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The past is never dead. It's not even past

Not Even Past

Humanity: A History of European Concepts in Practice From the Sixteenth Century to the Present, edited by Fabian Klose and Mirjam Thulin (2016)

This review was originally published on the Imperial & Global Forum on May 22, 2017. 

By Ben Holmes (University of Exeter)

What does it mean to belong to the human race? Does this belonging bring with it particular rights as well as responsibilities? What does it mean to act with humanity? These are some of the big questions lying at the heart of a new edited collection from Fabian Klose and Mirjam Thulin, Humanity: A History of European Concepts in Practice From the Sixteenth Century to the Present (2016). Based on a 2015 conference at the Leibniz Institute in Mainz, the book, as the title suggests, is not a purely conceptual history of the term “humanity.”[1] Rather it looks to discover “the concrete implications of theoretical discourses on the concept of humanity.” In other words, how did ideas of “humanity” guide European practices in areas like humanism, imperialism, international law, humanitarianism, and human rights?[2] The editors argue that despite the implied timeless, universal nature of the term, humanity is both a changing, dynamic concept, and has been prone to create divisions as much as it promotes commonality. Although the volume is a study of European conceptions of humanity, the contributions are transnational, displaying how conceptions of humanity were practiced in Europe and in the continent’s interactions with the wider world over the course of five-hundred years.

Leibniz Institute of European History (via Wikimedia Commons).

The volume is divided into four sections. The two chapters in section one explore how ideas of humanity developed over the volume’s five-hundred year period. Francisco Bethencourt demonstrates how, since antiquity, ideas of the humanity or sub-humanity of different categories of people have created legal and political divisions between the rights of free man and slave, civilized and barbarian, or man and woman. Although these distinctions have gradually eroded in response to more inclusive notions of humanity, Bethencourt warns that hierarchical ranking of peoples remains “one of the persistent realities of [the] human condition,” thus disabusing “triumphalist narratives” which would portray modern notions of “humanity” as the culmination of an inevitable progress of enlightened beneficence.[3] Paul Betts looks more closely at the politicization of humanity during the twentieth century. He also shows humanity was not the sole property of progressive politics; throughout the century “humanity remained a slippery term, and could be aligned to various causes,” including fascist, communist, or racist ones which legitimated what many would consider inhuman practices like apartheid. Betts provocatively concludes by suggesting that an intellectual estrangement exists between the aspirational notions of common humanity today and those notions that characterized previous generations of internationalists.

The rest of the chapters in the book are structured according to what the editors describe as”‘three essential areas” that constitute sub-topics of humanity. Thus, Part II revolves around the development of ideas and debates surrounding morality and human dignity in the context of major transnational movements like humanism, colonialism, or missionary activity. Compared to the later sections, some of the chapters in Section II study humanity in a slightly more theoretical fashion than as a “concept in practice.” Mihai-D. Grigore’s chapter situates Desiderius Erasmus’s (1466-1536) sixteenth-century political writings as emblematic of a wider transition from theological to political understandings of humanity, and Mariano Delgado’s chapter presents the Spanish Franciscan friar Bartolmé de Las Casas’s (1484-1566) arguments for recognizing the humanity of indigenous populations of Spain’s “New World.” In doing so, they provide a study of the changing ideological conceptions of humanity rather the practical implications of these ideas. This should not detract from two very useful case studies of sixteenth-century debates about human nature; but it does raise the question of how far one pushes the idea of a “concept in practice” In contrast, Judith Becker’s contribution on nineteenth-century German Protestantism in India illustrates the practical implications of ideas of humanity by showing how the missionaries’ belief in the unity of mankind guided both the evangelistic and humanitarian aspects of their missionary work in India.

Portrait of Desiderius Erasmus of Rotterdam, by Hans Holbein the Younger, 1523 (via Wikimedia Commons).

