Latin America Archives - Page 4 of 13

Review of Beatriz Allende: A Revolutionary Life in Cold War Latin America (2020), by Tanya Harmer

At about nine o’clock on the morning of September 11, 1973, Beatriz Allende, the daughter of Socialist President Salvador Allende, arrived with her younger sister Isabel at the Chilean presidential palace in the heart of downtown Santiago.[1] The military coup that would end her father’s presidency, and Chile’s dream of a peaceful revolution, had begun around dawn that day. Though seven months pregnant at the time, Beatriz had come to join forces with the presidential bodyguard to defend, by force of arms if necessary, the legitimate presidency of her father and her country’s democratic transition to socialism.

Beatriz had acted as her father’s right hand on the executive team since he took office. But in recent months, as signs of an imminent overthrow became clear, President Allende had begun to pull his daughter back from the political front lines in order to protect her. That morning, in spite of her resistance, he ordered Beatriz to leave, along with her sister and five other women. In the words of Tanya Harmer, author of Beatriz Allende: A Revolutionary Life in Cold War Latin America, Allende’s effort to shield his daughter from the impending attack “amounted to an act of betrayal from the person Beatriz loved most,” and he did it “because she was a woman” (212). Harmer’s recent monograph provides serious readers of history with a riveting close-up of how Chileans experienced their revolutionary years, focused especially on how leftist longings for a more just and equitable society challenged culturally-determined presuppositions. Like Harmer’s acclaimed masterwork, Allende’s Chile and the Interamerican Cold War (2011), this book prioritizes local agency and conflict over international interference to show how Chileans struggled to define their own history.

The primary subject of this volume, Beatriz Allende, shines in public memory as Allende’s favorite child, the middle daughter who became the son he never had. Educated in revolutionary politics from an early age, Beatriz followed in her father’s footsteps, first into the medical profession and then into Socialist Party militance. Though not outright wealthy, the family belonged to Chile’s comfortable intellectual middle class. They vacationed at the upscale seaside town of Algarrobo and, like any Chileans of means, they had domestic servants who did all their cooking and cleaning. The Allende clan could not be called armchair socialists, by any means, but they did not actually belong to the masses of working poor their political cause championed.

A large crowd marches along a tree-lined street in Santiago in this black-and-white photograph from 1964. Members of the crowd are holding aloft several large banners, all of which indicate support for Salvador Allende. Two banners are easily legible; they read "Telefonicos con 1 Allende" and "Trabajadores municipales con Allende." — Supporters of Salvador Allende’s 1964 presidential campaign parade in the streets of Santiago. Allende lost the election of 1964 but would go on to win the presidency six years later. Source: Wikimedia Commons.

As a medical student at the University of Concepción, Beatriz grew close to the Enríquez brothers, Luciano Cruz, and Bautista Van Schouwen. Together with Beatriz’s first cousin, Andrés Pascal, they would become founding members of Chile’s most radical leftist organization, the Movimiento de Izquierda Revolucionaria, usually remembered by its acronym, MIR. After some training in Cuba, and in opposition to her father’s lifelong commitment to the peaceful road to socialism, Beatriz embraced MIR’s option for armed insurrection as the only path to a meaningful revolution. She never made the switch to MIR, instead acting as a permanent go-between, informally linking MIR with Salvador Allende’s leftist coalition. In 1967, she did become a part of a very secret armed faction of the Socialist Party, called Organa, that mobilized in support of Bolivia’s ELN—Ejército de Liberación Nacional—as it attempted, in vain, to revive Che Guevara’s ill-fated insurrection there. Committed to actual armed participation, she found that the elenos (as ELN members styled themselves) protected her, partly because she was a woman, but mostly because she was Salvador Allende’s daughter and more valuable to their cause if she managed to stay alive.

Beatriz married a Cuban intelligence agent, Luis Fernández Oña, in 1970. Through him, she had already become a backchannel liaison between Allende’s coalition and the Cuban high command. After the coup in 1973, Beatriz fled to Cuba with her husband. She had her second child in Cuba, and she found herself thrust into a very public role, representing the exiled Chilean left, and the many victims of the military dictatorship back home. As the government of General Augusto Pinochet became an international pariah, Beatriz became an international celebrity, but it was not a role she wanted.

Though fascinated by Cuba, Beatriz found no peace there. Cuban authorities detained Loti, her long-time housekeeper—who had been caught in a lesbian relationship—and sent her off for reeducation. Fidel’s revolution considered homosexuality, and even feminism, to be capitalist vices that would naturally fade away in the socialist utopia of tomorrow. Moreover, classless revolutionary Cuba could offer no replacement for Loti. As a consequence, in her early thirties, with her fine medical training and her unfulfilled revolutionary aspirations, Beatriz Allende found herself isolated in a foreign land, facing the unknown challenge of traditional feminine domesticity for the first time (249). To make matters worse, news of the assassinations of former comrades, including Miguel Enríquez and Orlando Letelier, began to trickle in, making Beatriz feel increasingly helpless. That fatal combination drove her into a severe depression. She died by her own hand in 1977.

While Harmer’s work is rich in personal details and human drama, she did not set out to write a biography. Her study focuses on the catalytic agency of an extraordinary person pivotally situated in the unfolding of many previously untold historical connections. In the process, she reveals many previously unrecounted historical connections. The author’s sensitivity to the particularities of Chilean revolutionary culture is unparalleled. Elegantly written and abundantly sourced in memoirs, letters, and periodical sources—much of them from Cuba—Harmer’s skillful treatment of extensive personal interviews makes this work unique and remarkable. Harmer has created a rigorous, unbiased, but very gendered study, showing how the patriarchal patterns of even the most revolutionary movements consigned Beatriz Allende and others like her to a very particular kind of evolving agency. Ultimately, the author attributes her protagonist’s untimely demise to the internal contradictions and unviability of that gendered but revolutionary role.

Through the lens of this one conflicted revolutionary life, Harmer shines light on the many contingencies that contributed to the Chilean revolutionary phenomenon. Her study examines, for example, the growing influence of Chilean youth in the long decade of the 1960s. Compounded by the disruptions of an enormous earthquake in 1960, which united young people in massive solidarity efforts, sheer numbers, a fact that can be attributed to the post-war baby boom, made Chilean twenty-somethings a new and powerful contingent. Universities became the room where it happened. As Harmer observes, “university student numbers rose from 7,800 in 1940 to just over 20,000 in 1957, and 120,000 by 1970” (10). That university experience, as Beatriz knew it, represented a quantum leap in the political potential of the younger generation.

But even that giant leap would not be enough. In the most hopeful early days of the Popular Unity experiment, Harmer observes that “the opposition was strong and united. Indeed, the Left’s defensive measures . . . paled in comparison with the Right’s organization, resources, and propensity for violence” (196). Right wing women, as historian Margaret Power observed in her foundational study from 1998, formed the ideological bedrock of that opposition.[2] But there were left wing women, too, with unique struggles, decisive agency, and an untold story. Harmer has opened a new window on them.

