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The past is never dead. It's not even past

Not Even Past

The Austin Women Activists Oral History Project

March 1, 2020

by Laurie Green

Since 2017, undergraduate students in my postwar women’s history seminars have had the unique opportunity to engage in intergenerational dialogues with women who were student activists at the University of Texas and the surrounding community during the 1960s and 1970s. As part of the Austin Women Activists Oral History Project, they have conducted professional-quality oral histories with roughly 30 white, Mexican American, and African American women who helped transform the UT campus into one of the largest and most significant hubs of student activism in the U.S., and helped invigorate a range of off-campus movements. These women activists agreed to donate their interviews to the Briscoe Center for American History, one of our many partners in the project. For Women’s History Month this year, the Briscoe is launching the Austin Women Activists Oral History Collection, a permanent digital collection that includes audio files, transcriptions, photographs, and additional documents that women have donated.

An extraordinary aspect of this project has been end-of-semester public gatherings at which students have presented their work to the women they interviewed, along with other students, faculty, and staff members from units on campus with which we have partnered. On December 14, 2017, for example, 18 students and most of the 21 women they interviewed came together for a dinner of enchiladas and history. The students’ presentations inspired a remarkable dialogue – not so much a walk down memory lane as an engaged discussion about how to interpret the activists’ own history. Based on footage from that event, Life & Letters media specialists Rachel White and Allen Quigley, at the College of Liberal Arts, produced Fight Like a Girl: How Women’s Activism Shapes History, a documentary film that Ms. Magazine also picked up for its online site.

As rewarding as this experience was, the public event held on May 17, 2019, “Pecha Kuchas and Pastries,” broke away from the format of conference-style research presentations. Students still had to develop their own interpretations of the history discussed by their interviewees, but instead of writing long research papers they created Pecha Kuchas. What’s a Pecha Kucha? It’s a PowerPoint-like presentation comprised of 20 slides (which advance automatically) and 20 seconds of narrative per slide [see links below]. The results might look simple, but they’re challenging for a historian. You have to distill your argument down to its essentials, keyed to images that enrich but don’t distract from your point on each slide. The “Pecha Kuchas and Pastries” public event drew about 40 people, some of whom were already veterans, either interviewees or interviewers from 2017.

This format, which combined visuals and commentary, also provoked remarkable responses, captured on film by History Department videographer Courtney Meador. A Pecha Kucha about struggles by African American women students prompted 2019 interviewee C.T. (Carolyn) Tyler to describe her first semester at Kinsolving, just after the dorm was “integrated,” when she was the sole Black female in the dorm and assigned to what she described as a kind of lean-to shelter in the lobby. For a Black female student to room with a white female, the latter’s parents had to give their permission. Her story prompted 2017 interviewee Linda Jann Lewis to share her own experience as a first-year student in 1965, when she lived in Kirby Hall, a women’s dormitory at 29th St. and Whitis owned by the Methodist Women of Texas. The brochure described Kirby Hall as integrated Lewis remembers, yet the 250 residents included only six Black women, two roommates per floor. Lewis lived in the basement.


Two Pecha Kuchas addressed the origins of “women’s gay rights” and the Austin lesbian community, based on interviews with women who, in turn, brought a few other friends from the 1970s to the event. These two presentations pieced together a history of activism and the creation of the Austin Lesbian Organization, Women’s Liberation, and women’s institutions such as Bookwoman bookstore (still in existence), the Safe Place shelter, women’s music venues, bands, and a recording studio. “I’m proud of my generation,” one woman declared. Emma Lou Linn, a 2017 interviewee, described getting some of the first gay and lesbian protective ordinances in the country passed when she served on the city council. This history was previously unfamiliar to any of the students.

Cynthia Perez, co-owner with her sister of La Peña, a downtown Latino cultural gallery and a 2017 interviewee, initiated another unexpected conversation after watching a Pecha Kucha that delved into Chicano/Black relations at UT. She recounted the inspiration she and other Chicana/os found in Black Power student activism at a time when she was a student at University of Houston before transferring to UT. “We rode the coattails of the Black students,” Perez declared. That perspective persisted when she arrived in Austin and, in 1975, participated in an occupation of the Tower to demand Chicano and African American student and faculty recruitment, as part of United Students Against Racism at Texas (USARAT). Another participant asserted that the antiwar movement at UT brought everyone together. Others vividly recalled a quite different shared experience: the Charles Whitman shooting from the Tower in 1966.

It did not take arm-twisting to convince these women to tell their stories; many emailed back the same day saying they wanted to participate in the project. Collectively, they believe that the history of this activism is crucial for the current generation of students to understand, and are disturbed that it has remained nearly invisible in national narratives of women’s liberation, civil rights, campus antiwar struggles, Black Power, Chicano liberation, gay and lesbian activism, and other movements. For the students, it’s fair to say that these interviews have challenged every preconception they brought to the table based on previous reading. None was aware that in 1956 UT became one of the very first public universities in the South to desegregate its undergraduate student body, but refused to allow Black women students to live in the regular dormitories until 1965, and only after years of protest. Likewise, they did not anticipate learning that the real beginning of the 1973 Roe v. Wade case was not in Chicago or New York, but among students on the UT campus, the flagship university of a conservative state.

The Austin Women Activists Oral History Project – set to become a history capstone course in Spring 2021 – reflects approaches to “experiential learning” encouraged by the UT Faculty Innovation Center (FIC). The FIC, along with proponents elsewhere, delineates several components of experiential learning, including preparation, autonomy, reflection, bridges, and a public face. As a history professor, I understand experiential learning as a form of pedagogy aimed at helping students value their own minds by working both independently and in collaboration with other students to rethink assumptions about history and to create lasting public products with the capacity to influence others. In developing the Pecha Kucha project students had the advantage of both working in pairs on their interviews and Pecha Kuchas, and working independently on papers that focused on the broader historical context of their interviews, and articulated research “problematics” – i.e., what one is arguing, how it destabilizes previous understandings, and why their project matters.

Besides the teamwork in the classroom, the creation of the Austin Women Activists’ Oral History Project represents collaboration with community activists and alumnae off campus, and many units on campus: the History Department, the Briscoe Center for American History, the Nettie L. Benson Latin America Collection, the Perry-Casteñada Library, the Division of Diversity and Community Engagement, the Faculty Innovation Center, University of Texas Captioning and Transcription Services, Life & Letters and the College of Liberal Arts.

A key component, suggested by Anne Braseby at the FIC and Margaret Schlankey at the Briscoe Center for American History, was reflection. In their papers, students wrote about both difficulties and breakthroughs they experienced. Several felt nervous going into their interviews, because they had never conducted an oral history before. One student said she felt frustrated at the lack of scholarship on “black women’s histories at Southern universities, which shows the project’s importance but made the context harder to find.” A graduating senior wrote that he “expected the interview and my research just to be littered with dates and facts, but the reality was that this assignment was full of life and felt important.” At the same time, it “made [him] feel as if [he] had done nothing in my time here as far as activism.” A Mexican American student wrote that her interviewee’s “point of view was very interesting, when she told me that she did not care that the only reason why she was accepted into the university was due to her race and the university’s quota for minority students.” This was “very different to the views that many students have today.” And one of the students who interviewed Erna Smith, who currently teaches in UT’s School of Communications, wrote that “learning about her time at the University of Texas, allowed me to see the campus I walk every day in a new light. Opening myself up to learning this was challenging, as I am often going into projects searching for the answer I want. However, my research and the interview created new questions that allowed me to dive deeper into topics I never realized I ignored in the past.” [Underlining in originals]

For more on this project, including tapes and transcripts of of the interviews, see the dedicated page for THE AUSTIN WOMEN ACTIVISTS ORAL HISTORY PROJECT on the website of the Briscoe Center for American History.

PECHA KUCHAS

Serena Bear and Zoë Marshall
“NAP, AABL, and Black Power at UT”

Shianne Forth and Amber Dey
“Setting the Record Straight: Gay Liberation was More Than Just Stonewall”

Sara Greenman-Spear and Wilson Petty
“The Glo Dean Baker Gardner Experience: How Black Women Transformed Social Organizations into Political Ones”

Michelle Lopez and Carson Wright
“Hello to All This: How Invisibility Uncovered the Austin Lesbian Feminist Movement”

Sasha Davy and Brittney Garza
Justice Warriors: How African-American Women Fought for Equality at UT.”

Taylor Walls and Elizabeth Zaragoza-Benitez
“Chicana Revolutionaries: A Rising Voice for Social Change at UT, 1960s-1970s”
(COMING VERY SOON!)

Photo Credits:
Pecha Kuchas reproduced with permission. Photos are frame captures from “Fight Like a Girl,” College of Liberal Arts, UT Austin. Historical images in that film come from The Texas Archive of the Moving Image and the Briscoe Center for American History.

