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Not Even Past

Panel: “1968: A Year of Upheaval in Global Perspective”

Why has the 50th anniversary of a year generated so much interest just now? The year was 1968, and it witnessed an extraordinary outburst of protest and upheaval – one that transcended international borders. While the protests were triggered by diverse events and conditions, they seemed linked by more general aims of combatting institutionalized injustice and government abuse. This panel will examine the specific background and dynamics of 1968 movements in France, Mexico, and the United States (including Austin, Texas). At the same time, it will ask why these movements surfaced at this particular juncture, across much of the globe.

Matthew Butler
Associate Professor of History
University of Texas at Austin

Judith G. Coffin
Associate Professor of History
University of Texas at Austin

Laurie B. Green
Associate Professor of History
University of Texas at Austin

Leonard N. Moore
Vice President of the Division of Diversity and Community Engagement (Interim)
George Littlefield Professor of American History
University of Texas at Austin

Jeremi Suri, moderator
Mack Brown Distinguished Chair for Leadership in Global Affairs
University of Texas at Austin


The views and opinions expressed in this article or video are those of the individual author(s) or presenter(s) and do not necessarily reflect the policy or views of the editors at Not Even Past, the UT Department of History, the University of Texas at Austin, or the UT System Board of Regents. Not Even Past is an online public history magazine rather than a peer-reviewed academic journal. While we make efforts to ensure that factual information in articles was obtained from reliable sources, Not Even Past is not responsible for any errors or omissions.

50 Years Since Prague Spring: Czechoslovak Dreams and Cold War Realities

This panel offers a retrospective examination of the 1968 Czechoslovak “Prague Spring”, or what the LBJ administration labeled the “Czechoslovak crisis.” Panelists Dr. Mary Neuburger, Professor of History and Director, Center for Russian, East European and Eurasian Studies (CREEES) and Dr. Jeremi Suri, Professor of History and Mack Brown Distinguished Chair for Leadership in Global Affairs, offer their insights into the 1968 reform movement and popular response in the context of internal Bloc transformation and the “global 1960s.” They also discuss the implications of the Soviet (or Warsaw Pact) Invasion of Czechoslovakia and the US decision not to intervene for East-West Cold War engagement. 50 years after the event, both panelists tap into the past due decades of scholarship to re-examine the regional and global importance of these events and their aftermath.

Dr. Neuburger also introduced the Prague Spring Archive Project, an open-access resource consisting of digitized documents – such as intelligence reports, briefs, and day-to-day commentary by US policymakers – on the Prague Spring held at the LBJ Library.

 
 
 
More on the Prague Spring Archive Project:
 

Dr. Neuburger and Ian Goodale, CREEES digital librarian,  reflect on phase one of the project, and Ian Goodale discusses media and the Prague Spring.

 

More on 1968:
Restless Youth: The CIA, Socialist Humanism, and Yugoslavia’s 1968 Student Protests by Aleksej Demjanski
Andrew Weiss reviews Plaza of Sacrifices: Gender, Power, and Terror in 1968 Mexico by Elaine Carey (2005)
How do we talk about Enoch? Enoch Powell, Race Relations, and Public History in Britain by Edward Watson
Tiana Wilson reviews King: Pilgrimage to the Mountaintop by Harvard Sitkoff (2009)
Foreign Policy from Candidate to President: Richard Nixon and the Lesson of Biafra by Roy Doron
 
 
 
 

The views and opinions expressed in this article or video are those of the individual author(s) or presenter(s) and do not necessarily reflect the policy or views of the editors at Not Even Past, the UT Department of History, the University of Texas at Austin, or the UT System Board of Regents. Not Even Past is an online public history magazine rather than a peer-reviewed academic journal. While we make efforts to ensure that factual information in articles was obtained from reliable sources, Not Even Past is not responsible for any errors or omissions.

How do we talk about Enoch? Enoch Powell, Race Relations, and Public History in Britain

 

Embed from Getty Images

by Edward Watson

Fewer British politicians in the 20th century have been as inflammatory as Enoch Powell. On April 20, 1968, the Conservative MP and Shadow Defence Secretary criticized mass immigration from the Commonwealth into the UK during an address to the Conservative Political Centre in Birmingham. Dubbed the “Rivers of Blood” speech, Powell claimed that the anti-discrimination Race Relations Bill of 1968 would provide immigrant communities with the means to “overawe and dominate the rest with the legal weapons which the ignorant and the ill-informed have provided. As I look ahead, I am filled with foreboding; like the Roman, I seem to see ‘the River Tiber foaming with much blood.’”

