeds of mistrust in their government are sown with the opening of the war in Afghanistan. In the fourth season, as their government pushes them to recruit their own daughter, the Soviet mismanagement of that war feeds their growing disillusionment and dovetails with a risky mission to acquire an apocalyptic bioweapon. While this past season was it’s least historically based, it was also its best because it dealt with larger, more existential issues.

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A Soviet Spetsnaz (special operations) group prepares for a mission in Afghanistan, 1988 (via Wikimedia Commons)

The technical focus of the show is on tradecraft, not history. The thrills come from watching the spies operate; and from making dead drops and cultivating assets to planting listening devices and evading surveillance, the Jennings are very busy. But the show’s most exciting aspect is also its least plausible. It is hard to believe that such well-placed agents would be used as workhorses for the KGB. Especially in the first two seasons, the Jennings juggle multiple assignments at the same time and go on a wide variety of missions – simultaneously they are assassins, saboteurs, master manipulators, and experts in surveillance, counterespionage, and combat. As valuable as they would have been to their government, the Jennings are asked to take too many risks and expose themselves too often. But even in its most exaggerated aspects, The Americans feels realistic due to the expert performances from Russell and Rhys, who are so believable in their roles as skilled spies and as doting parents that one cannot help but trust in their inhuman ability to be an expert in anything they need to be.

Two Soviet era subminiature cams. The one to the left is a Kiev-30 (1974-1983), the other one is a Kiev Vega 2 (1961-1964).

Two miniature Soviet spy cameras form the late Cold War (via Wikimedia Commons).

Overall, The Americans is a highly engaging and richly thought out show set in the waning years of the Cold War. It is very exciting to watch two highly trained KGB operatives as they navigate the complexity of staying ideologically loyal to their cause while raising an American family and living a lie. People who remember the 1980s firsthand will enjoy the references and set pieces, and anyone who likes spy thrillers will be instantly hooked on the slow boiling but constant action and drama. It will be interesting to see how the upcoming fifth season incorporates the Able Archer war scare, when the Soviets mistook NATO war games for the start of real life a nuclear engagement. Will it be the Jennings who witness an increase in late night pizza deliveries to the Pentagon and report back to Moscow that nuclear war is imminent? They seem too savvy to drop the ball like that. But what will happen in the end? Will they survive or be caught by the FBI, or will they get called back to Russia to be punished for some failure or perceived disloyalty?
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Read more by Clay Katsky on Not Even Past:
Kissinger’s Shadow, By Greg Grandin (2005)

You may also like:
Simon Miles reviews Reagan on War: A Reappraisal of the Weinberger Doctrine, 1980-1984, by Gail E. S. Yoshitani (2012)
Joseph Parrott examines The Rebellion of Ronald Reagan: A History of the End of the Cold War, by James Mann (2010)
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US Survey Course: The Long 1970s, The Reagan Revolution, and the End of the Cold War

During the summer of 2016, we will be bringing together our previously published articles, book reviews, and podcasts on key themes and periods in the history of the USA. Each grouping is designed to correspond to the core areas of the US History Survey Courses taken by undergraduate students at the University of Texas at Austin.

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As a starting point, Dolph Briscoe IV recommends The Seventies: The Great Shift in American Culture, Society, and Politics, by Bruce J. Schulman (De Capo Press, 2001)

Dolph Briscoe IV also suggests Nixonland: The Rise of a President and the Fracturing of America, by Rick Perlstein (Scribner, 2008)

Jack Loveridge reviews Fear and Loathing on the Campaign Trail ’72, by Hunter S. Thompson (Gonzo Journalism 1972).

Clay Katsky recommends Kissinger’s Shadow, by Greg Grandin (Metropolitan Books, 2015).

Christopher Rose asks the question What’s Missing from ‘Argo’?(2012)

Books on Reagan:

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Simon Miles suggests The Age of Reagan: A History, by Sean Wilentz (Harper Perennial, 2008) and Reagan on War: A Reappraisal of the Weinberger Doctrine, 1980-1984, by Gail E. S. Yoshitani (Texas A & M University Press, 2012)

And Joseph Parrot recommends The Rebellion of Ronald Reagan: A History of the End of the Cold War, by James Mann (Penguin, 2010)

On 15 Minute History

Operation Intercept

U1643747_400-150x150At 2:30 pm on Saturday September 21 1969, US president Richard Nixon announced ‘the largest peacetime search and seizure operation in history.’ Intended to stem the flow of marijuana into the United States from Mexico, the three-week operation resulted in a near shut down of all traffic across the border and was later referred to by Mexico’s foreign minister as the lowest point in his career.

Guest James Martin from UT’s Department of History describes the motivations for President Nixon’s historic unilateral reaction and how it affected both Americans as well as our ally across the southern border.

The International Energy Crisis of the 1970s

Most Americans probably associate the 1973 oil crisis with long lines at their neighborhood gas stations, but those lines were caused by a complex patchwork of international relationships and negotiations that stretched around the globe.

Guest Chris Dietrich explains the origins of the energy crisis and the ways it shifted international relations in its wake.

Some broader perspectives:

Henry-Kissinger-and-Chairman-Mao-with-Zhou-Enlai-behind-them-in-Beijing-early-70s.

Here are all of our articles, book recommendations, and podcasts on the Cold War.