Resources for Teaching Women’s History

March 22, 2022

From the editors: To mark Women’s History Month in 2022, we have collected a range of Not Even Past articles and reviews into one resources page organized around seven topics. These articles highlight groundbreaking research but they are also intended as a concrete resource for teachers.

Compiled by Gabrielle Esparza

Topics
  1. Black Women’s History
  2. Suffrage
  3. History of Reproduction
  4. Women’s Activism
  5. Important Figures
  6. Recommended Reading
  7. Recorded Talks and Podcasts

Black Women’s History

  • Beauty Shop Politics by Tiffany Gill
  • Black Women in Black Power by Ashley Farmer

One has to only look at a few headlines to see that many view black women organizers as important figures in combating today’s most pressing problems. Articles urging mainstream America to “support black women” or “trust black women” such as the founders of the Black Lives Matter Movement are popular. Publications, such as Time, laud black women’s political leadership—particularly when they mount a challenge to the status quo such as Stacey Abrams’ victory in the Georgia Democratic Governor primary. At the core of these sentiments is the recognition that black women have developed and sustained a liberal democratic politics that is conscious of and responsive to the interconnected effects of racism, capitalism, and sexism and that their approach can offer insight into current socio-political issues. The media often frames these and other women’s efforts as a manifestation of the current political moment divorced from the longer tradition of black women agitators and organizers to which they belong. Many of the black women making headlines today for their work in advancing civil rights and social justice ideals draw from these earlier traditions, including from the Black Power Movement of the 1960s and 70s.

Ashley Farmer
  • Black is Beautiful – And Profitable by Tiffany Gill
  • Black Women’s History in the U.S.: Past and Present by Daina Ramey Berry and Kali Nicole Gross
  • Ordinary Yet Infamous: Hannah Mary Tabbs and the Disembodied Torso by Kali Nicole Gross
  • Vanguard: How Black Women Broke Barriers, Won the Vote, and Insisted on Equality for All by Martha S. Jones (2020), reviewed by Tiana Wilson
  • Wicked Flesh: Black Women, Intimacy, and Freedom in the Atlantic World By Jessica Marie Johnson (2020), reviewed by Tiana Wilson
  • Dreaming with the Ancestors: Black Seminole Women in Texas and Mexico by Shirley Boteler Mock (2010), reviewed by Micaela Valadez

Suffrage

  • “The Eyes of Texas Are Upon You: Have You Paid That Poll Tax?” by Rachel Gunter

In the Austin History Center, there is a curious poster that demands the attention of “WOMEN!” in red, all-capital letters. Below this, a pair of eyes peer out beneath furrowed eyebrows warning “The Eyes of Texas are Upon You: Have You Paid That Poll Tax?” At the bottom of the poster is the instantly recognizable façade of the Alamo, just above the name of the group responsible for the ad, Texas League of Women Voters, Georgetown, Texas.

The poster is in the Jane McCallum collection. After Texas ratified the 19th Amendment in June 1919, the Texas Equal Suffrage Association became the state chapter of the League of Women Voters, and the local suffrage clubs were encouraged to make that transition as well. McCallum was an Austin-area suffragist who went on to spearhead publicity campaigns for the League of Women voters, lead the Women’s Joint Legislative Council, and serve as Texas Secretary of State under two governors. It is likely she had a hand in this particular poster, but we can’t be sure. In fact, there isn’t even a date on the poster, which scholars and archivists have only dated as being from the early 1920s. Both the Texas Equal Suffrage Associations and the League used maternal appeals to get women to pay the poll tax. They argued that this is how Texas funded public schools, and that “90% of Texas educators are women and need a living wage.” The poster is in line with the WWI-era appeals to women to do their duty as citizens.

Rachel Gunter
  • Voting Rights Still Threatened 100 Years After the 19th Amendment by Laurie Green
  • Citizens at Last: Texas Women Fight for the Vote by Nancy Schiesari and Ellen Temple

History of Reproduction

  • Contraception – Letters from French Women, 1960s-70s by Judith Coffin

Listeners wanted to discuss any number of issues: work, housing (in short supply as the economy expanded), credit and debt, the struggles of family businesses, and everything having to do with sex. They asked about sexual dilemmas and crises, pregnancy, family life, parents or in-laws (helpful intrusive, or both), and children, but contraception and abortion topped the list of women’s concerns. (Men wrote as well: they, too, were and are implicated in fertility and reproduction.) In 1967, the same year that Grégoire began broadcasting, the Neuwirth law made it legal for the first time, to discuss contraception in public – and cautiously opened the door to approving the sale of selected oral contraceptives, IUDs, and diaphragms. 

Judith Coffin
  • Dead Babies in Boxes: Dealing with the Consequences of Interrupted Reproduction by Julie Hardwick
  • Parenting in Hard Times: Child Abandonment in Early Modern Europe by Julie Hardwick
  • Woman’s Body, Woman’s Right: Birth Control in America by Linda Gordon (1976), reviewed by Megan Seaholm
  • Contraceptive Diplomacy: Reproductive Politics and Imperial Ambitions in the United States and Japan by Aiko Takeuchi-Demirci (2018), reviewed by Kellianne King
  • Mother is a Verb: An Unconventional History by Sarah Knott (2019), reviewed by Jesse Ritner

Women’s Activism

  • Remembering the Tex-Son Strike: Legacies of Latina-led Labor Activism in San Antonio, Texas by Micaela Valadez
  • The Politics of a Handkerchief: Personal Thoughts on the Motif of Female Activism in Argentina by Paula O’Donnell
  • La Mujer Unidad: Cynthia Orozco (UT History Honors Graduate ‘80) by Nikki Lopez
  • Women’s March, Like Many Before It, Struggles for Unity by Laurie Green

Internal tensions are par for the course in the history of marches on Washington, whether they involved racial justice, women’s rights, or political protest. The several thousand women who paraded down Pennsylvania Avenue in the 1913 Woman Suffrage Procession, the day before President Woodrow Wilson’s inauguration, were not as unified as they might have appeared. Participants included immigrant women sweatshop workers, who linked the right to vote to their movement to organize against deadly factory conditions and piecework wages. But noticeably absent from the front of the march were black women’s organizations, who supported the effort but whose participation was spurned by the militant young suffragist Alice Paul, who feared it would jeopardize support from Southern white women. These African American women ended up participating, but they were required to march behind all the other women. All the women who marched down Pennsylvania Avenue stood up to jeers and violence, but they themselves were divided by an ugly racism rooted in political pragmatism.

Laurie Green
  • The Austin Women Activists Oral History Project by Laurie Green
  • Women and Social Movements in the United States, 1600 – 2000 by Laurie Green
  • Why I Ban the Word “Feminism” from My Classes by Jacqueline Jones
  • Women Shaping Texas in the Twentieth Century by Cristina Metz
  • Cynthia Attaquin and a Wampanoag Network of Petitioners by Alina Scott
  • Whisper Tapes: Kate Millett in Iran by Negar Mottahedeh (2019), reviewed by Denise Gomez

Important Figures

  • My Life on the Road, by Gloria Steinem (2015), reviewed by Megan Seaholm
  • Lady Bird Johnson interviewed by Michael Gillette
  • Lady Bird Johnson, In Her Own Words by Michael Gillette
  • Liz Carpenter: Texan by Michael Gillette

Liz’s family tree sprouted strong, adventurous women equal to the men.  A great aunt, Louella Robertson Fulmore, eloquently advocated educational equality for women. Another great aunt, the prominent suffragist, Birdie Johnson, became the first Democratic national committeewoman from Texas. As she exhorted women to organize to make their influence felt at the polls, she declared that it was “our first step” in the exercise of “direct political power.”  No wonder Liz believed that she had inherited her feminist genes.

She was not blind to the shortcomings of her ancestors, whose reputations bore the stain of enslavement and the tragic folly of secession. Nor did her rich Texas legacy confer a sense of privilege or birthright. Instead, it affirmed her belief that ordinary people can overcome adversity to accomplish extraordinary things.  It also instilled a love of Texas history and a respect for its historians, which is why [the Liz Carpenter] award meant so much to her.  Finally, it inspired one of greatest political zingers of all time. When John Connally threw his support to the Republican incumbent President in 1972 and formed a group called “Democrats for Nixon,”  Liz declared that if Connally had been at the Alamo, he would have organized “Texans for Santa Anna.”

