twentieth-century Archives

A Poverty of Rights, Citizenship and Inequality in Twentieth-Century Rio de Janeiro by Brodwyn Fischer (2008)

Getúlio Vargas, President of Brazil from 1930-1945, is often credited as the champion of the Brazilian working class during the twentieth century. His policies led to the progressive industrialization of Brazil and to a barrage of labor regulations that protected workers’ rights. However, not everyone benefited equally from these laws. Thousands of poor Cariocas (Rio de Janeiro’s residents) who labored outside the formal economy were not legally considered workers and faced great challenges to attain the rights that Vargas originally intended for the organized working class.

Brodwyn Fischer presents a compelling study integrating urbanization, patronage networks, and conceptions of citizenship in modern Brazil. The book addresses the formation of poor people’s rights in Rio de Janeiro between 1920 and 1960. The basic thesis is that the poor’s claims to economic, social, and political rights were constantly constrained by legal ambiguity and informality, fostering a state of partial but perpetual disenfranchisement. Despite the unprecedented expansion of labor benefits for the workers during the Vargas era, socioeconomic assumptions and bureaucratic hurdles revealed the discrepancy between legislation and social realities. New regulations prevented outright exclusion from rights, but legal ambiguity prevented their full attainment, placing a significant portion of urban poor’s lives outside the sphere of citizenship. Fischer shows how this contest over citizenship rights played out in urban spaces, courtrooms, and in the government bureaucracy.

The implementation of legislation on urban growth in Rio in the early twentieth century shows one such disparity in the ways the poor were both included and excluded from citizenship rights. The sanitary code of 1901 and especially the Building Code of 1903 had lasting impacts on the conceptualization of urban spaces and poor’s place in cities. Both sets of legislation targeted the favelas (informal settlements) for removal, associating them with disease and moral danger. However, the incapacity of the state to enforce those laws enabled tolerance for them and created a venue for the poor to achieve a tenuous hold on land in the city.

Getúlio Vargas’ ascension to the presidency put the poor at the center of his populist project. A network of patronage among politicians, middlemen, and poor residents in the favelas soon arose to defend vulnerable constituents against the laws’ enforcement and to guarantee political support. Vested interests in the slums would prolong their existence in an atmosphere of legal uncertainty. While becoming the only solution to Rio’s housing crisis, favelas remained illegal according to the law. This fact deprived residents of any meaningful claim to urban rights, making vulnerability and dependence a key feature of Rio de Janeiro’s poverty.

Vargas also extended considerable material benefits to the Brazilian working classes mainly through the Consolidation of the Labor Laws of 1943. In the process, a poverty of rights emerged that made workers supplicants rather than fully enfranchised citizens. These reforms were exalted more as public displays of generosity from the president than as the attainment of full rights belonging to the citizens. Vargas’ administration articulated a conception of citizenship underpinned by notions of work, family, and patriotism according to which rights were distributed. In order to access these rights, the poor had to negotiate not only discourses of citizenship in their written petitions to the government, they also needed documentation to claim their benefits. The possession of birth certificates, work ID’s and other bureaucratic hurdles created a multi-tier system in which the procurement of a specific document unlocked the next level of social protections. The precondition of documentation for citizenship turned rights into privileges that benefited only those among the poor who were documented. Political loyalty, bureaucratic agility, and corruption often meant the difference between exclusion or access to benefits.

If Brazilian bureaucracy created serious obstacles for the attainment of rights, courtrooms presented a legal mine field awaiting favela residents. The inconsistent and heterogeneous Brazilian legal system added more ambiguity to the situation of the undocumented poor. Legal decisions often rested on perceptions of individual circumstances and character and as such, poor Brazilians and judicial officials engaged in negotiations of judicial responsibility and sentencing based on open-ended ideas of civic worthiness. Documentation might provide a solid signifier of citizenship permitting Rio’s residents to escape the more nebulous dimensions of social character, class, and circumstance. A positive vida pregressa (brief life history) and the possession of other documents such as a work card, constituted less ambiguous signs of civic honor. Thus, poor people who could not present themselves as such saw their civic rights undermined and a higher risk of conviction in the courts.

Fischer concludes by chronicling a series of conflicts in the favelas that were due to the growth of the city and the rising value of land in the 1950s and early 1960s. The proliferation of local social movements to defend claims to abandoned lands, coupled with networks of support from leftist politicians and favela middlemen, succeeded in preventing most of the public and private evictions in this period. However, this success rested on political loyalty and not in the enfranchisement of their residents per se. Untitled permanence and illegality would continue to constitute the ultimate legacy of the community’s legal battles.

