digital history Archives - Page 4 of 8

Seeing John Donne Speak: The New Archive (No. 14)

Ever wish you were actually there to experience a moment in history? What would it have been like to witness British soldiers marching into Concord? Or to hear the German bombers flying over London? The Virtual Paul’s Cross Project believes it can provide that very sensation—or at least approximate it. A group of historians, architects, and sound experts collaborated to digitally reconstruct the sights and sounds of a unique historical moment: London’s St Paul’s Cathedral on November 5, 1622, the 17^th anniversary of the Gunpowder Plot by English Catholics to blow up Parliament. Through the power of computer technology, we are present as John Donne—one of England’s most renowned poetic voices—commemorates this traumatic event with a sermon paying tribute to God and King James I.

John Gipkin’s “Painting of Paul’s Cross,” 1616 (the Bridgeman Art Library, New York, and the Society of Antiquaries, London)

The Virtual Paul’s Cross Project starts by digitally recreating St Paul’s Cathedral as it appeared in late 1622. According to one contemporary account quoted on the site, this was a place of great religious, civil, and social importance: a public space where “principal gentry, lords, courtiers, and men of all professions” converged. With the help of Google SketchUp, engineers were able to generate a 360-degree model of that very churchyard, its Romanesque cathedral, and the buildings surrounding it. But it does far more than just depict the physical space—it captures a particular moment in time. You can see the late fall’s dim light and low sun, the smoke rings filling the air from nearby chimneys, even the black birds circling overhead. What emerges is a detailed portrait of the space, the people present, and all the other bits of daily minutia so often lost to historians, yet so critical to shaping the feel of living in a place.

A digital rendering of St. Paul’s courtyard in 1622. (The Virtual Paul’s Cross Project)

The site takes primary accounts of Donne’s speech, the crowd, and even the weather conditions of that November morning and brings them back to life. Users can actually watch computer generated reenactments of the speech—digital renderings of what scholars believe it looked like and sounded like to be in that churchyard as John Donne spoke. In order to faithfully reconstruct the crowd’s auditory experience, sound engineers considered a variety of factors, ranging from Donne’s speaking ability to the acoustic reverberations adjacent buildings likely produced. The reenactments even incorporate a variety of “pre-industrial” sounds that would have been echoing around the London churchyard in 1622. As Donne speaks, you can hear dogs barking, horses trotting, and workmen banging hammers.

Isaac Oliver’s contemporary painting of John Donne (National Portrait Gallery, London: NPG 1849)

The site includes not one, but a variety of video clips, each capturing how the sermon would have sounded from different vantage points. Class differences are even registered. While the distinguished guests sitting above in Sermon House would have clearly received the speech as it echoed through the house walls, more ordinary Londoners at ground level would have heard ambient street noise, chattering people, and crowing animals competing with Donne’s fainter, more distant words. Users discover that the listener’s unique position—both in terms of geography and social rank—created a unique aural experience.

Recreation of Donne’s speech as seen from the Sermon House (The Virtual Paul’s Cross Project)

The Virtual Paul’s Cross Project transforms the text of a speech into a dynamic performance of religious, political, and social meaning. Users can approximate the experience of history unfolding in real time by using more of their senses: listening and looking, and locating themselves in a virtual space. By reenacting the varied sounds of November 5, 1622, this multi-sensory project illuminates the varied social experience of seventeenth-century England. Despite the pageantry and ceremony surrounding it, Donne’s sermon was nothing more than background noise or a few snatched phrases to many ordinary Londoners. The Virtual Paul’s Cross Project elegantly reminds us that there is no one way to hear, see or understand a historical event. It all depends on where you’re sitting.