Michael Gillette
  • Dolores del Río: Beauty in Light and Shade, By Linda B. Hall (2013), reviewed by Ann Twinam
  • Goddess of Anarchy: Lucy Parsons, American Radical by Jacqueline Jones
  • An Intimate History of the Twentieth Century by Judith Coffin
  • Miss O’Keeffe by Nathan Stone
  • Carrie Marcus Neiman – A Pioneer in Ready to Wear by Lynn Mally

Recommended Reading

  • Great Books on Women’s History: Crossing Borders
  • Great Books on Women’s History: Asia
  • Great Books on Women’s History: Europe
  • Great Books on Women’s History: United States
  • Great Books on Women in US History by Megan Seaholm
  • Great Books on African American Beauty Culture by Tiffany Gill
  • New Books in Women’s History (2013)
  • On Women and Nation in India by Indrani Chatterjee
  • American Girls in Red Russia: Chasing the Soviet Dream by Julia L. Mickenberg

Recorded Talks and Podcasts

  • IHS Book Talk: “Her Neighbor’s Wife: A History of Lesbian Desire Within Marriage,” by Lauren Jae Gutterman, University of Texas at Austin (History Faculty New Book Talk)
  • IHS Book Talk: “Sex in an Old Regime City: Young Workers and Intimacy in France, 1660-1789,” by Julie Hardwick
  • IHS Book Talk: “Sex, Love, and Letters: Writing Simone de Beauvoir” by Judith G. Coffin, University of Texas at Austin (History Faculty New Book Talk)
  • Podcasting Migration: Wives, Servants, and Prostitutes with Sandy Chang
  • 15 Minute History, Episode 50: White Women of the Harlem Renaissance with Carla Kaplan
  • 15 Minute History, Episode 83: Simone de Beauvoir and ‘The Second Sex’ with Judith Coffin
  • 15 Minute History, Episode 93: Women and the Tamil Epics with Andrea Gutierrez
  • 15 Minute History, Episode 120: Slave-Owning Women in the Antebellum U.S. with Stephanie E. Jones-Rogers
  • 15 Minute History, Episode 121: The Case for Women’s History with Ellen Hartigan-O’Connor and Dr. Lisa G. Materson 

Black Women’s History in the US: Past & Present

May 17, 2021

Black Women’s History in the US: Past & Present

From the Editors: Not Even Past Second Editions update and republish some of our most important and widely read articles. Since the original publication of this article in April 2020, A Black Women’s History of the United States, authored by Daina Ramey Berry and Kali Nicole Gross, has enjoyed remarkable success including numerous accolades. It was nominated for a 2021 NAACP Image Award: Outstanding Literary Work – Non-Fiction; was recognized as one of The Best Black History Books of 2020 by the African American Intellectual History Society and was a nominee for Goodreads Best of History and Biography 2020. The book was one of Kirkus Best Books of 2020: Black Life in America as well as a Kirkus Best-Big Picture History Books of 2020. Most recently, the Organization of American Historians recognized A Black Women’s History of the United States with an Honorable Mention for the Darlene Clark Hine Award for best book in African American women’s and gender history. The citation noted that “this comprehensive analysis of African American women from their African precolonial beginnings to the millennium’s first years will soon serve as the definitive work on Black women and their foundational contributions to the history of the United States.” Finally, the book was just awarded the Susan Koppelman award for the best anthology, multi-authored, or edited book in feminist studies in popular and American culture by the Popular Culture Association. A Black Women’s History of the United States will be translated into Chinese and published by Horizon Press in 2023. We congratulate Daina Ramey Berry and Kali Nicole Gross on the incredible success of their book and are honored to republish a second edition of their article below.

By Daina Ramey Berry and Kali Nicole Gross

A few years ago, we were approached by Beacon Press to write a history of Black women in the United States. We felt both honored and overwhelmed by the task.  Before we began, we needed to first take a survey of the field and understand our place in it.

Anna Julia Cooper sits for portrait. Her arm rests next to a pile of books and she holds a pen.
Anna Julia Cooper (1858-1964). Source: Anna Julia Cooper, A Voice from the South, 1892.

The field of Black women’s history has generated a plethora of scholarship for more than a century.  Anna Julia Cooper, the first African American woman to receive her PhD in History and Romance Languages (University of Paris, the Sorbonne, 1925) was part of a small group of early historians. Cooper is widely regarded as one of the first writers of Black feminist thought.[1] In the 1940s several Black women received their PhDs in History including Marion Thompson Wright who was the first to earn a PhD in the United States (Columbia University). Over the last fifty years, female scholars have published numerous works on Black women including anthologies, encyclopedias, primary document readers, biographies, and thematic studies of women in the diaspora.

Black women’s history emerged as a unique field in the early 1970s, in the heart of the women’s rights movement, at a time when colleges and universities established women’s studies programs and courses. In 1970, Toni Cade published the anthology, The Black Woman, as one of the first seminal collections of writings about Black women.[2] Two years later, Gerda Lerner released a primary document reader, Black Women in White America, a book filled with evidence of Black women’s contributions to American history. Adopted for classroom use, Lerner’s book served as the first compilation of document driven histories of Black women in America. Following her, historians Sharon Harley and Rosalyn Terborg-Penn published The Afro-American Woman: Struggles & Images (1978).[3]  These volumes served as starting points for the field.

Four black women march beneath a sign reading "women's liberation". In the background, a smaller sign reads: "Free our sisters, free ourselves."
“Women’s Liberation” meant addressing specific challenges for black women in the 1960s. (David Fenton/Getty Images via Timeline/Medium)

Many of these early writers were activists in the classroom and in their communities. The scholarship they produced in the 1970s evolved in a period of activism where women fought to be recognized in society, at colleges and universities, and in historical scholarship. Such activism, particularly among Black lesbian women who attended the Combahee River Collective in 1974, forced mainstream scholars to consider the diversity of Black women’s experiences in America. Women at Combahee illustrated how their experiences intersected along multiple categories including race, class, and sexuality, offering experiences that Kimberlee Crenshaw a decade later called “intersectionality.”[4]  They also prompted a proliferation of texts that addressed how Black women lived, worked, and loved at these intersections.

Women's War Relief Club. A group of Black women are photographed in uniform.
Women’s War Relief Club, Syracuse, New York c.1914. Source: Jesse Alexander Photograph Collection NYPL/Schomburg Center

The 1980s marked the first significant increase in publications in the field of Black women’s history. So, it is not a surprise that the nascent field welcomed Angela Davis’s, Women, Race, & Class (1981) as writers began to consider the dynamic nature of Black womanhood, again, prior to having a term to describe it. Like their foremothers a decade earlier, writers in this decade also published primary document anthologies such as Dorothy Sterling’s We Are Your Sisters: Black Women in the Nineteenth Century (1984).

The eighties also produced books that provided overviews of Black women’s experiences such as Paula Giddings’s groundbreaking study, When and Where I Enter: The Impact of Black Women on Race and Sex in America (1984). A year later, Deborah Gray White answered Angela Davis’s call to explore the experiences of enslaved women with Ar’n’t I a Woman?: Female Slaves in the Plantation South (1985) and Jacqueline Jones examined Black women’s experience with unpaid and paid work in Labor of Love, Labor of Sorrow: Black Women, Work, and the Family from Slavery to the Present (1985).

A woman hangs quilts on a clothing line.
The women of Gee’s Bend—a small Black community in Alabama—have created hundreds of quilt masterpieces dating from the early twentieth century to the present. Source : Gee’s Bend Quiltmakers

By the 1990s the field had been in full force for about twenty years with a growing national organization. The Association of Black Women Historians (ABWH), founded in 1979, became the professional and professionalizing steward of the field. Pioneering historians of the previous two decades mentored students and kept publishing work in the field. Darlene Clark Hine, an institution building scholar, helped push the field in several directions by publishing books, reference works, and anthologies.[5] After decades of work, she would receive recognition from President Barack Obama in 2013 with the National Humanities Medal. Along with Giddings’ When and Where I Enter  in the 1980s, Hine and Kathleen Thompson’s A Shining Thread of Hope: The History of Black Women in America (1998) served as foundational texts for the field for next two decades. These books shaped and fueled an abundance of scholarship in the nineties, including work by the founders of ABWH and others who pioneered defining theoretical approaches to Black women’s history and confirmed that we have a clear canon. These included but were not limited to Hines’ “culture of dissemblance,” Evelyn Brooks Higginbotham’s “politics of respectability,” and Ula Y. Taylor’s “community feminism,” among others.[6]

Scholarship from the turn of the century in 2000 until today has witnessed a dynamic boom as three generations of historians are publishing work on a variety of themes. We are at a profound moment where many of the founders of Black Women’s History are still alive and continue to publish books, articles, and anthologies. These pioneers are able to witness, shape, and support multiple generations of historians. This also means that we have a pipeline of scholars and scholarship that is building on these foundations and creating new histories that bring Black women into all aspects of American and diasporic history. The 2015 Cross Generational Dialogues in Black Women’s History conference at Michigan State University brought these scholars together to pay homage to those who created the field and those who are the future of it. Scholars of the first generation of Black women historians sent their students out to produce more work for this field. They offered studies of Black women and slavery, reconstruction, convict leasing, civil rights, Black power, and a host of other topics and time periods.