Fischer offers a well-researched and nuanced analysis of ambiguities of citizenship in modern Rio de Janeiro based on the eclectic use of civil and criminal court cases, legal codes, statistics, oral histories and even samba lyrics.

How do we talk about Enoch? Enoch Powell, Race Relations, and Public History in Britain

Embed from Getty Images

by Edward Watson

Fewer British politicians in the 20^th century have been as inflammatory as Enoch Powell. On April 20, 1968, the Conservative MP and Shadow Defence Secretary criticized mass immigration from the Commonwealth into the UK during an address to the Conservative Political Centre in Birmingham. Dubbed the “Rivers of Blood” speech, Powell claimed that the anti-discrimination Race Relations Bill of 1968 would provide immigrant communities with the means to “overawe and dominate the rest with the legal weapons which the ignorant and the ill-informed have provided. As I look ahead, I am filled with foreboding; like the Roman, I seem to see ‘the River Tiber foaming with much blood.’”

Powell’s speech caused uproar. The Times condemned it as “an evil speech” and Powell was promptly dismissed from the Shadow Cabinet by Conservative leader Ted Heath. However, Powell had his supporters. In fact, a Gallup poll in 1968 found that 74% of respondents supported his suggestion of repatriation. Powell subsequently became a mythologized and divisive figure. For the far-right, “Enoch was right” became a key rallying cry of anti-immigrant sentiment. For many on the center and the left, Powell embodies an openly vitriolic, racist strand of British politics.

BBC Radio 4, a highbrow wing of Britain’s public service broadcaster, decided to air a dramatic reading of Powell’s speech interspersed with commentary from journalists and academics in commemoration of the speech’s 50^th anniversary. The presenter, BBC media editor Amol Rajan, promoted the program on Twitter, claiming that “on Saturday, for 1st time EVER, Enoch Powell’s Rivers of Blood speech will be read in full on UK radio.” The BBC has widely come under fire, most forcibly from Labour peer Andrew Adonis and academics. Dr Shirin Hirsch, who had been interviewed for the broadcast, tweeted that she was “disgusted by the way the BBC are promoting this show. I made a mistake and was interviewed for this but I have been sick with worry since seeing the way this is being presented.” Considering the divisive nature of Powell’s speech, many questioned the decision to give an uncritical platform to the far-right while others focused more on the decision to commemorate the speech at all. Rajan later defended the decision by arguing that “the speech is broken up, and critiqued by voices from across the spectrum. Not just read out in a single go.”

On Saturday, for 1st time EVER, Enoch Powell's Rivers of Blood speech will be read in full on UK radio (by actor Ian McDiarmid). Please join us @BBCRadio4 8pm. Super-brains Nathan Gower + David Prest have done an amazing production job. Great guests too: https://t.co/3XvDMSH16d
— Amol Rajan (@amolrajan) April 12, 2018

The BBC’s broadcast touches on numerous ethical and methodological issues for public historians. How do we deal with difficult subject matter? What is the best medium for a critical analysis of such an incendiary speech? How should such a broadcast be marketed? What are the risks of presenting the speech as a commemoration? Its hype as “the first time” the speech had been broadcast was fundamental to the controversy. Historians often use anniversaries as an opportunity to disseminate their own work and engage with a public audience. In this instance, the seemingly celebratory nature of the significance of Powell’s speech was widely criticized. Historicizing Powell’s speech is important and we have to establish critical and reflective ways of covering Powell in the wider context of race relations in Britain. There is no singular correct way to do this, but a dramatic reenactment of the speech seems inappropriate, especially as there is no recording of Powell’s most famous and divisive line, “I seem to see ‘the River Tiber foaming with much blood.’”

This is not to say that Enoch Powell should be ignored. Powell’s speech represents an important juncture in British political and cultural history. Prior to the Commonwealth Immigrants Act of 1962, Commonwealth citizens had extensive rights to settle in the UK. Race riots, most notably in Notting Hill and Nottingham in 1958, inflammatory speeches (such as Powell’s), and restrictive immigration laws were indicative of intense debates surrounding race relations in the UK. In 1964, the hugely controversial election in Smethwick in the West Midlands highlighted the prevalence of racism in British politics, as the Conservatives were widely reported as adopting the slogan “if you want a n****r for a neighbour, vote Labour.” By the time British citizens of South Asian origin faced a campaign of discrimination from the Kenya African National Union (KANU) government in 1967, racial tensions and white British concerns over the influx of immigrants from the Commonwealth were immensely influential over government policy. The Kenyan Asian crisis, as it came to be known, prompted the Commonwealth Immigrants Bill in 1968, which reduced immigration from the Commonwealth to 8500 per year and a mere 1500 from Kenya specifically. 80,000 people in Kenya, who had previously been entitled to British passports as Citizens of the UK and Colonies, were effectively rendered stateless. In an effort to appease their critics, the Labour government passed the Race Relations Act in 1968. The act made it illegal to refuse housing, employment or public services to a person on the grounds of race or national origins. Powell rallied against the Labour government’s bill and the levels of immigration, arguing that it was “like watching a nation busily engaged in heaping up its own funeral pyre.” He believed that racial tensions “of American proportions” which were “interwoven with the history and existence of the States itself, is coming upon us here by our own volition and our own neglect.”