Watch a portion of the reconstructed sermon from the courtyard:

Or watch it from the Sermon House:

Catch up on the latest from the New Archive:

Victorian tourists exploring the people and places of Egypt

And a website that lets users hear 1920s New York City

Visitors of the Nile: The New Archive (No. 13)

By Charley S. Binkow

For centuries Egypt has inspired awe in the West. From Napoleon to Anderson Cooper, westerners have found an intrinsic fascination with Egypt’s rich culture, history, art, and politics. Since they first arrived, Egypt’s visitors have tried to capture its incredible landscape and document its complex beauty. The Travelers in the Middle East Archive gives us a comprehensive collection of what these visitors saw and what they chose to record one hundred years ago.

Postcard entitled, “Egypt – Native Women” (Lehnert & Landrock Egypt – Native Women (81) (n.d.).
From Travelers in the Middle East Archive (TIMEA). http://hdl.handle.net/1911/5521)

Between the late 19^th and early 20^th century, explorers took photos, stenciled pictures, and documented all they could see in the Nile Valley. And while these travelers captured grandiose or exceptional images for their catalogues, they were also fascinated with the real, day-to-day life of Egyptians. In this collection, we can see what these explorers saw as noteworthy, what they wanted the world to see, and how they portrayed Egyptian life. This archive is just as much, if not more, about those who documented Egypt as it is about the Egyptians themselves.

Postcard entitled, "Entrance to an Old Native House," 1906 (Lekegian, G. Entrance to an Old Native House (1906). From Travelers in the Middle East Archive (TIMEA). http://hdl.handle.net/1911/20913)

Postcard entitled, “Entrance to an Old Native House,” 1906 (Travelers in the Middle East Archive (TIMEA). http://hdl.handle.net/1911/20913)

The archive has assembled these primary sources and divided its massive collection into thematic subjects. One can peruse Art & Artifacts, History & Politics, and a lot more with exceptional ease. There are beautiful pictures, high quality photographs, and vivid paintings that bring the land to life. I especially like the photographs of the Egyptians doing daily routines, such as women carrying pots or boys and girls on the street. And while there are some stunning portraits of foreign dignitaries, like the British general Sir Reginald Wingate, the best images are of the people whose individual lives often don’t make it into the history books. This collection shows the workers, the poor, and people in mourning. Historians can access photos portraying how ordinary people lived—what they wore, how they walked, who they associated with. But they can also better understand the Westerners who visited. Was the land more than a spectacle to them? What do the drawings say about their creators?

Photograph of Egyptian boys and girls walking down a road, 1911 (Sladen, Douglas Egyptian Boys And Girls. (1911). From Travelers in the Middle East Archive (TIMEA). http://hdl.handle.net/1911/21592)

Photograph of Egyptian boys and girls walking down a road, 1911 (Travelers in the Middle East Archive (TIMEA). http://hdl.handle.net/1911/21592)

In addition to the pictures, the archive has digitized certain key writings. My favorite is E.W. Lane’s An Account of the Manners and Customs of the Modern Egyptians from 1836. Just skimming through the pages brings a whole new world to life. You can read about the Egyptian process of child naming, their various beliefs, and their relationships between religion and law. The preface is a worthy read by itself—especially Lane’s account of the serpent eaters!

This archive is incredibly rich and rewarding, filled with a gold mine of primary documents. Click around and discover Egypt for yourself. The more you traverse the website, the more you’ll want to.

The latest from The New Archive:

A database that preserves the sounds of 1920s New York City

And the American Civil War, as drawn by Harper’s Weekly

Hearing the Roaring Twenties: The New Archive (No. 12)

by Henry Wiencek

Ultimately, the task of any historian is to piece together the experience of another time—to understand what it was like being on the streets of Paris in 1789. Photographs, primary documents and personal recollections offer important glimpses, but one digital history site specifically wants to understand how it sounded. “The Roaring Twenties”—a collaboration between Emily Thompson of Princeton University and Scott Mahoy of the University of Southern California—compiles audio files and written noise complaints from 1920s New York City to capture the utter cacophony its residents experienced. Arranged by sound type, geography and timeline, this database is a new type of documentary and experiential history—recreating what the Roaring Twenties sounded like.