A number of those founding scholars, as well as their students, generously read and advised us on how we might proceed in writing a newer survey. In 2019, we held a historic manuscript workshop at Rutgers University. For the better part of day, ten Black women historians from across the country, met to read and critique early drafts and outlines. It was an extraordinary event that compelled us to find meaningful ways to build on vital existing scholarship, while adding new histories and experiences into the historical record. We include everyday and elite Black women, enslaved and free, artists and activists, poets and athletes, Black queer women, politicians and incarcerated women. Our work, A Black Woman’s History of the United States, serves as the current generation’s study even as we have paid homage to the scholars who paved the way for us. Our hope is that this contribution will make an impact on this field and the wider reading audience.


LISTEN to Berry and Gross discuss their work in an interview by UT History graduate student, Tiana Wilson, here on the podcast “Cite Black Women”.

And read more about Tiana Wilson’s interview on the “Cite Black Women” blog.

LISTEN to Berry and Gross discuss their work and the legacies of Black women’s activism, resistance, and entrepreneurship with journalists Maria Hinojosa and Julio Ricardo Varela on the In The Thick podcast.

LISTEN to Berry and Gross profile history-making Black women on WHYY Radio Times.


Banner image credit: Schomburg Center for Research in Black Culture, Photographs and Prints Division, The New York Public Library. “White House Conference Group of the National Women’s Council (Mary McLeod Bethune, center; Mary Church Terrell, to her right)” The New York Public Library Digital Collections. 1938.

[1] Anna Julia Cooper, A Voice from the South: By A Black Woman of the South (Xenia, Ohio: The Aldine Printing House, 1892).

[2] Toni Cade, ed., The Black Woman: An Anthology (New York: New American Library, 1970).

[3] Dorothy Porter, “Forward,” in Sharon Harley and Rosalyn Terborg-Penn, eds., The Afro-American Woman: Struggles & Images (1978. Reprint. Baltimore: Black Classic Press, 1997), viii.

[4] Kimberlé Crenshaw, “Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory and Antiracist Politics,” University of Chicago Legal Forum: Vol. 1989, Article 8. Available at: https://chicagounbound.uchicago.edu/uclf/vol1989/iss1/8

[5] Selected single authored and co-authored books by Darlene Clark Hine include Black Women in White: Racial Conflict and Cooperation in the Nursing Profession, 1890-1950 (Bloomington: University of Indiana Press, 1989); Hine Sight: Black Women and the Re-Construction of American History (New York: Carlson Publishing, 1994); and A Shining Thread of Hope: A History of Black Women in America (New York: Broadway Books, 1998). Edited and co-edited reference works and anthologies include Black Women in United States History: 16 volumes, plus the guide (New York: Carlson Publishing, 1990); Black Women in America (1994; Reprint. New York: Oxford University Press, 2005); We Specialize in the Wholly Impossible (1995); and Beyond Bondage: Free Women of Color in the Americas (Urbana: University of Illinois Press, 2004).

[6] Darlene Clark Hine, “Rape and the Inner Lives of Black Women in the Middle West,” Signs 14, no. 4 (Summer 1989): 912-20; Evelyn Brooks Higginbotham, Righteous Discontent: The Women’s Movement in the Black Baptist Church, 1880-1920 (Cambridge: Harvard University Press, 1993); Ula Y. Taylor, The Veiled Garvey: The Life and Times of Amy Jacques Garvey (Chapel Hill: The University of North Carolina Press, 2002).

Black Women’s History in the US: Past & Present

April 24, 2020

By Daina Ramey Berry and Kali Nicole Gross

A few years ago, we were approached by Beacon Press to write a history of Black women in the United States. We felt both honored and overwhelmed by the task.  Before we began, we needed to first take a survey of the field and understand our place in it.

Anna Julia Cooper (1858-1964).

The field of Black women’s history has generated a plethora of scholarship for more than a century.  Anna Julia Cooper, the first African American woman to receive her PhD in History and Romance Languages (University of Paris, the Sorbonne, 1925) was part of a small group of early historians. Cooper is widely regarded as one of the first writers of Black feminist thought.[1] In the 1940s several Black women received their PhDs in History including Marion Thompson Wright who was the first to earn a PhD in the United States (Columbia University). Over the last fifty years, female scholars have published numerous works on Black women including anthologies, encyclopedias, primary document readers, biographies, and thematic studies of women in the diaspora.

Black women’s history emerged as a unique field in the early 1970s, in the heart of the women’s rights movement, at a time when colleges and universities established women’s studies programs and courses. In 1970, Toni Cade published the anthology, The Black Woman, as one of the first seminal collections of writings about Black women.[2] Two years later, Gerda Lerner released a primary document reader, Black Women in White America, a book filled with evidence of Black women’s contributions to American history. Adopted for classroom use, Lerner’s book served as the first compilation of document driven histories of Black women in America. Following her, historians Sharon Harley and Rosalyn Terborg-Penn published The Afro-American Woman: Struggles & Images (1978).[3]  These volumes served as starting points for the field.[4]

Black women demonstrate for Women's Liberation in the 1960s with signs that read "Free Our Sisters Free Ourselves" and "Women's Liberation" with a raised fist

“Women’s Liberation” meant addressing specific challenges for black women in the 1960s. (David Fenton/Getty Images via Timeline/Medium)

Many of these early writers were activists in the classroom and in their communities. The scholarship they produced in the 1970s evolved in a period of activism where women fought to be recognized in society, at colleges and universities, and in historical scholarship. Such activism, particularly among Black lesbian women who attended the Combahee River Collective in 1974, forced mainstream scholars to consider the diversity of Black women’s experiences in America. Women at Combahee illustrated how their experiences intersected along multiple categories including race, class, and sexuality, offering experiences that Kimberlee Crenshaw a decade later called “intersectionality.”[5]  They also prompted a proliferation of texts that addressed how Black women lived, worked, and loved at these intersections.

Three rows of young African American women dressed in white nursing uniforms and headresses.

Women’s War Relief Club, Syracuse, New York c.1914 (Jesse Alexander Photograph Collection NYPL/Schomburg Center)

The 1980s marked the first significant increase in publications in the field of Black women’s history. So, it is not a surprise that the nascent field welcomed Angela Davis’s, Women, Race, & Class (1981) as writers began to consider the dynamic nature of Black womanhood, again, prior to having a term to describe it. Like their foremothers a decade earlier, writers in this decade also published primary document anthologies such as Dorothy Sterling’s We Are Your Sisters: Black Women in the Nineteenth Century (1984).

The eighties also produced books that provided overviews of Black women’s experiences such as Paula Giddings’s groundbreaking study, When and Where I Enter: The Impact of Black Women on Race and Sex in America (1984). A year later, Deborah Gray White answered Angela Davis’s call to explore the experiences of enslaved women with Ar’n’t I a Woman?: Female Slaves in the Plantation South (1985) and Jacqueline Jones examined Black women’s experience with unpaid and paid work in Labor of Love, Labor of Sorrow: Black Women, Work, and the Family from Slavery to the Present (1985).

An African American woman is hanging quilts on a clothes line.

The women of Gee’s Bend—a small Black community in Alabama—have created hundreds of quilt masterpieces dating from the early twentieth century to the present. (Photo: Gee’s Bend Quiltmakers)

By the 1990s the field had been in full force for about twenty years with a growing national organization. The Association of Black Women Historians (ABWH), founded in 1979, became the professional and professionalizing steward of the field. Pioneering historians of the previous two decades mentored students and kept publishing work in the field. Darlene Clark Hine, an institution building scholar, helped push the field in several directions by publishing books, reference works, and anthologies.[6] After decades of work, she would receive recognition from President Barack Obama in 2013 with the National Humanities Medal. Along with Giddings’ When and Where I Enter  in the 1980s, Hine and Kathleen Thompson’s A Shining Thread of Hope: The History of Black Women in America (1998) served as foundational texts for the field for next two decades. These books shaped and fueled an abundance of scholarship in the nineties, including work by the founders of ABWH and others who pioneered defining theoretical approaches to Black women’s history and confirmed that we have a clear canon. These included but were not limited to Hines’ “culture of dissemblance,” Evelyn Brooks Higginbotham’s “politics of respectability,” and Ula Y. Taylor’s “community feminism,” among others.[7]

Scholarship from the turn of the century in 2000 until today has witnessed a dynamic boom as three generations of historians are publishing work on a variety of themes. We are at a profound moment where many of the founders of Black Women’s History are still alive and continue to publish books, articles, and anthologies. These pioneers are able to witness, shape, and support multiple generations of historians. This also means that we have a pipeline of scholars and scholarship that is building on these foundations and creating new histories that bring Black women into all aspects of American and diasporic history. The 2015 Cross Generational Dialogues in Black Women’s History conference at Michigan State University brought these scholars together to pay homage to those who created the field and those who are the future of it. Scholars of the first generation of Black women historians sent their students out to produce more work for this field. They offered studies of Black women and slavery, reconstruction, convict leasing, civil rights, Black power, and a host of other topics and time periods.