Powell’s speech caused uproar. The Times condemned it as “an evil speech” and Powell was promptly dismissed from the Shadow Cabinet by Conservative leader Ted Heath. However, Powell had his supporters. In fact, a Gallup poll in 1968 found that 74% of respondents supported his suggestion of repatriation. Powell subsequently became a mythologized and divisive figure. For the far-right, “Enoch was right” became a key rallying cry of anti-immigrant sentiment. For many on the center and the left, Powell embodies an openly vitriolic, racist strand of British politics.

BBC Radio 4, a highbrow wing of Britain’s public service broadcaster, decided to air a dramatic reading of Powell’s speech interspersed with commentary from journalists and academics in commemoration of the speech’s 50th anniversary. The presenter, BBC media editor Amol Rajan, promoted the program on Twitter, claiming that “on Saturday, for 1st time EVER, Enoch Powell’s Rivers of Blood speech will be read in full on UK radio.” The BBC has widely come under fire, most forcibly from Labour peer Andrew Adonis and academics. Dr Shirin Hirsch, who had been interviewed for the broadcast, tweeted that she was “disgusted by the way the BBC are promoting this show. I made a mistake and was interviewed for this but I have been sick with worry since seeing the way this is being presented.” Considering the divisive nature of Powell’s speech, many questioned the decision to give an uncritical platform to the far-right while others focused more on the decision to commemorate the speech at all. Rajan later defended the decision by arguing that “the speech is broken up, and critiqued by voices from across the spectrum. Not just read out in a single go.”

On Saturday, for 1st time EVER, Enoch Powell's Rivers of Blood speech will be read in full on UK radio (by actor Ian McDiarmid). Please join us @BBCRadio4 8pm. Super-brains Nathan Gower + David Prest have done an amazing production job. Great guests too: https://t.co/3XvDMSH16d

— Amol Rajan (@amolrajan) April 12, 2018

The BBC’s broadcast touches on numerous ethical and methodological issues for public historians. How do we deal with difficult subject matter? What is the best medium for a critical analysis of such an incendiary speech? How should such a broadcast be marketed? What are the risks of presenting the speech as a commemoration? Its hype as “the first time” the speech had been broadcast was fundamental to the controversy. Historians often use anniversaries as an opportunity to disseminate their own work and engage with a public audience. In this instance, the seemingly celebratory nature of the significance of Powell’s speech was widely criticized. Historicizing Powell’s speech is important and we have to establish critical and reflective ways of covering Powell in the wider context of race relations in Britain. There is no singular correct way to do this, but a dramatic reenactment of the speech seems inappropriate, especially as there is no recording of Powell’s most famous and divisive line, “I seem to see ‘the River Tiber foaming with much blood.’”

This is not to say that Enoch Powell should be ignored. Powell’s speech represents an important juncture in British political and cultural history. Prior to the Commonwealth Immigrants Act of 1962, Commonwealth citizens had extensive rights to settle in the UK. Race riots, most notably in Notting Hill and Nottingham in 1958, inflammatory speeches (such as Powell’s), and restrictive immigration laws were indicative of intense debates surrounding race relations in the UK. In 1964, the hugely controversial election in Smethwick in the West Midlands highlighted the prevalence of racism in British politics, as the Conservatives were widely reported as adopting the slogan “if you want a n****r for a neighbour, vote Labour.” By the time British citizens of South Asian origin faced a campaign of discrimination from the Kenya African National Union (KANU) government in 1967, racial tensions and white British concerns over the influx of immigrants from the Commonwealth were immensely influential over government policy. The Kenyan Asian crisis, as it came to be known, prompted the Commonwealth Immigrants Bill in 1968, which reduced immigration from the Commonwealth to 8500 per year and a mere 1500 from Kenya specifically. 80,000 people in Kenya, who had previously been entitled to British passports as Citizens of the UK and Colonies, were effectively rendered stateless. In an effort to appease their critics, the Labour government passed the Race Relations Act in 1968. The act made it illegal to refuse housing, employment or public services to a person on the grounds of race or national origins. Powell rallied against the Labour government’s bill and the levels of immigration, arguing that it was “like watching a nation busily engaged in heaping up its own funeral pyre.” He believed that racial tensions “of American proportions” which were “interwoven with the history and existence of the States itself, is coming upon us here by our own volition and our own neglect.”

