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Not Even Past

Building Your Academic Presence Online in Three Steps

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What happens when someone googles your name? Whether the search result pulls up your forgotten MySpace page highlighting your 2007 obsession with Harry Potter and the Deathly Hallows or your meticulously curated personal website, the answer to that question is entirely dependent on how you have cultivated your online presence. As we move further into the Digital Age, it is increasingly important as graduate students and scholars to establish ourselves online. The Internet is an invaluable resource to research, communicate, and share knowledge with a truly global community. Developing a strong online presence to take advantage of this unparalleled connectivity is a vital step to take in a young scholar’s career. In this article, I trace my journey to establish an academic presence online. I lay out three steps that I believe every young scholar can, and should, take to firmly establish an active and robust digital presence.

1) Department Profile

The first step to building your academic presence online starts on your department’s website with your student profile page. While I specifically discuss developing a UT student profile, the general process and the principles I touch on can readily be applied to a profile at any department and university. As a UT graduate student, a student profile page is automatically created for you. It is up to you, however, to develop it to its full potential. There are two key resources to use to create an outstanding UT student profile: the Web Editor and its companion website, the aptly named How to Use the Web Editor. Other universities will most likely have their own equivalents to these two sites. The “how-to” guide provides a wealth of information on the various aspects of the web editor and does a relatively good job walking you through the necessary steps to accomplish virtually everything you want to do with your profile. UT’s web editor provides a multitude of different fields for you to provide the information pertinent to building a successful student profile. The web editor is, unfortunately, a bit clunky and there is no “preview page” option for you to look at your changes before publishing, so plan accordingly!

Screenshot of the "How to Edit a Profile" page from University of Texas at Austin's Web Services website
View of the “How to Edit a Profile” page on UT’s Web Editor “how-to” site

There are several key elements that every profile should have. The very first thing you should add is an email address that you frequently check. No matter how good your profile is, if potential collaborators or employers cannot contact you, it’s not especially helpful. The second element to add is a short, but informative biography. Successful biographies take the form of the time-honored “elevator pitch,” but consider this your chance to deliver the most polished elevator pitch that you have ever given, albeit in written form. Think of the biography as a means to both advertise yourself and to stake out your scholarly territory within your particular field. The first one or two lines of your biography are critical as those are the lines that appear as part of the website preview in a Google search result. Do not write a novel for your biography as page viewers will be less likely to read a wall of text. Instead, aim for a few short paragraphs that highlight the most important details about your scholarly endeavors. The last critical component of your student profile is listing your scholarly fields or what the UT web editor classifies as “interests.” This section may seem superfluous, but it is an important one as it quickly conveys to your page viewers what kind of research you conduct and what topics interest you. Additionally, using terminology that is frequently used in your research field(s) increases the chances of other scholars encountering your profile through keyword searches in Google.

Screenshot of the University of Texas at Austin's web editor tool on the left and on the right is a close-up of the biography section of the web editor
Left: View of the different sections in UT’s Web Editor; Right: Close-up of the biography section in UT’s Web Editor

Additionally, there are several other sections that you can add to develop a truly successful profile. The first is images. Adding a high-resolution profile picture is a great addition to your page as it allows viewers to visually connect with you by putting a face to your name. Plus, it adds a bit more of your personality to your profile. Although you have to submit your intended profile picture through the LAITS online photo submission form to add it to your profile, the form is easy to fill out and is certainly worth it. Additionally, incorporating other visual material into your biography will create a more aesthetically pleasing profile and give you an additional opportunity to show off your work. This is especially true for UT student profiles as the default color palette is an overwhelmingly white page with some burnt orange accents, so adding colorful images from your work will elevate your profile and make it stand out. For instance, on my profile, I added screenshots of websites that I have worked on to break up the wall of text of my biography and to visually highlight projects that I am proud of. UT’s web editor also allows you to create custom pages that show up as hyperlinks along the right-hand side of your profile’s main page. Although the customization options are fairly limited, you can use them in a variety of different ways to highlight specific aspects of your work. The page that I customized houses all of my writings that I have written for Not Even Past under one roof. Adding a downloadable CV, as well as external links to your other projects and writings, are also great additions to your department profile. One of those external links could (and should) be a link to your academia.edu page, the next step to building your academic presence online.

2) Academia.edu Profile

Academia.edu is an academic research-sharing platform that allows academics, professionals, and students to upload and read scholarly work. The site has, at least at the time of writing this article, 156,949,639 registered academics and researchers, and hosts over 22 million uploaded papers. Needless to say, academia.edu boasts a massive scholarly ecosystem. Many people categorize academia.edu as an academic version of LinkedIn. While both websites share several key attributes, they ultimately serve different purposes and offer different services.

Screenshot of the sign-up page for Academia.edu
View of the Sign-Up page on academia.edu

You can sign up for an academia.edu account using either a Google or Facebook account, or you can use an email address. I suggest signing up with a university-affiliated email or Google account to keep all your university-related correspondence and accounts in one place. Once you are signed up, you have the option of opening either a free or premium account. The free account gives you reading access to all the uploaded papers on the platform and allows you to upload your research as well. The free version also comes with a minimalist profile where you can write a biography, add your research interests, and arrange your uploaded papers. The premium account provides you with several added benefits, including tracking who mentions you and who cites your papers. You can also download unlimited PDF packs from the platform and see who is reading your papers. Academia.edu also recently added course offerings for premium account holders that provide resources on a variety of useful topics, such as grant writing. While the premium account is reasonably priced for graduate students, $49.50 billed annually, and offers some good features, I do not think the additional features justify the costs for most graduate students. That being said, later-stage graduate students with more publishable writings to upload may find the enhanced analytics of the premium account worth the cost. I went with the free account.

Chart comparing the free and premium accounts on Academia.edu
Chart comparing the differences between the free and premium accounts on academia.edu

Once you have selected your account type, the next steps are to build out your academia.edu profile. Your academia.edu page should have the same three components as your departmental profile. Editing your profile on academic.edu is significantly easier than using UT’s web editor. Simply click on the “edit” button on your page and select which section you want to edit. Although it is easier to use than the web editor, you have fewer options on how to format your content and what elements you can incorporate into your profile. For instance, you cannot add images to your academia.edu biography like you can on your student profile. Adding a profile picture (which is recommended) can be tricky because you cannot edit photos within academia.edu and the website automatically centers the photo for you, which can lead to some unfortunate cropping mishaps. Since the website offers limited customization of your biography, I recommend writing only a short biography that provides pertinent biographical information and touches on the major aspects of your research. There is also a dedicated space within the biography tab to add the name(s) of your dissertation supervisor(s). Providing this information can be helpful and can potentially attract more traffic to your page. Like your student profile, adding your research interests helps page viewers to quickly identify the kinds of scholarly conversations you are interested in. These tags also have the added benefit of helping academia.edu’s algorithm create better reading suggestions for you. Your academia.edu profile also provides you with another opportunity to post a downloadable CV.

Screenshot of the Academia.edu profile page for Raymond Hyser before any information is filled out
View of an academia.edu profile (free account) before any information is added

The most important and beneficial aspect of academia.edu is the ability to upload your writings so other scholars can read and cite them. You can host a wide range of writings on your profile from book reviews to fully-fledged articles. You can also upload videos as well as draft papers to receive commentary on them. When uploading materials to the site, be mindful of possible copyright infringements. This is particularly true for your writings that have been published elsewhere, such as in academic journals. Refer to academia.edu’s copyright policy for more information. While the focal point of the website is uploading your writings and reading the work of other scholars, it is not entirely necessary to maintain a vast library of writings on your profile or to have any for that matter, for academia.edu to be an incredibly powerful tool. This is directed, in particular, toward early-stage scholars, like myself, who do not have a substantial portfolio of writings to choose from and upload onto the site. The website’s “follow” function, operating similarly to many social media sites, allows you to curate a list of scholars whose work intersects with your own or you are simply interested in the writings of particular scholars. The “follow” functions allow you to maintain a library of scholars pertinent to your work and provides you with an alert whenever a scholar on your “follow”’ list uploads new content to their page. Academia.edu also provides a useful “message” function that allows you to directly message other scholars to ask questions or discuss specific writings that they have on their profile. The message function also gives you an opportunity, if you follow the previously mentioned steps, to show off your research through your robust profile because, more often than not, they will click on your profile to discover more about you.

Screenshot of the Academia.edu profile page for Raymond Hyser with all the profile sections filled in
View of an academia.edu profile (free account) with information added

Another benefit to having a premium account on academia.edu is that you get a personal website with a unique website domain of your choosing (if the domain is not taken by another user already). The personal website is significantly more aesthetically pleasing than the profile page that comes with a free account. Your academia.edu website offers a better presentation of your biography and your writings, and also provides a better navigating experience for the viewers who come to your page. That being said, the personal website, like your student profile, has a limited capacity for customization. While academia.edu’s personal website price is particularly low, for only a few dollars more per month you can purchase website building software that provides you with virtually limitless possibilities for curating the best personal website.

Screenshot of the preview of Raymond Hyser's personal website offered through Academia.edu
Preview of personal website offered through academia.edu (premium account)

3) Personal Website

Although a premium academia.edu account allows you to quickly and easily create a personal website, I would recommend spending the extra money on dedicated web-building software to create your personal website. Because website development is a large industry, there are myriad of services and software that you can use to build your website. Given the breadth of options, choosing the right platform for you can be daunting. WordPress, Squarespace, GoDaddy, and Wix are four excellent website builders that provide a robust range of customization tools and are relatively inexpensive. These are three of the most popular options, but the web development space is massive and there are many more alternatives out there. Do not be afraid to Google one that fits your taste, technical skill level, and your wallet. For my personal website, I chose the $8 a month (billed annually) Premium WordPress account.

On the left is a list of different iterations of domain names provided by WordPress.com and their pricing and on the right is a screenshot of the WordPress page once a domain is created
Left: A list of different iterations of domain names for my website; Right: The WordPress homepage to begin editing your website

Once you have selected your website building software, you have to decide on what your domain name will be. Your domain name is the website’s address, often ending in a “.com”. Unless you own a domain name already, you have to pay a yearly registration fee to create a new one. Picking the right name for your website is vital to its success because it will be how someone finds your website on the great expanse of the web. Simply using your name or the title of one of your projects for your domain name are always a safe bet. Once you have your name, you need to decide on what direction you want your website to take. Generally speaking, there are three directions you can take to your website. The first is a generalized personal website that replicates much of the same information found on your student profile and your academica.edu profile, but in a much more aesthetically pleasing way. The second direction is to orientate your website toward a specific research project and the third direction is a combination of the first two options.