A screenshot of the “Sounds” section (The Roaring Twenties)

The variety of noises that 1920s New Yorkers endured is astonishing. Click on any of the listings in the “Sound” section and you’ll get the brief history of a particular sound: its source, its location, its formal noise complaint (if such documentation existed) and, in many entries, a contemporary piece of footage capturing the actual noise. It is remarkable to visit the utterly different sonic world these videos capture. While many of the auditory sensations caught on film would be familiar to present day residents—sirens, construction and honking cars—actually hearing (and seeing) them feels like entering a parallel universe. For the individuals seen on camera, all that rattling, whistling and yelling would have been the ordinary context for daily life; yet to us, it is exotic and bizarre.

A formal complaint Louise P. Jenkins of Manhattan filed with the New York Commissioner of Health in 1933 regarding the sounds of fire engines (The Roaring Twenties/NYC Dept. of Records/Municipal Archives)

Screenshot of the formal complaint Louise P. Jenkins filed with the New York Commissioner of Health in 1933 regarding the sounds of trucks in her Manhattan neighborhood (The Roaring Twenties/NYC Dept. of Records, Municipal Archives)

In order to provide a spatial context for this historical soundscape, the “Space” section arranges each sound entry onto a map of the city. Manhattan has the highest concentration, but you can find yelling newspaper vendors, saxophone playing neighbors and noisy radios in every borough. Many of these sounds reflect the unique cultural and ethnic character of New York’s neighborhoods: there is a Kung Fu demonstration on Chinatown’s Mott Street; an “Ol’ Clo'” Jewish peddler looking for clothing to buy on the Lower East Side; and ferry boat whistles along the Battery promenade. They also reveal an industrial city at work. Gotham echoed with dynamite blasting, steel factory operations, riveting, and boring machines.

Screenshot of the “Space” section, which arranges different sounds onto a map of New York City (The Roaring Twenties)

But look closer and you’ll discover many sounds that will complicate our assumptions about what a “modern” industrial city sounded like. In 1930, Mr. W.C. Mansfield filed a noise complaint about an Upper West Side horse stable. That same year saw multiple complaints for rooster crowing in upper Manhattan as well as several sites in the Bronx. And in 1932, Mr. Arthur Campe of Brooklyn informed the city about one Mr. Johnson’s “noisy chickens.” New York did not just contain a diversity of sounds, but also a diversity of economies and lifestyles—both industrial and pre-industrial. Even as the jackhammering of factories and construction projects rang through the air, the neighing of horses and crowing of roosters were present as well.

Screenshot from the video "Fire Engines, and Children at Play" (The Roaring Twenties/NYC Dept. of Records, Municipal Archives)

Screenshot from the video “Fire Engines, and Children at Play,” circa 1928-30 (The Roaring Twenties/NYC Dept. of Records, Municipal Archives)

Books can elegantly describe trends like industrial growth and urbanization, but “The Roaring Twenties” goes deeper by uncovering the sonic minutiae that accompanied them: a noisy bakery on Ogden Avenue in the Bronx; dairy wagons bothering J. J. Cohen each day in upper Manhattan; or the early morning racket created by live poultry aboard the NY Central Railroad cars along Riverside Drive. And these sounds are not just pieces of trivia. They exhibit people, machines and animals projecting their unique way of life into the sonic atmosphere. This compelling and very addictive site captures New York City at its noisiest, most contested and loudest.

Catch up with the latest New Archives:

The Civil War, as seen by the artists of Harper’s Weekly

And an economic, demographic and oceanic history of the trans-Atlantic slave trade

Harper’s Weekly’s Portrayal of the Civil War: The New Archive (No. 11)

By Charley S. Binkow

Images of war surround us today. We see high-definition photographs and videos of violence on our televisions, smartphones, and laptops almost constantly. But what was living through war like when people didn’t have instant videos or photographs? George Mason University’s Virginia Civil War Archive gives us a glimpse into the American media’s portrayal of the war at a time when ink-prints dominated the newspapers.