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The specific context to Powell’s speech is often forgotten and there are historical and political ramifications in understanding its background and subsequent influence. For the left, so eager to portray the Labour party as the bastions of racial equality, it represents a colossal failure in terms of immigration and race relations for Harold Wilson’s government. On the far-right, Powell’s mythology is increasingly synonymous with all anti-immigrant sentiment. Understanding Powell’s background illuminates why his speech was so dangerous. Powell has been caricatured as a demagogue and a rambling racist, but he was a highly respected, classical scholar with an astute awareness of how he could manipulate history for political means. Powell believed history “was always a series of myths and the point was to choose the most appropriate ones for the hour of national need.” He was an articulate and charismatic orator. This was no incoherent, raving outsider, but a calculated and educated member of the political elite.

This is what made his speech so divisive and why it continues to have relevance in British political life to this day. In 2014, comedian Russell Brand called UKIP leader Nigel Farage a “pound shop Enoch Powell” on the BBC’s political TV show Question Time. Welsh UKIP leader, Neil Hamilton, defended Enoch Powell, arguing the idea that Powell was a “racist villain” is “absolute nonsense.” Even more recently, Commonwealth immigration has hit the headlines with the Home Office coming under fire for destroying landing cards from the “Windrush generation,” with thousands of children who were brought to Britain from the West Indies in 1948 now at risk of deportation. Days ago, Labour MP David Lammy, lambasted the Prime Minister and Home Secretary for appeasing the anti-immigrant sentiment of the far-right, arguing that “if you lay down with dogs, you get fleas.” The ghost of Enoch Powell looms large over UK politics. We would do well to figure out an appropriate way to discuss Powell’s speech in its historical context as well as how it fits into contemporary political discourse. Understanding Powell’s strand of racist rhetoric derives from a closer reading of his speech and the context in which he delivered it. In this sense, the BBC’s decision to critique the speech amidst the dramatic reading is important. However, if Britons are to have a more meaningful discussion about the history of race relations, then the discussion must go beyond a dramatization of Powell’s speech. Moreover, public scholars need to do more thinking in terms of how to appropriately frame such a difficult discussion.

 

Also by Edward Watson on Not Even Past:

Review of Empire of Cotton: A Global History by Sven Beckert

 

Did Race and Racism Exist in the Middle Ages?
History Museums: Race, Eugenics, and Immigration in New York History Museums
History in a “Post-Truth” Era


The views and opinions expressed in this article or video are those of the individual author(s) or presenter(s) and do not necessarily reflect the policy or views of the editors at Not Even Past, the UT Department of History, the University of Texas at Austin, or the UT System Board of Regents. Not Even Past is an online public history magazine rather than a peer-reviewed academic journal. While we make efforts to ensure that factual information in articles was obtained from reliable sources, Not Even Past is not responsible for any errors or omissions.

Media and Politics From the Prague Spring Archive

By Ian Goodale

In an unpublished letter to the Soviet daily newspaper Izvestiia, Liudmila Chukovskaya wrote that “muteness has always been the support of despotism.” This quote is cited in the booklet, Czechoslovakia and Soviet Public, compiled by the Radio Liberty Committee in New York in August 1968 to analyze the coverage of the Soviet invasion of Prague. During the Cold War, the media—and radio broadcasts in particular—were used as weapons by the U.S. and the Soviet Union in their battle to define a geopolitical narrative in line with their respective national interests. By examining the ways that both U.S.-backed and Soviet-supported media sources attempted to portray the events of the invasion of Czechoslovakia, this booklet serves as an important resource not just for understanding this specific event, but for how media was used by the two superpowers in their struggle for power and influence.

Soviet invasion of Prague, 1968 (via Mitteleuropa).

The two media sources analyzed by the booklet, Radio Liberty and Radio Moscow, were key propaganda arms of the United States and the USSR, respectively. In addition to the comparison of the coverage of these events by Radio Liberty and Radio Moscow, the booklet contains evaluations of the Czech events by staff members of the Radio Liberty Committee in Munich and New York, utilizing various documents and press clippings unavailable to the general American public. As such, the document provides a comprehensive overview of the events surrounding the Prague Spring as they were depicted by the popular and state-run media. This is not a complete narrative of the invasion, but a direct account of the ways it was portrayed by opposing sides of the conflict.