On the left is a screenshot of various page designs WordPress offers and on the right is a list of elements you can add to your WordPress page
Left: Different website designs offered by WordPress; Right: A list of some of the elements you can add to your WordPress website

After deciding on which direction you want to take your website, you can start building out your website. Unlike your student and academia.edu profiles that conform to a rigid template, website building tools like Squarespace and WordPress provide you with almost boundless possibilities for customization. Deciding which templates, color schemes, and features you want to incorporate into your website vary considerably from person to person, and you should pick which features you want based on your specific tastes and needs. Although your personal website can take on many different forms, there are still several general components that your website should have. While I am getting repetitive at this point, your website must have your contact information and a biography at the bare minimum. There is no longer a dedicated space to list your research interests like in the previous two steps unless you create one, but it is still important to incorporate keywords that pertain to your research fields into your website as it will help bump your website up in search results. Another key aspect to a successful personal website is hosting a feature that gives viewers a reason to interact with your website and to keep coming back to it. A great way to do this is by writing a series of blog posts that you post regularly on your site. Having a continuous stream of new content, interesting content about your research will give people a reason to come back to your website and gives you an opportunity to show off your research. Additionally, adding teaching and research resources to your website is a great way to generate foot traffic to your website. Curating a library of syllabi, lists of suggested readings and links to digital resources are a few great things to add to your website that will strengthen your site’s content and motivate people to visit your website.

Screenshot of Raymond Hyser's WordPress website in the editor mode
View of the my website on the main page of the WordPress editor

If you follow these three steps you will be well on your way to establishing a strong academic presence online. Google searches will no longer return your cringy MySpace page, but rather several carefully curated sites that illustrate your many attributes as a budding scholar. As the Internet becomes an ever-increasing part of academia, and our lives more generally, it is important to firmly establish yourself online and to leverage all the advantages the Internet has to offer to your benefit.

Addendum – #academictwitter

An additional step to take to solidify your academic presence online is creating an account on Twitter and becoming a #twitterstorian. Twitter is a microblogging and social networking service that allows users to write messages (Tweets) and to interact with other users’ content. Creating a Twitter account is as easy as entering a few personal details (name, phone number, etc.) and then choosing your Twitter handle (username). While you can make your handle whatever you want, it is part of your professional identity online and your handle should reflect this. Using your name is always a safe and logical choice. Like in the previous steps, adding a professional photograph for your profile picture is always a good addition to your profile. More important than your profile picture is your Twitter bio. Use your bio to briefly introduce yourself, your affiliations, and your research interests. Your bio is key because if people do not know who you are and what you study, they will not follow you! Since your bio is limited to 160 characters, you can (and should) link a website, such as your personal website, to your Twitter profile so users can learn more about you and your work.

Screenshot of my budding Twitter account

Once your profile is set up, start following other accounts! Twitter is a massive community with tens of millions of potential accounts that you can follow. Initially, you will want to focus your attention on following “high-value” accounts. These include, but are not limited to, influential scholars in your field, professional organizations, publishers, colleagues, and universities. As your Twitter presence gains momentum and you become accustomed to the inner workings of Twitter, you can start curating what accounts you follow to fine-tune what content you want to see on your newsfeed. After your initial round of account following, you should turn your attention to the bread and butter of Twitter: Tweeting. Tweets are a great way to share your ideas, provide research updates, and engage with fellow #twitterstorians. Since Tweets are limited to 280 characters or less, Tweeting is also a terrific exercise in developing a writing style that is brief and to the point. Twitter is a tremendously powerful tool that offers scholars the opportunity to showcase their research and network with academics across the world. Creating a Twitter account is a great way to further cement your academic presence online.


The views and opinions expressed in this article or video are those of the individual author(s) or presenter(s) and do not necessarily reflect the policy or views of the editors at Not Even Past, the UT Department of History, the University of Texas at Austin, or the UT System Board of Regents. Not Even Past is an online public history magazine rather than a peer-reviewed academic journal. While we make efforts to ensure that factual information in articles was obtained from reliable sources, Not Even Past is not responsible for any errors or omissions. 

Introducing the Material History Workshop

By Atar David & Raymond Hyser

Last summer, as the global pandemic threatened to push yet another academic year into the Zoomiverse (a threat that soon became a reality), it became clear that we all needed to put on hold our standard conceptions of graduate school. While online classes became the new normal and access to the library slowly returned, we felt the experience of being a young scholar in a large department and university slipping away from us. Many of us felt as if the opportunity to share our thoughts, work, fears, and hopes with our peers in a supportive and intellectually enriching environment was being taken away from us by the changes unleashed by COVID-19. We had to adapt ourselves to this new reality without completely adopting the notion of being apart from each other. Our solution to this conundrum was to create a space that, despite the physical distance, would help bring us all together. Looking for a common theme, we decided to form a bi-monthly workshop centered on what we loosely defined as material history. Thus, the grad-student-run Material History Workshop was born.

The intellectual premise was fairly simple. Much like other grad forums that address questions of identity, gender, race, and the environment, we wanted to talk about physical things, objects that you can touch, smell, eat, wear, buy, sell, and create. We felt that too often these objects are overlooked as benign, secondary, or simply marginal compared to other grander forces that shape history. We wanted to dig deeper into the supposed banality of the materials that make up everyday life, to explore how bread is baked, how clothes are dyed, how coffee is grown, and how snow is made (it’s true. There is a long history of snowmaking. Just ask Jesse Ritner). We strongly believed, and still do, that encapsulating the historical context in which our things exist may teach us something fundamental about our past, present, and future. Each of us had our own notion of how to understand the histories of our objects: through the human experience of usage, by historicizing the relationship between people and matter, through their environmental impact, and by how we ascribe them meaning.  

An empty seminar room in Garrison hall

We met every other week either to discuss academic works that were meaningful to our professional identities or to read and discuss our own papers and thesis chapters. We discovered that though each of us studies a different time and place, we were able to engage in productive and thought-provoking conversations. In our virtual workshop, ideas about food regulations in twentieth-century Egypt met the socio-environmental implications of American snowmaking technology, and the stories of coffee cultivators in British Ceylon benefited from the discussions we had about indigenous experiences with material regulations in Colonial Mexico. Some recurring themes kept appearing: environment and nature, capitalism and trade, identity and culture. As the weeks went by, we also decided to invite inspiring scholars to share their concepts of materiality and material culture with us. We were surprised by how responsive and engaging these scholars were, by how curious they were to hear what we had to say. We are, needless to say, thankful for all those scholars who agreed to participate in what we hope would become a tradition of dialogue in the years to come.

We all hope that by the fall, the workshop will resume in a hybrid model, one that will allow us to get coffee together and share physical space, but won’t exclude those who are still distant. Knowing how eager we all are to return to a semblance of normalcy where we can once again pour over manuscripts and dig into dusty boxes around the world, we want to make sure that being away does not mean being alone. We want to preserve our vibrant discussions while allowing new ideas to form and grow and additional members to join. If last year taught us anything, it is that community can make all the difference when we are physically distant. Care to join us?


The views and opinions expressed in this article or video are those of the individual author(s) or presenter(s) and do not necessarily reflect the policy or views of the editors at Not Even Past, the UT Department of History, the University of Texas at Austin, or the UT System Board of Regents. Not Even Past is an online public history magazine rather than a peer-reviewed academic journal. While we make efforts to ensure that factual information in articles was obtained from reliable sources, Not Even Past is not responsible for any errors or omissions. 

Writing Global Ecological History ‘From Below’: An Interview with Gregory Cushman

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From the editors: This interview was first published in 2018 by the Toynbee Prize Foundation. Named after Arnold J. Toynbee, the foundation seeks to promote scholarly engagement with global history. The original interview can be accessed here. This interview is published here as part of a new collaboration with the Toynbee Prize Foundation. The collaboration aims to share these important long form interviews with key historians working today.

To further our understanding of the development of industrial capitalism over the past two centuries Greg Cushman claims, we need to write histories ‘from below,’ in two senses: first, we need to write histories that consider not just those who ‘invented the steam engine’, but those which trace the origins of the steam engine’s parts (material and intellectual) wherever across the globe that leads us – often far beyond the ‘Global North’. Second, we need to investigate our planetary history below the earth’s surface. Lithospheric history Cushman calls it. That entails researching the history of rock and mineral extraction from the lithosphere and tracking the movement, use, transformation and impact of those materials upon humanity and the earth’s environment over millennia. He also claims that it entails taking elemental history seriously, that is, historicising the relationship between humankind’s understanding of the extraction and application of a chemical element or compound upon the earth’s environment. These trajectories are big and bold and they challenge forms of disciplinary knowledge historians presume they should master, but they’re exactly the type of interdisciplinary lines of enquiry that Cushman has been pursuing since his days as a doctoral student at the University of Texas, Austin.

In this interview, we spoke with Cushman about how he was initially drawn to excrement and elements: guano and phosphorous in particular, as he wrote his first monograph, Guano and the Opening of the Pacific World: A Global Ecological History (Cambridge University Press, 2013). We discussed the ways that paying greater attention to oral testimonies as historical evidence as well as tracing individuals and genealogies were fruitful means of keying-in on the lived-experience of historical events. We discussed how coral reef sediment cores might open up new paths in Pacific World history. We also spoke about Cushman’s career as a historian from the humble roots of his interest in environmental history with the birds that roam free on the Salton Sea in Southern California to his attempts at diversifying the reading lists at the University of Kansas where he now teaches.

Gregory T. Cushman is Associate Professor of International Environmental History at the University of Kansas, where he teaches courses on Latin America, science and technology studies, and the global environment. His first book Guano and the Opening of the Pacific World: A Global Ecological History (Cambridge University Press, 2013) received four awards, including the Turku Book Prize from the European Society of Environmental History and Rachel Carson Center and the inaugural Jerry Bentley Prize in World History from the American Historical Association.

– Sean Phillips, Toynbee Prize Foundation

First of all, I thought we could discuss how your first monograph, Guano and the the Opening of the Pacific World came into being. How was it that you came to specialise in Latin American and environmental history and how did guano become the central theme in your first monograph?

Let me start with my interest in Latin American environmental history. I’ve had an interest in human relationships with nature for as long as I can remember. My parents and grandparents are naturalists. One of the abiding memories from my childhood was visiting my grandparents in Southern California. We’d spend hours heading out to the Salton Sea, an environmental disaster area where the Colorado River escaped a canal construction system (Donald Worster details this phenomenon in Rivers of Empire), flooding the space below sea level, creating (from the perspective of birds at least)  a paradise. I’ve long had this intrigue in the natural world as a result. I began studying to become an ecologist at university and it was there I discovered environmental history. I loved this idea that instead of trying to remove humans from studies of the environment, we could place them at the centre in our attempts to understand the natural world. It seems the discipline of ecology has caught up with this idea in the past couple of decades, partly due to the fact that developments in the environmental humanities have pushed them to.

Headshot of Professor Gregory Cushman, Associate Professor at the University of Kansas
Gregory Cushman, Associate Professor of International Environmental History, University of Kansas. Source: Brian Hamilton

As for Latin American history? My father lived in Southern Mexico before I was born and took us on trips there afterwards. I later travelled to Peru in the company of the late Dr Charles Teel who specialised in the sociology of religion. That was as a part of a study abroad trip, and it was then that I went to the Peruvian coast for the first time.

