The past is never dead. It's not even past
As a French historian, I was bombarded with questions from friends, family members, and even strangers about whether I was excited to see “Les Miz,” the film version of the wildly popular stage musical, which was released in December. For some reason, knowing that someone who studies French history is excited to see Les Misérables makes people want to see the film more.
The video game is a relatively new medium, but it has a long record of using history to tell stories like the one found in Assassin’s Creed. Given the mass popularity of video games and gaming culture, it seems appropriate that we begin to analyze the history portrayed in this medium in the same way we consider a historical novel or period film. Why and how is history used in video games?
As students and faculty members resume their classwork at Garrison Hall this semester, it is worth examining the iconic building’s colorful history and architectural conception. The first stages of Garrison’s development began in 1922 as the Board of Regents sought a new campus plan for the university.
Since its inception, Not Even Past has dedicated itself to the idea that historians and history students aren’t the only ones capable of writing and enjoying history. The University of Texas at Austin’s Physics Department has proven us right with the release of its new website “University of Texas at Austin: Physics Department History.” The website offers a remarkable survey of the department’s history that stretches all the way back to 1883.
In the sixth installation of our new series, “Making History,” Zach Doleshal speaks with Takkara Brunson about her research on Afro-Cuban women in pre-revolutionary Cuba. Brunson’s research experiences in Cuba, and stories of the fascinating women who form the core of her research offer a taste not only of life and work in a place few Americans get to visit, but also a window into the making of a social and cultural historian.
In the third installation of our series, "Making History," Aragorn Storm Miller speaks with Christina Salinas about her experience as a graduate student in history at the University of Texas at Austin.
The passion for recording our lives, fostered today by the availability of simple digital cameras and posting sites like Flickr, has a long history. African American leaders very early on understood the uses of photography for both self-expression and political struggle. Leigh Raiford notes, in her book Imprisoned in a Luminous Glare: Photography and the African American Freedom Struggle, that Sojourner Truth supported her cause by selling photos of herself at lectures and Frederick Douglass wanted to use photography to portray black life more accurately.
If Digital History is “using new technologies to enhance research and teaching,” as the excellent website from the University of Houston puts it, then African American history is being well-served digitally. In honor of African American History month, I survey here one enormous and useful website that gives us all access to a very wide variety of materials.
In the second installation of our new series, “Making History,” Zach Doleshal speaks with Jessica Wolcott Luther about her experience as a graduate student in history at the University of Texas at Austin. In the interview, Jessica shares stories about researching in seventeenth century archives (she’s been to eleven so far!), studying history using anthropological documents, and overcoming the frustration of knowing that she may never get the chance to find a direct source from a former enslaved person.
Moviegoers who recently flocked to cinemas around the country to take in George Lucas’ World War II aviation blockbuster, Red Tails, may be unaware of the long and checkered history of black servicemen in the American military in the decades before the ascendance of the now famous Tuskegee Airmen.