The past is never dead. It's not even past
From his childhood among the crumbling Spanish forts in West Florida to his experiences in the archives of Chavez’s Venezuela, Jesse Cromwell shares stories of adventure with Zach Doleshal culled from both his own life and the experiences of the Caribbean smugglers who form the subject of his dissertation.
If Digital History is “using new technologies to enhance research and teaching,” as the excellent website from the University of Houston puts it, then African American history is being well-served digitally. In honor of African American History month, I survey here one enormous and useful website that gives us all access to a very wide variety of materials.
In the second installation of our new series, “Making History,” Zach Doleshal speaks with Jessica Wolcott Luther about her experience as a graduate student in history at the University of Texas at Austin. In the interview, Jessica shares stories about researching in seventeenth century archives (she’s been to eleven so far!), studying history using anthropological documents, and overcoming the frustration of knowing that she may never get the chance to find a direct source from a former enslaved person.
In March 1865, the U. S. Congress created the Freedmen’s Bureau for Refugees, Freedmen, and Abandoned Lands to ease the transition between slavery and freedom for 3.5 million newly liberated slaves. The bureau had three main functions—to distribute rations to Southerners who had been loyal to the Union during the Civil War, to establish public schools for black children and adults, and to oversee labor contracts between landowners and black workers.
In the last decade, the history of Muslims in America has come into its own and A History of Islam in America provides one of the most comprehensive and even-handed treatments of the subject. Many previous studies breezily pit “Islam” against the “West.”
If you missed our very interesting discussion, you can still read the transcript by clicking on the gray box below.
In this 1993 film by Ethiopian-born filmmaker Haile Gerima, a modern-day, fashion model is transported to the past to experience the traumas of American chattel slavery.
This film tells the story of Nat Turner’s 1831 Virginia slave revolt. For years, historians have grappled with the details of the affair and debated about the ways Nat Turner should be remembered.
Classic studies, the newest works, and a few novels on labor and gender and the institutions of slavery in the United States.
In his introduction to Confederates in the Attic, the Pulitzer Prize-winning author Tony Horwitz recounts the very strange moment when his weekend sleep-in was rudely interrupted by the loud cracking of gunfire.