Traditional maps can portray people and places at certain moments, but they do not capture the dynamism of movement and change over time. And historical texts can describe change over time but lack the visual element that makes it possible to see the multiple dimensions of change at once.
In November we wrote to everyone who received a PhD in History at UT Austin since 2000 to find out what they were doing. We are curious about our former students’ careers and adventures and we want to celebrate their achievements in whatever line of work they pursued. And we still do! We hope everyone […]
Even the most gifted teachers had to learn how to teach history and most of us needed a lot of help getting started. This month Not Even Past asked graduate students to reflect on their first teaching experiences as Teaching Assistants in History classes. They responded with insight, humor, and even a little hard won wisdom. Reflections here by Chloe Ireton, Cacee Hoyer, Jack Loveridge, Cameron McCoy, and Elizabeth O’Brien.
The practice of child abandonment and efforts to manage it have a long history and I recently encountered a series of surviving artifacts from about 250 years ago that provide us with a rare window into the abandoned and the abandoners.
Not Even Past is beginning a new weekly series on digital history: The New Archive. Every other week, our Undergraduate Editorial Intern, Charley Binkow, will introduce our readers to the world’s most interesting digital archives.
The Telegraph and Texas Register was the most influential newspaper in the region between colonial settlement and the Civil War. Based in Houston and intended for popular consumption, the nationalistic editorials in this publication offer a window into how the newly formed Lone Star Republic viewed the challenges of rapid territorial expansion into contested territories along the lower Great Plains.
There is a vast historiography on worker strikes and resistance to economic exploitation in Latin America and Brazil, yet most scholars disregard the environmental backdrop to struggles over land, labor, and resources.
The challenge of informing an inquisitive American public about the nation’s own two-hundred year old tragedy—slavery—has not fallen squarely on the shoulders of historians and other scholars. Artists, and particularly filmmakers, have played a central role in helping the larger public grapple with the horrors and indeed, aftershocks of human bondage.
Stalin’s Genocides provides an in-depth analysis of the horrendous atrocities — forced deportations, collectivization, the Ukrainian famine, and the Great Terror — perpetrated by Joseph Stalin’s tyrannical regime. Norman Naimark argues that these crimes should be considered genocide and that Joseph Stalin should therefore be labeled a “genocidaire.”
Peter Davison’s careful selection and annotation of George Orwell’s personal correspondence in provides an engrossing autobiography of a man whose work continues to resonate globally in significant ways.