As for guano, this is really a classic subject for the economic history of Latin America, particularly for those associated with the dependentista school. Scholars had mentioned that guano was bird excrement and that it originated from marine birds (occasionally getting the species wrong), but the question really started out as: what was the story with the birds? If thousands of people, thousands of ships went to remote islands in the Pacific to collect this stuff, what ultimately became of the birds nesting there? Truthfully, I was expecting this to be a short and sad tale: miners turn up, push the birds out, eat them, perhaps leaving a desert without guano or guano birds. This was true only for a very brief moment, however. The radical discovery that kick-started this project was made when I searched for ‘guano’ in my university’s online database. Out spilled countless references to documents about guano. Not simply those dating from the so-called ‘Guano Age’ that the book begins with, but also to documents with a far more recent history in the twentieth century. After the old guano had been mined out, the Peruvian state (in collaboration with international scientists and agribusiness) started a great campaign of wildlife conservation for the benefit of both birds and humans that protected the living population of guano birds, recognising that their daily production of guano could be used for concentrated fertiliser. This story – which was so unexpected, but for which there was a wealth of source material to draw from – set things in motion.

Book cover for Guano and the Opening of the Pacific World: A Global Ecological History by Gregory T. Cushman
Gregory T. Cushman, Guano and the Opening of the Pacific World (Cambridge: Cambridge University Press, 2013)

For those who are unfamiliar with the book’s central thesis or theses, can you describe what Guano and the Opening of the Pacific World is all about?

I’d encourage readers to read the introduction to the book which outlines the seven central theses the book is anchored by. As the Pacific slowly became a known space to European and Neo-European peoples, they began to interact more intensely with the Pacific environment. This was a transformative moment and my book investigates the role of guano in this transformation. To comment more broadly on some of the questions the book seeks to explore: the book is about the place of bird excrement and excrement more generally in modern environmental, geopolitical and cultural history. I was fascinated from the very beginning with trying to explain what guano meant to the people that interacted with it. International scientists were an important group (both those from outside Peru and within) that revealed the centrality of guano in institutionalising marine science in Peru. Tracking those characters, the project quite naturally spread from Peru across the Pacific Ocean and beyond. I was truly interested in what was going on out there and what underlay this empirical discovery. I didn’t initially set out to write a global history.

Another fundamental starting-point was the Pacific Ocean.  The Pacific covers more of the surface of the earth than all the continental landmasses put together. The Pacific contains a huge amount of water. It impacts global climate, as with El Niño events. So I asked myself, what was the impact of the beginnings of the extraction of commodities like guano, whale oil, spermaceti wax, coconuts and the interaction of Neo-Europeans with peoples living in the Pacific Basin? What was the story of extractive practices upon populations, where many Pacific Islanders became slaves and semi-coerced labourers? It seemed that suddenly the possibilities of what outsiders could do were opened up from the late eighteenth century onward, not unlike what had happened in the Americas centuries before.

One of the things you do in Guano and the Opening of the Pacific World is to put forward one way of writing a history of the Pacific World. What prospects do you see going forward for histories of the Pacific World?

I think the Pacific World concept is something we shouldn’t take too seriously.  The ‘Atlantic World’ was a powerful concept for helping those who studied Latin American, African and particularly North American history to re-think the boundaries of their subject and to make the slave trade the centre of understanding for the early modern period. That was enormously valuable. We increasingly find, however, that this concept has its limitations. The Pacific World can also be a valuable frame for helping us think of the world in different ways, but it inevitably has similar limitations – much like Braudel’s Mediterranean World – in that these are artificial boundaries placed around a subject to help make sense of what we perceive as emerging.

What are the prospects for the concept and for future studies? Well, we need to understand first and foremost that the idea of the Pacific World as a coherent region is something both incredibly old but also eminently modern. There are two historical phases of Pacific World history. The first, we might call the history of Pacific Islanders – not only that of the Polynesians, who travelled furthest into this world, but also of the Micronesians, Melanesians and also the Austronesians who settled New Guinea and Australia. This takes us back 65,000 years into the past. This ancient history is not something that is only knowable by documentary records, but there are a number of sources we can use to reconstruct this pre-documentary past. First and foremost are natural or physical archives with which we can investigate how the environment has changed. An archive that the Pacific has in abundance are coral reefs. In my own work I’ve used data from reef cores to understand when extreme El Niño events have occurred.

Black and white map of the world detailing historical fertilizer-producing regions, including guano-producing bird islands, phosphate-producing islands, formations of potassium-producing deposits, and other locals.
World map of historical fertilizer-producing regions, including guano-producing bird islands, phosphate-producing islands, formations of potassium-producing deposits, and other locals. Source: Guano and the Opening of the Pacific World, page 46

Historians have also given nowhere near enough attention to the oral histories of Pacific peoples both in the recent past (the past 200-300 years), but also as a part of older ethnic histories reported in indigenous languages. In Guano and the Opening of the Pacific World, I made use of oral traditions coming from the people of coastal Peru and the people of Banaba,  a small island in the equatorial Pacific, once home to gigantic phosphate mines and a notorious case of extractive imperialism by the United Kingdom and their former Dominions, Australia and New Zealand. Banaban indigenous intellectuals have attempted to write down their oral traditions to preserve them but also to contextualise them, to investigate their culturally specific meanings. This means we have an archive that stretches back much farther than those tales of whalers from the early nineteenth century.

Lastly, it’s important to note that sometimes documentary records can be re-examined for new insights. There’s a remarkable archive concerning the conquest of Rapa Nui (Easter Island) preserved in the Routledge Papers at the Royal Geographic Society in London.  Many have obsessed over the images contained in this collection, but there’s far more to gleam from the ethno-histories that Katherine Routledge was able to jot down.

British Admiralty Chart No 5216 of the South Pacific Ocean, Published in 1942
1942 British admiralty chart of ocean currents, winds, and magnetic variation in the South Pacific Ocean. Source: John Edgell, UK Admiralty Chart

For the modern period and for prospects of histories of the industrial era, the Pacific World concept helps us to think, not just of the Pacific as a place populated with thousands of islands, but of the ocean itself. This is perhaps the concept’s most useful intervention. While slavery is at the centre of Atlantic World history, I’d argue that the ocean environment is the central factor that binds the Pacific World – not just because of the resources that come from the Pacific, but also how people interact with the ocean space and with island environments. Lastly, I’d point out that it helps us think of what is on the boundary of the Pacific. One of the central arguments of my book is to demonstrate how important Latin America is in Pacific history. Chile, for example, made efforts to colonise peoples and islands in the Pacific, claiming not only the Juan Fernandez Islands, but also Rapa Nui (or Easter Island). Latin American specialists have not given nearly enough attention to these dimensions. They also haven’t adequately looked at Latin American connections across the Pacific with Japan, China and Australia, for example. These are avenues that can be mined for riches in terms of understanding the full parameters of world history.

The type of history you advocate is big and bold. How might more junior students and academics attempt histories of the Pacific World where boundaries (logistical, financial and temporal) might limit the scope of their project?

Let me propose a ‘Hitchhikers Guide’ of things to bear in mind: firstly, archival materials dealing with the Pacific are scattered amongst the conventional archives we find when researching any other regional history. The materials I used to study guano were found in the Latin American collections of the University of Texas, Austin based on Peru’s interest in the Pacific World and its environment. Archival materials from Pacific Islands themselves are available for those who have access to inter-library loan. Many materials have been microfilmed. The Pacific Manuscripts Bureau at Australian National University in Canberra organised a large-scale project to microfilm Pacific materials found around the world. Another place we might look are the transnational corporations that had interest in trading in the Pacific. The Arundel Papers which are still held privately were revealing for my own project and could be sent to your institution, for example, on microfilm. In my opinion, the Pacific may be as accessible as any region because of this. Keeping in mind that a project can get very big, very fast, one needs to construct constraints. One thing to do is to embrace the merits of following individuals, commodities, companies, imperial projects, climatic phenomenon, or actual organisms like sperm whales and sea cucumbers… so on and so forth.  These can provide a way of piercing the vastness and somehow deflating the Pacific World.

Guano and the Opening of the Pacific World details the histories of a myriad of fascinating characters: from John Arundel who you’ve just briefly mentioned to Chayhuac, the ‘Lord of Fish.’ I read you have personal, family connections to the history of guano mining in the Pacific. What role was it that your ancestors played in this story and what ethical questions did this pose when effectively writing family history in a big project like this?

First of all, I would point out that tracing family histories (not only of my own but of others) was an important aspect of the methodology for this book. Once I had identified an important person, identifying their family members and tracing their histories became of interest. Given that the book ends in the very recent past, the chances were that family members were still alive. In the case of John Arundel, I was able to track down his great grandson who was still in possession of the family archives and who kindly let me reproduce a couple of photographs for the book project. So oral histories became important, particularly listening to testimony of those engaged in the late twentieth-century Peru guano and fishing industries. I was able, for example, to track down the widow and daughter of a really interesting character whom I explore toward the end of the book: Enrique Ávila – a man of indigenous descent who grew up as the son of peasant farmers near Lake Titicaca who became an assistant to an international scientist studying guano birds and then used that connection to undertake graduate studies in the United States with Aldo Leopold before returning to South America as a professional scientist. Detective work was required, but I was able to track his family down. Betsy Ávila kindly provided me with photographs and even lent me her personal family archive, which traced his work as an indigenous man trying to make it in a white world. It revealed the intense racism that he experienced – not only when he left Peru, but also while he was working in Peru. It’s quite a sad story, ultimately, but an intriguing one nonetheless.

Bags of guano ready for removal from an island on the Houtman Abrolhos
Bags of guano ready for removal from an island on the Houtman Abrolhos. Source: J.R. Mann in The Illustrated Australian News, State Library of Victoria

To get to my own family history, I discovered by happenstance that I had family connections. I mentioned earlier that I typed ‘guano’ into a computer database in Austin, Texas. When I moved to the University of Kansas, I did a similar thing and typed ‘guano’ into the system and was shocked to see Henry Wyles Cushman, A Treatise on Guano appear – a pamphlet published in the mid-nineteenth century. This pamphlet was circulated among farmers in Massachusetts and detailed the virtues of guano for healthy pastures and stronger harvests. In short, a piece of agricultural propaganda. I saw the name and thought it looked familiar, so I asked my parents about it.  Fortunately, my family have an interest in genealogy and we often recount stories about our ancestor, Robert Cushman (one of the key figures from the Plymouth Colony) around the table at Thanksgiving. Through the discovery that we were indeed related, it made me think…. He’s not that important as a societal figure; he was simply a farmer who advocated the use of guano among his peers, yet, for the purposes of the book he embodied the kind of connectivities all of us have who have moved from place to place around the world, either as conquerors or colonisers, as migrants or slaves. We can potentially write the stories of any of our ancestors into these histories. I didn’t set out to write the history of my family, but that story emerged from the sources.  I paid attention to those stories, because it enabled me to connect myself to the story in a way that was similar to the way I was connecting other actors in the story.

It’s been a few years since Guano and the Opening of the Pacific World was published. How would you evaluate the reception of the book? Is there anything you might have done differently?