Section III examines themes around humanitarianism, violence, and international law, and illustrates how theories of humanity practically affected European attempts to remedy or restrain the violence of warfare or slavery. Thomas Weller provides an intriguing case study on the contributions the sixteenth-century Hispanophone world made to the arguments later famously espoused by eighteenth-century Anglo-American abolitionists in their protests against the transatlantic slave trade. While questioning any straightforward evolution between the arguments of sixteenth-century writers like Tomás de Mercado (1525–1575) or Luis de Molina (1535-1600) and eighteenth-century transatlantic abolitionists like William Wilberforce (1759-1833), Weller does highlight an under-researched topic concerning what he considers “humanitarianism before humanitarianism.” Picking up the antislavery story, Fabian Klose shows that while British abolitionist narratives about African humanity helped shape the national and international legislation that ended the transatlantic slave trade, these same appeals to protect humanity also legitimated new forms of violence, like armed intervention and colonial expansion in order to enforce the ban. Further emphasizing that the relationship between humanity and humanitarianism is far from straightforward, Esther Möller shows the tensions over the concept in the Red Cross Movement in the second half of the twentieth century. Specifically, the implementation of humanity as the first of the seven Fundamental Principles of the Red Cross precipitated debates in the movement between those who saw humanity as a politically neutral concept, and those national societies involved in anti-colonial struggles, which argued that engagement with politics was a humanitarian duty. Humanity, intended as a principle to unite national societies, actually highlighted the regional and political divisions in the movement.

American Red Cross Society Building, 1922 (via Wikimedia Commons)

The final section focuses on how humanity has influenced social and benevolent practices like charity, philanthropy, and solidarity movements. Picking up the themes of Möller’s chapter, Joachim Berger shows the difficulties of using humanity as a rhetorical device to unite a transnational movement like international Freemasonry. In international forums for European Freemasons, humanity acted as an “empty signifier” which papered over national differences, but these regional differences were re-exposed whenever practical action to support “universal brotherhood,” like transnational charity, was proposed. Studying nineteenth century Catholic philanthropic groups’ promotional campaigns for child-relief in Africa and Asia, Katharina Stornig highlights the at-times dissonant nature of European conceptions of humanity. These philanthropic campaigns used universalist rhetoric of a common humanity to present a moral imperative to save distant children, while simultaneously emphasizing the “barbarity” and “inhumanity” of these children’s parents, who they deemed responsible for this suffering. Gerhard Kruip’s chapter, using church documents to explore the Catholic Church’s attitudes towards solidarity and justice, is part history and part call-to-arms. Kruip exhorts the current Catholic hierarchy to do more to promote global justice by becoming less western-centric, less centralized, “and more open to all the different cultures of the human family,” while also calling for greater state regulation and collective action to ensure a fairer distribution of “common goods for humanity as a whole.”

Cardinals leaving St. Peters (via Wikimedia Commons).

Johannes Paulmann concludes the volume by tying the big themes together with his four main perceptions on humanity. Firstly, humanity has often been defined by its antonyms, most obviously by behaviors of inhumanity. Secondly, the abstract nature of humanity allowed the concept to fulfill a diverse array of functions for a multiplicity of causes. Paulmann’s third and fourth perceptions question the static nature and universality of humanity. Not only was humanity dynamic, which its proponents often understood as a process and goal rather than a fixed reality, but many of these ideas of ‘progress’ implied notions of hierarchies in terms of civilization or development. Paulmann’s conclusion provides a welcome theoretical summary, bringing together the volume’s diverse collection of topics.

The volume’s scale and scope will make this book attractive to scholars of humanitarianism, international law, and human rights. The structure of the volume, while generally clear, could have been explained in more depth for the benefit of non-specialists. For instance, dividing humanitarianism and charity into two separate sections may require clarification to anyone unfamiliar with the theoretical difference between the two. Moreover, some chapters occasionally skirted between themes of humanitarianism, charity, and missionary, which created a bit of confusion. Nevertheless, this is a very important collection of case studies exploring the European concept of humanity and its spread, and leaves the door open to future works focusing on non-European conceptions of the term and how non-Europeans may have actively re-shaped and reinterpreted European ideas.


[1] For such histories, see Hans Erich Bödeker, ‘Menscheit, Humanitӓt, Humanismus’, in Otto Brunnter et. al. (eds.) Geschtliche Grundbegriffe. Historisches Lexikon zur politisch-sozialen in Deutschland vol.3 (Stuttgart, 1982).

[2] A vast corpus of works exist on each of these areas, which are too many to list here. For humanitarianism see Michael Barnett, Empire of Humanity: A History of Humanitarianism (Ithaca, 2011). For humanitarianism’s relationship with imperialism see Rob Skinner and Alan Lester, ‘Humanitarianism and Empire: New Research Agendas’, Journal of Imperial and Commonwealth History 40:2 (2012), 729-747. On human rights see Stefan-Ludwig Hoffman (ed.), Human Rights in the Twentieth Century (Cambridge, 2011).