A black-and-white photograph of Salvador Allende and his Minister of Labor and Social Welfare, Mireya Baltra, in the midst of a large crowd of people wearing suits. Both Allende and Baltra are smiling; the President is handing his minister a document. — *President Allende photographed with his Minister of Labor and Social Welfare, Mireya Baltra, a member of the Communist Party of Chile. Source: Wikimedia Commons.*

Despite its many strengths as a work of multilayered analysis, the book has some flaws. One is a simple editorial failure: a propensity to reproduce grammatical and orthographic errors in the Spanish language. Población, a Chilean settlement of the urban poor, has an accent mark in the singular form. Poblaciones, in the plural, does not, but Harmer’s work consistently maintains that telltale accent mark. This kind of defect does not detract from the overall argument, nor from the English reader’s appreciation. Chilean scholars, on the other hand, ever mindful of their legalistic traditions, especially when it comes to proper Spanish grammar and spelling, may be frustrated by these minor orthographic failings.

A second misunderstanding goes deeper. The author observes that, in her mid-thirties, Beatriz didn’t even know how to fry an egg. This is by no means an overstatement, but the author leaves it at that, as if to say, it would only occur to the unjust patriarchal universe to expect that women should be frying eggs (185, 233). In making such statements, Harmer elides over the fact that an ignorance of domestic skills in Chile often revealed more about social class than about gender roles. This was especially true for the revolutionary left. What good was a revolutionary who could shoot an AK-47, but then needed to be fed by someone else at the guerrilla hideout?

Among pobladores, Chile’s shantytown dwellers, anyone who could not buy fresh bread, fry an egg and slice a tomato would be esteemed pituco—haughty or snobbish—a fish out of water. In the informal economy of extreme poverty, where women could earn cash frying the eggs uptown, their unemployed menfolk often took care of housekeeping by default. Egg frying, a fact of life for the poor, became an asset and a virtue for a true guerrilla fighter.

Harmer recognizes that with regard to gender equality, it would be “unfair to expect the Left to have adopted practices not found anywhere else in society” (14). In fact, it would be anachronistic. And Beatriz Allende never identified as a feminist, but as a revolutionary guerrilla fighter. But cultural presuppositions allotted her only a supporting role. In exile after the coup, travelling between solidarity events, she commented to a friend that she had grown tired of being “Allende’s daughter” (260). She wanted to be Tania, the legendary compañera of Che Guevara, who supposedly died fighting by his side in the Bolivian altiplano (257). Though Beatriz Allende never achieved that dream, her experience made it possible for other women to dream it, too. Her prominence helped to shape a vocabulary that, as Harmer points out, contributed to “a searing call to end gender violence” during the 2019 protests in Chile (274). That call went viral worldwide.

[1] Isabel Allende, the daughter of the President, should not be confused with her second cousin, Isabel Allende, the acclaimed author of the novel The House of the Spirits (1982).

[2] Margaret Power, Right Wing Women in Chile: Feminine Power and the Struggle Against Allende, 1964-1973 (New York: Routledge, 1998)

The views and opinions expressed in this article or video are those of the individual author(s) or presenter(s) and do not necessarily reflect the policy or views of the editors at Not Even Past, the UT Department of History, the University of Texas at Austin, or the UT System Board of Regents. Not Even Past is an online public history magazine rather than a peer-reviewed academic journal. While we make efforts to ensure that factual information in articles was obtained from reliable sources, Not Even Past is not responsible for any errors or omissions.

Film Review: La Llorona, Directed by Jayro Bustamante

The legend of La Llorona is ubiquitous in Latin America. The tale typically centers on a woman who, upon learning of her husband’s infidelity, drowns their son and daughter in a moment of madness. She soon realizes what she has done and drowns herself in a river. Despite her contrition, she is unable to enter heaven and wails incessantly throughout the night. For this reason, she is known as La Llorona, the weeping woman.

In Jayro Bustamente’s 2019 film adaptation, La Llorona cries for her children once more. But rather than being killed by their own mother, the Guatemalan director foregrounds Enrique Monteverde (Julio Díaz), a former Guatemalan general during the nation’s civil war, as the perpetrator.

Movie poster for La Llorona; byline "the past will haunt you". A women peers out from behind an embroidered veil.

This powerful and moving film begins in Monteverde’s mansion. The elite, upper-class officer — ostensibly based on Guatemala’s infamous President Efraín Ríos Montt — is depicted in decline, struggling to breathe, and increasingly paranoid. Bustamante employs dark lighting and gaunt makeup to underscore the man’s ailing state. Yet it quickly becomes clear that Monteverde is not senile but rather haunted by the ghosts of his past. He is standing accused of genocide against the Ixil Mayas during the nation’s 36-year-long civil war.

At Monteverde’s trial, a veiled Maya woman begins testifying in a shadowy courtroom. In a beautiful-tracking shot, she recounts how the Guatemalan army arrived in her village, brutalized children, and razed her house to the ground. The grey-haired former general then takes the stand, flanked by more victims of his crimes. He declares that his intention was “to create a national identity in this country” and that he does not even understand the accusations against him. Despite his defiance, the court finds him guilty, causing Monteverde to hyperventilate before being rushed to the hospital.

The abuelas [grandmothers] of Sepur Zarco. First row seated (from right-left): Antonia Choc (blue huipil); Felisa Cuc (orange huipil); Rosario Xo (blue huipil); Candelaria Maaz (pink huipil); Manuela Bá (light blue huipil); Demesia Yat (dark blue huipil);

Seated behind Demesia Yat (left) (wearing white huipil with green embroidery): Margarita Chub.

Standing, second row, (from right-left): Matilde Sub (pink); Catarina Caal (off-white); María Bá (purple huipil); Cecelia Xo (purple huipil); Carmen Xol (tan flowered huipil) — Director Jayro Bustamente’s courtroom scene drew inspiration from indigenous women who testified, with their faces covered by veils, against military officers in the the Sepur Zarco case. The groundbreaking case resulted in the conviction of two former military officers of crimes against humanity and granted 18 reparation measures to the women survivors and their community. Source: UN Women

As the defeated Monteverde and his family await the patriarch’s sentencing in their mansion, Bustamante’s La Llorona enters the picture. Alma (María Mercedes Coroy), an almost spectral Maya woman, arrives at the front door after wading through a crowd of demonstrators celebrating the guilty verdict outside. She requests work since the house’s servants have all resigned due to the former general’s increasingly erratic behavior. Distracted by Monteverde’s conviction, the family hires the woman as a housemaid despite knowing little about her.