One of the things that readers have liked the most is the exact thing that many readers have liked least. That is, its vast expanse in terms of geography, time, actors and processes. The book is about guano, and guano provides some structure to the book as a whole, but guano also serves as an entry point to understanding the history of other commodities that are important to the ecological history of the modern world.  These connectivities have enthralled some readers, but have challenged others looking for a tighter narrative with a smaller cast of protagonists, narrated in a conventional way. This isn’t what the book is about. I used vignettes in each chapter to elucidate stories, such as Mouga, a Niuean guano miner who loses his brother while mining guano and uses the funds that he made from the industry to get married in a traditional way. We know this because John Arundel cared enough about his story to write to him. What’s often disconcerting to readers is that they can’t place where they are. Critics of the book have said that the book is everywhere but nowhere. The more I thought about this, the more I thought this was a valid criticism of the book. But the way in which the book compels you to think about the world and to think about guano and empires and individuals in different ways is also its biggest contribution. It doesn’t seek to narrate these stories in the conventional way. In this sense it’s a history of ‘following’. When a story switched languages from Spanish to English or English to Tahitian, I didn’t let that stop me. I never became fluent in Tahitian, but I sought help for translations that were usable. To not be content to stop with the usual boundary lines that we place around our histories was key. This makes the book daunting at times, but it also means that it makes a significant contribution as a result. This does not mean, however, that I advocate writing narratives of complexity for the sake of complexity. It’s done with a purpose. The connections made in this book would not emerge in the same way if this was a biography of John Arundel or a company history of Burns Philip, for example.

Sacking guano to be shipped by anda-rivel (automatic trolley), Ballestas Islands
Sacking guano to be shipped by anda-rivel (automatic trolley), Ballestas Islands. Source: Freshwater and Marine Image Bank at the University of Washington

You make a strong case for taking the role of guano seriously in histories accounting for the development of industrial capitalism. It seems your current work on the Anthropocene is an extension of this broader topic. Can you tell us a little about your current research projects?

I’m currently writing a book entitled The Anthropocene: A Global History of the Earth Under Human Domination, with the words ‘earth’, ‘global’ and ‘domination’ being rather emphatic terms in the title. This project is definitely an outgrowth of the guano book, but it’s also an attempt to comment more broadly on the history of the global environment and the ways industrial civilisation has made use of nitrates, phosphates and commodities more broadly and how they impact the environment. It’s a study of the history of people living within industrial civilisation, a study of our relation in particular to the chemical elements. For example, nitrogen is crucial to the creation of amino acids and proteins. If there’s no nitrogen, there’s no means to bond amino acids together. Nitrogen is thus critical to the history of protein-rich food we eat, in particular, meat. One sad discovery in writing the guano book was the way Peruvian planners intentionally decided to let the guano industry decay to exploit fish supplies to make chicken and hog feed for export abroad.

In the broadest sense, elements provide an entry point into thinking about the Anthropocene. For those that are unfamiliar with the concept, the Anthropocene is the proposed name for a new geological epoch in which humans are the fundamental causal agents that have transformed earth-systems to such an extent that the earth operates in a recognisably different way. As a result, these transformations are leaving a mark on geological strata that will far outlast us. We are leaving a mark not just on our climate, but on the rocky crust, the physical earth itself. One of the ways of exploring this is exploring different isotopes, examining the various minerals being deposited. Climate change is going to have a great impact in the future. But nitrogen and phosphorus from concentrated fertilisers have already had as great an impact upon ecosystems as anything else, thus far. This led me to think about other phenomena that also leave a mark: burning coal and other fossil fuels, investigating lead and other heavy metals, along with the radioactive isotopes produced by atmospheric nuclear testing and by nuclear energy facilities. I became interested in the different chemical elements involved in this.

Islas Ballestas off the coast of southern Peru
Islas Ballestas off the coast of southern Peru. Source: Danilo Bargen

The Anthropocene is not only a major topic for earth scientists, but also for students of history and the environmental humanities in terms of thinking about the mark that industrial civilisation is leaving on the planet. One of the realisations I had in thinking about these different material processes and of the substance of these materials was how practically all of them are extracted from the lithosphere. This involves investigating the exploitation of things as humble as sand, cement, gravel, and asphalt, bearing in mind how important these materials are for building things. This has become a central line of enquiry in my new project. The new relationship that industrial civilisation has developed with the lithosphere and with the inorganic world–what we used to be call the ‘mineral kingdom’–lies at the heart of this.

Something that’s abundantly clear both from Guano and the Opening of the Pacific World and your past publications is an appetite for interdisciplinarity. In your latest project, it seems you’re advocating or attempting to practise elemental history, historicising the relationship between humankind’s understanding of extraction and application or use of chemical elements or compounds, and their impacts upon the earth’s environment.  Am I correct in suggesting you’re trying to spearhead a new direction in global history in this sense: one that fuses physical science (particularly chemistry) with environmental sciences and history? This seems a fascinating proposition, but one which will require new skills as well as an ability to bring historians into closer conversation with an even wider variety of academic disciplines.

You’re keying in on some of the exact motivations for adopting this lithospheric perspective of human history. This book is a study of the diversity of human relationships with the lithosphere over time, not just industrial civilisation and not just in the Global North, but going back to the Stone Age. I want to explore how our manipulation of flint and hard stone was critical for our earliest ancestors. I’ve been looking under every rock (so to speak), but except for histories of mining, historians have not yet taken a rock-focused perspective on history. This is a way of contributing something new to the historical profession. What I mean by lithospheric is not simply to stop with where the stuff comes from (the lithosphere), but also by explaining how and why it has been extracted from that context. Lithospheric history is very much about extractivism as an ideology and practice in human society (especially capitalist society). Once something has been extracted, we should ask how it moves, what its new uses are and how it’s processed. When it comes to the Anthropocene, we need to ask what mark these processes make once they leave our view, when they become waste or ruins, for example. Tracing the life histories of the elements is very much a part of this. I very much like this idea of an elemental history that you propose for describing this.

To provide you with a tangible example of how this works, I’ve been engaged recently in a project called the Phosphorous Apparatus with Zachary Caple and Katerina Teaiwa and others. We’ve been thinking about the place of the chemical element phosphorus in contemporary society. Zac especially is interested in the phosphate mines of Florida and what happens when they are incorporated into the Plantationocene. Katerina is Banaban by ethnicity, born on Rabi Island in the Fiji archipelago, which is the new home of her people. Following phosphorus through our lives has been one approach, but it’s a useful unifying solution to hone in on one particular substance, thing or material, or object.

‘Phosphorus, Guano and the Opening of the Anthropocene’, a presentation by Greg Cushman at Phosphorus: An Apparatus of the Technosphere, Haus der Kulturen der Welt Berlin, 2 October 2015.  Video: Haus der Kulturen der Welt

One other element I’d add to this lithospheric or elemental perspective on the history of the Anthropocene is that I’m emphatic that these histories have to be histories from below and of the whole globe, not just histories of the industrial North. One of the things I’m most proud of in the guano book is the extent to which that history – the history of guano in industrial civilisation – is grounded in Peru and the Pacific Islands. Using the same methodologies, I’m setting out to write this book, grounded not just in the histories of the ‘builders of the steam engine’, but also where the substances come from, analysing the extent to which subaltern peoples have been involved in creating industrial civilisation from the beginning: as builders, as providers, as labourers, as consumers, as the builders of networks, as immigrants. It’s a long list.

This gets us into the question of interdisciplinarity as well. I’ve been engaging heavily with geologists and geo-archaeologists to learn more about the lithosphere itself as an object of study. I’m not going to be able to make soil cores and derive the isotopes to reconstruct the agricultural history of a place, but I can understand enough to be able to read articles they produce to understand that phenomena are not simply the product of recent history. The so-called ‘Great Acceleration’ began a lot earlier than is sometimes claimed – long before 1950. Adopting histories from below also means that we diversify our perspectives on the world and the types of source material we use to reconstruct the past. Global history has in many ways been written from the top-down thus far. Ecological Imperialism, for example, is mainly the history of the actions of European-derived peoples and their alliances with microbes, mammals, crops and pests. Al Crosby, who was originally one of my teachers as a graduate student, ultimately wrote that history from the perspective of people like himself and like me. We need to make a concerted effort to write histories which include the rest of the world, not just the peoples, but also their biota, even the inorganic matter of the earth itself. I’m hopeful that people who read my work will find inspiration in writing a more diverse set of histories and accepting that individuals matter in allowing change to unfold.

What are you currently reading and what book or article would you recommend to a graduate student as a source of inspiration?

One book I’m reading right now is Timothy Morton’s Dark Ecology: For a Logic of Future Coexistence (2016). He’s perhaps best known as an eco-critic and as an environmental philosopher. The book has really challenged me to rethink many things that I hold dear. In terms of understanding the Anthropocene, one of the issues I find most interesting is his argument that in our attempt to cordon ourselves off from nature, in a process called agro-logistics, we’ve committed an original sin. Civilisation and the epoch of the Anthropocene are one and the same as far as Morton is concerned, and all agricultural societies are culpable. At one point he claims “we remain Mesopotamians”. It’s an intriguing, but wrong-headed perspective to take on this, in my view. I do not think that Tim Morton, nor James Scott in his new book Against the Grain, nor many other historians of global civilisations have given serious enough consideration to the diversity of human societies or to the ways people living close to the land and sea have organised themselves in different ways to live in the natural world. The phrase “we remain Mesopotamians” seems to reveal that what we need, more than anything in the practice of global history, is to make a concerted effort to write from the perspective of the Global South. So many writers of global history are reformed European or North American historians. Historians starting from Latin America, Africa and the Pacific Islands need to be writing these histories as much as those from the Global North. Historians originally from these regions need to be writing them.

As for a book that had a huge impact upon me? It was the first environmental history I set my eyes upon. I was studying to become an ecologist, and had just spent a summer doing field research in marine environments at Puget Sound on the shore of the Pacific. My professor gave me an article entitled, “Transformations of the Earth: An Agro-Ecological Perspective on History”, by Donald Worster, published in 1990 in the Journal of American History. In it, he proposed using findings from ecology to look at agriculture as an institution, not just in the United States but globally. I was intrigued by these possibilities and fascinated at how we might put ecology into the histories of industrial societies and how human activities could be a focus of study for ecologists. I had no idea this was even possible as an undergraduate science student. One of the really great things about this is that I’ve ended up at the University of Kansas, one of the places Donald Worster spent so much of his career.

It’s also worth mentioning that we need to continually return to the classics and foundational texts of whatever field it is that we study, not only in remembrance of where we come from intellectually, but also because when we look at these works with new eyes and perspectives, we spot things that haven’t been fully pursued or developed.  When I teach Latin American history, I assign ‘classics’, but classics by Latin American thinkers, such as Gilberto Freyre’s The Masters and the Slaves, José Vasconcelos’ La Raza Cósmica (The Cosmic Race), Yo Rigoberta Menchú, and the idea of ‘civilisation and barbarism’ as defined by Domingo Faustino Sarmiento in Facundo. The key is to read texts coming from other regions and traditions, even if they’ve been written by elites. Find reviews in your own language. Teaching from a classic text approach means to engage with texts and with thinkers that we have found value in because they’ve been important in the creation of the world we live in, but to do so in a way that radically expands the “canon” of works we consider. Pairing those with texts and thinkers from the outside and placing them in dialogue: this is one of the most valuable things we can do.


The views and opinions expressed in this article or video are those of the individual author(s) or presenter(s) and do not necessarily reflect the policy or views of the editors at Not Even Past, the UT Department of History, the University of Texas at Austin, or the UT System Board of Regents. Not Even Past is an online public history magazine rather than a peer-reviewed academic journal. While we make efforts to ensure that factual information in articles was obtained from reliable sources, Not Even Past is not responsible for any errors or omissions. 