[3] For more criticism on ‘triumphalist narratives’ of human rights see Samuel Moyn, The Last Utopia: Human Rights in History (London, 2012).


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Kill Anything that Moves: The Real American War in Vietnam, by Nick Turse (2013)

By Aden Knaap, Harvard University

The protagonist-narrator of Viet Thanh Nguyen’s 2015 novel The Sympathizer has a thing for squid. (Think less calamari, more American Pie.) The bastard son of a Vietnamese maid and a French priest, he discovers at the age of thirteen that he has a peculiar fetish for masturbating into gutted squid, lovingly—albeit unwittingly—prepared by his mother for the night’s meal. Unfortunately for him, squid are in short supply in working-class Saigon in the late nineteen-fifties, and so he is forced to wash the abused squid and return them to the kitchen to cover up his crime. Sitting down to dinner with his mother late one night, he tucks into one of those very same squid, stuffed and served with a side of ginger-lime sauce. “Some will undoubtedly find this episode obscene,” he concedes. “Not I!” he declares. “Massacre is obscene. Torture is obscene. Three million dead is obscene. Masturbation, even with an admittedly nonconsensual squid? Not so much.” He should know. By the time he is narrating the novel, he has lived through the Vietnam War as an undercover communist agent in South Vietnam, has sought asylum in America, and is now living as a refugee-cum-spy in Los Angeles.

The Sympathizer was published in 2015—three years after Kill Anything that Moves—but it could just as easily have been written as a prompt for historian turned investigative journalist Nick Turse. Indeed, Turse’s central aim in Kill Anything that Moves is to expose the unparalleled obscenity of the Vietnam War: unparalleled both in terms of the devastating scale and variety of harm done and the diabolical levels of premeditation on the part of the U.S. military. Historians of the Vietnam War, as much as the American public, have traditionally remembered the massacre at Mỹ Lai—in which upwards of five hundred unarmed Vietnamese civilians were hacked, mowed down, and violated by the American military—as an outlier in an otherwise largely acceptable war (at least in terms of American actions). But as Vietnam veteran and whistleblower Ron Ridenhour explains, and Turse quotes approvingly, Mỹ Lai “was an operation, not an aberration” (5).

Bodies near a burning hut in My Lai (via Wikimedia Commons).

Murder, rape, abuse, arson, arrest, imprisonment, and torture were, in Turse’s words, a “daily fact of life throughout the years of the American presence in Vietnam” (6). More than this, they were carried out on orders issued from the uppermost echelons of the American army. They were “the inevitable outcome of deliberate policies, dictated at the highest level of the military” (6). The outcome? The statistics Turse assembles almost speak for themselves: 58,000 American, 254,000 South Vietnamese, and 1.7 North Vietnamese soldiers dead; 65,000 North Vietnamese and 3.8 million South Vietnamese civilians dead. And these are conservative estimates. Add to that 5.3 million wounded civilians, eleven million refugees, and as many as four million exposed to toxic herbicides like Agent Orange. “[A]ll wars are fought twice, the first time on the battlefield, the second time in memory,” Viet Thanh Nguyen has written in a different context.[1] With Kill Anything, Turse plunges into the fray of this second war, taking aim at staid diplomatic histories that fail to take stock of the purposeful barbarity of the American military’s actions in Vietnam.

Perhaps Turse’s greatest accomplishment in this book is to capture the systematic nature of American wartime savagery. In the Introduction, Turse sets the scene with a series of vignettes, devastating in their unambiguous incrimination of the American military. To take just one of many, an army unit storms a sleepy Vietnamese hamlet occupied by local civilians in February 1968. The captain orders his troops to round up all the civilians. A lieutenant asks what is to be done with them. “Kill anything that moves,” the captain coldly responds.

Victims of the My Lai Massacre (via Wikimedia Commons).

In the chapters that follow, Turse argues that indiscriminate killing was a deliberate strategy of the U.S. military. Basic training conditions of shock, separation, and physical and psychological stress was intended to break troops down, dehumanize the Vietnamese enemy, and render soldiers amenable to killing without compunction. The Pentagon employed a “system of suffering,” a policy of promoting and rewarding troops based on their “body counts.” In the most blisteringly effective section of the book, Turse chronicles the fate of two South Vietnamese provinces over the course of three years. Turse explores the specific effects of widespread bombing and military rule on urban areas in South Vietnam like Saigon, Da Nang, and Qui Nhơn. He spotlights the actions of a single general—Julian Ewell, known as the Butcher of the Delta—whose demand for bodies from his troops led to the mass murder of close to 11,000 mostly civilian Vietnamese in a single operation. He also explores governmental cover-ups of American war crimes and the distortion of public perceptions of the war.