The front page of the Radio Liberty booklet (via author).

Radio Liberty, a radio station funded by the U.S. government to counter the Soviet-funded Radio Moscow, was a key piece of the U.S.’s propaganda strategy in its fight against the spread of communism in Europe.  Founded in 1951 as an anti-communist news service directly targeting the Soviet Union, it began broadcasting in 1953, four days before the death of Stalin. It eventually expanded from its initial broadcasting base in Germany to include transmitters in Portugal, Spain, and Taiwan, the latter of which was used to direct broadcasts to Russia’s eastern provinces. By December of 1954, Radio Liberty was broadcasting in 17 different languages.

Radio Moscow, a state-run station in the Soviet Union, served a similar propagandistic role, broadcasting in German, English, and French in an attempt to reach western European audiences. The U.S. began to be targeted by the broadcasts in the 1950s, during the Cold War, with transmitters situated first in the Moscow region and, later, in Vladivostok and Magdalan. In the early 1960s the station began broadcasting in African languages, further broadening its audience.

Radio Free Europe/Radio Liberty still has an office in Prague and broadcasts in Eastern Europe, Central Asia, and the Middle East (via Wikimedia Commons).

The booklet notes the differing strategies of the two countries in their handling of the invasion. Soviet media, for example, simply refused to acknowledge a host of inconvenient truths regarding Czechoslovakia, remaining, as the booklet notes, “blind and mute” to student demonstrations, the broader democratization of Czech society, and even the replacement of party leader Antonín Novotný with Alexander Dubček. While Radio Liberty broadcast favorable news widely to promote its agenda–such as the fact that Czech citizens missed “no occasion…to let the Soviet troops know they were not welcome…students walked brazenly with flags under the long guns of the tanks”–Radio Moscow remained silent on unfavorable events.

But this silence could not last. The Soviet strategy soon transitioned from this calculated muteness to one of scathing criticism of liberalization in Czechoslovakia. As Izvestiia proclaimed on September 7th, Radio Liberty and other Western media outlets–described as “press and radio working in the service of the monopolies”–were creating “vile anti-communist inventions” to undermine the Soviet Union. “Every day,” the paper proclaimed, “brings new proof of the provocatory role of imperialist propaganda.”

Alexander Dubček attempted to reform socialism in Czechoslovakia, which antagonized hardliners in Moscow and staunch Czech and Slovak anti-socialists (via Wikimedia Commons).

By comparing the reports from Radio Liberty and Radio Moscow side-by-side, these differing strategies become all the clearer. Situated within the broader Prague Spring archive, the document is a source that helps to understand how both the U.S. and Soviet governments strategized their media communications in a cultural and political battle, spinning events to serve their respective narratives. In an era of conflict and confusion over the geopolitical future, portrayal of the present became a battleground of ideologies, the media a weapon to promote each side’s agenda.


Olivia L. Gilliam and Edward P. Pell, August, 1968. Czechoslovakia and the Soviet Public. The University of Texas, Austin, TX. Accessed January 21, 2017. https://repositories.lib.utexas.edu/handle/2152/38273
doi:10.15781/T2PN8XF39


More by Ian Goodale on Not Even Past:
The Prague Spring Archive Project.

You may also like:
Restless Youth: The CIA, Socialist Humanism, and Yugoslavia’s 1968 Student Protests.
Historians on Occupy Wall Street: Protest, Dissent, and the Search for Order.

The Prague Spring Archive Project

By Mary Neuburger and Ian Goodale

The Prague Spring Archive project, a collaboration between the Center for Russian, East European, and Eurasian Studies (CREEES) and UT Libraries, is now live. This open access online archive is the first step in a longer-term initiative by CREEES Director Mary Neuburger to digitize significant collections of primary documents from the the Lyndon Baines Johnson Presidential Library that shed light on the Cold War. While select documents from the LBJ collection can already be found online, CREEES is working to digitize National Security country files from the former Eastern Bloc in their entirety. Because these documents are open record, the LBJ Presidential Library has allowed unlimited scanning and open access presentation of such documents. The hope is that they will appeal to a wide and inclusive audience of students, instructors, scholars, and the general public.