During the Civil War, Harper’s Weekly was one of the authoritative voices in news, both in the North and the South. What set them apart from their competition? Their prints brought the war to the people and illuminated a world far removed from our own. You can see Fredricksburg, Virginia before it saw battle, a map of the Battle of Bull’s Run, and a portrayal of rebels firing into a train near Tunstall’s Station.

A Band of Rebels Firing Into the Cars Near Tunstall’s Station, Virginia, June 13, 1862 (George Mason University Libraries)

The collection is quite well organized. You can browse by titles, subjects, people, and more. A Civil War historian trying to find primary visual documents concerning Richmond during wartime can do so with a click of a button. An art historian can explore the different landscapes and figures expertly drawn by Harper’s staff—some of America’s best illustrators of the time worked for Harper’s. Almost anyone can find something interesting in this collection.

Harpers Weekly’s map of the Battle of Bull’s Run (George Mason University Libraries)

My personal favorite pieces are those that depict war scenes and their aftermath, like this dynamic, busy drawing of Colonel Hunter’s attack at the Battle of Bull Run or this poignant one of soldiers carrying away the wounded after battle. A lot of people relied on Harper’s Weekly and other newspapers to give them information about the Civil War. Seeing what these artists chose to portray, what they chose to omit, and how they created their scenes is fascinating.

Carrying the wounded at the Battle of Bull Run (George Mason University Libraries)

This collection is one of many quality archives in the George Mason database. Eager history enthusiasts should take advantage of these primary documents. They’re informative, detailed, and just downright interesting.

More discoveries in the New Archive:

A website that charts the demographic, geographic and environmental history of the slave trade

And newly declassified government documents that tell the story of Radio Free Europe

Mapping The Slave Trade: The New Archive (No. 10)

By Henry Wiencek

Roughly 12 million Africans were forcibly transported to Europe, Asia, the Caribbean, and the Americas. It’s hard to conceptualize so many men and women being uprooted from their homes. But Emory University’s Trans-Atlantic Slave Trade Database helps users understand the vast proportions of this perverse exodus. The site pieces together historical data from 35,000 slave voyages between 1500 and 1900 and arranges them onto graphs and maps, offering readers a geographic, demographic, and even environmental context for the slave trade.

Screenshot of “Overview of the slave trade out of Africa, 1500-1900” (Emory University)

While people may assume that one singular “slave trade” took place, the database maps demonstrate that many existed. And not just across the Atlantic, but around the globe. Overview of the slave trade out of Africa, 1500-1900 charts the routes slave traders followed from Africa to various international ports. But you might be surprised at some of their destinations—traders ventured from East Africa to Arabia, Yemen, the Persian Gulf, and even various ports in India. Although the largest number of slaving ships do land in Brazil or the Caribbean, this map demonstrates that Africa’s slave trade was very much feeding a world market. The variety of international ports participating in the trade is also striking. This was not a black market undertaken by a depraved few, but rather a thriving worldwide industry that brought ships, employment and wealth to numerous communities on both sides of the Atlantic. The maps make this point visually with striking impact.

Screenshot of “Wind and ocean currents of the Atlantic basins” (Emory University)

The site also reminds readers that the process of moving enslaved Africans across the ocean was as much an environmental process as an economic one. The map, Wind and ocean currents of the Atlantic basins reveals how oceanic forces played a role in determining the travel routes for slave ships. Red and blue lines respectively denote winds and currents swirling between Africa and the Americas, facilitating particular geographic courses better suited for crossing the ocean. These natural forces effectively created two separate “slave-trading systems,” as the site identifies them: one originating in Europe and North America and the other originating in Brazil. Historians have certainly detailed the racism and greed motivating the slave trade, but comparatively little time examining the environmental processes that made it possible. Particular centers of trade emerged along the coasts of Brazil, the Caribbean and West Africa to meet an economic need, but also to harness the currents and winds essential to moving so many men and women such vast distances. And here too, the visual character of the map makes it easy to see how natural forces worked to shape the historical events.