When Alma starts her job, Bustamante unravels Monteverde’s sinister past, and the horrors of the Guatemalan Civil War, with increasing detail. The former general’s history of sexually abusing indigenous women, for example, surfaces as the otherworldly Alma compels the depraved man to watch her as she dries off in the bathroom. When the family discovers Monteverde aroused by Alma, his daughter Natalia (Sabrina De La Hoz) and granddaughter Sara (Ayla-Elea Hurtado) look at him with utter disgust. The following morning, Sara mysteriously tells her mother that Alma’s two children died. Bustamante juxtaposes these surreal scenes with slow shots of Monteverde chasing voices of wailing women down the mansion hallway with a gun. In the process, he prompts viewers to wonder if Alma has possessed the former general in retribution, or if the woman’s sheer presence has caused him to unravel from long-standing guilt.

María Mercedes Coroy as Alma walks through protestors toward police in a still from the film. — *María Mercedes Coroy as Alma walks toward police in a still from the film.*

Regardless, Monteverde and his family’s hallucinations only become more vivid the longer Alma resides in the mansion. Bustamente’s llorona eventually possesses Monteverde’s wife Carmen (Margarita Kenéfic), who previously denied her husband’s invidious history. “The past is the past,” she had claimed, “[and] if we turn around, we’ll turn into salt sculptures.” The older woman is then forced to live the murder of Alma’s children as though they were her own. Here, Bustamante’s choice to foreground Guatemalan elites’ confrontation with the war, rather than indigenous victims’ physical suffering, helps prevent watchers from being unwittingly transformed into voyeurs of violence.

Ultimately, La Llorona is an engrossing interpretation of the famous folk legend. Bustamante’s follow-up to Ixcanul (2015) and Temblores (2019) —which addressed similarly fraught topics — uncovers the civil war’s indelible imprints on Guatemalan society. His use of magical realism evinces how indigenous victims remain profoundly impacted by the army’s counterinsurgency and how perpetrators have repressed their guilt. Although Alma herself perhaps demanded more characterization, her role largely stands as a representation of the war’s victims. Her hauntings of the elite family reveal that the past is not even past in Guatemala. And only by allowing suffering to speak, or wail, will justice be realized.

The views and opinions expressed in this article or video are those of the individual author(s) or presenter(s) and do not necessarily reflect the policy or views of the editors at Not Even Past, the UT Department of History, the University of Texas at Austin, or the UT System Board of Regents. Not Even Past is an online public history magazine rather than a peer-reviewed academic journal. While we make efforts to ensure that factual information in articles was obtained from reliable sources, Not Even Past is not responsible for any errors or omissions.

Digital Archive Review – Más de 72

by Ashley Nelcy García, Department of Spanish and Portuguese

An earlier version of this review was published on halperta.com.

What is a digital archive? I asked myself this question in the weeks before submitting this review. While digital archives are typically defined as a coherent set of digital objects that have been put online by a library or an official archival institution, Más de 72 challenges the notion of what we can identify as a digital collection of records.

Screenshot of Más de 72

Más de 72 is a digital project that collects primary sources pertaining to the massacre of 72 migrants from Central and South America and India. The documents and media shared on this site shed some light on the mass murder that occurred in San Fernando, Tamaulipas, Mexico in 2010, under the administration of Felipe Calderón. The collection was created by Periodistas de a Pie, an organization of active journalists that seeks to raise the quality of journalism in Mexico. The International Center for Journalists (ICFJ), CONNECTAS, and journalists who were invited to participate in the project supported the development and completion of this project.

The collection is a valuable resource for individuals interested in Mexico’s recent history, memory, and human rights issues. Visitors can access primary sources such as official documents from Mexico and the United States, including some judicial records and declassified files. Testimonies from surviving family members recorded in video and audio by journalists, as well as photographs and maps are also available. Additionally, journalistic investigations and reports published by human rights entities provide context to users unfamiliar with the case.

via Más de 72

Más de 72’s primary strength is its presentation. The site contains six different tabs or capítulos (chapters) that provide different types of information. For instance, the sections titled “La Masacre” (The Massacre) and “Después de la Masacre” (After the Massacre) include official and visual documents associated the mass murder of the 72 migrants. Under these tabs, visitors can access documents like the press release from the Secretaría de Marina (Secretary of Marine) and the diplomatic cable that the U.S. Embassy sent to the Department of State. Online browsers with an interest in the role of official documents can also download more than 50 files under the tab titled “Transparencia” (Transparency). On the other hand, users interested in criminal records and procedures and migration studies can access a list of objects found in the location where the massacre occurred and the names of the victims under “Después de la Masacre.” In regard to organization, it is important to note that the names of the victims are listed under their country of citizenship and under the month and the year they were identified.

On the other hand, the tabs titled “Las Víctimas” (The Victims), “Los Culpables” (The Culprits), and “Sobre San Fernando” (About San Fernando) provide more detailed information regarding people and location. These sections can benefit visitors interested in oral history, memory, gender studies, and digital cartography. Under “Las Víctmas”, users can listen to four testimonies provided by victims’ surviving family members. “Los Culpables” has a list of the men and women involved in the mass murder; this section includes the names, the photos, the list of crimes they committed, and external links that provide additional information. The section titled “San Fernando” includes a digital map from Time Mapper that helps users identify the mass graves and the people that have been disappeared in Tamaulipas by geographic location.

Overall, the site benefits users who cannot visit Mexico or Tamaulipas. Aside from scholars, people who can potentially benefit from this repository include but are not limited to: family members of migrants and people who have been disappeared, residents from the state of Tamaulipas, people with relatives in the northern part of the Mexico, journalists, lawyers, and activists. Although the project is not affiliated with libraries, governmental, or academic institutions, Periodistas de Pie is open to working with community members. As stated in “Creditos” (Credits), users can share documents or materials by sending an email to the listed email address. In addition, the organization invites visitors to collaborate–either with skills or donations–to continue developing the site.

The website has some technical problems. It would be difficult for someone who is unable to read Spanish to understand the majority of the information included on the platform. Additionally, some links, hyperlinks, and images need to be updated. More descriptive metadata would also benefit the project and there is a need to assist with the second part of the collection titled, “Segunda Entrega: Fosas de San Fernando” (Second Delivery: San Fernando’s graves). While these are minor setbacks, they also provide an opportunity for archivists, scholars, and web developers to get involved with the project.

Capítulo 5: Sobre San Fernando (Chapter 5: About San Fernando) via Más de 72

Even though Más de 72 is not described as a “digital archive” by the journalists at Periodistas de Pie, this platform serves as a repository of digitized primary documents associated with an historical event. In this regard, it is important to consider how the digital humanities field can be co-opted by elites to control historically politicized spaces. We need to be thinking about what is at stake when the term “archive” is used to control information. The politics of archiving is especially important where journalists–the authors of many of the documents in Mas de 72–find themselves in a violent climate and are rarely protected by institutions of power.