Embed from Getty Images

The specific context to Powell’s speech is often forgotten and there are historical and political ramifications in understanding its background and subsequent influence. For the left, so eager to portray the Labour party as the bastions of racial equality, it represents a colossal failure in terms of immigration and race relations for Harold Wilson’s government. On the far-right, Powell’s mythology is increasingly synonymous with all anti-immigrant sentiment. Understanding Powell’s background illuminates why his speech was so dangerous. Powell has been caricatured as a demagogue and a rambling racist, but he was a highly respected, classical scholar with an astute awareness of how he could manipulate history for political means. Powell believed history “was always a series of myths and the point was to choose the most appropriate ones for the hour of national need.” He was an articulate and charismatic orator. This was no incoherent, raving outsider, but a calculated and educated member of the political elite.

This is what made his speech so divisive and why it continues to have relevance in British political life to this day. In 2014, comedian Russell Brand called UKIP leader Nigel Farage a “pound shop Enoch Powell” on the BBC’s political TV show Question Time. Welsh UKIP leader, Neil Hamilton, defended Enoch Powell, arguing the idea that Powell was a “racist villain” is “absolute nonsense.” Even more recently, Commonwealth immigration has hit the headlines with the Home Office coming under fire for destroying landing cards from the “Windrush generation,” with thousands of children who were brought to Britain from the West Indies in 1948 now at risk of deportation. Days ago, Labour MP David Lammy, lambasted the Prime Minister and Home Secretary for appeasing the anti-immigrant sentiment of the far-right, arguing that “if you lay down with dogs, you get fleas.” The ghost of Enoch Powell looms large over UK politics. We would do well to figure out an appropriate way to discuss Powell’s speech in its historical context as well as how it fits into contemporary political discourse. Understanding Powell’s strand of racist rhetoric derives from a closer reading of his speech and the context in which he delivered it. In this sense, the BBC’s decision to critique the speech amidst the dramatic reading is important. However, if Britons are to have a more meaningful discussion about the history of race relations, then the discussion must go beyond a dramatization of Powell’s speech. Moreover, public scholars need to do more thinking in terms of how to appropriately frame such a difficult discussion.

Also by Edward Watson on Not Even Past:

Review of Empire of Cotton: A Global History by Sven Beckert

Did Race and Racism Exist in the Middle Ages?
History Museums: Race, Eugenics, and Immigration in New York History Museums
History in a “Post-Truth” Era

The views and opinions expressed in this article or video are those of the individual author(s) or presenter(s) and do not necessarily reflect the policy or views of the editors at Not Even Past, the UT Department of History, the University of Texas at Austin, or the UT System Board of Regents. Not Even Past is an online public history magazine rather than a peer-reviewed academic journal. While we make efforts to ensure that factual information in articles was obtained from reliable sources, Not Even Past is not responsible for any errors or omissions.

Miss O’Keeffe

by Nathan Stone

I remember Georgia O’Keeffe. I couldn’t have been but three, first time I met her. She was already an older woman by then, or late middle age, at least. She was tall and perfectly centered, with a slender frame and grey hair pulled back in a tight bun. She wore long sleeves and dark jeans. She smoked only the best Cuban cigars. Women weren’t supposed to smoke cigars at all. But she got away with it. She and Frida Kahlo.

Miss O’Keeffe got her smokes from La Habana. They were already hard to get in ’61. The trade embargo was not yet in place, but things were already getting sticky with Fidel. The State Department didn’t like the combat fatigues, and the mob wanted their casinos back. I think they drove Fidel into Soviet arms. After that, Ché Guevara went to Angola, with a habanero in his teeth, just like Miss O’Keeffe. Cuban cigars became contraband. Reserved for drug traffickers and CIA agents. I suspect Miss O’Keeffe had some stashed away for a rainy day. But in the summertime, it rained every afternoon on the high plains of New Mexico. You learned to bide your time. You knew that’s just the way it was going to be.