Numerical timeline graphing the number of African captives in the trans-Atlantic slave trade between 1500 to 1866 (Emory University)

In addition to these visual aids, the site also includes a more quantitative rendering of this nefarious business. A timeline graphs the number of captives who embarked and disembarked between 1500 and 1867. Users can make the information even more precise by expanding or contracting the time frame or manipulating different variables, including sites of disembarkation, embarkation, and nationality of the slave ship. This visual tool reveals a steadily growing trade, with the number of embarked Africans peaking at around 115,000 in 1792. You will also find a chilling disparity between the number of “Embarked” and “Disembarked” Africans in the statistics—a powerful indication of the deadly voyages these individuals were forced to endure.

A white slave trader inspecting an African male up for sale, ca. 1854 (Wikimedia Commons)

The sheer numbers documented in the Trans-Atlantic Slave Trade Database are astonishing. With much of the globe participating, an elaborate network of ports, ships and trade routes uprooted millions of African souls with ruthless efficiency. Some users might find the site’s emphasis on graphs and maps to be sanitizing or dehumanizing to the enslaved individuals—too many numbers and figures, not enough people. But the story this site wants to tell is a big and highly important one. The African slave trade had a global reach; it was an environmental force as well as an economic one; and it displaced millions upon millions of men and women from their homes. Visualizing the statistics makes the global reach of their human toll palpable in new ways.

Earlier editions of the New Archive:

Charley Binkow reads through declassified CIA documents relating to the creation of Radio Free Europe

And Henry Wiencek explores a new, more visual, way of understanding emancipation in America

Persuasion, Propaganda, and Radio Free Europe: The New Archive (No. 9)

By Charley S. Binkow

How does a nation fight a war of ideas? When the battlefield is popular opinion, how does a state arm itself? In 1949, the United States found its answer. Their weapon: the airwaves. The CIA launched Radio Free Europe in 1949 with the hopes of encouraging Eastern Europeans to defect from the Soviet bloc and weaken their countries from the inside. The Digital Radio Free Europe and Radio Liberty archive gives us a declassified, thorough, and incredibly interesting view of the radio’s peak years between 1949 and 1972.

“George F. Kennan on Organizing Political Warfare,” April 30, 1948 (Wilson Center Digital Archive)

The RFE/RL collection of documents is among the many fascinating collections posted by the Wilson Center on its website: “Digital Archive: International History Declassified.” It is a treasure trove of information. Memorandums, reports, and letters, all declassified by the Central Intelligence Agency, giving us an unseen history of the station. You can see the beginnings of the program, when George Kennan (one of the architects of containment policy) stressed the need to inspire “continuing popular resistance within the countries of the Soviet World,” to its founding mission statement to “engage in efforts by radio, press and other means to keep alive among their fellow citizens in Europe the ideals of individual and national freedom.” The documents give us insight into uncertainties about the program as well. Several statesmen had doubts, like Richard Arens, who claimed RFE was harboring Marxists and broadcasting socialist propaganda. West Germany, where RFE was based, also felt a lack of control over the station and a sense of being used by the U.S.

George F. Kennan, 1947 (Wikimedia Commons)

My favorite part of the collection is its extensive collection of papers concerning the Hungarian Revolution of 1956. RFE played an important role in the uprising, at least from the Hungarians’ point of view. However, after the uprising failed, and public outcry blamed the United States and RFE for its inaction, the CIA tried its best to back peddle and “down play” the situation as much as possible. Especially fascinating are the policy reviews after the Hungarian revolution (notably its concerns with Poland and Czechoslovakia).