Climate in Context: Historical Precedents and the Unprecedented – Conference Program

April 22-23, 2021
Institute for Historical Studies, University of Texas at Austin
Free and open to the public. Register to attend here.

This conference brings together diverse scholars whose work grapples with the challenges that climate change presents to the discipline of history. Participants will address precedents for this “unprecedented” crisis by uncovering and analyzing the historical roots and analogues of contemporary climate change across a wide range of eras and areas around the world. Can history offer an alternative to visions of the future that appear to be determined by prevailing climate models, and help provide us with new ways of understanding human agency?

THURSDAY, APRIL 22

9:00-9:15am

Opening Remarks

Daina Ramey Berry
Chairperson of the History Department & Oliver H. Radkey Regents Professor of History
University of Texas at Austin

Miriam Bodian
Director of the Institute for Historical Studies & Professor of History
University of Texas at Austin

Land Acknowledgement

Luis Cárcamo-Huechante (Mapuche)
Director of Native American and Indigenous Studies
University of Texas at Austin

Conference Theme Introduction

Erika Bsumek
Associate Professor of History
University of Texas at Austin

Megan Raby
Associate Professor of History
University of Texas at Austin

9:15-11:00am

Session I. Emerging Perspectives: A Graduate Student Roundtable

Mary E. Mendoza (Commentator), Pennsylvania State University

“An Upwelling of Stone: Climate Change and Infrastructure Agendas in Early Modern India”
Jonathan Seefeldt, University of Texas at Austin

“Cultivating Parasitism: Early Modern Insect Crops and the Limits of Commodification”
Diana Heredia-López, University of Texas at Austin

“Technological Ambivalence: Skiers and the History of Climate Solutions”
Jesse Ritner, University of Texas at Austin

“Racial Capitalism and Climate Justice: Historical Perspectives on Environmental Racism in Texas”
Micaela Valadez, University of Texas at Austin

“African Americans, Slavery, and the Long History of Environmental Degradation on the Gulf Coast”
Brooks Winfree, University of Texas at Austin

1:00-2:30pm

Opening Keynote Address

“The Reindeer and the End of the World: Apocalypse, Climate, and Soviet Dreams”
Bathsheba Demuth, Brown University

3:00-4:30pm

Session II. Historicizing Climate

Megan Raby (Chair), University of Texas at Austin

“Beyond Numbers: Knowing Typhoons in Late Imperial China”
Clark L. Alejandrino, Trinity College Hartford

“Degrees of Vulnerability: Why We Need a Feminist History of Climate Science”
Deborah Coen, Yale University

“The Anthropocene and Epistemological Colonialism: The 18th-Century Spanish American Origins of Humboldt’s Global Histories of the Earth and Climate Change”
Jorge Cañizares-Esguerra, University of Texas at Austin

“Measuring Climate by Proxy”
Melissa Charenko, Michigan State University & IHS Fellow

5:00pm

Virtual Reception: All Panelists Welcome for Informal Discussion

FRIDAY, APRIL 23

8:00-8:15pm

Opening Remarks

David Mohrig
Associate Dean for Research, Jackson School of Geosciences
University of Texas of Austin

8:15-9:45am

Session III. Contextualizing the Climate Crisis

Tracie Matysik (Chair), University of Texas at Austin

“Skin and Fuel: Some Episodes from the Fossilization of Whiteness”
Andreas Malm, Lund University

“The Cene Scene: Modernization Myths, Navajo Coal Development, and the Making of Arizona”
Andrew Curley, University of Arizona

“States of Second Nature”
Victor Seow, Harvard University

“Agency and Scale in the Historical Making of the Climate Crisis”
Christopher Sellers, Stony Brook University & IHS Fellow

10:15-11:45am

Session IV. Practicing What We Preach: A Roundtable

Erika Bsumek (Chair), University of Texas at Austin

“We Use the Living Earth to Make Our Histories”
Andrea Gaynor, University of Western Australia

“Rural Black Social Life in the Chesapeake After the 1933 Great Hurricane”
J. T. Roane, Arizona State University

“Louisiana: Race, Justice, and the Ecological Legacies of the Plantation Economy”
Justin Hosbey, Emory University

“Writing History into the IPCC’s Sixth Assessment Report”
Paul N. Edwards, Stanford University

“Isn’t all Environmental Humanities ‘Environmental Humanities in Practice’?”
Dolly Jørgensen, University of Stavanger

12:00-1:30pm

Working Lunch for all Panelists

2:30-4:00pm

Session V. Going Public with Climate History: A Roundtable

Joan Neuberger (Chair), University of Texas at Austin

“Specific Constraints for a Universal Challenge: Navigating Resources and Space to Create a History of Climate Science Exhibition”
D. O. McCullough, American Philosophical Society

“When Will It Be Over? Water, Flood, Toxics, and the Duration of Colonial Legacies in Philadelphia”
Bethany Wiggin, University of Pennsylvania

“Indian Ocean Current”
Prasannan Parthasarathi, Boston College

“Modeling Virtual Angkor: An Evolutionary Approach to a Single Urban Space”
Tom Chandler, Monash University & Adam Clulow, University of Texas at Austin

4:15-4:30pm

Concluding Remarks

Erika Bsumek
Associate Professor of History
University of Texas at Austin

Megan Raby
Associate Professor of History
University of Texas at Austin

4:30-6:00pm

Closing Keynote Address

Naomi Oreskes, Harvard University

Photo Credits:

Banner Image: Research@MSU, Michigan State University; Session 1: NASA Jet Propulsion Laboratory: Greenland, Iceland, & Gulf Coast Deployment; Photograph of Bathsheba Demuth; Session 2: A black blizzard over Prowers County, Colorado, 1937. Source: Western History Collection, University of Oklahoma; Session 3: Photo by Frans Van Heerden from Pexels; Session 4: Photo by Pixabay from Pexels; Session 5: Patch: Fairfax Controlled Burn Planned; Photograph of Naomi Oreskes


The views and opinions expressed in this article or video are those of the individual author(s) or presenter(s) and do not necessarily reflect the policy or views of the editors at Not Even Past, the UT Department of History, the University of Texas at Austin, or the UT System Board of Regents. Not Even Past is an online public history magazine rather than a peer-reviewed academic journal. While we make efforts to ensure that factual information in articles was obtained from reliable sources, Not Even Past is not responsible for any errors or omissions. 

IHS Climate in Context – Pioneering Geoarchaeology: A Tribute to Dr. Karl W. Butzer

From the editors: Not Even Past is honored to publish this tribute to Dr. Karl Butzer in connection with The Climate in Context: Historical Precedents and the Unprecedented conference which will take place on April 22-23, 2021. Dr. Butzer was a long-time faculty member in the Department of Geography and the Environment at UT Austin, which is a sponsor of the conference. He was also one of the first scholars to call attention to the threat of global warming more than 40 years ago. The Department of Geography and the Environment’s support of the conference is in his honor. This profile was adapted by Raymond Hyser from Dr. William E. Doolittle‘s 1999 Robert McC. Netting Award paper and Dr. William E. Doolittle’s PNAS Retrospective “Karl W. Butzer: Interdisciplinary Mentor.”

Karl W. Butzer exploded onto the scholarly scene with the publication of his first book, Environment and Archeology: An Introduction to Pleistocene Geography. Described by anthropologist Robert F. Heizer as a “classic” almost immediately after its publication, this book called upon archaeologists to go beyond just data gathering and engage in ecological synthesis. Butzer boldly hoped “for more archeologists who can think as geographers.” Publishing a classic only seven years after receiving one’s doctorate is an accomplishment of the highest order. But then, receiving a doctorate before one’s 23rd birthday is equally impressive, as is publishing no fewer than two monographs and 32 journal articles in the interim. Indeed, Butzer accomplished more during the first seven years of his career than most scholars accomplish in a lifetime. He, of course, did not stop there. He went on to author or edit another 10 books and 230 articles or chapters throughout his academic career.

Although his initial work was in physical geography, in particular climatology and geomorphology, Butzer never thought of landscapes and environments without appreciating the human vector. Similarly, as his work became more “human” in its focus, he never forgot about the importance of physical factors. No one has bridged the natural and social sciences better than he. And, his bridging between the two was not merely being well-read in both, but also being an accomplished researcher in both, separately and in concert with one another. Spanning both the natural and social sciences, Dr. Butzer was a pioneering figure in the field of geoarchaeology where he challenged archaeological and paleo-environmental researchers to critically engage with the complexity of human-environment interactions. Through his research, Dr. Butzer championed human adaptation to environmental change. Before it became “fashionable,” he published a number of articles, like his 1980 article “Adaptation to Global Environmental Change” in Professional Geographer, that called attention to global warming.

Close-up photograph of Dr. Karl Butzer against an abstract blue background

You could learn more in one day in the field with Karl Butzer than you could in a semester-long course with any other professor

If there is a hallmark to Dr. Butzer’s scholarship, other than it being of exceptional quality and quantity, it is his fieldwork. As a fieldworker, he had no equals. Indeed, everything he had ever published has been based on extensive and intensive first-hand field experiences. South Africa, Chad, Kenya, Ethiopia, Egypt, Mallorca, the Iberian peninsula, Mexico, the United States, Turkey, and Australia have all been the subject of his endeavors. His experiences in these places permeate his writings. Data is always described in meticulous detail and analyzed with the greatest of scrutiny. But Butzer also says as much “between the lines” as he does with the explicit words on the page. One senses in his writings an emotional attachment to people and places as well as to the research itself. Undoubtedly, Butzer’s fluency in multiple languages — German, French, Spanish, and English — accounts for his masterful ability to choose just the right words and phrases to not only describe things but to bring them to life.

Photograph if Karl Butzer (on the left) demonstrating flint knapping to his student Thomas Hickson on a field trip to Mexico, taken around 1990
Karl Butzer (on the left) demonstrating flint knapping to his student Thomas Hickson on a field trip to Mexico, taken around 1990

Rather than flaunting his knowledge and skills, he employed his expertise as a springboard for discussion, to elucidate observations and interpretations from his traveling companions. Butzer claimed that he learned as much from others as others learn from him. Be they in the field or in the classroom, students loved Dr. Butzer. As a teacher, he knew more about the earth, people, and the relationship between the two than anyone; and much of this came out in his classroom. When Dr. Butzer spoke, students listened intently. Conversely, when students spoke, he reciprocated with undivided attention. Butzer constantly received some of the highest teaching evaluations in UT’s Department of Geography. In addition to being an outstanding teacher in both the field and in the classroom, he was simply great at being a dissertation advisor. Indeed, as good as he is in the other settings, he may well be best at dealing with graduate students one-on-one. 

He was born in Mülheim an der Ruhr, Germany in 1934. Soon thereafter, his father, a Catholic dissident against Nazism, uprooted the family and fled to London. When World War II broke out the family was interred and, in 1941, sent to Canada where Butzer eventually became a naturalized citizen. He held a special place in his heart for the country that offered his family a home. Despite his reputation as a world-class scholar, a standing that typically carries with it the stigma of being a less than sensitive person, Butzer is a real people person.  This very humane and compassionate side of Butzer is one that few members of the academic community knew existed. Perhaps there is a lesson here for parents and school teachers: good geographers are made young and through some sources not normally associated with geographic pedagogy. Many geographers like to think of themselves as multidisciplinary scholars even though members of other disciplines might not accept them.  Karl’s case is just the opposite.  He has always thought of himself as a geographer, and nothing else, while anthropologists and geologists claim him as one of them. Karl W. Butzer embodies the interdisciplinary spirit of cultural geography like no other scholar.