Between King and People: Digital Tools for Studying Empire

By Brittany Erwin

Governing is complicated. It requires an understanding of both top-tier policy and a recognition of changing circumstances over time. It also involves a comprehensive workforce, who perform different tasks according to their position in the larger hierarchy. The Spanish monarchy ruled over territories stretching from the Caribbean to the islands of Asia, and to the southernmost point of South America, for over 300 years. During that period, there was no neat transference of authority from the court, located in Madrid, to the civilizations of the Americas. Instead, a confluence of contradictory voices and choices paved the way for Spanish imperial rule.

“Bureaucracy on the Ground in Colonial Mexico” is a digital exhibition created to help scholars and the public access the lived experience of colonial rule. Its newest features allow for further exploration of the many actors involved in the processes of governance.

The objective of this project is to follow bureaucratic function on the ground. In partnership with the Benson Latin American Collection, I created an interactive digital exhibition on the 1765 visita, or royal inspection, of New Spain. The visita examined local institutions, evaluated economic policies, and reorganized society in a broad display of royal authority. This procedure helped the king implement widespread political, economic, and social reform in this territory in order to tighten control and increase efficiency. It set the precedent for changing policies throughout the empire over the next several decades.

Designed for a non-specialist audience, the exhibition explores the timeline, spatial breadth, and procedure of the inspection, by providing access to digital versions of the original documents produced by the royal inspection visita. The project provides an accessible forum for understanding how the lengthy and expensive process of royal governance effectively fostered relations between the ruling government in Spain and its many different constituencies on the ground in the Americas.

The site now offers full transcriptions of all the documents. Users could previously read the documents in their original form from high-quality images. Now they can dive deeper into the significance of the text itself. The kinds of words that Spanish officials were using– and the patterns in which they used them–help reveal the way that the Crown’s authority manifested itself locally.

Closer textual analysis also helps identify the multiple actors involved in this process. The Spanish monarch, Charles III, had designated José de Gálvez as the inspector general, or visitador. However, at every point, the inspection required the assistance of a wide variety of local officials, from priests to supervisors at the tobacco factory. Gálvez also frequently consulted with the viceroy, Carlos Francisco de Croix. These personal connections are significant because they reveal both the tensions and the cooperation that royal administration could meet in the Americas.

The new features of the “Bureaucracy on the Ground” site help make the obscure topic of imperial governance more accessible. For the Spanish Crown, 300 years of colonial rule depended on more than the faraway king’s decisions. It was the people on the ground who made the bureaucracy work, and this project aims to acknowledge the many forms of their participation in the process of imperial rule.

This project has received support from Professor Joan Neuberger, LLILAS Benson Digital Scholarship Coordinator Albert Palacios, and the UT Digital Writing and Research Lab

Also by Brittany Erwin

The Museo Regional de Oriente in San Miguel, El Salvador
The National Museum of Anthropology in in San Salvador
Review of The Archaeology and History of Colonial Mexico by Enrique Rodríguez Alegría (2016)
History for Us at the El Paso Museum of History

Cross-Cultural Exchange in the Atlantic World; Angola and Brazil during the Era of the Slave Trade by Roquinaldo Ferreira (2012)

Luanda and Benguela became the busiest, most profitable slaving ports in the transatlantic slave trade in the seventeenth century precisely because these two ports set up tribunals to hear tens of thousands of enslaved petitioners demand freedom. Paperwork in local tribunals set hundreds of thousands free, even at the risk of bankrupting powerful merchants. As petitioners litigated their freedom, the colonial state grew in legitimacy and bottom up support. Through petitioning and litigation, the peoples of Luanda and Benguela became active “Portuguese” vassals with rights. Those under the protection of the sovereign state became more than mere commodities while those outside became increasingly more vulnerable. Pervasively and paradoxically, the very consolidation of state legitimacy contributed to the expansion of the slave trade. After years of working in ecclesiastical, municipal, and state archives in Luanda, Rio, and Lisbon, Ferreria offers a major reconceptualization of colonialism and slavery itself. A better title for his book would have been: Petitioning Slaves and the Creation of the South Atlantic Slave Trade.

Angola was no more than these two relatively small ports of few thousand dwellers (moradores), each with strange connections to their hinterlands. Luanda and Benguela were overwhelmingly black and mulatto cities that engaged in formal ceremonies of protection and “transfer” of sovereignty with neighboring natural lords, sobas. The sobas offered labor, porters, and military aid to urban merchants (pumbeiros and sertanejos) and sheriffs (captães mores), the representatives of the Portuguese state, in exchange for a monopoly on the local redistribution of foreign commodities and support against their rivals. Sobas provisioned the trading caravans to the interior (sertões) with porters. The sobas also offered military aid to the cities when neighboring and distant sovereigns, including the Dutch, French, and British, threatened the ports.

This system of Portuguese sovereignty however was rather limited. To the north and south of Luanda and Benguela lay independent polities that for nearly three hundred years remained impervious to all threats of violence and negotiations. The degree of coastal isolation of these two ports was striking. Given the nature of maritime currents, Benguela and Luanda communicated much more easily with merchants in Rio (Brazil) than with one another. For nearly three centuries there were no roads connecting Luanda and Benguela. Like in the north and south, the eastern, interior frontiers of both cities ended where the independent Imbangala kingdoms began. The frontier was dotted with “forts,” or presidios, that were primarily trading centers: Indian cottons, Brazilian cachaça, and gunpowder for slaves. Within these narrow horizontal coastal-eastern corridors, the ports held loose control over the local natural lords, sobas, sworn to vassalage.

Ferreira describes how the expansion of trade within Luanda and Benguela’s subject territories led to the enslaving of vassals. As commodities arrived and credit expanded, so too did pawnship. Debtors would offer family members and subordinates as slaves to merchants. Sobas would also punish civil and criminal cases, particularly witchcraft, with slavery. This system benefitted merchants who did not have to rely on interior trading fairs to obtain chattel from independent kingdoms. Yet, at the same time, the Portuguese crown empowered local judges to set up tribunals to secure the rights of all vassals. Ferreria describes the workings and evolution of the Tribunal de mucanos in detail, offering a mind bending account of bottom up participation through paperwork.

Recently arrived slaves in Brazil, circa 1830 (via Wikipedia)

Mucanos were petitioners who orally pleaded in front of sobas and capitães mores for freedom when wronged. Slowly, oral petitions became written, local custom codified, local decentralized decisions centralized, and corrupted local judges overseen by outside referees. Ferreria describes how the tribunal de mucanos, originally under the control of mercantile interests and self-interested local lords, evolved into a tribunal controlled by bishops (junta das missões). The juntas would have priests as translators-cum-official legal intermediaries (inquiridor das libertades), scribes (escrivão), registries (livro branco), and archives. Priests would become accountants, collecting the royal quinto (20% tax) after having properly ascertained who was rightfully enslaved. In practice, the job of the junta became one of distinguishing between outsiders from the sertòes, who could be enslaved, from the internal vassals who could not. More importantly, after baptizing the properly enslaved, priests would use the body of slaves to document the act of royal authorization and baptism by fire branding chattel. Slaves leaving Angola would carry two other fire marks as notarial documents: the originating and the receiving merchants’. Ferreria also shows that local decisions taken by the local rural tribunals would evolve into a hierarchical system of urban appellate courts, moving petitions from magistrates (ouvidor) to the governor (ouvidor geral) to Lisbon. There were slaves who sent petitions to Lisbon to appeal. Some even appeared in Lisbon in person.