“Understanding Between Office of Policy Coordination and National Committee
for Free Europe,” October 04, 1949, a document outlining the mission of the Free Europe Committee (Wilson Center Digital Archive)

This archive is easily navigable and well worth searching. The Wilson Center also has a plethora of other digital archives, including documents on China, North Korea, Cuba, Brazil, and South Africa, as well as other archives on the Cold War in Europe and around the globe. But its collection on Radio Free Europe is an excellent place to start.

If you’re further interested in the Hungarian Revolution, you should also check out the Open Society Archives’ collection, which we featured here last week.

The Texas State Historical Association Launches the Tejano History Handbook Project

History Professors Emilio Zamora, University of Texas, and Andrés Tijerina, Austin Community College, are co-directing the one-year project to increase the number of entries on Mexican Americans in Texas history in the Texas Handbook Online, the well-known and respected encyclopedia of the Texas State Historical Association (TSHA). They are currently seeking academic and non-academic researchers to prepare essays on historically significant men and women, events, places, and themes in order to expand the breadth and depth of the Handbook.

The TSHA initiated the Handbook as a two-volume encyclopedia in 1952. By 1999, they digitalized its contents, making them available to a wider readership online. The Texas Handbook Online has become the nation’s preeminent state encyclopedia with well over 25,000 essays and more than 400,000 readers a month from more than 200 countries and territories from around the globe. Part of this growth involved a concerted effort in the 1980s by the TSHA to produce additional entries on Mexican Americans. More than twenty-five years have passed since Dr. Cynthia Orozco and Teresa Palomo Acosta led this project. Since then, researchers have made significant progress in Mexican American history and contributed to the expanded public and professional interest in the field.

Image of the Aims and Purposed of the League of Latin American Citizens document from c. 1927 — Aims and Purposes of the League of Latin American Citizens. [ca. 1927]. (Special Collections, University of Houston Libraries. University of Houston Digital Library. Web. March 18, 2014. http://digital.lib.uh.edu/collection/perales/item/72.)

Existing essays include, for example, biographical pieces by Cynthia Orozco on such historical figures as Petra Vela de Vidal Kenedy, a rancher and philanthropist of the nineteenth century, and Alonso Perales, a co-founder of the League of United Latin American Citizens. Vela de Vidal Kenedy figured prominently in the development of the cattle industry in the Texas-Mexico region and in the story of international conflict and ethnic strife in south Texas. She was also generous with her wealth: her obituary notes that “the poor never appealed to her in vain and their wants were often anticipated.” Perales helped usher in an ethnic form of politics that made constitutional claims for equal rights during the middle of the twentieth century. According to Orozco, he was “one of the most influential Mexican Americans of his time, . . . a defender of la raza, especially battling charges that Mexicans were an inferior people and a social problem.”

The Tejano History Handbook Project intends to capitalize on the quality and growth of existing entries by identifying researchers to write new essays. The new entries will adhere to the high standards of scholarship evident in the Texas Handbook Online and they will be subjected to rigorous review. Thanks to these entries, the general public as well as public school students and university researchers can come to understand the importance of Mexican Americans in Texas history.

Inquiries on the Tejano History Handbook Project should be directed to Dr. Emilio Zamora, e.zamora@austin.utexas.edu.

And read about Dr. Zamora’s book, Claiming Rights and Righting Wrongs in Texas; Mexican Workers and Job Politics during World War II

The views and opinions expressed in this article or video are those of the individual author(s) or presenter(s) and do not necessarily reflect the policy or views of the editors at Not Even Past, the UT Department of History, the University of Texas at Austin, or the UT System Board of Regents. Not Even Past is an online public history magazine rather than a peer-reviewed academic journal. While we make efforts to ensure that factual information in articles was obtained from reliable sources, Not Even Past is not responsible for any errors or omissions.