A number of those founding scholars, as well as their students, generously read and advised us on how we might proceed in writing a newer survey. In 2019, we held a historic manuscript workshop at Rutgers University. For the better part of day, ten Black women historians from across the country, met to read and critique early drafts and outlines. It was an extraordinary event that compelled us to find meaningful ways to build on vital existing scholarship, while adding new histories and experiences into the historical record. We include everyday and elite Black women, enslaved and free, artists and activists, poets and athletes, Black queer women, politicians and incarcerated women. Our work, A Black Woman’s History of the United States, serves as the current generation’s study even as we have paid homage to the scholars who paved the way for us. Our hope is that this contribution will make an impact on this field and the wider reading audience.

LISTEN to Berry and Gross discuss their work in an interview by UT History graduate student, Tiana Wilson, here  on the podcast “Cite Black Women”.

And read about Wilson’s interview  here on the “Cite Black Women” blog.

Banner image credit: Schomburg Center for Research in Black Culture, Photographs and Prints Division, The New York Public Library. “White House Conference Group of the National Women’s Council (Mary McLeod Bethune, center; Mary Church Terrell, to her right)” The New York Public Library Digital Collections. 1938.

[1] Anna Julia Cooper, A Voice from the South: By A Black Woman of the South (Xenia, Ohio: The Aldine Printing House, 1892).

[2] Toni Cade, ed., The Black Woman : An Anthology (New York: New American Library, 1970).

[3] Dorothy Porter, “Forward,” in Sharon Harley and Rosalyn Terborg-Penn, eds., The Afro-American Woman: Struggles & Images (1978. Reprint. Baltimore: Black Classic Press, 1997), viii.

[5] Kimberlé Crenshaw, “Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory and Antiracist Politics,” University of Chicago Legal Forum: Vol. 1989, Article 8. Available at: https://chicagounbound.uchicago.edu/uclf/vol1989/iss1/8

[6] Selected single authored and co-authored books by Darlene Clark Hine include Black Women in White: Racial Conflict and Cooperation in the Nursing Profession, 1890-1950 (Bloomington: University of Indiana Press, 1989); Hine Sight: Black Women and the Re-Construction of American History (New York: Carlson Publishing, 1994); and A Shining Thread of Hope: A History of Black Women in America (New York: Broadway Books, 1998). Edited and co-edited reference works and anthologies include Black Women in United States History: 16 volumes, plus the guide (New York: Carlson Publishing, 1990); Black Women in America (1994; Reprint. New York: Oxford University Press, 2005); We Specialize in the Wholly Impossible (1995); and Beyond Bondage: Free Women of Color in the Americas (Urbana: University of Illinois Press, 2004).

[7] Darlene Clark Hine, “Rape and the Inner Lives of Black Women in the Middle West,” Signs 14, no. 4 (Summer 1989): 912-20; Evelyn Brooks Higginbotham, Righteous Discontent: The Women’s Movement in the Black Baptist Church, 1880-1920 (Cambridge: Harvard University Press, 1993); Ula Y. Taylor, The Veiled Garvey: The Life and Times of Amy Jacques Garvey (Chapel Hill: The University of North Carolina Press, 2002).

Five Sisters: Women Against The Tsar | Faculty Recommendation Series

January 20, 2020

This year Not Even Past asked UT History faculty to tell us about a book that they love teach. What makes it a great book for teaching history? What interesting and revealing questions does it raise? How do students respond to it?  This is the first article in what we hope will be a series on books we love to teach.

by Joan Neuberger

Five Sisters: Women Against the Tsar
Edited and translated by Barbara Alpern Engel and Clifford Rosenthal
Original publication: New York: Knopf/Random House 1975

Why would anyone give up a life of the utmost leisure and privilege to become a revolutionary, isolated from society and hunted by the police? How does an individual choose to become a terrorist – to kill for an idea or an ideology? What country comes to mind when you think about these questions? It is probably not nineteenth-century Russia and you are probably not imagining women in these roles. Yet arguably, modern terrorism was born in the aristocratic manor houses of the Russian empire. This collection of translated memoirs takes us deep into the everyday lives of the girls who assassinated Tsar Alexander II in 1881.

I have taught this book almost every year since I began teaching in 1985, every time I teach my survey of Russian history from 1613-1917. These fascinating and accessible memoirs give us a highly detailed and deeply personal view of the decisions five revolutionary women made on the journeys they took to the revolutionary underground. Vera Figner (1852-1942) is especially thoughtful and reflective about her path from childhood innocence to growing awareness of social and economic inequality on her parents’ estate, to her desire to help the impoverished in her province, to her frustration with her own abilities and government obstacles for personal improvement and social-economic justice. In 1872, at age nineteen, Figner went to Zurich to study to be a doctor so that she could come back and have a greater impact at home serving the poor. But in Switzerland she met radical thinkers and activists who cast doubt on her ideas about individual service and reform. When she and her friends returned to Russia, they decided that the only way to effect change was through revolution, and the only way to bring about a revolution –to spark a peasant uprising — was to assassinate the tsar. Figner was one of the chief agents of that plot, but instead of igniting revolution, the assassination ushered in a period of reaction and repression. Figner was eventually arrested but not executed, which gave her decades in prison to think about her life and write her revealing – and unapologetic — memoirs.

The moral ambiguities of the women’s ideas and actions fascinate my students year after year. Were these young women nothing more than spoiled rich kids with no sense of political realities or were they dedicated realists, taking the only steps possible to transform people’s lives in a country where the government was indifferent to the suffering of ninety percent of the population? How did they understand the moral stakes of their choices? What did they hope to accomplish? How did their lives as revolutionary women compare to those of revolutionary men? And are they comparable to terrorists in the twentieth century and today? The students’ discussion of these questions changes, often dramatically, from year to year, reflecting current events and their current political concerns, which provides its own set of historical lessons, and has the added benefit of giving me a sense of the issues that matter to the succeeding generations of students in my classes.


You might also like:
Policing Art in Early Soviet Russia
Great Books on Women’s History: Asia
Eisenstein’s “Ivan the Terrible” in Stalin’s Russia

Black Women in Black Power

September 1, 2018

by Ashley Farmer

One has to only look at a few headlines to see that many view black women organizers as important figures in combating today’s most pressing problems. Articles urging mainstream America to “support black women” or “trust black women” such as the founders of the Black Lives Matter Movement are popular. Publications, such as Time, laud black women’s political leadership—particularly when they mount a challenge to the status quo such as Stacey Abrams’ victory in the Georgia Democratic Governor primary. At the core of these sentiments is the recognition that black women have developed and sustained a liberal democratic politics that is conscious of and responsive to the interconnected effects of racism, capitalism, and sexism and that their approach can offer insight into current socio-political issues. The media often frames these and other women’s efforts as a manifestation of the current political moment divorced from the longer tradition of black women agitators and organizers to which they belong. Many of the black women making headlines today for their work in advancing civil rights and social justice ideals draw from these earlier traditions, including from the Black Power Movement of the 1960s and 70s.

Portrait of Angela Davis spray-painted on a wall.

Portrait of Angela Davis (Photo: Thierry Ehrmann / Flickr)

Although often thought of as civil rights’ “evil twin,” in the words of historian Peniel Joseph, Black Power was a diverse and diffuse collection of organizations, activists, and ideas. This movement spanned the political spectrum, states and continents, and stretched into both the grassroots and national arenas. Despite these variations, activists across the globe were united in support of the central pillars of Black Power—black community control, black self-determination, and black self-defense—broadly defined. In the latter half of the twentieth century, a bevy of organizations ranging from the Black Panther Party to the All-African People’s Party supported and advanced these principles.

Black women were at the epicenter of this movement. Some joined national organizations and served in both rank-and-file and leadership roles. Others found a way to enact ideals like community control and self-determination through local neighborhood or welfare rights organizations. Whatever avenue they chose, female Black Power activists were not only vital to the infrastructure of the movement, they also advanced gender-specific interpretations of its governing axioms. Complicating common assumptions about their marginalization in the movement, black women activists fought for more inclusive understandings of Black Power, ultimately causing many organizations to adopt a more radical critique of racism, sexism, and capitalism.