Accusations against Turse of leftist partisanship, of “imbalanced” treatment of American atrocities, and the use of “uncorroborated” source material miss the point. Kill Anything is self-consciously iconoclastic.[2]  Turse takes as his target two hallowed American institutions and traditions—the U.S. military and the idea of American exceptionalism—and turns them on their heads. In Turse’s hands, the organized brutality of the American military in Vietnam becomes the very source of American exceptionalism. In order to do this, Turse relies partly on the U.S. military’s own records and reports, most notably that of the Vietnam War Crimes Working Group: a Department of Defense task force that catalogued more than three hundred substantiated atrocities, dismissing hundreds more as unfounded. Turse adds flesh to the bones of this governmental archive by amassing an unofficial oral archive, the product of interviews he conducted with American army veterans as well as Vietnamese survivors and their descendants from across Vietnam. Accessing this oral history—a history that frequently stands in contention to the official record, Turse is at pains to point out—lets Turse trace the reverberations of violence from small Vietnamese villages to large urban centers, all the way back to the American military command at the Pentagon. In this way, the deep roots of American cruelty in Vietnam are laid bare.

U.S. army troops taking a break while on patrol during the Vietnam War (via WIkimedia Commons).

But if Turse’s greatest achievement is to reveal the systematic character of American war crimes in Vietnam, he fails to apply the same organizing principle to the American antiwar effort. Turse is clearly aware of the existence of the antiwar movement: his footnotes are littered with references to exposés they published and uncovered. And Turse devotes much of the introduction and conclusion to singling out individual whistleblowers like Jamie Henry, who risked their lives, families, careers, and mental and physical health in speaking out against American atrocities in Vietnam. By isolating individual whistleblowers, however, Turse ignores the collective nature and effectiveness of the American antiwar movement, that coordinated attacks on the military, liaised with the media, and shielded informants. “Buried in forgotten U.S. government archives, locked away in the memories of atrocity survivors, the real American war in Vietnam has all but vanished from public consciousness,” Turse laments. But it was the antiwar movement that first brought American war crimes in Vietnam to public attention.

Antiwar protest in Washington, D.C., 1971 (via Wikimedia Commons).

More concerning still is Turse’s uncritical assumption of an overwhelmingly U.S.-centric vantage point. In the pages of Killing Anything that Moves, we meet a diverse cast of American soldiers and medics, statesmen and lawyers, protestors and patriots. The book itself opens and closes with Jamie Henry, a former U.S. army medic who returned from Vietnam bent on bringing attention to the atrocities committed by his unit. Even as Turse denounces America, however, he places Americans firmly at the heart of the narrative. Some Vietnamese civilians are given space to speak, but the vast majority are raped, stabbed, shot, bombed, and left for dead. Soldiers from South Vietnam, North Vietnam and the National Liberation Front remain largely absent from the text, hovering around the edges but never taking center stage. But Turse, by his own admission, conducted numerous interviews with survivors in Vietnam. And anyway, what could be more affecting than the testimonies of America’s Vietnamese victims themselves? There is a way in which the marginalization of Vietnamese voices itself enacts a kind of violence: a silencing and an erasure. It turns a story of Vietnamese victimhood into one of American guilt. War wounds run deep, and while Turse expertly attends to some, he leaves others untreated. The war in Vietnam awaits its Vietnamese sympathizer, in all his squid-fucking glory.

Nick Turse, Kill Anything that Moves: The Real American War in Vietnam (Picador: New York, 2013).


[1] Viet Thanh Nguyen, Nothing Ever Dies: Vietnam and the Memory of War (Cambridge, MA: Harvard University Press, 2016), 4.

[2] Gary Kulik and Peter Zinoman, “Misrepresenting Atrocities: Kill Anything that Moves and the Continuing Distortions of the War in Vietnam,” Cross-Currents: East Asian History and Culture Review No. 12 (2014), 162-198; Gary Kulik, “The War in Vietnam: Version 2.0,” History News Network (2015), < http://historynewsnetwork.org/article/158645>.