Photograph of Dr. Karl Butzer pointing at an antique globe with wall-to-ceiling grass bookcases in the background

Sources and photo credits:
Wikipedia: Karl Butzer; Karl W. Butzer: Interdisciplinary Mentor, PNAS; Farewell to Dr. Karl Butzer, University of Texas at Austin Department of Geography & the Environment


The views and opinions expressed in this article or video are those of the individual author(s) or presenter(s) and do not necessarily reflect the policy or views of the editors at Not Even Past, the UT Department of History, the University of Texas at Austin, or the UT System Board of Regents. Not Even Past is an online public history magazine rather than a peer-reviewed academic journal. While we make efforts to ensure that factual information in articles was obtained from reliable sources, Not Even Past is not responsible for any errors or omissions. 

Past Evidence – Charlie Did It: The George Crile III Papers at the Briscoe

This and other articles are part of a new collaboration with the Dolph Briscoe Center for American History. Visit the Briscoe’s website to learn more about its collections. This article first appeared in CenterPoints and is reprinted with permission here.

During the 1980s, the United States government provided covert assistance to the Mujahideen, an Afghan rebel force engaged in armed revolt against their Russian occupiers. At the heart of these clandestine efforts was a not-so-covert Texan, Congressman Charlie Wilson. 6’7” in his boots, Wilson made multiple trips to Afghanistan between 1982 and 1988, where he was greeted as a hero. The reason—Wilson’s wheeling and dealing in the U.S. House of Representatives as a member of the Defense Appropriations Subcommittee enabled millions of dollars in equipment and supplies to be funneled to the rebels.

Photographs of Charlie Wilson and George Crile in Afghanistan during the filming of 60 Minutes, 1988. George Crile III Papers, Briscoe Center for American History

Of particular value was the “stinger,” a shoulder-mounted anti-aircraft missile launcher that could shoot down a $20 million Russian helicopter gunship from three miles away. By 1988, over 100 of these had been smuggled into Afghanistan, and the Mujahideen were averaging one chopper down per day. Before the stinger, both militants and civilians had been sitting ducks for Soviet forces on missions. In large part thanks to Wilson, the war was now a fairer fight, one the rebels were winning.

Photographs of Charlie Wilson and George Crile in Afghanistan during the filming of 60 Minutes, 1988. George Crile III Papers, Briscoe Center for American History

“Not everyone is comfortable giving stingers to fundamentalist Muslims,” explained Harry Reasoner while presenting the 60 Minutes segment “Charlie Did It” to a prime-time audience in October 1988. But the stinger and other equipment, continued Reasoner, meant that “America was doing to the Russians in Afghanistan what the Russians did to us in Vietnam.”

“Charlie Did It” was produced by George Crile III, whose papers are now housed at the Briscoe Center. Crile specialized in difficult topics, often involving foreign countries. In 1976, he produced “The CIA’s Secret Army,” which focused on the agency’s involvement with the Bay of Pigs invasion of Cuba in 1961. In 1978 he won a George Foster Peabody Award and an Emmy for his documentary, “The Battle for South Africa.” His most controversial report, “The Uncounted Enemy: A Vietnam Deception” (1982), led to a $120 million lawsuit for alleging that General William C. Westmoreland had deliberately underestimated enemy troop numbers during Vietnam.

Photographs of Charlie Wilson and George Crile in Afghanistan during the filming of 60 Minutes, 1988. George Crile III Papers, Briscoe Center for American History

By 1988, Crile—a former marine reserve—was a veteran journalist. “Charlie Did It” showcased the full range of his talents as a researcher and producer, from his ability to befriend Wilson and eke out information to his framing of America’s involvement in Afghanistan as payback for Vietnam. “Nobody enjoys the anguish of a twenty-year-old [soldier] from Leningrad, what he goes through,” confided Wilson on camera. He then straightened his posture, morphing his musing expression into a frown. “But 167 boys from East Texas, from my little district [died in Vietnam] and they didn’t have anything to do with it either. . . . I love sticking it to the Russians.”

Photographs of Charlie Wilson and George Crile in Afghanistan during the filming of 60 Minutes, 1988. George Crile III Papers, Briscoe Center for American History

Thirty years later, Crile’s piece on Wilson stands out for its striking, casual candor. At one point, Wilson points to a stinger above his office door in Washington.“Please don’t ask me how I got it back here,” he says with a wry smile. From the project, Crile kept pictures, letters, interview notes, and video recordings as well as now-declassified dossiers and expenditure sheets that show how Wilson managed a foreign policy relationship between the strangest of bedfellows. Crile gathered enough material to write a book, Charlie Wilson’s War (2003), which in 2007 was made into a movie of the same name.

A story of Greek proportions—equal parts comedic, dramatic, and tragic—the evolution of Crile’s report into a book and film is no surprise. But this side of 9/11, the story raises troubling questions. In 1989, the Soviet Union pulled out of Afghanistan and then collapsed. The mountainous Muslim nation lay in tatters, but America moved on. Wilson’s advocacy in Congress to fund rebuilding efforts met little enthusiasm. Instead, Afghanistan became a breeding ground and staging post for fundamentalism and terrorists.

Photographs of Charlie Wilson and George Crile in Afghanistan during the filming of 60 Minutes, 1988. George Crile III Papers, Briscoe Center for American History

“The Taliban was a result of the United States, with our usual attention deficit disorder, leaving before it was time, leaving the job before it was finished,” said Wilson to Mike Wallace in 2001 in a 60 Minutes episode that reprised Crile’s 1988 investigation. “I bear as much responsibility for that as any person alive . . . it’s as if we had walked away from Europe in 1945… what we needed here was a little mini Marshall plan.”

Photographs of Charlie Wilson and George Crile in Afghanistan during the filming of 60 Minutes, 1988. George Crile III Papers, Briscoe Center for American History

Crile went on to produce a number of other stories for CBS about the Middle East, Pakistan, and Afghanistan. Along with Crile’s many other projects, they are well documented in his papers. The archives of news media professionals do not simply recount how people reported on and thought about politics and foreign policy in the past, but also how perceptions have changed. Today, they resonate in surprising, unexpected, and darkly significant ways. What exactly was it that Charlie did? The answer to that question continues to evolve.

Texas Hurricanes: Past, Present, and Future

Banner image for the post Texas Hurricanes: Past, Present, and Future

By Raymond Hyser

This article is written as part of the IHS Climate in Context series. For more articles, see here.

Anyone who lives in Texas knows Hurricane Harvey. Harvey, which made landfall in southern Texas on August 25, 2017, was the last major hurricane (Category 3 storm or above) to hit the Lone Star State. The immediate recognition of Hurricane Harvey has a lot to do with its recent date but also because many view the storm as a once in a lifetime event. Major hurricanes, however, are far from an anomaly in Texas’ history.

Satellite image of Hurricane Harvey making landfall in 2017
Hurricane Harvey making landfall in 2017

A natural part of the Earth’s climate system, hurricanes have existed long before humans started to record them. The National Oceanic and Atmospheric Administration states that hurricanes begin as “…low-pressure systems with organized thunderstorm activity that form over tropical or subtropical waters.” As these storm systems gain energy from the warm ocean waters, they continue to strengthen, causing the surface winds to blow in a continuous circular motion, forming a storm that, if boasting a wind speed above 63 knots (~72.5mph), is officially considered a hurricane. According to the Royal Meteorological Society, “… A hurricane is on average 500 miles wide and 10 miles high and moves forward like an enormous spinning top at a typical speed of 17 knots.” As hurricanes make landfall, they bring with them gale force winds, surge flooding, and immense rain, a disastrous combination that can cause extreme flooding, tornadoes, and rip currents. These byproducts of hurricanes can lead to the decimation of coastal communities and can potentially reach far inland.

The first record of a major storm sweeping through Texas’ coastline, comes from 1527. The storm sunk the ship of Spanish conquistador Panfilo de Narváezboat and killed over 200 of his men off the coast of Galveston Island. While thousands of hurricanes undoubtedly occurred prior to the one that sank Panfilo de Narváezboat’s ship, this was the first Texas storm to make it onto the written page. Such storms, which are now believed to have been hurricanes, continued to enter the written record from the sixteenth century through the eighteenth century as these storms continuously sank ships and claimed countless lives. With the onset of the nineteenth century came the first records of hurricanes moving inland. One of the earliest such accounts details how in September 1818, colonists along the Texas coast noticed the signs of an approaching storm. They, however, thought it was nothing more than just that, a storm, which was a normal occurrence, they did not give it much thought. This would prove catastrophic as a severe hurricane ravaged Galvez’s town (now present-day Galveston, TX) and claimed an estimated 1,000 lives. Another hurricane, which still holds the title of the most deadly hurricane in United States history, struck Galveston again in 1900. It is estimated that roughly 8,000 lives were lost in the city of Galveston, and a staggering 10,000 lives were lost across Galveston Island as a whole.

Black and white photograph of the City of Galveston, TX in the aftermath of the Galveston Hurricane of 1900
City of Galveston, TX in the aftermath of the Galveston Hurricane of 1900

Charting hurricanes throughout history now suggests that there has been an uptick in major hurricane activity in the North Atlantic since the 1970s, a conclusion greatly aided by the use of satellite technology to track hurricanes starting in the 1970s. This quantifiable increase in hurricane strength suggests that Texas may not necessarily be at risk of more frequent hurricane activity, but rather an increase in the intensity of the hurricanes that make landfall along its coast.

As scientists continue to advance their understanding of both climate change and hurricanes, they are more confident that climate change has, and will continue to have, an effect on the strength, and thus impact, of hurricanes. As ocean temperatures increase, scientists believe that this warmer water will serve to intensify the wind speeds and wetness of hurricanes as they draw their energy from warm ocean water. Hurricane Harvey is an example of such a revolutionary hurricane, dropping over 60 inches of rain in certain places. Rising sea levels will also amplify the negative consequences of hurricanes as they will increase the damaging effects of coastal flooding, as seen in the aftermath of Hurricane Sandy in 2012. Finally, the increase in average global temperatures is expanding the earth’s tropical regions which may be causing a shift in the areas affected by hurricanes poleward. This could put more communities at risk of witnessing landfall of these disastrous hurricanes. More research is necessary, however, to solidify this final prediction, as well as the others. There is no question as to whether climate change will affect hurricanes, but rather to what extent.

Image from space depicting several hurricanes crossing the Atlantic Ocean

The seriousness of hurricanes and the necessity to try to protect coastal, as well as inland, areas from hurricanes’ potentially increasing catastrophic impacts is indisputable. The Lone Star State and its coast have been ravaged by hurricanes since time immemorial. As of September 1, 2020, a total of 64 hurricanes have made landfall on Texas since 1851. When will the next hurricane strike Texas and what will be the extent of the devastation left in its wake? We may not know the answer as to when, but hurricanes are far from a thing of the past for the Lone Star State; if anything they are only becoming an even more dangerous threat due to climate change.

Map depicting the historical perspective of hurricane landfalls in Texas since 1851.
Historical perspective of hurricane landfalls in Texas since 1851.