Members of the Third World Women’s Alliance marching in NYC in 1972 with a banner reading Welfare Rights Organization (Credit: Luis Garza).

Members of the Third World Women’s Alliance in NYC in 1972 (Credit: Luis Garza).

Women in the Black Panther Party exemplified this gender-conscious ethos. Huey Newton and Bobby Seale founded the party in October 1966 in Oakland, California in response to rampant police brutality. However, the Black Panther Party quickly became a collective with a more expansive vision that included defending the black community, developing community programs to increase self-sufficiency, and fostering political education—albeit with a masculinist framing. Women joined the group a year after its founding, participating in all aspects of its programming and endorsing its principles. The first female member, Tarika Lewis, participated in political education classes, attended rallies, and was an artist for the party newspaper, The Black Panther. As the party developed, other women including Ericka Huggins and Elaine Brown joined the group. By the 1970s, Huggins edited the newspaper and Brown ran the party. Indeed, women became Panthers in droves, eventually comprising about two-thirds of the rank-and-file across forty chapters. As they organized, they challenged their male counterparts to rethink their commitment to patriarchal ideas of leadership, activism, and revolution, openly debating sexism within the movement and developing artwork and articles that framed black women as the consummate political actors. Their efforts worked. The Black Panther Party, often thought to be an exemplar of Black Power sexism, adopted more egalitarian polices toward women in both name and practice.

Members of the Third World Women’s Alliance in NYC marching in 1972 and carrying a banner that reads "Hands off Angela Davis" (Credit: Luis Garza)

Members of the Third World Women’s Alliance in NYC in 1972 (Credit: Luis Garza)

Other women, such as members of the Third World Women’s Alliance (TWWA), chose to engender and re-gender Black Power through what historian Stephen Ward calls, “Black Power feminist” groups. This organization originated as a women’s caucus within the Student Non-Violent Coordinating Committee (SNCC), which, by the late 1960s, advocated for globally-minded, anti-imperialist politics expressed through Black Power principles and positions. As it developed it became a collective of “black and other third world women” fighting “all forms of racist, sexist, and economic exploitation.” Through their newspaper, Triple Jeopardy, members developed an ideological platform and activist agenda that interpreted Black Power principles through this global, gender-specific, and intersectional lens. Articles about anatomy and reproductive rights fostered gender-specific understandings of self-determination; images of black and brown women arming themselves supported a capacious understanding of self-defense. These publications, as well as their collaborations with other Black Power era groups, helped produce more nuanced understandings of Black Power. Their multi-faceted approach to liberation also laid the groundwork for what we now call intersectionality.

Female Black Power organizers’ diverse organizing efforts are visible in activism today. The grassroots networks that progressive candidates like Abrams used to win the primary, as well as her endorsement of universal pre-K and affordable housing, build on the efforts of women such as Huggins and Brown, who dedicated much of their lives to developing capacious forms of community control. More radical organizers, such as the three women founders of the Black Lives Matter movement, carry on TWWA-like traditions of global anti-imperialist solidarity, intersectionality, and black self-determination through self-definition.

My new book, Remaking Black Power: How Black Women Transformed an Era, examines these and other women activists in order to better understand black activism past and present. It centers on black women’s ideas and organizing in order to foreground how they might help us rethink the historical and historic uses of Black Power in addressing all facets of oppression. Understanding the historical activism of black women organizers can reveal new sites of theoretical and organizational possibilities and shine light on the ways that we might move toward different and more equitable worlds today.

Ashley D. Farmer,  Remaking Black Power: How Black Women Transformed an Era

“Online roundtable on Ashley Farmer’s Remaking Black Power,” in Black Perspectives, the blog of the African American Intellectual History Society, April 13, 2018.

For more on black women and Black Power, Prof. Farmer recommends these.

Robyn C. Spencer, The Revolution Has Come: Black Power, Gender, and the Black Panther Party in Oakland (2016).
A great book for anyone looking to learn more about the gender politics of the Black Panther Party. 

Dayo F. Gore, Jeanne Theoharis, Komozi Woodard, Want to Start a Revolution? Radical  Women in the Black Freedom Struggle (2009).
A
 strong collection of essays that explore black power and black radicalism from its origins to its apex.

Assata Shakur, Assata: An Autobiography (1988, 2001)
The life story of Assata Shakur, her journey into activism, membership in the Black Panther party, and her arrest and her current exile in Cuba. 

Elaine Brown, A Taste of Power: A Black Women’s Story (1993).
A great autobiography that describes Brown’s journey to becoming a leading Black Power activist and leader of the Black Panther Party 

Nico Slate ed. Black Power Beyond Borders: the Global Dimensions of the Black Power Movement (2012)
A collection of essays that speak to the global scope and reach of U.S-centered ideas of Black Power. 


Featured image photo credit:  Black Panthers at a rally in Oakland, Calif., in 1969, from the documentary “The Black Panthers: Vanguard of the Revolution.” (Photo: Pirkle Jones and Ruth Marion-Baruch).

Women’s March, Like Many Before It, Struggles for Unity

January 23, 2017

Originally posted on the blog of  The American Prospect, January 6, 2017.

By Laurie Green

For those who believe Donald Trump’s election has further legitimized hatred and even violence, a “Women’s March on Washington” scheduled for January 21 offers an outlet to demonstrate mass solidarity across lines of race, religion, age, gender, national identity, and sexual orientation.

The 1963 March on Washington for Jobs and Freedom (The Center for Jewish History via Flickr)

The idea of such a march first ricocheted across social media just hours after the TV networks called the election for Trump, when a grandmother in Hawaii suggested it to fellow Facebook friends on the private, pro-Hillary Clinton group page known as Pantsuit Nation. Millions of postings later, the D.C. march has mushroomed to include parallel events in 41 states and 21 cities outside the United States. An independent national organizing committee has stepped in to articulate a clear mission and take over logistics. And thousands of local organizations, many of them formed just in the last month, have already chartered buses to bring demonstrators to the National Mall region, where the march is scheduled to kick off at 10 a.m. at the intersection of Independence Avenue and 3rd Street SW.

Despite its “Women’s March” moniker, the national organizing committee’s striking diversity signals an increasing emphasis on defending “human rights, dignity, and justice,” as the event’s official website states, by unifying across difference. The organizing committee includes four national co-chairwomen—Tamika Mallory, Carmen Perez, Linda Sarsour, and Bob Bland—who are African American, Latina, Palestinian American, and white, and who all have extensive backgrounds as social justice organizers and professionals with local, national, and global experience.

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Linda Sarsour, Carmen Perez, and Tamika Mallory serve on the Women’s March national organizing committee (via Huffington Post).

Still, neither the march, scheduled for the day after Trump’s inauguration, nor its organizers can pretend to possess perfect harmony and clarity on the direction of this nascent movement. For example, the initial organizers dropped the original moniker, the “Million Women March,” in response to criticism that it was disrespectful to African American women who had participated in a Philadelphia march by that same name in 1997. The latter had taken place two years after the iconic Million Man March. This year’s initial organizers also faced criticism that the name “March on Washington” failed to show deference to the historic role of black activists in the 1963 March on Washington, recognized as a high point of the civil rights movement. The new national committee explicitly describes its mission as one that builds on earlier movements for social justice.

Women in attendance at The Million Woman March on October 25, 1997, in Philadelphia, Pennyslvania.

Women in attendance at The Million Woman March on October 25, 1997, in Philadelphia, Pennsylvania (via Idealistic Ambitions).

 

Such internal tensions are par for the course in the history of marches on Washington, whether they involved racial justice, women’s rights, or political protest. The several thousand women who paraded down Pennsylvania Avenue in the 1913 Woman Suffrage Procession, the day before President Woodrow Wilson’s inauguration, were not as unified as they might have appeared. Participants included immigrant women sweatshop workers, who linked the right to vote to their movement to organize against deadly factory conditions and piecework wages. But noticeably absent from the front of the march were black women’s organizations, who supported the effort but whose participation was spurned by the militant young suffragist Alice Paul, who feared it would jeopardize support from Southern white women. These African American women ended up participating, but they were required to march behind all the other women. All the women who marched down Pennsylvania Avenue stood up to jeers and violence, but they themselves were divided by an ugly racism rooted in political pragmatism.