Ferreria shows that in the second half of the eighteenth century the debate over the right to enslave vassals evolved, particularly as the governor Miguel Antonio Mello argued that the same rules to judge the wrongful enslavement of soba vassals should also apply to processes within the sovereign kingdoms of the sertões. All slaves, regardless of their origin, should have the right to appeal. Mello’s good intentions were not to last beyond his time in office. Mello, nevertheless, waived all fees to mucanos in judicial procedures.

In Luanda and Benguela, race was meaningless except as marker of social status, which was signified through clothing. Many petty merchants were slaves-for-hire, retailers (quissongos), moving cachaça, guns, and Indian cottons into the trading fairs (feiras) in the interior sertões while bringing back caravans of slaves. Many settlers (moradores) of the ports were ladinos, that is urban slaves who enjoyed extraordinary freedoms, including often the right to move to Brazil as servants, petitioners, and traders. Merchants and captains were largely exiles and criminals, degredados, from Brazil. Black settlers and ladinos were considered “white,” but so too were the vassals of allied sobas who through trade acquired European shoes: Negros calçados would petition to be exempted from tribute as porters and be treated as “white.” Female slaves who amassed considerable fortunes as market women (quitanderas) also became free “white” settlers. This was a world of both strict social hierarchies and dizzying social mobility.

One of Ferrerira’s most intriguing contributions is to demonstrate the peculiar relation of Brazil and Angola, one that almost entirely excluded the Portuguese. If Angola was a colony, it was Rio’s and Minas Gerais’s. Beginning in the late seventeenth century, the expansion of gold mining in Minas led to the growth of Brazilian involvement in Luanda and Benguela. Merchant-pombeiros and sheriffs-capitães mores were often exile-degredados from Brazil. Luanda and Benguela settlers sent their kids to be educated in Rio. Many acquired trades in Brazil and came back as carpenters and tailors. When Brazil declared independence in 1822, the Portuguese remained fearful for several decades of repeated conspiracies to unite Angola to the new Brazilian empire. The case of Angola demonstrates that early modern monarchies were indeed polycentric. The center of gravity often lay in America, not Europe.

This extraordinary, eye-opening book not only illuminates the distinct nature of South Atlantic systems of slavery, connecting Rio to Luanda and Benguela, a system that accounted for at least one third of all the slaves brought to the Americas. It also throws light on the role of slave petitioning in securing legitimacy and political resilience There were extraordinary parallels between the Tribunal de mucanos in Angola and the Republica de indios in Spanish America. In both cases, the state invested heavily in protecting nonwhite vassals from mercantile predation. In doing so, the system grew in legitimacy and longevity. The true paradox of modernity might not be that white freedom was possible because there was black slavery, as Edmund Morgan argued in American Slavery, American Freedom. The true paradox might well be that slavery grew and multiplied precisely because there were tens of thousands of slaves who petitioned and obtained their freedom.

Promiscuous Power: An Unorthodox History of New Spain by Martin Nesvig (2018)

Power, he argues, was “promiscuous” in sixteenth-century Michoacán because there were dozens of claimants to overlapping jurisdictions: indigenous nobilities, native commoners, encomenderos (tributary lords responsible for conversion of entrusted indigenous communities), bishops, parish priests, friars, audiencia (high court) magistrates, alcaldes mayores (city mayors), city councils, corregidores (regional authorities), viceroys, general inquisitors, inquisitorial delegates, cathedral chapters, etc. Each corporate group brought the “imperial” state to a crawling halt. In fact, he argues there was no single colonial “state” but dozens, if not hundreds, of micro- imperial ones, in and around cities and in the many distinct regional rural hinterlands of the sprawling province of Michoacán. Nesvig describes these micro-states as being led by clerical caudillos (charismatic leaders of armed posses) and encomenderos who enjoyed flexing their raw patriarchal muscles (complemented by some matriarch encomenderas who flexed their biceps and ass-kicking thighs).

Nesvig irreverently pokes fun at the large Inquisition historiography that finds the key to the building of the colonial state in inquisitorial hegemony and fear-inducing techniques. He shows all these arguments to be nonsense because people in Michoacán repeatedly and literally shit on the Inquisition agents.

Rarely does the nature of the sources match the voice of an author as it does in Nesvig’s Promiscuous Power. Like his subjects, Nesvig likes shitting on the conventions of academic writing. Here is a sampling.

Francisco Hernández Girón was a Spanish encomendero in the Viceroyalty of Peru (via Wikipedia)

Nesvig quotes a bandit who beat, stabbed, and robbed the officials carrying the sealed correspondence of inquisitor of Mexico City, as saying:

“Come on, that paper isn’t worth anything, and whoever wrote it must be like you–come on, you dog, faggot, cuckold, snitch, asshole” (170)

And he writes:

“People laughed at the king and the pope and called their judges squashes, putos, and little whiny bitches while stabbing and cracking them and smacking their idiotic, pompous bonnets off their heads.” (171-72)

“Orduña [the Inquisition delegate in Michoacán’s capital Valladolid] thus upended the acceptable semiotics of power, and in so doing, he showed his rivals that he did not care a fucking bit if they thought he was a plebeian thug.” (129)

“True, he was a priest, but as he had no university education, he thought that licenciados (college graduates) were pompous assholes.” (115)

“He [Badillo a theologian, newly appointed inquisition delegate for Michoacán] was a creature of classroom lectures and of the intricate hierarchies and cultural niceties of academia, its ceremonial buffoonery and false collegiality.” (107)

I found Nesvig’s stylistic and historiographical irreverence both refreshing and powerful. I do have a critique, however.

Nesvig demonstrates on every page that the “state” enjoyed extraordinary legitimacy and authority, despite his claim that the state does not exist as such. But he has a difficult time finding the state only because he is on the trail of the narrowly defined Weberian state, that is, the state that has a monopoly on violence. Yet in Michoacán, there was a vibrant imperial state. Each of the corporate groups Nesvig investigates left a massive trail of petitions for redress via at least a dozen different bureaucratic channels and courts (Nesvig himself finds his sources in seven or eight different archives, and within each archive, in 5 or 6 different types of bureaucratic files). The audiencias (the high courts of Mexico and Guadalajara), the Inquisition (in Mexico and the Suprema in Madrid), the viceroy, the ecclesiastical courts (both of Mexico and Valladolid-Michoacán), and the crown sent dozens of visitas and residencias (mandatory outside evaluation of outgoing authorities) to investigate and mete out justice, whose dictates, in turn, were embraced or appealed in endless litigation. One finds the state in this infrastructure of paperwork, not in the monopoly of violence. The colonial state was a state of paper.