Aragorn Storm Miller reviews Rise of the Vulcans: The History of Bush’s War Cabinet, by James Mann (Penguin, 2004)

Mark Battjes recommends Worldmaking: The Art and Science of American Diplomacy, by David Milne (Macmillan, 2015)

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The Rebellion of Ronald Reagan: A History of the End of the Cold War, by James Mann (2010)

by Joseph Parrott

Ronald Reagan’s presidential policies have irrevocably shaped the political debate over the last two decades. He effectively reversed the momentum of the New Deal expansion of the federal government while leading the largest growth in peacetime military spending in national history, making him a polarizing figure for commentators and historians alike. Contrasting visions of Reagan have been especially stark in the realm of foreign affairs. Advocates often argue that he launched a new arms race that undermined the Soviet Union. Critics remember a detached leader presiding over the shameful Iran-Contra scandal. Both depictions are problematic, as they accentuate different aspects of a complex, often inscrutable man. Therefore, James Mann’s examination of the president’s personal diplomacy with the Soviet Union is especially welcome. The journalist has written critically of conservative foreign policies in the past, but he finds much to admire in Reagan. No, the president did not single-handedly end the Cold War, nor was he the primary factor influencing its peaceful resolution. According to Mann, he was, however, parrott mannoptimistic and adaptable, relying on a set of Cold War values that emphasized the human character that existed under the communist system he so vehemently despised. These values ran counter to entrenched ideologies on both right and left, but they allowed him to see the promise of working with honestly reform-minded Mikhail Gorbachev.

Mann finds the key to Reagan’s rebellion in his particular moralistic perspective on the Cold War conflict. The president believed that the United States was a country of right, where democracy and capitalism best served the needs of the people. In contrast, Reagan viewed communism as a devious ideology imposed on an unwilling nation by disingenuous leaders. This Manichean approach to the political systems often made him aggressive and overbearing, inspiring his rhetoric of the “evil empire” and his unbending attachment to the “Star Wars” missile defense system. However, Mann argues that this separation of the people from the system also allowed for a certain flexibility. Reagan saw a real possibility for systemic reform if only a Soviet leader would abandon dictatorial control of the people. Mann contrasts this ideological worldview with the seemingly more moderate one held by the realist architects of détente, Richard Nixon and Henry Kissinger. The duo embraced a rigid model of geopolitical competition where the existence of two superpowers with contrasting ideologies made some conflict inevitable. Power relationships, and not specific leaders, fueled the feud. Managing the conflict through persistent pressure offered the only solution. Due to his faith in a laudable human side to the Soviet state, Reagan broke with his own party’s thinking. He embraced Gorbachev when he came to trust the man, moderating his suspicion of the Soviet actions in a way critics like Nixon could not understand.

This interpersonal relationship is Reagan’s lasting contribution to decreasing tensions. Mann makes this argument by examining a series of key moments in Reagan’s presidency. When Gorbachev first came to power, Reagan remained hawkish and distrustful of the new leader. The arch-Cold Warrior eventually warmed to the Soviet premier thanks partly to the intervention of popular author and Russophile Suzanne Massie and to the face-to-face meetings at Reykjavik and Geneva. Certainly, Reagan never fully abandoned his confrontational tone, perhaps best exemplified in his direct challenge to Gorbachev to tear down the Berlin Wall. Still, Mann considers even this a positive quality, as Reagan continued to push Gorbachev to make good on his opening of the Russian political system and the liberalization of its foreign policy.

President Reagan meeting with Soviet General Secretary Gorbachev for the first time during the Geneva Summit in Switzerland, 1985 (Image courtesy of Wikimedia Commons)

There is room for debate in some of these conclusions, but Mann shows clearly the key role of Reagan in keeping dialogue going after the initial summit meetings. Nixon, Kissinger, and even advisers like Frank Carlucci rightly believed that Soviet reforms were meant primarily to strengthen the country, yet in their support for more confrontational policies they missed the real potential of cooperation. The president was almost alone in his belief in the sincerity of Gorbachev’s calls for reduced tensions and the decisive role collaboration could play in positively shaping global politics. The president could not have predicted the rapid dissolution of the communist bloc or the Soviet Union, but he “grasped the possibility that the Cold War could end” and he sold this hope to a wary country over the objections of his own political party.

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Ronald and Nancy Reagan greeting Moscow citizens during the Moscow Summit (Image courtesy of Wikimedia Commons)

Mann’s eminently readable book demythologizes Reagan, but it also celebrates his lasting if perhaps unpredictable contribution to ending the world’s most dangerous international conflict. Mann agrees with recent authors like historian Melvyn Leffler that Gorbachev’s actions lead to the peaceful resolution of the Cold War, though the Soviet premier does not take center stage. Reagan’s role was as the willing dance partner. Reagan was a hawk, but he was far less hidebound in his beliefs than many of his contemporaries. The president pursued the opportunity to reduce tensions when it presented itself.  In a time when politicians from across the political spectrum are retreating into bunkers of partisanship, Mann is right to celebrate Ronald Reagan’s decision to ignore the party line.

You may also like:

Michelle Reeves’s review of Divided Together: The United States and the Soviet Union in the United Nations, 1945-1965

Jonathan Hunt’s review of The Dead Hand: The Untold Story of the Cold War Arms Race and Its Dangerous Legacy

Dolph Briscoe’s review of Sean Wilentz’s The Age of Reagan: A History

And high school student Kacey Manlove’s Texas History Day project, “Fire and Ice: How a Handshake in Space Turned Cold War Agendas from Competition to Cooperation”

 

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