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Justifying Genocide: Germany and the Armenians from Bismarck to Hitler, by Stefan Ihrig (2016)

By Kelly Douma, Penn State University

Stefan Ihrig closes this book with a quote that encompasses his argument from Raphael Lemkin, the father of the word genocide: “Genocide is so easy to commit because people do not want to believe it until after it happens.” All the signs and symptoms of Nazi-perpetrated genocide existed throughout the decades leading up to the Holocaust, but were ignored by the greater public. Ihrig’s evidence takes the form of German reactions to the Armenian genocide. He argues that the pro-Ottoman nature of World War I Germany and the open genocide debate of Weimar Germany contributed to a “pragmatic” approach to “human rights, life, and liberty,” ultimately laying the groundwork for the virulent anti-Semitism of the Third Reich. Through extensive use of contemporary newspapers as well as court trials and military correspondence, Ihrig creates an image of German politics and culture beginning in the 1890s that makes the Holocaust seem – although still far from inevitable –a product of building tension rather than a sudden explosion of anti-Semitism.

Max Erwin von Scheubner-Richter, 1930 (via Wikimedia Commons).

Ihrig begins his argument by elucidating an often overlooked connection in modern European history between the Jewish Holocaust and the Armenian Genocide. He does not attempt to compare their causes or results, but rather investigates Germany’s political involvement with the Ottoman Empire and Turkey both during the massacres of the 1890s and the genocide of the 1910s. From there he teases out an intricately woven political fabric connecting Germans and the Ottomans, resulting in a pro-Ottoman stance despite the rumors of anti-Armenian activity. He identifies several pro-Armenian Germans stationed in the Ottoman Empire whose correspondence stands against the bulk of material, which typically did not comment on genocidal activities.  The most notable of these men was Max Erwin Scheubner-Richter, a German consul in Erzurum province. Scheubner’s correspondence, among others, helps Ihrig answer his question, “What could Germany have known about the Armenian genocide?”  He finds that, in fact, the German military and government must have known nearly everything about the Armenian Genocide, although he does not go so far as to suggest that they were actively involved. He states that Germany knew what was happening, but was willing to “sacrifice the Armenians as the price of preserving Ottoman goodwill toward Germany.” This is a bold claim that has strong repercussions for the study of Germany in WWI and the interwar period.

After establishing German military and political knowledge of the Armenian Genocide, Ihrig tackles the much more difficult question: how much did the German public know of the Armenian Genocide and what was the cultural reaction to it? The second half of the book proves that  Germans during the interwar period knew a great deal about the Armenian Genocide.  Ihrig describes the emergence of a German cultural script that included pragmatic and extended debates on both the justification and the denial of the Armenian Genocide.  Through intensive reading of German newspapers across the political spectrum during the interwar years, Ihrig defines what he calls “The Great Genocide Debate” of 1921-1923. His detailed analysis shows that pro-Armenian writers were consistently at odds with those who claimed the necessity of the Turkish reaction to the “Armenian problem” or reinterpreted the events to justify the genocide in terms of Armenian aggression. He also identifies two men, Franz Werfel and Armin Wegner, who wrote novels and open letters about the Armenian Genocide, but were ultimately too late to warn the German public about the genocidal capability of the Nazi party.

The German–Turkish Non-Aggression Pact was signed between Nazi Germany and Turkey in 1941 and lasted until 1945 (via Wikimedia Commons).

In the last section of his book, Ihrig finally answers the question that has been burning throughout his research: how did this cultural, political, and governmental response to the Armenian Genocide influence the events of the Holocaust? He could not be more clear in his answer. He states that the Nazis were inspired by the Armenian Genocide. He firmly critiques historians who argue that interwar Germany did not “come to terms” with the Armenian Genocide.  Rather, he asserts, “Germany came to terms in a manner that we would perhaps not expect and cannot morally condone.” In his eyes, Germany recognized the events and, in a term he coined for this book, practiced a form of “justificantionalism,” or intellectual justification of the events of the genocide.

Deported Armenians leaving their town (via Wikimedia Commons).

Ihrig’s book is written for both experts of the field and general historical readers.  The book leaves room for continuing research on the connections between Germany and the Armenian Genocide, such as why Germany was able to cross confessional lines to support the genocide of a Protestant Christian minority by a Muslim government. Ihrig also does not focus specifically on Hitler’s experience with the Armenian Genocide and instead assumes his knowledge of the events as a product of the developing cultural discourse and his position as an avid newspaper reader.  This answer doubtless will not convince some readers of his connection and it could use further fleshing out.  However, the work stands overall as a thorough treatment of to otherwise missed connection between the first and second acknowledged genocides of modern history.