Nesvig is right that the colonial state was archipelagic, colonized by fierce defendants of corporate legal rights. Yet it was no vacuous abstraction. It manifested itself daily in rivers of ink and the profligate collective investments in paper, paralegals, lawyers, and lobbyists. The state lay in the daily, routine acceptance that courts, councils, magistrates, and monarchs could ultimately be swayed to listen. More often than not, conflict was resolved through the exchange of blasts of documents, not gun battles, civil wars, and massacres. This was the lasting legacy of even the most violent of Latin American colonial caudillos.

When Montezuma Met Cortés: The True Story of the Meeting that Changed History, by Matthew Restall (2018)

Matthew Restall’s When Montezuma met Cortés delivers a blow to the basic structure of all current histories of the conquest of Mexico. Absolutely all accounts, from Cortés’ second letter to Charles V in 1520 to Inga Clendinnen’s masterful 1991 article “’Fierce and Unnatural Cruelty,’”[1] assume that the conquest of Mexico was led by Hernán Cortés, who is described by Wikipedia as a “Spanish Conquistador who led an expedition that caused the fall of the Aztec Empire and brought large portions of what is now mainland Mexico under the rule of the King of Castile.” These accounts represent Cortés as willingly deciding to enter Tenochtitlan in the hopes of capturing Montezuma, the Aztec Emperor, expecting to rule Mexico via a proxy ruler, and seeing himself as Julius Cesar in Gaul. Although Clendinnen shows that there was no Machiavellian logic in any of this Cortesian strategy, she keeps the trope of Cortés as the central protagonist of a tragic-comedy.

Montezuma’s reasoning for allowing Cortés and his 250 surviving conquistadors to enter Tenochtitlan is, after Cortés’s overblown heroics, the second leg of all histories of the conquest. Montezuma’s actions have been cast as a surrender to prophecy, implying imperium translatio (willingly bestowing sovereignty upon superior returning deities), idiotic cowardice, or simply unfathomable, unintelligible reaction. Either way, Montezuma always comes across as a diminished ruler, even a puppet. Cortés captured, imprisoned, killed, and desecrated Montezuma’s remains.

The third leg of the stool organizing narratives of the conquest of Mexico is the brutality of Aztec rule and the extent of the Aztec practice of human sacrifice. The alleged industrialization of Aztec ritual sacrifice has allowed some traditional accounts to justify the conquest.

Restall knocks down all three legs. He demonstrates that the numbers of sacrificed captives that are thrown around make absolutely no sense. The proposed numbers do not match basic arithmetic, demography, or the archeological findings at templo mayor, where the sacrifices were supposed to have taken place.

The leg that sustains Cortés as protagonist tumbles down just as easily. Restall demonstrates that Cortés was a mediocrity before landing in Yucatan and after the conquest. Cortés arrived in Hispaniola in 1504 and participated in the conquest of Cuba in 1511, playing the role of follower not leader throughout. After Tenochtitlan, Cortés led the conquest of Honduras and California where his incompetence shined through, not his greatness. Restall shows that leaders of the many Spanish factions, namely, the captains, bosses of family/town share-holding companies, who in Mexico made all key decisions, not Cortés.

Finally, the leg in the stool that portrays Montezuma as fool, is demolished by Restall in showing that Montezuma made fools of Cortés and his captains. He led them down a path that would secure attrition and observation. The envoys of Montezuma in Yucatan encouraged a path to Tenochtitlan via an enemy route. Cortés and his captains encountered first the Totonec and then the Tlaxcalan, before crossing the mountains to get to the valley that nestled Tenochtitlan in the middle. Restall demonstrates that when the weakened conquistadors stopped fighting with the Tlaxcalan, it was the latter,, not Cortes, who chose the path to get to the Aztec capital to visit Montezuma, including a detour to the city of Cholula.

This detour has always puzzled historians because it was out of the way and because the “conquistadors” staged a massacre of Cholulan lords for no apparent reason whatsoever. In his letters to Charles V, Cortés sought to explain the massacre as preventive violence to clamp down on the simmering rise of treasonous behavior among allies. Restall shows, however, that the massacre was a Tlaxcalan initiative and that the Spaniards had no role in its planning.. Tlaxcalan elites massacred the Cholulan for having recently broken the Tlaxcala Triple Alliance (that also included Huejotzingo) in order to embrace the Aztec. Even in their massacres, Cortés and his captains were puppets.

A 17th century CE oil painting depicting the meeting of Spanish Conquistador Hernan Cortes and Aztec ruler Montezuma (Motecuhzoma II) in 1519 CE (via Ancient History Encyclopedia)

Restall dwells on Montezuma’s zoos and collections to provide an answer to another puzzling decision of Cortés and his captains: they disassembled their fleet in Veracruz and crossed Central Mexico to dwell in Tenochtitlan for nine months. What would 250 badly injured and poorly provisioned conquistadors expect? To rule an empire of millions from the capital by holding the emperor hostage? Ever since Cortés penned his letters to Charles V, chroniclers and historians, (including indigenous ones trained by the Franciscans who wrote accounts of the conquest in the 1550s for the great multi-volume encyclopedia of Aztec lore, the Florentine Codex) have accepted this as a plausible strategy, even a brilliant Machiavellian one that took Montezuma unaware. Restall, however, proves that the Spaniards remained nine months walled in Montezuma’s palaces near the monarch’s zoo and gardens.

Restall proves that Montezuma’s majesty resided in his collection: zoos, gardens, and pharmacopeias. Montezuma collected women, wolves, and dwarfs. He led Cortés and his bosses to Tenochtitlan to add the pale Spaniards to his menageries and palaces. The Spanish factions had no choice. Montezuma was no one’s puppet. He used the Spaniards as curiosities to reinforce his majesty and power. Montezuma was no one’s prisoner; he was murdered. His body never desecrated by his own people. After the murder, the Spaniards were slaughtered and the few survivors fled the capital in the middle of the night, humiliated and beaten. The historiography has called the night when the Aztecs routed the Spaniards the Noche Triste.

Cortés and his surviving captains reassembled after the rout in Tlaxcala, from where they allegedly led a year long assault on Tenochtitlan. Restall shows that this protracted, final battle over the capital and the surrounding towns was not a campaign Cortés; captains controlled, any more than they controlled the first visit to Tenochtitlan. The final siege of Tenochtitlan was a war among noble Nahua factions as well as the reshuffling of altepetl (Nahua city) alliances. Elite families of Texcoco realigned to create a new alliance with Tlaxcala.