Bibliography

“Galveston Hurricane Of 1900”. 2019. National Park Service. https://www.nps.gov/articles/galveston-hurricane-of-1900.htm.

“Hurricanes”. 2020. National Oceanic And Atmospheric Administration. https://www.noaa.gov/education/resource-collections/weather-atmosphere/hurricanes.

“Hurricanes And Climate Change”. 2020. Center For Climate And Energy Solutions. Accessed December 2. https://www.c2es.org/content/hurricanes-and-climate-change/.

“Hurricanes And Climate Change”. 2008. Union Of Concerned Scientists. https://www.ucsusa.org/resources/hurricanes-and-climate-change.

Roth, David. 2010. Texas Hurricane History. PDF. Camp Springs, MD: National Weather Service. https://www.weather.gov/media/lch/events/txhurricanehistory.pdf.

The Official South Texas Hurricane Guide 2020. 2020. PDF. Corpus Christi: National Weather Service. https://www.weather.gov/media/crp/Hurricane_Guide_Final_English.pdf.

“What Is A Hurricane?”. 2019. Royal Meteorological Society. https://www.rmets.org/resource/what-is-a-hurricane.

Photo Credits:
Feature photo, National Oceanic And Atmospheric Administration: Hurricanes
Wikimedia Commons: An infrared satellite image of Hurricane Harvey
Wikimedia Commons: Seeking valuables in the wreckage, Galveston, Texas
Wikimedia Commons: Katia, Irma, Jose 2017-09-08
National Weather Service: The Official South Texas Hurricane Guide 2020


The views and opinions expressed in this article or video are those of the individual author(s) or presenter(s) and do not necessarily reflect the policy or views of the editors at Not Even Past, the UT Department of History, the University of Texas at Austin, or the UT System Board of Regents. Not Even Past is an online public history magazine rather than a peer-reviewed academic journal. While we make efforts to ensure that factual information in articles was obtained from reliable sources, Not Even Past is not responsible for any errors or omissions.

This is Democracy Reading List: The Republican Party (Episode 128)

Not Even Past is proud to partner with This is Democracy, a groundbreaking podcast that brings together thoughtful voices from different generations to help make sense of current challenges and propose positive steps forward. This is Democracy Reading Lists are designed to accompany the podcast interview and to provide additional, curated readings for anyone interested in the topic under discussion.

For Episode 128 of This is Democracy, Jeremi and Zachary Suri hosted Dr. Geoffrey Kabaservice to discuss the mid-twentieth-century history of the Republican Party and what that can inform us about where the party might be going from where it is today.

…there used to be considerable overlap and now there is none. There’s complete separation between the two parties, the most liberal member of the Republican Party is well to the right of the most conservative member of the Democratic Party.

Dr. Geoffrey Kabaservice

Listen to the podcast below or access it here.

For further readings on the Republican Party, Dr. Geoffrey Kabaservice recommends the following five books.

Geoffrey Kabaservice, Rule and Ruin: The Downfall of Moderation and the Destruction of the Republican Party, from Eisenhower to the Tea Party (Oxford: Oxford University Press, 2012).

“The chaotic events leading up to Mitt Romney’s defeat in the 2012 election indicated how far the Republican Party had rocketed rightward away from the center of public opinion. Republicans in Congress threatened to shut down the government and force a U.S. debt default. Tea Party activists mounted primary challenges against Republican officeholders who appeared to exhibit too much pragmatism or independence. Moderation and compromise were dirty words in the Republican presidential debates. The GOP, it seemed, had suddenly become a party of ideological purity.

Except this development is not new at all. In Rule and Ruin, Geoffrey Kabaservice reveals that the moderate Republicans’ downfall began not with the rise of the Tea Party but about the time of President Dwight Eisenhower’s farewell address. Even in the 1960s, when left-wing radicalism and right-wing backlash commanded headlines, Republican moderates and progressives formed a powerful movement, supporting pro-civil rights politicians like Nelson Rockefeller and William Scranton, battling big-government liberals and conservative extremists alike. But the Republican civil war ended with the overthrow of the moderate ideas, heroes, and causes that had comprised the core of the GOP since its formation. In hindsight, it is today’s conservatives who are “Republicans in Name Only.”

Writing with passionate sympathy for a bygone tradition of moderation, Kabaservice recaptures a time when fiscal restraint was matched with social engagement; when a cohort of leading Republicans opposed the Vietnam war; when George Romney–father of Mitt Romney–conducted a nationwide tour of American poverty, from Appalachia to Watts, calling on society to “listen to the voices from the ghetto.” Rule and Ruin is an epic, deeply researched history that reorients our understanding of our political past and present.

Today, following the Republicans’ loss of the popular vote in five of the last six presidential contests, moderates remain marginalized in the GOP and progressives are all but nonexistent. In this insightful and elegantly argued book, Kabaservice contends that their decline has left Republicans less capable of governing responsibly, with dire consequences for all Americans. He has added a new afterword that considers the fallout from the 2012 elections.”

Julian Zelzier, Burning Down the House: Newt Gingrich, the Fall of a Speaker, and the Rise of the New Republican Party (New York: Penguin, 2020).

“When Donald Trump was elected president in 2016, President Obama observed that Trump “is not an outlier; he is a culmination, a logical conclusion of the rhetoric and tactics of the Republican Party.” In Burning Down the House, historian Julian Zelizer pinpoints the moment when our country was set on a path toward an era of bitterly partisan and ruthless politics, an era that was ignited by Newt Gingrich and his allies. In 1989, Gingrich brought down Democratic Speaker of the House Jim Wright and catapulted himself into the national spotlight. Perhaps more than any other politician, Gingrich introduced the rhetoric and tactics that have shaped Congress and the Republican Party for the last three decades. Elected to Congress in 1978, Gingrich quickly became one of the most powerful figures in America not through innovative ideas or charisma, but through a calculated campaign of attacks against political opponents, casting himself as a savior in a fight of good versus evil. Taking office in the post-Watergate era, he weaponized the good government reforms newly introduced to fight corruption, wielding the rules in ways that shocked the legislators who had created them. His crusade against Democrats culminated in the plot to destroy the political career of Speaker Wright.

While some of Gingrich’s fellow Republicans were disturbed by the viciousness of his attacks, party leaders enjoyed his successes so much that they did little collectively to stand in his way. Democrats, for their part, were alarmed, but did not want to sink to his level and took no effective actions to stop him. It didn’t seem to matter that Gingrich’s moral conservatism was hypocritical or that his methods were brazen, his accusations of corruption permanently tarnished his opponents. This brand of warfare worked, not as a strategy for governance but as a path to power, and what Gingrich planted, his fellow Republicans reaped. He led them to their first majority in Congress in decades, and his legacy extends far beyond his tenure in office. From the Contract with America to the rise of the Tea Party and the Trump presidential campaign, his fingerprints can be seen throughout some of the most divisive episodes in contemporary American politics. Burning Down the House presents the alarming narrative of how Gingrich and his allies created a new normal in Washington.”

Rick Perlstein, Before the Storm: Barry Goldwater and the Unmaking of the American Consensus (New York: Hill and Wang, 2001).

“Acclaimed historian Rick Perlstein chronicles the rise of the conservative movement in the liberal 1960s. At the heart of the story is Barry Goldwater, the renegade Republican from Arizona who loathed federal government, despised liberals, and mocked “peaceful coexistence” with the USSR. Perlstein’s narrative shines a light on a whole world of conservatives and their antagonists, including William F. Buckley, Nelson Rockefeller, and Bill Moyers. Vividly written, Before the Storm is an essential book about the 1960s.”

Heather Cox Richardson, To Make Men Free: A History of the Republican Party (New York: Basic Books, 2014).

“When Abraham Lincoln helped create the Republican Party on the eve of the Civil War, his goal was to promote economic opportunity for all Americans, not just the slaveholding Southern planters who steered national politics. Yet while visionary Republicans like Teddy Roosevelt and Dwight Eisenhower shared Lincoln’s egalitarian dream, their attempts to use government to guard against the concentration of wealth have repeatedly been undone by the country’s moneyed interests and members of their own party. Ronald Reagan’s embrace of big business—and the ensuing financial crisis—is the latest example of this calamitous cycle, but it is by no means the first.

In To Make Men Free, celebrated historian Heather Cox Richardson traces the shifting ideology of the Grand Old Party from the antebellum era to the Great Recession, showing how Republicans’ ideological vacillations have had terrible repercussions for minorities, the middle class, and America at large. Expansive and authoritative, To Make Men Free explains how a relatively young party became America’s greatest political hope—and, time and time again, its greatest disappointment.”

George Packer, The Unwinding: An Inner History of the New America (New York: Farrar, Straus, and Giroux, 2013).

“American democracy is beset by a sense of crisis. Seismic shifts during a single generation have created a country of winners and losers, allowing unprecedented freedom while rending the social contract, driving the political system to the verge of breakdown, and setting citizens adrift to find new paths forward. In The Unwinding, George Packer, author of The Assassins’ Gate: America in Iraq, tells the story of the United States over the past three decades in an utterly original way, with his characteristically sharp eye for detail and gift for weaving together complex narratives.

The Unwinding journeys through the lives of several Americans, including Dean Price, the son of tobacco farmers, who becomes an evangelist for a new economy in the rural South; Tammy Thomas, a factory worker in the Rust Belt trying to survive the collapse of her city; Jeff Connaughton, a Washington insider oscillating between political idealism and the lure of organized money; and Peter Thiel, a Silicon Valley billionaire who questions the Internet’s significance and arrives at a radical vision of the future. Packer interweaves these intimate stories with biographical sketches of the era’s leading public figures, from Newt Gingrich to Jay-Z, and collages made from newspaper headlines, advertising slogans, and song lyrics that capture the flow of events and their undercurrents.

The Unwinding portrays a superpower in danger of coming apart at the seams, its elites no longer elite, its institutions no longer working, its ordinary people left to improvise their own schemes for success and salvation. Packer’s novelistic and kaleidoscopic history of the new America is his most ambitious work to date.”


The views and opinions expressed in this article or video are those of the individual author(s) or presenter(s) and do not necessarily reflect the policy or views of the editors at Not Even Past, the UT Department of History, the University of Texas at Austin, or the UT System Board of Regents. Not Even Past is an online public history magazine rather than a peer-reviewed academic journal. While we make efforts to ensure that factual information in articles was obtained from reliable sources, Not Even Past is not responsible for any errors or omissions. 

Primary Source: Getty McGuire’s Botanical Basics

Primary Source: Getty McGuire's Botanical Basics Header Image

This and other articles in  Primary Source: History from the Ransom Center Stacks represent an ongoing partnership between Not Even Past and the Harry Ransom Center, a world-renowned humanities research library and museum at The University of Texas at Austin. Visit the Center’s website to learn more about its collections and get involved.