PSAP

Phase One of this project, largely comprised of National Security Files on Czechoslovakia, is nearly complete. The bulk of the documents in this collection focus on the so-called “Czechoslovak Crisis,” otherwise known as the Prague Spring, and its aftermath. The Prague Spring was one of the most dramatic and popular experiments in Communist Party reform, which took place in Czechoslovakia beginning in January 1968, only to be crushed by an invasion of Soviet and Warsaw Pact troops on August 21 of the same year.  This event was a major turning point in the Cold War and the history of communism more generally as the wave of reforms brought such a high degree of hope and enthusiasm and its suppression precipitated such deep disillusionment in the region and among the global left. It was the end, in a sense, of any hope for the communist system to be reformed and as such could be seen as the beginning of the end for the system itself.

The LBJ Library documents on Prague Spring are a treasure trove for historical research as they chronicle the event through detailed intelligence reports and day-by-day commentary by US policy makers. They include briefs on global reactions to the crisis, which many at the time thought could precipitate World War III. These documents are valuable both from a US policy standpoint and for a deeper understanding of the events and developments within the region itself. As the documents are all in English, they have the potential to be used for everything from academic historical research to student research.

Helsinki_demonstration_against_the_invasion_of_Czechoslovakia_in_1968

Helsinki demonstration against the invasion of Czechoslovakia in 1968 (via Wikimedia Commons).

Ian Goodale, the new Russian, East European, and Eurasian Studies & Digital Scholarship Librarian, worked closely with graduate students from the School of Information at UT Austin and undergraduate students from CREEES to photograph the documents in the reading room at the LBJ. He then collaborated with the UT Libraries to process the images into archival-quality PDFs for ingestion into Texas ScholarWorks, the university’s digital repository. These PDFs were made machine-readable so that they are full-text searchable in the repository and Ian worked to create extensive metadata for each document to make the collection more discoverable. Finally, the students in Mary Neuburger and Vlad Beronja’s Graduate Seminar on Russian, East European and Eurasian Studies worked with Ian over the last semester to create a guide to the collection. Ian did an amazing job of building a Scalar website as a portal for the guide, which provides summary descriptions of most of the folders and specific links to some of the most interesting documents.

Careful attention was paid to making the site accessible both to academic researchers and to patrons conducting personal or non-academic research, with additional features planned that will extend the breadth of the site’s audience. A module that will include materials aimed at high school and middle school teachers and students, including sample lesson plans and educational activities, will be added in the future. For researchers who would like to explore what is available in the physical collections of the LBJ Library, the finding aid for the entire archival collection is also available on the site.

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UT CREES is located in Burdine Hall (Zug55 via flickr).

The Prague Spring Archive portal is a resource that will continue to grow, with new content and features continually added and expanded upon. By providing open access to important primary source materials, the project will continue to contribute to international scholarly communities, utilizing practices and tools of the digital humanities to freely share its content in an attractive, easily navigable portal.

Digitization work on the larger Cold War project is ongoing, with new materials currently being photographed, processed, and added to Texas ScholarWorks by graduate student Nicole Marino and Russian, East European, & Eurasian Studies and Digital Scholarship Librarian Ian Goodale.

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More by Mary Neuberger on Not Even Past:
Balkan Smoke: Tobacco & Smoking in Bulgaria.
The Museum of Sour Milk: History Lessons on Bulgarian Yogurt.

You may also like:
Restless Youth: The CIA, Socialist Humanism, and Yugoslavia’s 1968 Student Protests.
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Restless Youth: The CIA, Socialist Humanism, and Yugoslavia’s 1968 Student Protests

By Aleksej Demjanski

The 1960s saw an explosion of student activism across the globe. This increase in youth movements for social change was so influential that U.S. President Lyndon B. Johnson had the Central Intelligence Agency illegally monitor student movements both at home and abroad. After some investigation, the CIA produced an over two-hundred-page report, titled “Restless Youth,” which discusses their findings on the activities of students and student groups in the United States as well as nineteen other countries across Asia, Africa, Latin America, Western and Eastern Europe.

vietnam_war_protesters-_1967-_wichita_kans_-_nara_-_283625

Students in Kansas protest in 1967 against the Vietnam War (via Wikimedia Commons).

