by Kate Grover When I was nineteen, I was bestowed with some of the highest praise a person can receive. It happened at a rehearsal for The Vagina Monologues (go figure…) when some cast members I hadn’t met approached me for the first time: “You’re Kate, right? Cool Kid Kate?” “What?” “Cool Kid Kate. There’s […]
By Peter Kunze In a recent interview with Fusion about how Hamilton (2015) “revolutionized” Broadway for performers of color, the Tony Award-winning lead, Leslie Odom, Jr., recalled, “I saw a reading of Hamilton at Vassar. There’s four men of color on stage, singing a song about friendship and brotherhood, and it undid me. I had never seen […]
By Diana Bolsinger Robert Jones interprets many of today’s most contentious political and cultural battles as the product of shifts in America’s demographic make-up. He convincingly shows that ongoing demographic shifts in America’s ethnic mix are accompanied by unprecedented changes in religious affiliation. White Christian (by which he means Protestant) Americans dominated American politics and […]
By Nakia Parker Popular culture can be a powerful tool in helping students understand history. Music, film, TV, fiction, and paintings offer effective and creative ways to bring primary source material into the classroom. Last fall, I gave a lecture on Black Power and popular culture in an introductory course on African American History. We […]
Not Even Past asked the UT Austin History faculty to recommend great books for Women’s History Month. The response was overwhelming so we will be posting their suggestions throughout the month. Here are some terrific book recommendations on women and gender in East Asia and South Asia
Published nearly ten years after the fall of the Soviet Union, this anthology explores the peculiarities of a culture that continues to fluctuate.
Southern musicians performed a staggering variety of music in the early twentieth century. Black and white artists played blues, ballads, ragtime and string band music, as well as the plethora of styles popular throughout the nation: sentimental ballads, minstrel songs, Tin Pan Alley tunes, and Broadway hits. They embraced pop music. Many performed any music they could, regardless of their racial or regional identities. Such variety could appear in the same set as a performer eased from one song to the next. Observers agreed that rural southerners loved all sorts of music. Yet they fought about whether that was a good thing.