By contrast, some historic marches on the Capitol demonstrated racial unity against all odds. The largest convergence on Washington prior to 1963 was the 1932 Bonus Army March, which brought together World War I veterans at the height of the Great Depression. In 1924, these veterans had been honored with the promise of an old-age “bonus” redeemable in 1945. But times were desperate, and the men wanted their bonuses early. An estimated 20,000 unemployed veterans hopped freight trains, caravanned in automobiles, or walked to the capital from as far away as California, and vowed to stay put until the government delivered. Their protests placed them in a direct confrontation with President Herbert Hoover. Things came to a head on July 28, 1932, when General Douglas MacArthur ordered soldiers wielding machine guns, bayonets, and tear gas to evict the veterans from their encampment and torch their tents. The debacle, which featured news coverage of government troops attacking unarmed veterans, is thought to have helped Franklin Roosevelt beat Hoover by a landslide that November.

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Bonus marchers in 1932 (via Wikimedia Commons).

On the surface, the Bonus Army March may appear to have little relevance for organizers of this month’s march. But the gathering was actually a show of unity that brought together both men and women, both whites and blacks. In 1932, not only the veterans but also their wives and children poured into Washington, forming a genuine community. And despite the fact that the U.S. military had maintained racially segregated units during World War I, white and black veterans caravanned to the capital together. For two months, they and their families squeezed in beside one another as their children played between the rows of tents. They experienced MacArthur’s onslaught together, an early demonstration of racial and gender solidarity not unlike what the Women’s March expects to deliver this year.

The Bonus March was still fresh in the minds of another group of protesters, this time comprised only of African Americans, who used the threat of a mass demonstration to pressure the government for racial justice in 1941. It was the eve of the nation’s entry into World War II, and a labor organization known as the Brotherhood of Sleeping Car Porters initiated a March on Washington Movement that threatened to bring 100,000 African American protesters to the capital on July 1 unless President Roosevelt moved to desegregate the military and order an end to racial discrimination in the burgeoning defense industry. Anxious that reports of racial injustice would damage his credibility with the Allies, Roosevelt blinked on June 25, and this march never took place. In the end, Roosevelt failed to desegregate the military; but he did prohibit discrimination by defense contractors, and established a Fair Employment Practices Committee to mediate disputes.

Portrait

After Roosevelt desegregated the armed forces, Howard Perry became the first African American US Marine Corps recruit in 1942 (via Wikimedia Commons).

The role of women in this World War II–era movement holds a lesson for the women rising up to oppose Trump’s presidency today. It may be widely known that the 1941 protest was a direct precursor of the 1963 March on Washington. But less well-known is that the full, official name of black union in question, led by A. Philip Randolph, was the Brotherhood of Sleeping Car Porters and Maids. The avid participation of maids, as well as of the union’s Ladies’ Auxiliary, which included porters’ wives, enabled Randolph to up his original participation projection from 10,000 in January of 1941 to 100,000 just a few months later.

Just as significantly, even though Randolph ended up canceling the demonstration, it spawned a March on Washington Movement, with chapters across the country, that persisted until 1946. Women continued as leaders in both the local and national organizations, and drew particular attention to discrimination against black females in the defense industry and other employment sectors. Women organizing this month’s demonstration at both the local and national levels are drawing on the historic organizing role of women—even those who have been forgotten—to create a lasting movement.

Anna Arnold Hedgeman (via Hamline University).

Perhaps the most famous march on Washington in the 20th century took place in August of 1963, when a quarter of a million people united to demand black civil rights. The march brought together white liberals who turned out to support African Americans, as well as Puerto Ricans, Mexican Americans, and Native Americans, in an extraordinary show of unity against racial oppression.

Nevertheless, yearly commemorations of this historic march fail to note unsettling backstories involving women leaders, whose important roles have been largely forgotten. Its top organizers, A. Philip Randolph and Bayard Rustin, did not invite a single woman to speak, not even Rosa Parks—despite strong criticism from prominent black female civil rights advocates, including the one woman on the central organizing committee, Anna Arnold Hedgeman. Ultimately, organizers did arrange for six women, including Parks, to sit on the dais and be honored as women. But as the program shows, none of the ten keynote addresses heard that day was delivered by a woman.

Most Americans remember only one: Dr. Martin Luther King Jr.’s famous “I Have a Dream” speech. Often forgotten is the full name of the event: the March on Washington for Jobs and Freedom. Photographs of the event show hundreds of women bearing signs calling for everything from higher wages and jobs for all to better schools and voting rights. Many are union members. Female domestic and agricultural workers, the backbone of Southern activism since the 1955 Montgomery Bus Boycott, also marched, at a time when federal law excluded them from minimum wages, Social Security, and from union-organizing protections.

Those photographs are testament to the role of women workers in organizing public protests. One thread running through all of these major 20th-century marches is the way civil justice issues involving race, gender, jobs, wage equity, and immigration all tended to intertwine. In the wake of the bitter election of 2016, post-election analyses have focused disproportionately on “the white blue-collar worker,” “the middle class,” or “the 1 percent.” Overlooked are the economic security and job concerns of Latina, black, and other women who toil in service, agricultural, and manufacturing jobs, at wages so low they qualify for food stamps. Such women would be devastated by the social-services restructuring proposed by GOP House Speaker Paul Ryan, of Wisconsin.

As women and men march on Washington once again, the demonstrations of 1913, 1932, 1941, and 1963 hold important lessons. The outward show of “unity” at the Woman Suffrage Procession masked its racism. The 1932 Bonus Army March speaks to the potential for diverse groups to come together in the face of extreme adversity—just as progressives are unifying today in the face of Trump. The 1941 march illustrated how organizing for a demonstration can plant the seeds for a sustained movement. And the solidarity celebrated in 1963 hid the relegation of women leaders to second-class citizenship. Ideally, the Women’s March on Washington will both avoid some of these pitfalls and help women forge new alliances that will last well beyond the event itself.
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More by Laurie Green on Not Even Past:
1863 in 1963.
Women and Social Movements in the United States, 1600 – 2000.

You may also enjoy:
George Forgie discusses the work the Emancipation Proclamation left undone.
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Great Books on Women’s History: Asia

March 29, 2016

Not Even Past asked the UT Austin History faculty to recommend great books for Women’s History Month. The response was overwhelming so we have been posting their suggestions throughout the month. This is our last set of book recommendations; this week we feature books on women and gender in East Asia and South Asia. 

chinese womens books

Huaiyin Li recommends:

Zheng Wang, Women in the Chinese Enlightenment: Oral and Textual Histories (1999)

Focusing on the life stories of five prominent women activists in twentieth-century China, this book examines Chinese feminism in the Republican era and its fate under the socialist state.  Its depiction of the feminists’ pursuit of national salvation and self-emancipation contrasts sharply with the Chinese Communist Party’s master narrative of women’s liberation under its leadership.

Gail Hershatter, The Gender of Memory: Rural Women and China’s Collective Past (University of California Press, 2011)

Based on interviews with 72 village women in Shaanxi province, this book shows how the Chinese Communist Party’s policy reshaped women’s agriculture work, domestic routines, activism, marriage, childbirth, and parenting from the 1950s through the 1970s.  It also addresses the intriguing questions of how memories are gendered and how gender figured in the making of socialism in Chinese agriculture. (Reviewed on Not Even Past).

asia womens

Nancy Stalker recommends:

Jan Bardsley, Women and Democracy in Cold War Japan (2014)

(Bloomsbury, 2016) is an engaging new work that reveals gender roles and gender politics in the 1950s through close readings of diverse popular media.  Focusing on newsworthy events centered around women, such as the wedding of the imperial prince to a commoner and Japan’s first Miss Universe title, Bardsley reveals the media construction of the “housewife” embedded within discourses on postwar democracy, Cold War geopolitics, and US – Japan relations.

Cynthia Talbot recommends:

Davesh Soneji, Unfinished Gestures: Devadasis, Memory and Modernity in South India (2012).

This book combines historical research and ethnographic fieldwork to track the fate of South India’s devadasis, originally Hindu temple dancers who came to be regarded as prostitutes as India was transformed by colonial modernity.  Typically unmarried and residing in quasi-matrilineal communities, devadasis often served as concubines or courtesans for elite men but came under increasing condemnation by social reformists beginning in the mid-nineteenth century; they were officially outlawed in 1947.  Soneji goes beyond the standard narrative of social change in colonial India by including an extensive examination of the role of dance in Indian royal courts and a sensitive exploration of the memories of ex-devadasis in this innovative, well-written work.

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For more books on Women’s History:

Great Books (Europe)

Great Books (Crossing Borders)

Great Books (US)

Indrani Chatterjee, On Women and Nation in India

Our 2013 list of recommendations:  New Books on Women’s History

 

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The Gender of Memory: Rural Women and China’s Collective Past, by Gail Hershatter (2011)

November 9, 2015

By Jing Zhai

Seventy-two ordinary women, living in four different villages in central and southern Shaanxi Province, mostly born during the 1920s or 1930s, witnessed the rise of the new Communist regime in 1949 and experienced dramatic life transformations as a result. During the 1950s and 1960s, a few of them were national or regional labor models. Some were local activists, village-level officials, or midwives. And the others were just ordinary village women who did not involve themselves in local politics. Although the national or regional labor models might get the precious chance of going to Beijing and even meeting Chairman Mao, these women’s life experiences were mostly confined to their villages. Few of them had the habit of keeping a diary or recording their observations. And in official documents, their personal life stories were rarely discussed. If not for the interviews conducted by Gail Hershatter and Gao Xiaoxian from 1996 through 2006, aging and death would have surely silenced these women’s memory.