Located on a secure floor in the Ransom Center’s stacks and nestled on a shelf between several other copies of the same title, sits an unassuming blue book. Printed along its spine in golden letters is a rather capacious title, How Plants Grow, followed by the name of its author, “Gray.” This somewhat ordinary book is part of the large library of the American botanist Cyrus Longworth Lundell. It includes some six thousand books, manuscripts, and journals, all of which deal variably with cultivation, gardening, plant taxonomy, and systematic botany. Many volumes came into Lundell’s possession from the library of Oakes Ames (1874-1950), another American botanist who specialized in orchids. These provide the collection with an impressive assortment of rare botanical books that spans the sixteenth to the twentieth century. In particular, the Lundell stacks boast important works from the likes of Carolus Linnaeus (1707-1778) and Charles Darwin (1809-1882). While not written by the famed British naturalist, How Plants Grow was penned by one of Darwin’s longest running correspondents: Asa Gray. 

Four copies of Asa Gray’s How Plants Grow on a shelf in the stacks of the Lundell Botanical Library. The copy discussed in this article is second from the left.

Born in New York state in 1810, Gray is one of the most famous and influential American botanists of the nineteenth century. Trained as a medical doctor, he received an M.D. in 1831 but quickly deserted the practice of medicine in 1832 to pursue his true passion: botany. He held a number of teaching and library positions over the next decade, until in 1842 he accepted the Fisher Professorship of Natural History at Harvard University, where he would stay for the remainder of his working life. From his well-funded position at Harvard, Gray developed a reputation as a leading authority of botanical taxonomy in the United States: he wrote extensively on the flora of North America. Gray’s writings on the geographical distribution of plants so impressed Charles Darwin that he shared his secret hypothesis of the origin of species with the Harvard botanist prior to publishing his now famous work on the subject in 1859. Despite being a devout Presbyterian, Gray put great stock in Darwin’s theory and became one of Darwin’s leading supporters in America.[1]

While most famous for his taxonomical work, particularly his Manual of the Botany of the Northern United States (the Lundell Collection has several editions of this book), Gray also played a major role in the country’s scientific education. Surprisingly this was not as a teacher, however, as he was known to have been a poor lecturer. Rather, his educational impact came from a number of his influential textbooks, which shaped botanical education in the United States from the 1840s until well into the twentieth century. First published in 1858, How Plants Grow was one of these.[2]

Asa Gray, Botany for young people and common schools. How plants grow, a simple introduction to structural botany (New York: Ivison and Phinney, 1859), front cover and title-page. Lundell Botanical Library, Harry Ransom Center, QK 47 G7 1859 LUN.

In true nineteenth-century fashion, Gray’s book boasts a lengthy title that tells any potential reader exactly what content they will find sandwiched between the book’s covers. The full title is Botany for Young People and Common Schools. How Plants Grow, A Simple Introduction to Structural Botany. With A Popular Flora, or an Arrangement and Description of Common Plants, both Wild and Cultivated. The first part of the title highlights the book’s intended audience, “young people and common schools.” At the behest of the publishers at Ivison and Phinney, Gray sought to write a book that was not intended to be used by botanical experts nor by the students in his Harvard classroom. Instead, he meant to write an accessible introduction to the study of botany that could be used in high school classrooms and easily read by non-experts. In particular, Gray wanted to share his botanical expertise with “Young People,” as it would appeal to their “natural curiosity” and “lively desire of knowing about things.”[3]

Asa Gray, Botany for young people and common schools. How plants grow, a simple introduction to structural botany (New York: Ivison and Phinney, 1859), p. 1. Lundell Botanical Library, Harry Ransom Center, QK 47 G7 1859 LUN.
Asa Gray, Botany for young people and common schools. How plants grow, a simple introduction to structural botany (New York: Ivison and Phinney, 1859), p. 1. Lundell Botanical Library, Harry Ransom Center, QK 47 G7 1859 LUN.

One such young person was a “Getty H. McGuire,” who has inscribed the Lundell volume numerous times. This may be the Margaretta Holmes McGuire—known by her friends and family simply as “Getty” or “Gettie”—who was born in 1833 in Frederick County, Virginia. She was the daughter of Ann Eliza Moss McGuire and Dr. Hugh McGuire.[4] Dr. McGuire was a well-known surgeon and with a strong interest in science, animals, and medicine.[5] His professional and intellectual curiosities may have led him to purchase How Plants Grow for Getty or, very possibly, Getty may have requested or purchased the book herself. Regardless of how it came into her possession, Getty made it quite clear that this particular copy of How Plants Grow belonged to her. Sometimes in hastily scrawled, almost illegible script and sometimes in neat, underlined cursive, her signature appears in a handful of forms and styles across the endpapers of the book. Given both the prevalence and different variations of her signature, it appears that she used the book’s blank pages to practice her signature in addition to claiming ownership of the book. Occasionally she included “Winchester, Virginia” after her signature, which helpfully identifies the place where she and the rest of the McGuire family resided in the late nineteenth century. 

Asa Gray, Botany for young people and common schools. How plants grow, a simple introduction to structural botany (New York: Ivison and Phinney, 1859), rear endleaf 2v. Lundell Botanical Library, Harry Ransom Center, QK 47 G7 1859 LUN.

That said, “Clarke County, Virginia” also follows one of Getty’s signatures. Given that Winchester is located in Frederick County, the listing of nearby Clarke County may indicate that the book’s owner is actually a different woman of the same name. Confusingly, another Margaretta Holmes McGuire, who lived contemporaneously to Getty, resided and was ultimately buried in Berryville, a town just to the east of Winchester in Clarke County. Born in 1844, the Margaretta from Berryville was the daughter of Nancy Boyd Moss McGuire and William David McGuire.[6]  Coincidentally, her father was also a doctor who lived in Winchester, Virginia.[7] It does not appear that the other Getty McGuire ever lived in Clarke County, tipping the balance in favor of the Margaretta H. McGuire who lived and died in Berryville, VA.

Detail of Asa Gray, Botany for young people and common schools. How plants grow, a simple introduction to structural botany (New York: Ivison and Phinney, 1859), rear endleaf 1v. Lundell Botanical Library, Harry Ransom Center, QK 47 G7 1859 LUN.

Signatures are not the only inscriptions Getty made in her copy of How Plants Grow. Occupying about half a page at the end of the book, Getty reveals an interest in poetry by copying out two stanzas from an often-printed contemporary poem. They follow a catchy a-b-a-b rhyme scheme:

A little word in kindness spoken
A motion or a tear
Has often healed the heart that’s broken
And made a friend sincere.
—“ —“
A word—a look has crushed to earth
Full many a budding flower
Which had a smile but owned its birth
Had blest life’s darkest hour.
—“ —”

While only eight lines long, the verse provides a glimpse at Getty’s literary side, indicating familiarity with the conventions and imagery of contemporary poetry. The lines, however, do not draw on the abundance of botanical imagery found in the textbook—only a single one refers to a “budding flower.” Her inspiration seems to have been drawn from elsewhere, the page at the end of Gray’s book simply used as a blank slate to record the poem for posterity. 

Detail of Asa Gray, Botany for young people and common schools. How plants grow, a simple introduction to structural botany (New York: Ivison and Phinney, 1859), rear endleaf 1r. Lundell Botanical Library, Harry Ransom Center, QK 47 G7 1859 LUN.
Detail of Asa Gray, Botany for young people and common schools. How plants grow, a simple introduction to structural botany (New York: Ivison and Phinney, 1859), rear endleaf 1r. Lundell Botanical Library, Harry Ransom Center, QK 47 G7 1859 LUN.

In another show of creativity, Getty added her drawings alongside How Plants Grow’s 500 printed illustrations of flora and their parts. Her artwork, however, demonstrates an interest in fauna. On one of the book’s endpapers rests a seemingly magical creature with large, unfurling wings (perhaps a dragon or, less mystically, a swan?) that curls around itself next to a large, feather quill. On the adjacent page, a more detailed version of the same creature crouches above “Gettie McGuire,” written in an ornate script. These images are perhaps more apt to be found in a fairytale than a book about botany; they are reminiscent of the doodles found scrawled in the margins of many modern-day textbooks by bored students. As these drawings, along with her poem, provide a small window into the imaginative mind of the book’s initial owner, Margaretta “Getty” McGuire, they also remind us that books often serve their readers—their users—in ways authors and publishers never intended. They also remind that the lives of ordinary people can show up in unexpected collections. With this volume, Getty McGuire has earned herself a place in the history of science.

Asa Gray, Botany for young people and common schools. How plants grow, a simple introduction to structural botany (New York: Ivison and Phinney, 1859), rear endleaves 1v and 2r. Lundell Botanical Library, Harry Ransom Center, QK 47 G7 1859 LUN.

Raymond Hyser is the Digital Humanities Developer for Not Even Past and a PhD student in History at the University of Texas at Austin. He received his MA in the Social Sciences from the University of Chicago and his BA in History and Art History from the University of Virginia. He focuses on environmental history and the history of science within trans-imperial spaces during the nineteenth century with a special interest in world history and digital humanities.


[1] “Gray, Asa,” in Complete Dictionary of Scientific Biography, Vol. 5. (Detroit, MI: Charles Scribner’s Sons, 2008), 511-14.

[2]A. Hunter Dupree, Asa Gray, American Botanist, Friend of Darwin (Baltimore, MD: Johns Hopkins University, 1988), 125-131.

[3] Asa Gray, Botany for Young People and Common Schools. How Plants Grow, A Simple Introduction to Structural Botany. With A Popular Flora, or an Arrangement and Description of Common Plants, both Wild and Cultivated (New York, NY: American Book Company, 1858), 2.

[4]Sarah Kay Bierle. “Biographical Information,” Gazette665, accessed November 15, 2020, https://gazette665.com/research/mcguire-family-research/the-mcguire-family/ and Sarah Kay Bierle, “The Winchester Photograph: Portrait of A General’s Character,” last modified November 11, 2015, https://emergingcivilwar.com/2015/11/11/the-winchester-photograph-portrait-of-a-generals-character/.

[5] Bierle. “Biographical Information,” https://gazette665.com/research/mcguire-family-research/the-mcguire-family/ .

[6] “Margaretta Holmes McGuire White,” Find A Grave, accessed December 27, 2020, https://www.findagrave.com/memorial/47021092/margaretta-holmes-white.

[7] “William David McGuire (1810-1877), WikiTree, accessed December 27, 2020, https://www.wikitree.com/wiki/McGuire-3278.

This is Democracy – Participatory Democracy from the Sixties to Today

Guest: Vaneesa Cook received her PhD in US history from the University of Wisconsin-Madison in 2015. She is the author of Spiritual Socialists: Religion and the American Left. Her articles on the history of social movements and religious thought have appeared in The Washington Post, Dissent magazine, and Religion & Politics, among others. She is currently the Defense POW/MIA Accounting Agency historian in residence for the UW-Madison Missing in Action Project.

On this episode, Jeremi and Zachary, with guest Dr. Vaneesa Cook, discuss the Port Huron Statement, and the shifting ideals of democracy in America.

Zachary sets the scene with his poem, “Port Huron Revisited.”

About This is Democracy

The future of democracy is uncertain, but we are committed to its urgent renewal today. This podcast will draw on historical knowledge to inspire a contemporary democratic renaissance. The past offers hope for the present and the future, if only we can escape the negativity of our current moment — and each show will offer a serious way to do that! This podcast will bring together thoughtful voices from different generations to help make sense of current challenges and propose positive steps forward. Our goal is to advance democratic change, one show at a time. Dr. Jeremi Suri, a renowned scholar of democracy, will host the podcast and moderate discussions.

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