Georgia O'Keeffe looks directly at the camera, resting her head on her hands. — Georgia O’Keeffe, 1932, Gelatin silver print (via the Met)

Back then, people might have said that Georgia O’Keeffe dressed like a man, if she weren’t so strikingly feminine. Sometimes, she switched the jeans for a long dark skirt, the sort Jean Harlow might have worn in a Western. Her perfume was something classic from the 1920s, sprayed on with granny’s atomizer, a little pungent, perhaps, but a good combination with the juniper and piñon all around us. We would meet her often at the Piggly Wiggly in Santa Fe.

She drove her pickup truck down from Ghost Ranch to Santa Fe about once a week for provisions. Ghost Ranch was her home in Abiquiu, north of Española. We rode in with Mom from Tesuque. In a 1960 turquoise Volkswagen. It wasn’t that we would just see her and comment that there goes a famous person. She would always speak, and she remembered our names, and we would remember her. I even remember a plane ride to Midland, sitting in the same row with Miss O’Keeffe. To go to Houston, back then, you flew from Santa Fe to Midland and there, you took the train. I don’t know where Miss O’Keeffe was going. Probably, New York. She had to check in with the art world once in a while.

Georgia O'Keeffe's home and studio — Georgia O’Keeffe’s home and studio, 1996 (via National Park Service)

One day, Daddy had to drive out to Abiquiu to fix Miss O’Keeffe’s hi-fi. Stereo was still a dream of the future. Daddy was good at fixing hi-fi systems. And the old hi-fis were very good machines, but they needed attention. You had to change the needle often, and when a vacuum tube burned out, you had to identify which one it was, buy the right replacement, and change it without electrocuting yourself.

Daddy was down on the floor, on his back, underneath Miss O’Keeffe’s hi-fi, and her German Shepherd walked into the room, growling, hackles raised. Miss O’Keeffe was right behind him. Don’t move, she said, softly. Instructions for the man on the floor, not for the dog.

She managed to call off her dog. Daddy got it. We had German Shepherds, too. Far better than locks on the door for looking after yourself, or your wife and kids. In what was left of the wild, wild west. Aware of prowlers and mountain lions.

I suspect Sanders and Associates had sold Miss O’Keeffe her hi-fi, and that was why Daddy would drive out there to fix it. He worked for them. It was about an hour away. Maybe it was just because he was a nice guy. She didn’t let many people into her sanctuary. Her dog knew that.

Georgia O’Keeffe, photographed by by Carl van Vechten (via Pixabay)

We often wondered, years later, what her music was. Big bands or Aaron Copeland; maybe Stravinsky. But Daddy’s gone now, and we never got around to asking him.

Igor Stravinsky came to Tesuque in ’61. He was an elderly man, by then. He came to direct his masterpiece at the Santa Fe Opera House. It was three blocks from where we lived, so Mom and Daddy went. They were young marrieds with three babies, no money and season tickets to the opera. Where will you ever see that again? Miss O’Keeffe was there, of course.

After that, Daddy bought a recording of the Rite of Spring to play for us at home on our hi-fi. We just called it, the jungle record. We played it over and over. We hid behind the couch for the loud and rowdy parts. Alongside that, the record changer dropped Toscanini’s Beethoven, Harry Belafonte’s Calypso and the complete The Kingston Trio. It was all music to us.

Daddy worked for Sanders and Associates, a King Ranch subsidiary, which meant Alfred King was trying his hand at import-export in Santa Fe. It folded because Mr. Sanders was cooking the books. Daddy turned him in to Mr. King, and then we moved to Dallas. We watched Kennedy get shot while we were there. Dealey Plaza was just a few blocks away. Shit goes down that way in Texas. JFK didn’t have a German Shepherd. He sure needed one.

Cerro Pedernal, viewed from Ghost Ranch near Abiquiu, New Mexico (via Wikimedia Commons)

But this was supposed to be about Miss O’Keeffe. She was lovely. She had climbed the steep rock wall alone to get to the place where she was. Her masculine dress, her artistic style, and her cigars were a testament to her eternal readiness for the ongoing struggle. She possessed the peace that had cost her everything she had. She had walked through the fire.

Miss O’Keeffe gave up painting as a young woman, after attending the Chicago Art Institute’s school for starving artists. Said the smell of turpentine made her puke. For a while, she drew for an advertising firm in Chicago, then she taught public school in Amarillo. While she was in Amarillo, she started walking in the Palo Duro Canyon. It seduced her heart back to beauty.