The report broadly details the general trends of how the “restless youth,” particularly university students, engaged in a range of anti-establishment activism such as university occupations, street marches, and sit-ins. The CIA report analyzes what issues caught the attention of students, whether they organized ad hoc or within existing organizations, how many students were attending universities, how they connected with other social groups, how they transnationally exchanged ideas, and what ideas inspired them to action. Overall, the report argues that many of the students turned to activism because of their frustration with the socioeconomic and political status quo and that they demanded more from their universities, communities, and governments.

The CIA report also notes that many students, mostly American and European, were inspired to protest by “Marxist social criticism” and the writings of C. Wright Mills, Frantz Fanon, and especially the American critical theorist and sociologist Herbert Marcuse. This Marxist social criticism, also known as Marxist or socialist humanism, stresses the importance of Karl Marx’s early writings and the need for a critical praxis directed against capitalism as well as against traditional Soviet or statist Marxism. Herbert Marcuse was a proponent of socialist humanism and significantly collaborated with the most well-known Marxist humanist philosophical movement of the time – Yugoslavia’s Praxis School.

herbert_marcuse_in_newton_massachusetts_1955

Herbert Marcuse in 1955 (via Wikimedia Commons).

The members of Yugoslavia’s Praxis School were prominent professors in the Faculties of Philosophy at both the Zagreb and Belgrade universities who supported Yugoslavia’s protesting university students in 1968. The CIA report has an entire chapter dedicated to the student movement in Yugoslavia, yet, this eleven-page section oddly makes no mention of the Praxis School and the support its members gave to Yugoslavia’s protesting university students. The report clearly makes the connection between Herbert Marcuse, Marxist humanism, and student protests, but it fails to make the broader connection to the socialist humanist Praxis School of Yugoslavia and its affiliates who joined university students in protest in the summer of 1968.

How could the CIA have missed this? Although the authors considered student activism to be a growing threat and a “worldwide phenomenon” fueled in part by this particular philosophical discourse of socialist humanism, they didn’t seem to be interested in the leading socialist humanist movement of the time, despite its influence on students in Yugoslavia and beyond. The Yugoslav government, on the other hand, didn’t miss this connection and became extremely interested in the Praxis School. Although the movement wasn’t pro-capitalist or anti-socialist, the Yugoslav leadership still viewed it as a threat due to its criticism of the ruling party – the League of Communists of Yugoslavia – for not fulfilling its promises to create a more just socialist society. Similar views toward student protests were taken by the authorities in nearby countries: in Czechoslovakia during the Prague Spring and in Poland. The Czechoslovak government also monitored its growing student movement and produced its own report which noted the students’ criticism of Czechoslovak socialism.

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The student occupation of the University of Belgrade (via The Modern Historian).

Following the student occupation at Belgrade University in June 1968, the Yugoslav authorities quietly cracked down on dissenting students and professors. The main target was the leading cohort of the Praxis School, professors in the Faculty of Philosophy at Belgrade University. Slowly, but surely, eight professors from Belgrade – Mihailo Markovic, Ljubomir Tadic, Miladin Zivotic, Zagorka Golubovic, Dragoljub Micunovic, Nebojsa Popov, Triva Indjic, and Svetozar Stojanovic – were removed from their professorships at the university. The Yugoslav authorities claimed that the professors were the “ideological inspiration” and “practical organizers” of the student demonstrations and university occupation and as such needed to be stopped at all costs. They had become too influential and were improperly educating students with ideas that the Yugoslav socialist system of “self-management” was flawed. Aside from being sacked from their university positions the professors also lost financial support for their research and funding for their publication, the Praxis journal, was essentially cut. Although the Belgrade professors didn’t organize the protests, their Marxist humanism consciously or unconsciously provided the intellectual platform for students to criticize the Yugoslav system. The CIA was never able to put these pieces of the puzzle together and failed to capture this source of student discontent both at home and abroad.