An Emotional Database: The New Archive (No. 8)

By Henry Wiencek

One of the core values of studying history is objectivity: an ability to weigh evidence, read documents and then dispassionately judge the actions of our ancestors. But let’s be honest, it’s impossible to study the past without feeling something. Confusion, fascination, excitement—this is what motivates historians to spend their days poring over obscure manuscripts.

Is it possible that emotions actually help to produce better history? Sweden’s Hagströmer Medico-Historical Library of medical arts thinks so. So when readers navigate its stunning online archive of medical, zoological and biological documents from the 15^th-20^th-century world, “Emotion” is literally a search option. In addition to place and topic, users can select a set of documents based on the feelings they evoke.

And each category seems very appropriately titled. “Beautiful” cues a stunning collage of images from across time and space: a 17^th-century Dutch anatomical display of the human skeleton, an early modern Italian etching of mythical beasts, and one Viennese botanist’s exquisite rendering of a strawberry. True to form, “Scary” turns toward the macabre, with gruesome surgical photographs of American Civil War amputees, a 16^th-century doctor’s guide to battle wounds and a European naturalist’s perturbing bat exhibit. “Fascinating” lies somewhere in between. There are photographs of French psychiatry patients gawking at the camera as they’re examined, sublime—yet slightly unsettling—medical lithographs of the human form, and even a 19^th-century physician’s guide to the miracle of life. Depending on your mood, you can also peruse the Artistic, the Colorful, the Instructive, the Marvelous, the Remarkable and the Strange.

The Hagströmer Medico-Historical Library of medical arts is a strange, colorful and captivating resource for scholars and the general public, especially those interested in the history of science, medicine and its visual portrayals. But its unorthodox design openly challenges the assumption that historians ought to leave their emotions at the archive door. Instead, it asks users to take a risk—to forgo the comforts of traditional categories and experiment. And perhaps most importantly, the site acknowledges that our own emotional reactions are of historical significance. By declaring 17^th-century medical drawings to be “strange,” we reveal our own modern biases—arrogance, even—about the past. This is a subversive new form of research in which emotions do not distort historical understanding, but actually enable more of it.

Don’t miss the latest New Archive posts:

How does the 1956 Soviet invasion of Hungary relate to the present crisis in the Ukraine?

And what does the local music in Carlistrane, Ireland sound like?

Photo Credits:

Screenshot of Wunderkammer’s “Fascinating” gallery (Image courtesy of the Hagströmer Medico-Historical Library)

Anatomical plate from Traité complet de l’Anatomie de l’Homme, 1867–1871. Found in Wunderkammer’s “Fascinating” section (Image courtesy of the Hagströmer Medico-Historical Library)

Portrait of a psychiatric patient from Mécanisme de la physionomie humaine, 1876. Found in Wunderkammer’s “Fascinating” section (Image courtesy of the Hagströmer Medico-Historical Library)

Sound Maps: The New Archive (No. 6)

By Henry Wiencek

In the study of history, it’s easy to fall back on national identities: “Irish music,” an “English accent,” “American Exceptionalism” are just a few examples. But a closer examination of the local cultures—music, dialects, history—that exist within nations demonstrates how misleading those generalizations can be. Just look through one of the British Library’s “Sound Maps” and you’ll be convinced. This remarkable site takes many of the library’s 50,000 recordings of music, regional accents, and oral histories and arranges them geographically on Google Maps. The project is at once global and local—each sound map is an aural window into a unique part of the world. You can hear birds chirping in Algarve, Portugal, a folksinger perform in Carlistrane, Ireland, or the local dialect in Morton, Mississippi.

One of the most fascinating—and addictive—features on the site is “Your Accents,” a global map of the world’s seemingly endless variety of dialects. The map features recordings of people from across the globe reading the same English phrases, allowing listeners to discern how each locality articulates “scone,” “garage” and “schedule” among other richly pronounceable words. The most immediate differences are apparent along national lines, as English, Indian, American, and various other accents contour the words in unique ways. But the map goes even deeper—revealing the astonishing regional differences that exist within those nations. Although people from Brighton and Leeds ostensibly share an “English” accent, the sonic differences between them are vast.

