Cats and dogs in art are rarely mere props. More than decoration, their presence serves a meaningful purpose. They may represent human endeavors, moralities, values, and behaviors. Alternately, their image may signify the lives and conditions of individual animals themselves, or entire categories of such animals, existing in domestic relationships with humans, as suppliers of labor, or even as a sources of food. Animals in art offer novel and useful ways to understand historical trends and events.
Seth Franco and Dylan Gill Cedar Bayou Junior School Junior Division Group Exhibit Read Seth and Dylan’s Process Paper In 2014, female athletics are common in America’s high schools and colleges. But this was not always the case. Prior to the 1972 passage of the Title IX Education Amendment, all male teams received most, if […]
Munich’s central square, Marienplatz, is best known today for its magnificent Rathaus-Glockenspiel that delights tourists and townspeople alike with its melodies. But until the nineteenth century, the square’s main attraction was a golden pillar adorned with the Virgin Mary known as the Mariensäule.
The global history of tobacco—the weed that captured the hearts, minds, and imaginations of so many in the twentieth century—has been told in splendid and enlightening detail. Historians have delved into the stark economic, political, and social implications of the production, consumption, and exchange of this commodity in various national contexts, most notably the United States.
Few people look past the glamorization of the flappers, but we wanted to dig deeper to find both the causes of the reform in gender roles as well as the era’s lasting impact on women today. In November, after a preliminary perusal of various sources at our local public library, we decided that our project should explore the controversial fashions of the twenties that boldly symbolized the liberation of women from confining Victorian social expectations.
This year, third year doctoral student Ava Purkiss received the prestigious L. Tuffly Ellis Best Thesis Prize for Excellence in the Study of Texas History. Her paper, titled “‘Home Economics Training is for the Improvement of Home and Family Life?’: African American Women Professionals and Home Economics Training in Texas, 1930-1950,” examines African American enrollment in the home economics major at Prairie View A&M University in the 1940s.
In 1972, the U.S. Congress passed Title IX to end discrimination against women in education.
In the sixth installation of our new series, “Making History,” Zach Doleshal speaks with Takkara Brunson about her research on Afro-Cuban women in pre-revolutionary Cuba. Brunson’s research experiences in Cuba, and stories of the fascinating women who form the core of her research offer a taste not only of life and work in a place few Americans get to visit, but also a window into the making of a social and cultural historian.
Dulcinea in the Factory presents a gendered historical analysis of the boom in the textiles industry in Medellín that goes beyond the typical economic analysis of industry-based modernity. It places gender in the context of the roles of the church and the paternalistic factory owners as well as the memories of the workers, to tell this history of forgotten myths and morals in the workplace.
In the second installation of our new series, “Making History,” Zach Doleshal speaks with Jessica Wolcott Luther about her experience as a graduate student in history at the University of Texas at Austin. In the interview, Jessica shares stories about researching in seventeenth century archives (she’s been to eleven so far!), studying history using anthropological documents, and overcoming the frustration of knowing that she may never get the chance to find a direct source from a former enslaved person.