The Gender of MemoryThis book focuses on the memories of rural women who lived through the momentous events of the 1950s. It attempts to recount their life stories not only as historical witnesses, but mostly importantly as women. By tracing the social roles that rural women assumed across their lifetimes, the book reveals changes taking place in women’s field work, domestic labor, childbearing, and marriage. Hershatter successfully brings out the beauty, vibrancy and pain in these women’s rich life experiences. The author asks, “If we placed a doubly marginalized group — rural women — at the center of an inquiry about the 1950s, what might we learn about the effects of Party-state policy and its permutations and appropriations at the local level?”

Usually, memoirs, diaries and interviews that contain people’s memory are used as important clues for historical facts. However, Hershatter’s book is striking for its study of memory itself, based on the large number of interviews she and her collaborator were able to carry out. The distance between memory and the “true” story seems to not be an obstacle for the author and she is fully aware of today’s influences on recollecting the past. Instead, she analyzes the context in which individual memory is generated, especially the subjects’ special experiences as rural women and girls. The stories we hear from women reflect a more distant relationship from politics than that of men. Taking timekeeping as an example, compared with rural men who were familiar with using official time to organize their daily life, women relied on domestic events to remember things. The zodiac, the date of their marriage, and the birthdates of their children formed the system of timekeeping that they used to frame their memories. Memory here is gendered memory.

This book challenges the conventional narrative on the 1950s that is usually focused on changing political campaigns. Many events that people experienced are outside the narrative frame punctuated by campaigns such as land reforms, collectivization, and the Great Leap Forward. By following the life stories of women in farming communities far from the center of state control, these women’s conception of time produced a much more continuous narrative compared with official histories.

Chinese workers in front of the open hearth furnace, September 1958. Via Wikimedia Commons

Chinese workers in front of the open hearth furnace, September 1958. Via Wikimedia Commons

Memories of Chinese rural women also questioned the unified narrative in the academic study of gender. For example Chaofeng had been a tongyangxi, a “child raised to be a daughter-in-law.” But she experienced painful uncertainties when she decided to divorce her husband during the New Marriage Law Campaign due to her close relations with her mother-in-law. Her experience argues against the traditional analysis of gender reform, regardless of the guilt of tongyangxi or the absolute legitimacy of marriage freedom. This book questions the limitations of a lot feminist scholars’ opinion and brings out the question about recording the perspective and the experience of ordinary women. Is gender such a coherent and unified genre that feminists can easily represent the experience of women from a lower society stratum?

As a work about China’s collective past, Hershatter’s book sheds light on the cultural and social history of the 1950s China. But even if you are just simply searching for some enchanting stories, Hershatter’s book is a great place to start.

Gail Hershatter The Gender of Memory: Rural Women and China’s Collective Press (University of California Press, 2011)

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New Books in Women’s History

March 1, 2013

We are celebrating Women’s History Month this year with recommendations of new books in Women’s History from some of our faculty and graduate students. From third-century North Africa to sixteenth-century Mexico to the twentieth-century in Russia and the US, and more…

Judy Coffin:

Deborah Cohen, Family Secrets: Living with Shame from the Victorians to the Present Day, (2013).
A history of shame and changing social norms, of privacy and how a “right” to privacy was established, and of changes in what families will and will not confess — to themselves and to others. It’s bold, refreshing, and readable. (In fact it comes with Hilary Mantel’s endorsement.) Published in Great Britain in January, the book due out here at the beginning of April. You can read the introduction on the Amazon website, and pre-order. This is a book that everyone interested in gender, sexuality, and families will want to read.

Linda Greenhouse & Reva Seigel, Before Roe v. Wade: Voices that Shaped the Abortion Debate Before the Supreme Court’s Ruling, (2010).
Here’s another readable and important book. It reconstructs the everyday politics of contraception and abortion before Roe v. Wade, making it clear that the now landmark decision was one case among many, the justices’ reasoning was rather narrowly cast. This is not an all-roads-led-to-Roe story; it is much more interesting, unpredictable, and historical than that. Siegel is a professor at Yale Law School and Greenhouse covers the Supreme Court for the New York Times.

Lizeth Elizondo:

Catherine Ramirez, The Woman in the Zoot Suit: Gender, Nationalism, and the Cultural Politics of Memory, (2009).
Catherine Ramirez illuminates the ways in which Mexican-American women rebelled and chose to express their individuality by joining the popular zoot suit movement of the 1940s. By focusing on the women behind the suit, Ramirez offers a revisionist interpretation of the involvement of women in the infamous Los Angeles Zoot Suit riots and the Sleepy Lagoon case of 1943.

Alison Frazier:

Thomas J. Heffernan, The Passion of Perpetua and Felicity, (2012).
In one volume, Heffernan presents the essential text and tools for readers to begin thinking through the unique and precious “prison diary” of Vibia Perpetua, the visionary young mother who led a mixed-gender group of Christians to martyrdom in early third-century North Africa.

Laurie Green:

Barbara Ransby, Eslanda: The Large and Unconventional Life of Mrs. Paul Robeson, (2012).
In contrast to the enormous attention paid to the acclaimed African American singer, actor, radical and civil rights activist Paul Robeson, his extraordinary wife, Eslanda “Essie” Robeson has remained in the historical shadows. For the first time, in Ransby’s biography, we can grasp her amazing lifework, including her intellectual career as an anthropologist and journalist, and her passionate involvement in women’s rights, racial justice and anti-colonialist movements on an international scale.

Janine Jones:

Fatima Mernissi, Dreams Of Trespass: Tales Of a Harem Girlhood, (1995).
Scholar and activist Fatima Mernissi’s captivating memoir of her childhood in a Moroccan harem during the end of the French Protectorate is not to be missed.

Halidé Edib, House with Wisteria: Memoirs of Turkey Old and New, 2nd ed., (2009).
Turkish journalist, novelist, and early feminist activist Halide Edib’s lyrical memoir of growing to adulthood during the chaotic collapse of the Ottoman Empire is filled with stories of tragedy, love, and strength.

Anne Martinez:

Felicity Amaya Schaeffer, Love and Empire: Cybermarriage and Citizenship Across the Americas, (2012).
Schaeffer puts desire in the context of the global economy, class, and cultural citizenship in this book about transnational cyber-relationships since the 1990s. 

Joan Neuberger:

Marina Goldovskaya, Woman with a Movie Camera: My Life as a Russian Filmmaker, (2006).
“I started school in 1948. In my class of more than forty children, I was the only one who had a father.” This memoir traces Marina Goldovskaya’s career in Soviet television and her emergence as Russia’s best known documentary film maker. Along the way, we get an inside look at the everyday politics of survival and success in two of late-twentieth-century Russia’s most interesting industries.

Megan Seaholm:

Michelle M. Nickerson, Mothers of Conservatism:  Women and the Postwar Right, (2012).
The significant role that women played in the rise of conservatism from the 1950s through the 1964 presidential campaign.  This careful study of conservative women in southern California explains how “populist housewives” became impassioned activists who influenced the conservative agenda for decades.

Stephanie Coontz, A Strange Stirring:  The Feminine Mystique and American Women at the Dawn of the 1960s, (2011).
Fifty years after Betty Friedan published The Feminine Mystique, often credited with igniting the feminism of the 1960s and 1970s, Professor Coontz examines this book and the impact it had on readers.

Susan J. Douglas, The Rise of Enlightened Sexism:  How Pop Culture Took Us From Girl Power to Girls Gone Wild, (2010).
Cultural historian Susan Douglas has written a perceptive and often humorous book about the way that icons of popular culture encouraged a generation of women (the “millennials”) to believe that feminism had accomplished its goals.

Ann Twinam and Susan Deans-Smith both recommend:

Camilla Townsend, Malintzin’s Choices, An Indian Woman in the Conquest of Mexico, (2006).
The wonderfully readable and compelling book tells the story of Malintzin, the young Nahua woman who became Hernando Cortés’ translator and mistress during the conquest of Mexico. Townsend takes on the difficult task of giving voice to someone who, while typically vilified as a traitor and sexual siren, left no words of her own. The resulting portrait allows us to see Malintzin’s understanding of her situation and the difficult choices she made in a rapidly changing political landscape.

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