Restall introduces a new category to replace conquest: war. He equates the violence unleashed by the arrival of conquistadors with the violence of the two World Wars in the twentieth century. There was untold suffering and civilian casualties, systematic cruelty by ordinary people, rape and sexual exploitation as tools of warfare.

He is right. Yet this shift, paradoxically, infantilizes the natives and concedes all agency, again, to Europeans. In the political economy of malice, Spaniards had no monopoly. Restall demonstrates that Tlaxcalan and Texcocan lords led the massive massacres in Cholula and Texcoco. It is clear, also, that lords used the war to transact women like cattle and to amplify the well-entrenched Mesoamerican system of captivity and slavery. Why then does Restall concede to the Spaniards all the monopoly of cruelty? War made monsters not just out of ordinary vecinos from Extremadura and Andalucia. War also made monsters of plenty of local lords.

[1] Inga Clendinnen “Fierce and Unnatural Cruelty”: Cortés and the Conquest of Mexico, Representations 33 (1991): 65-100

From There to Here: Lina de Castillo

By Lina de Castillo

Map of Columbia (via Wikipedia)

In September of 1980, my mother took a calculated risk. As a talented singer with perfect pitch frustrated by a broken marriage and limiting law career, my mom left Bogotá, Colombia to pursue her dream of opera singing. My father, already starting his second family, agreed that my brother and I needed to go with her. My maternal grandparents followed us to the United States soon thereafter. While my mother worked hard to win first prize at international lyric-opera competitions with the help of a renowned voice coach, my brother and I worked hard to learn English and excel in school with the help of caring teachers, our grandparents, and kind friends. We both were inspired by our mother’s tremendous efforts and her willingness to take risks. Although my daily life during the school year took place in Westchester County, New York, an important part of my childhood also took place in Bogotá, where I spent many summers and occasional winter breaks with my Colombian family. I yearned to learn more about the place of my birth. I also missed my family terribly when I wasn’t with them. At the same time, I appreciated the security, opportunities, and friendships I found in the United States.

Curiously, although Latin America was often included in the content of our social studies textbooks, we rarely got the chance to actually study the region. As an undergraduate student at Cornell University, I finally found courses that began to teach me about Latin America, including a course on US-Latino literature (the gendered sensitivity evoked by “Latinx” had yet to be imagined). For the spring semester of my junior year, I decided to ‘study abroad’ at home in Colombia. Doing so proved to be one of the most eye-opening and academically satisfying experiences of my life up to that point. The international relations seminar I took with Juan Gabriel Tokatlian at la Universidad de los Andes helped me see more clearly the problems that come with treating a public health crisis (drug addiction) through militarization and strategies of war. At the Javeriana University, I signed up for a graduate-level seminar on the Annales school, a style of historiography developed by French historians in the 20th century that stresses long-term social history. A fellow student openly revealed his Marxist leanings and offered memorable critiques of our readings. These conversations for the first time allowed me to realize that there could be different schools of thought when it came time to develop historical analyses. Upon graduation, I decided to return to Colombia, where I taught a version of the US-Latino literature course at the university level, but only until my supervisor required that I teach the 19th-Century Colombian History survey. These experiences, together with the friendships I made with colleagues at la Javeriana and los Andes made one thing clear: if I wanted to be serious about teaching and researching at the university level, I needed to pursue graduate study in the United States. At the end of the day, the only career track that would allow me to bi-locate between my two beloved homes, the United States and Colombia, was the historical profession.

Also in this series:

Tatjana Lichtenstein
Julie Hardwick
Toyin Falola
Yoac Di-Capua
Susan Deans-Smith

The Politics of a Handkerchief: Personal Thoughts on the Motif of Female Activism in Argentina

By Paula O’Donnell

(All photos are courtesy of the author unless otherwise stated.)

Windswept litter and flaming logs on asphalt. Backlit figures swaying to handmade percussive instruments and bongos. High school seniors from Colegio Nacional huddled for warmth on the sidewalk, resting foreheads on shoulders for brief shut eye. A neighboring group of teens hoisted Argentine flags that read Movimiento Estudiantil Liberación. They danced and chanted, their makeshift bonfire illuminating passionate faces, streaked with glittering green paint. Tens of thousands filled the park, mostly young and female. Their necks adorned with green handkerchiefs, an aesthetic marker of political and ethical community.

It was June 13, 2018 at around 10:30 pm when my mother and I joined the lively demonstration taking place outside of Argentina’s Congressional palace. After seeing intriguing images of the protest on the news, we were eager to witness the spectacle with our own eyes. We entered Plaza del Congreso just as the sun receded behind the neoclassical citadel in which the House of Deputies deliberated. Argentina’s lower house of Congress was voting on a bill that would decriminalize abortion in the first fourteen weeks of pregnancy. As political elites quarreled in their palace, a discussion that would last nearly twenty hours, protestors flooded the plaza outside to noisily advocate for the bill. Empty tour buses from countless distant provinces lined up along the avenues north of the blocked-off parameter. Inside the square, a cacophony of voices, symbols, and bodies deluged the space. Signs, banners, canopies, and tents exhibited slogans and logos of Tendencia Guevarista, Juventud Radical, Frente Popular Darío Santillán… and innumerable other left-wing political organizations.

A loquacious group of teen artists sat on checkered blankets exhibiting sketches, magnets, and stickers for sale. My mother paid a blond boy with a nose-ring ten pesos for a magnet, which she handed to me, “un regalo – a present.” In bright red letters on a green background, it read “¡CUIDADO! EL MACHISMO MATA” (Careful! The patriarchy kills.) More than anything, I wanted a green handkerchief like everyone else, but no one seemed to know where they came from.

As a historian, I was impressed with the visual symbolism inherent in the handkerchiefs. I was immediately reminded of the photographs many of us have seen of elderly Argentine women defying a murderous military dictatorship. Las Madres de la Plaza de Mayo were middle-aged and elderly women who lost children and husbands to the military junta that ruled Argentina between 1976 and 1983. At great personal risk, these women met at the presidential palace every Thursday, beginning in 1977, to hold a vigil, wearing images of their missing kin on strings around their necks and plain white handkerchiefs on their heads.

It is reasonable to speculate that most of Las Madres de la Plaza de Mayo would not have considered themselves feminists, and it is even less likely they would have supported abortion rights. The historian Diane Taylor has pointed out that these women mobilized to defend their roles as mothers and wives, and they exploited traditional representations of femininity (purity and subservience to male family members) to mobilize shame. Even so, they remain national icons of feminine resistance in the public sphere.