Other sound maps use the same technology to tell far more sobering stories. “Jewish Survivors of the Holocaust” archives oral histories of that traumatic epoch. Again using Google Maps, the page arranges survival stories based on geographic origins: individuals from France, England, Germany, Poland and even Azerbaijan are all represented. These unique and deeply affecting histories underscore the striking heterogeneity of the Holocaust’s victims and survivors. They were rich and poor; came from big cities and small towns; and identified as religiously devout and irreligious. By mapping their oral histories, the British Library visually captures that geographic and experiential diversity. And by letting them speak, reinforces the kinds of variations that get flattened out or even erased when reading text on a page.

The British Library’s “Sound Maps” is an invaluable tool for anyone interested in hearing what the world sounds like. Cultural historians and preservationists will take particular interest in the collections of music and dialects—time capsules of old folkways quietly vanishing in a globalizing world. Readers may note the site’s emphasis on English speaking regions, especially the UK, but the geographic breadth of its collection remains deeply impressive. These maps do not just capture the sounds of the world, they capture its most compelling minutiae: the small town pubs, the remote jungles, and the fascinating people.

Explore the latest finds in the NEW ARCHIVE:

Charley Binkow on iTunes’s salute to Black History Month

And Henry Wiencek finds a new way of looking at Emancipation

Photo Credits:

Screenshot from “Your Accents” sound map (Image courtesy of the British Library)

Screenshot from “Jewish Survivors Of The Holocaust” sound map (Image courtesy of the British Library)

Quebecois lumbermen making music with a violin and sticks, 1943 (Image courtesy of National Film Board of Canada)

iTunes Remembers Black History: The New Archive (No. 5)

By Charley S. Binkow

February is Black History month. It is a time for remembrance and reflection for all Americans, but for Historians it is also a rich period for study and research. iTunes U, the academic branch of Apple’s iTunes store, is featuring a vast collection of first-hand oral histories, interviews, and lectures on the extensive history of African Americans.

There are over two dozen podcasts and each one offers a unique perspective on black history: “The Louis Armstrong Jazz Oral History Project” explores the world of African American Jazz, The Gilder Lehrman Institute offers a diverse lecture series on the post Civil War age, and Stanford’s “Modern Freedom Struggle” collects videos on political thought during the Civil Rights movement. The most powerful, collection is Duke University’s “Behind the Veil,” which compiles 100 interviews with African Americans who experienced firsthand the world of segregation in places like Birmingham, New Orleans, Memphis, Albany (GA), and Muhlenberg County. These interviews are as personal and interesting as they are diverse. All the podcasts are free on iTunes and are well worth perusing.

The collection is of value for everyone, from professional historians to amateur history buffs. On top of the primary sources, subscribers can hear engaging and thought provoking lectures from renowned scholars like Eric Foner and James O. Horton. iTunes, is also offering customers a wide selection of outside reading options relating to the topic of Black History, with titles such as The Color Purple, Beloved, Fredrick Douglass’s My Escape from Slavery and Howard Zinn’s On Race.

Overall, the collection does a great job of honoring, remembering, and respecting the struggle of African Americans. The podcasts will keep listeners engaged for days and the interviews give historians hours of first-hand accounts.

If you enjoy these iTunes U collections, be sure to check out our own podcast, 15 Minute History

And explore the latest finds in the NEW ARCHIVE:

Maps and primary documents that change before your very eyes

Harry Houdini’s weird and wild scrapbook collection

Photo Credits:

Screenshot of the iTunes U podcasts and books being featured for Black History History Month

1867 engraving of African American freedmen in New Orleans voting for the first time (Image courtesy of New York Public Library Digital Collection)

Participants in the 1965 civil rights march from Selma to Montgomery, Alabama (Image courtesy of the Library of Congress)

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