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CIA Report, “Restless Youth,” Intelligence File, National Security File, Box 3, LBJ Library.
Additional Sources:
Mihailo Marković and R. S. Cohen, Yugoslavia: The Rise and Fall of Socialist Humanism: A History of the Praxis Group. (2005)Paulina Bren, “1968 East and West: Visions of Political Change and Student Protest from across the Iron Curtain,” in Transnational moments of change: Europe 1945, 1968, 1989, P. Kenney and G. Horn, eds. (2004)

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You may also like:

Andrew Weiss reviews a book about student protests in 1968 Mexico: Plaza of Sacrifices: Gender, Power, and Terror in 1968 Mexico by Elaine Carey (2005) .
Nancy Bui discusses the 50th Anniversary of the Vietnam War from a Vietnamese American Perspective.
Mark Lawrence looks at an earlier CIA Study: “Consequences to the US of Communist Domination of Mainland Southeast Asia,” from October 13, 1950.
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The Sapphires (2012)

by Kristie Flannery

Wayne Blair’s The Sapphires is the best new historical film that you most likely have not seen, yet.  It is based on Tony Briggs’ 2004 play with the same name and premiered at the Cannes Film Festival in 2012.  It tells the story of four Aboriginal women singers from the Cummeragunja Mission in rural New South Wales, Australia, who travelled as “The Sapphires” to Vietnam in 1968 to entertain US troops there.  The film is based on a true story that Blair knows intimately: his mother, Laurel Robinson, and her sister, Lois Peeler, were members of the band.

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Music is the highlight of the film. Deborah Mailman, Jessica Mauboy, Shari Sebbens, and Miranda Tapsell have amazing voices and create beautiful harmonies.  It is a pleasure to watch The Sapphires wearing brilliant costumes and performing covers of American soul hits from the late 1960s including “What a Man” and “I Heard It Through the Grapevine” in front of rowdy soldiers in darkly-lit Saigon bars and rural military camps.  Off stage we hear The Sapphires sing the gospel song “Ngarra Burra Ferra” in Yorta Yorta, the native tongue of the original band-members.

In Australia, critics have welcomed the film as a feel-good story about Indigenous people that offers relief from the harsh themes of poverty, violence and drug and alcohol abuse that have been prominent in other recent films about Aboriginal communities, such as Samson and Delilah.

This does not mean that the Blair has ignored issues that still shape the lives of Aboriginals and make many Australians uncomfortable.  Racism is an important theme in The Sapphires.  We are introduced to the band at talent quest in a country pub – a place where Aboriginal patrons are not welcomed.  We watch white audience members leave rather than listen to the sisters sing.  The film also explores how the war-torn Vietnam of the 1960s was a place that Aboriginal people – in this case the members of a band – interacted with African Americans for the first time in their lives, and suggests that such encounters initiated the formation of transnational conceptions of black identity.

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Members of the Royal Australian Air Force arrive at Tan Son Nhut Airport, Saigon, August 10, 1964 (Image courtesy of the U.S. Government)

The problems of “the stolen generation” are also addressed.  Approximately 100,000 indigenous children in Australia were removed from their families and sent to be raised in white families before the 1960s. One member of the band, Kay, is criticised for ostensibly abandoning her Aboriginal identity and living as a white woman, which is facilitated by her light skin tone.  It is eventually revealed that the government forcibly removed Kay from her family as a child and placed her with a white family in a city far away from home. Kay struggles make sense of her indigeneity after a long separation from her family members.  The Sapphires’ experience in Vietnam was perhaps unique, but the wounds created by forced removal of children are still felt by many people.

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The four Aboriginal singers–sisters Laurel Robinson, Lois Peeler and their cousins Beverley Briggs and Naomi Mayers–who inspired the film (Image courtesy of Hopscotch Films)

It would be unfair to say that The Sapphires romanticizes war, but it is disappointing that the film makes no attempt to delve into the complex politics surrounding the Vietnam War in Australia.  Certainly the film addresses the dangers that entertainers confronted in a war zone – for example, on one occasion the camp where the band is performing is bombed. But the version of The Sapphires’ story told on the big screen conveniently erases opposition to the Vietnam War that manifested in a vibrant culture of protest.  Back in 1968, two original members of the band, Naomi and Beverly, refused to join the Vietnam tour because they were staunchly opposed to the conflict and US imperialism in South-East Asia.  They had participated in Melbourne’s large moratorium movement, and could not bring themselves to entertain soldiers fighting a war they understood as fundamentally immoral. This is a glaring hole in the story that should not have been excluded.  Films about our past are as valuable for what they exclude as for what they include.

You may also like:

This oral history of Aboriginal Australians’ experiences as “The Stolen Generation”

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