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Trauma and Recovery, by Judith Herman (1992)

By Augusta Dell’Omo

For Judith Herman, “to study psychological trauma means bearing witness to horrible events.” A professor of clinical psychiatry at Harvard University Medical School and a founding member of the Women’s Mental Health Collective, Herman is best known for her research on complex post-traumatic stress disorder, particularly with victims of sexual and domestic violence. In her own words, Trauma and Recovery is a book about “restoring connections” between individuals and communities and reconstructing history in the face of a public discourse that did not want to address the horrors of sexual and domestic violence. Herman begins her work by situating it in the feminist movement and the “forgotten history” of traumatic disorders, describing the cultural and political factors that have continually prevented psychological trauma from being recognized effectively by the public. From there, she enumerates not only the symptoms of traumatic disorders, but argues that only by renaming sexual, domestic, and violence traumas as “complex post-traumatic stress disorders,” and treating victims as suffering from this specific disorder, can victims truly “recover.”

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Trauma and Recovery has been recognized as a groundbreaking psychological and historical work because it forces the reader to come to terms with the underlying traumas that permeate society and the ways in which a culture of oppression furthers the protection of the perpetrators. While Trauma and Recovery is over two decades old, its argument seems particularly fresh in the context of current national conversations on the status of victims of sexual assault, particularly in university settings, and their treatment in society. A close reading of Trauma and Recovery forces us to examine our own biases and the historical precedents that have colored our treatment of victims today.

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Judith Herman in a 2002 interview (via YouTube).

Herman argues that the study of psychological trauma is not governed by consistency, but rather “episodic amnesia,” in which the stories of the victims became public for brief periods of time before diminishing into the background. She points to three key moments: the treatment of “hysterical women” in late nineteenth-century France, the treatment of shell shocked soldiers in England and the United States after the First World War, and finally, the public awareness of sexual and domestic violence that took place during the feminist movement in Western Europe and North America. For Herman, one of the consistent elements in all three cases was a culture of societal neglect, in which the victim is rendered invisible and discredited, a horrifying tendency that seems to have continued into American society today.

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British soldiers after a German chemical weapon attack in 1917 (via Wikimedia Commons).

Herman follows with a description of trauma, stating that it overwhelms the victim, removing control, connection, and meaning. Individuals display hyperarousal, intrusion, and constriction, sometimes at levels so extreme they force an alternative state of consciousness to form, so that the victim can actually cope with their reality. This alternative state of consciousness, Herman argues can manifest in a variety of ways including multiple personality disorder, amnesia, and “sleep walking.” One of the most persistent elements Herman describes is “intrusion,” in which traumatized individuals cannot resume the normal condition of their lives due to the repeated interruption of the trauma. These symptoms occur because of a rupturing of the “inner schemata.” This is paramount for understanding both individual and societal trauma: for the individual, their trauma disrupts their inner schemata of safety, protection, and trust in the outside world.

Throughout Trauma and Recovery, Herman delineates the ways in which the societal context can affirm and protect the victims by giving voice to the disempowered, but can also deny the victims through silencing and rejection. Indeed, Herman states that denial is often the default state of society, in which the active process of “bearing witness” instead “gives way to the active process of forgetting.” These ideas of “bearing witness,” and forcing vocalization of events are similar to the work of religious, ethnic, and racial minorities in the face of traumatic genocide, oppression, and destruction. The active construction of a truthful narrative helps survivors to “re-create the flow” of memory, transform the recollection, and mourn that traumatic loss. In Herman’s final section, the emphasis on “truth” becomes paramount: only through a truthful understanding and representation of events can individuals and society come to an understanding of psychological trauma.

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A culture of victim-blaming still shapes the experience of trauma (via Richard Potts).

Herman’s Trauma and Recovery was a groundbreaking work that forced society to reckon with the nature of trauma and proved how understanding trauma can help us comprehend some of the most damaged groups in society. Herman’s research is critical in the historical understanding of how to bring truth to individuals and groups that societies have passively or actively chosen to repress. Furthermore, she raised interesting questions about constructing historical narrative when dealing with both perpetrators and victims and she showed how the collective memory of a society can hide atrocities that have been committed. Herman states in her afterword, that she sees the culture of victim blaming and repression of the heinous crimes of sexual violence as disappearing. However, lawsuits against universities about willful ignorance and discrediting of sexual assault survivors’ testimonies exposes Herman’s final claims as too optimistic. If nothing else, her work inspires historians to pursue a more active understanding of painful truths and charges us to side with the victims of violence to establish truth and justice, for which, she says, there “can be no greater honor.”