Certainly, Las Madres paved the way for other female activist organizations, some of whom aligned themselves more directly with reproductive rights. For instance, Las Abuelas de la Plaza de Mayo consisted of women whose daughters or daughters-in-law were pregnant when detained by the military dictatorship. While searching for their missing grandchildren, this political group highlighted the military regime’s practice of kidnapping newborn infants for adoption into “loyal,” Catholic families. Margaret Atwood claims that this pro-natalist practice, with deep roots in Argentine history, was a fundamental inspiration for her novel The Handmaid’s Tale. Today, Las Abuelas continue to search for their grandchildren, many of whom are now in their late 30s or 40s and unaware of their biological heritage.

Las Abuelas de la Plaza de Mayo (via Wikipedia)

It goes without saying that today’s generation of activists in Buenos Aires operates in an entirely different historical context, with distinct political objectives. However, the symbolic implications of the pieces of cloth they wear on their bodies appear to acknowledge the role Las Madres and Abuelas played in legitimizing female activism. Now as then, Argentine women have shown they can provoke concrete political changes by assertively occupying public spaces.

As I think back to that Wednesday, I still remember wading through the sea of green, dazed and impressed with the demonstration unfolding. The closer to the palace we moved, the more boisterous and frenetic the crowd became. About fifty feet from the limestone and marble building, it became difficult to move. Here, banners rose fifteen feet into the air, most of them advertising Trosky-ist political parties, such as Movimiento Al Socialismo or Movimiento Socialista de los Trabajadores. The clamorous singing and drumming left my ears ringing after we painstakingly made our way out of the mosh pit. It was a rowdy rock concert with no central performer to orient the crowd and no security team to direct flows of human traffic. An overstimulation of sound, color, and corporal energy contrasted conspicuously with public displays of exhaustion nearby: teenagers sleeping in truck beds, on blankets, and against the iron fence circulating the square. A village of silent camping tents at the periphery of it all.

I spent only an hour or so at the demonstration, a small fraction of the time that most participants sacrificed to stand in the brisk winter night. The next afternoon, the Argentine Chamber of Deputies voted to decriminalize abortion by a narrow margin. This was an unprecedented victory for reproductive rights in a dominantly Catholic society and region of the world. The bill would have made Argentina just the third Latin American nation (after Cuba and Uruguay) to decriminalize abortions, and analysts speculated as to the effects this would have on reproductive rights transnationally. Unfortunately, the victory in the House of Deputies subsequently galvanized a counter mobilization of pro-life Catholics all over the nation. Even Argentine-born Pope Francis spoke out to condemn the legislation, and the country’s Senate ultimately defeated the bill in August. All the same, the bill’s narrow margin to victory and the movement’s prominent visibility were remarkable for a conservative country on a continent where abortion rights are the exception. In any case, the extraordinary June demonstrations deserve to be remembered for their historical and social significance in the larger trajectory of the Argentine feminist movement, rather than the legislative defeat that followed.

For more on gender in Argentina, see Diana Taylor, Disappearing Acts: Spectacles of Gender and Nationalism in Argentina’s “Dirty War,” (Durham: Duke University Press, 1997).

The King’s Living Image: The Culture and Politics of Viceregal Power in Colonial Mexico by Alejandro Cañeque (2004)

Latin American popular culture presents two common tropes about Spanish colonial rule. One is the representation of viceroys as autocrats who ruled without any institutional constraint. This perception “explains” the authoritarian tendencies of Latin American societies in the postcolonial period. The other trope ironically undermines perceptions of authoritarian control by highlighting the margin of discretion that colonial officials enjoyed in the application of the law. One example of this flexible interpretation of the law is a famous phrase uttered by the Spanish American bureaucrats when a royal order came from the metropolis: “I obey but I do not comply” (obedezco pero no cumplo). Officers used this prerogative in some cases to avoid enforcing certain royal policies that they thought might be harmful for the territories in the New World where they ruled in representation of the king. This trope “explains” the apparent disregard of modern Latin Americans for the law. Neither of these representations of colonial rule is accurate.

Alejandro Cañeque’s The King’s Living Image invites readers to reconsider many of the misconceptions about Spanish America found in Latin American popular culture. Cañeque argues that we cannot understand the colonial Spanish bureaucracy with our modern conceptions of the state. In fact, Cañeque refutes the centralizing and autocratic vocation of the Spanish Monarchy for most of the colonial period (until the beginning of the eighteenth century) because those elements associated often with the modern state simply did not appear there. Without a standing army and an extended and centralized bureaucratic apparatus, how did Spain rule over almost a whole continent? Central to the author’s argument is that political beliefs and institutional practices were crucial in sustaining viceregal power and colonial rule. Spaniards imagined the state as a human body in which each body part (institution) played a key role in the system. The king represented the head, but even a king could not move if his legs did not respond. At the institutional level, the king could not procure good governance in the kingdom without the help of his most trusted councilors working in those institutions. The collective action of the whole created a sense of community among all its members.

Cañeque reinforces this idea by stating that political power was transmitted from God to the community, which then transferred it to a king. Thus, the monarch had the absolute obligation to rule for the benefit of the people and the common good. Justice and good governance became the ideological foundations of the Spanish Monarchy. Their fulfillment depended on the cooperation of the head and the different body parts. Shattering misconceptions about despotism in the Spanish Monarchy, Cañeque claims that this system of government had its analogy in heaven, where God was assisted by the Seraphim, who had the job of purging, illuminating, and perfecting the hierarchies below them. In this framework, the author analyzes the administrative hierarchy in Spanish America from the upper echelons to the local forms of government. Through his study of Viceroyalties, and Audiencias and Cabildos, Cañeque shows how the Spanish Monarchy was structured in a way that any site of power reflected a higher level.

Cañeque focuses in the figure of the viceroy, who represented the living image of the king, playing the role of the head of the political body in Spanish America. Mirroring the celestial court, viceroys had to be exemplary rulers for their subjects. Like the king, they had to rule by virtue, and not by force. If we add to this their mission of dispensing justice, we now can understand the famous phrase “I obey but I do not comply.” Viceroys and other colonial officials did not enforce certain royal policies when they were thought to be contrary to the justice and the laws of the kingdom. Certainly, they could abuse this prerogative for other goals, but its purpose was not the disregard of the law but the protection of the larger conception of justice.

If the viceroy represented the living image of the king, how did the king project his power through the viceroy? Symbolic representations, such as triumphal arches, processions, and the magnificence and pomp in the viceroy’s public appearances, all constituted and sustained viceregal power. People today would see mere spectacle and vanity. But these were the means through which authority was legitimated, especially when coercion on a grand scale was simply impossible. Symbols and political rituals were fundamental for the legitimization of power. Consider modern states and their use of symbols to command respect and loyalty. Think about the purpose of national hymns, or the splendor of national parades. Allegiance to the nation’s flag evokes the same feelings that people would have experienced by seeing the public appearance of the king’s living image in the figure of the viceroy.

Cañeque’s The King’s Living Image is a readable and well researched contribution that serves as a wake-up call to reexamine many of the misconceptions that have informed Latin American popular culture about Spanish American colonial power.

Recent Posts