French historians love this film. Not surprisingly, the most popular films about World War I – like the brilliant Lawrence of Arabia — are set far from the un-cinematic slog of the western front. Life and Nothing But is set on the front, but after the war, where the French are trying both to tally their losses and commemorate their victory.
The film “Day of Wrath,” directed by Carl Theodor Dreyer is in my opinion the finest film ever produced on the subject of witchcraft.
It’s no coincidence that Hollywood has a thing for Rio de Janeiro. The city’s breathtaking landscape enlivens the most uninspired camerawork. Its pulsating musical rhythms spice up any soundtrack. Rio’s favelas (slums), with their arresting squalor, stoke movie-goers’ fears and fantasies
According to the infamous seventeenth-century gossip, Madame de Sévigné, on April 24, 1671 François Vatel, distraught over the late arrival of fish for a banquet in honor of Louis XIV, committed suicide by impaling himself through the heart with a sword. Sévigné and other nobles speculated that Vatel, a well-known perfectionist, succumbed to the overwhelming pressures of planning an extravagant three-day banquet in honor of the king’s royal visit and decided to kill himself instead of having to face public humiliation for his failure.
“They did it. Not us!” According to historian Tony Judt, this was the way Europeans tried coming to terms with the fate suffered by their Jewish neighbors during the Second World War
Over at the AHA website (that’s the American Historical Association), Jacqueline Jones recalls two favorite films with poignant links to her own experiences
The new HBO Films production of George Stevens Jr’s one-man play, Thurgood, is a portrait of a man who knows and respects the power of the law as a force in American society.
As a historian of early America, my subject predates the invention of film or video, voice or music recording, or even photography. When I watch my modernist colleagues deliver multi-media lectures – including film clips, snatches of popular music or speeches, and photos – I feel a twinge of envy.
It is Moscow in the early 1960s. In this transitional period, when Stalin’s death opened up new possibilities for private life in Soviet society, we meet three young men and a young woman who can almost bring themselves to believe that they are entitled to a life that will be individually meaningful.