Judith Herman, Trauma and Recovery: The Aftermath of Violence from Domestic Abuse to Political Terror (New York: Basic Books, 1992)

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Jimena Perry explores violence and historical memory in Colombia’s museums.

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Time to Remember: Violence in Museums and Memory in Colombia, 2000-2014

By Jimena Perry

Jimena PerryDuring the summer of 2014 I had the chance to visit the Hall of Never Again (El Salón del Nunca Más) in the Department of Antioquia, in northwest Colombia. What started just as a tourist visit soon became a research interest. Growing up in a country overwhelmed by an ongoing armed conflict, the Hall made quite a huge impression on me due to the visual narrative it contained. Photographs of the faces of approximately180 victims of the violence are displayed on a wall to highlight a history in which the victim’s voices are privileged. It was quite different from the discourses shaped by state institutions such as the National Museum of Colombia that feature official histories about national identity and citizenship. These contrasting accounts of recent brutalities in Colombia made me want to explore the ways that individuals and communities remember their violent pasts. Grieving, as part of a remembrance process, has no handbook and no formulas; it is not a unilinear process. It is complex and ongoing. Grief and memories of violence are informed by history and culture and require to be understood as a social dynamic practice.

The Colombian violence of the 1980s, 1990s, and early 2000s, the subject of my work, left many victims. It also left many survivors of atrocities who needed some kind of closure in order to continue with their lives. During these decades, civilians found themselves caught among four armed actors: the National Army, paramilitaries, guerrillas, and drug lords, who were fighting over the control of land and civilians. These groups committed brutalities such as kidnappings, disappearances, forced displacement, bombings, massacres, and targeted murders. In order to cope with and overcome the trauma caused by all this violence, diverse communities set up museums and displays. These acts of memory and reconciliation demonstrate that people and communities remember and represent the past differently. Some exhibitions portray violence, others focus on personal histories and others turn to the strength their cultural traditions give them. They contain different meanings and intentions, and take a variety of forms including traveling museums, murals, houses, kiosks, and even cemeteries devoted to remembering the ones who are gone. But they all work towards the same goal: never again.

View of the wall with the pictures at the Hall of Nevermore.

View of the wall with the pictures at the Hall of Nevermore. Courtesy of the author. 

My interest in studying historical representations of violence was sparked when I realized that in Colombia, memories about the atrocities of the 1980s, 1990s, and early 2000s are quite diverse and do not appear in state institutions. I also came to understand that although grieving has a place for the reconstruction of facts and a search for “truth,” these are not the most important aspects for individuals and communities. After talking with community leaders and reading the scholarship on memory and museums, I can say that instead of truth quests people want to feel that their absent loved ones are not forgotten, that their lives meant something.

The Center for Memory, Peace, and Reconciliation, Colombia.

The Center for Memory, Peace, and Reconciliation, Colombia. Courtesy of the author.

Part of the attention that communities are devoting to the production of historical memories of violence is closely related to the diverse healing processes grounded in local cultures. The rural memory venues I am researching emphasize local traditions, beliefs, and patterns of behavior. Their displays illustrate how violence altered their way of life and how individuals and groups are coping with new realities, silences, and absences. Culture becomes a cohesive factor, the resource communities appeal to in order to heal and envision a future.

Therefore, my research has two major parts. First, it relies on ethnographic descriptions of the memory sites and the violent episodes they are representing. Second, these memories of violence help me analyze how contemporary citizenship is understood in Colombia, as rooted in these communities’ struggles with the violence past

And my research has a third component—public history. Writing and researching about memory venues in Colombia is my way of helping in the healing of local communities. My wish is that my work will help people feel that their histories are not forgotten and that they are an inspiration for generations to come.

I also want my writing about memory venues in Colombia to contribute to a new, more diverse, sense of national identity. I want the narratives portrayed in these venues to be incorporated into a national discourse. One of my hopes is that by reading about the testimonies and descriptions about recent Colombian violence in local memory projects, the general public can go beyond the gory details about violence and remember the victims as living family and community members, and as part of the Colombian community. My aspiration is that the diverse Colombian voices become part of the project of nation-state building. Everybody talks about the importance of respecting and understanding other ways of seeing the world, but when it comes down to concrete political actions, alterity is often ignored.

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You may also like these articles by Jimena Perry on two museums that represent the Colombian violence since the 1960s: the Hall of Never Again, a community-led memory museum in Colombia, and The Center for Memory, Peace, and Reconciliation, Bogotá, Colombia

Slavoj Žižek and Violence

By Ben Weiss

In Violence, popular political theorist, Slavoj Žižek, develops several notions for thinking about the contemporary world. While complex philosophical discussions often appear esoteric to the general reader, Žižek’s work renders new insights into numerous global issues, from politics and trade to social movements and cross-cultural exchanges. Entire books could be written on any one of the plethora of themes Žižek introduces. However, his reflections on the nature of violence and tolerance are particularly thought provoking.

Slavoj Zizek Violence Cover

Žižek’s book is fundamentally about understanding violence and the way it is represented in global society, especially in relation to economic interests. He draws a distinction between what he calls subjective violence and objective violence. Subjective violence refers to violence that is inflicted by a clearly identifiable agent of action, as in the case of criminal activity or terrorism. Objective violence, on the other hand, has no clear perpetrator and is often overlooked in the background of subjective violence outbreaks. For example, the objective violence of global poverty cannot be blamed on any one entity and, even if financial elites were to be identified as culpable, they could still be exonerated by their subjugation to a system of capitalist finance that makes the rise of an elite financial class inevitable. While Žižek further subdivides objective violence, the core difference illustrated here reflects Žižek’s interest in establishing the way certain forms of violence are represented and perceived in the general social consciousness.

Image from front cover

The lack of a clearly identifiable perpetrator in cases of objective violence pushes them to the background while outbreaks of subjectively violent criminal activity, terrorist attacks, etc. easily draw popular attention. Because poverty is a constant, systematic form of violence, sudden violent incidents will attract more notice. Ultimately, Žižek claims that subjective forms of violence actually detract from public notice of objective forms of violence that are often caused by systemic issues that pervade the global financial sector. Žižek’s analysis helps reveal the ways in which world governments may act in the interests of trade networks and capital gains despite the objectively violent consequences that may implicate various populations around the world.

Further, Žižek also establishes that subjective violence, for example criminal activity, may result from the very objectively violent economic system that, in turn, may disenfranchise a group of people and cause them to violently resist their condition. In this way, Violence explains how popular attention to outbursts of violence by specific groups of people not only detracts from public attention to deeper issues but are also born from those deeper issues themselves.

Poster advertising Zizek's movie 'The Pervert's Guide to Ideology'
Poster advertising Zizek’s movie ‘The Pervert’s Guide to Ideology’

Žižek’s exploration of the interplay between subjective and objective violence in the context of state violence, cultural affiliation, political deliberation, and language itself, leads him to make interesting applications to the practice of tolerance. Tolerance exists today as a hallmark of Western liberal thought and, though controversial as it may be to question the potential negatives of such a practice, Žižek pushes readers to think about the ideologies many in the world take for granted. Žižek contends that tolerance necessitates some degree of objectively violent alienation between parties that tolerate one other. In effect, to tolerate other people is to crystalize their differences as a point of contention that must be respected, but not necessarily accepted. For Žižek, “the language of respect is the language of liberal tolerance: respect only has meaning as respect for those with whom I do not agree.” What Žižek sees as dangerous about this dynamic, however, is that the enforcement of difference can become a point of oppression when one party crosses a line that cannot be tolerated by the other party. In this way, the crossing of a line may be articulated by governments as subjectively violent, even though the very rhetoric of tolerance frames the boundary that facilitated the outbreak of violence.

Slavoj Zizek in Liverpool, 2008. Via Wikipedia.
Slavoj Zizek in Liverpool, 2008. Via Wikipedia.

This dynamic points to the importance of Violence. Historically, Žižek has pushed the limits of scholarship to question even the most basic assumptions about the contemporary world. This work reveals the value of doing so. Outside of his specific applications, the definitional analysis he renders for types of violence proves incredibly useful for understanding the way politics intersect with public perception, and it causes us to raise essential and new questions about the world in which we live.

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You may also like these articles in our Social Theory series:

Jing Zhai on Jacques Derrida and Deconstruction

Charles Stewart talks about Foucault on Power, Bodies, and Discipline

Juan Carlos de Orellana discusses Gramsci on Hegemony

Michel Lee explains Louis Althusser ideas on Interpellation, and the Ideological State Apparatus

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