She contracted the Spanish Flu in 1918, along with 200 million others worldwide, but she survived. She married Alfred Stieglitz, a photographer from New York, and he made many portraits of her. But she couldn’t bear his snobby family, or his philandering, so she escaped to New Mexico every summer. Hiking up high. It was there that she started painting again.

When Stieglitz died in 1946, she settled permanently at Ghost Ranch. She drove an old Model A until the wheels fell off. Then she got a Ford pickup, the one I remember from the supermarket in Santa Fe.

Ghost Ranch was out near Los Alamos, where the atomic bomb was in the process of becoming a world-changing reality. Los Alamos is the strangest city on the planet. Complex, yet simple. If you drive into town to buy supplies, someone follows you. That is why Miss O’Keeffe preferred the supermarket in Santa Fe. She was recognized in Los Alamos and not welcome, there. She was recognized in Santa Fe and loved.

Georgia O'Keeffe—Hands and Horse Skull by Alfred Stieglitz — Georgia O’Keeffe—Hands and Horse Skull by Alfred Stieglitz, 1931 (via Met Museum)

Her life was an ongoing thermonuclear moment. Once, the soil rebelled and burned her workshop to the ground. Unable to finish a commissioned piece in New York, she had a nervous breakdown and spent two years in a psychiatric hospital. Behind bars with all the other artistic souls. Big Nurse, medication and electro-shock. She emerged, changed, but unscathed. She strode out of there with frightful courage, strong legs and unyielding decision.

That was 1932. The year that changed everything for her. From then on, she was determined, committed and, yes, maybe even, happy. More and more, she spent her time in the land that gave her life. She was more alone, but not lonely. She went back to New York to bury Stieglitz in 1946. After that, her only love was the the New Mexico desert. She painted it, smoked Cuban cigars, and watched the sun set, over and over again.

She died in 1984. She was 98 years old. She was not painting anymore. She would sit and watch the red desert cliffs on the high plane as the sun rose and set each day. Taking care of the beauty around her, just watching, perennially caught up in its angel fire.

Also by Nathan Stone on Not Even Past:

The Tiger
The Battle of Chile
Rodolfo Valentín González Pérez: An Unusual Disappearance

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A Nation of Outsiders: How the White Middle Class Fell in Love with Rebellion in Postwar America by Grace Elizabeth Hale (2011)

by Ashley Garcia

In the works of modern philosophers and novelists and even in the lyrical stylings of folk icon Bob Dylan, the question of authenticity lingers in the background of our search for meaning and truth. In A Nation of Outsiders, Grace Hale seeks to explain how and why white Americans in the second half of the twentieth century became enamored with the romance and rebellion of the outsider. Hale uncovers how white middle-class youths of the 1950s and 1960s acquired meaning and freedom in their everyday lives through the cultural, social, and political appropriation of marginalized American people, such as African Americans. The perceived authenticity of black Americans fascinated the white youth disillusioned with the phoniness of capitalist culture, state-sponsored violence, and the expectations of their parents.

Hale’s most effective case studies include her chapters on the beatniks, blues followers, New Left Marxists, and folk revivalists who participated in the prevailing counterculture of the 1960s and the creation of their own culture of cool. These groups simultaneously exploited the music, culture, and experiences of black Americans to assuage their own anxiety and yearning for self-determination and authenticity. Hale points to J.D. Salinger, Jack Kerouac, Elvis Presley, and even Bob Dylan as examples of this appropriation of authenticity where white Americans crafted new identities in accordance with the experiences and culture of the oppressed black community they hoped to emulate. Similarly, Hale illuminates how white members of the New Left participated in the Civil Rights Movement out of more than political solidarity. Many white New Left members viewed the movement as an opportunity to transform their own lives into something meaningful and romanticized the Southern experience of black Americans as authentically beautiful.

African American and white supporters of the Mississippi Freedom Democratic Party in front of the Democratic National Convention in Atlantic City, NJ, 1964 (via Wikimedia)

Hale’s book investigates a historically relevant question of how and why white Americans romanticize and appropriate the experiences of the outsider to find meaning and freedom in their own lives. The romance of the outsider has never left white middle class American minds and Hale’s work uncovers the damage this romanticism has had on material efforts to achieve equality. White fantasies of the black experience allowed the disillusioned white middle class to forge an imaginary bond with the “outsider” and thereby solidified their own status as outsiders as well. However, this one-sided bond that occurred in the white imaginary prevented white Americans from working with actual Africans Americans to achieve equality. This romanticism of the outsider, while it served the yearning of unsatisfied white Americans, did nothing to combat the oppression and inequality the actual outsider faced in the 1950s and 1960s.

Hale’s last chapter echoes an even graver political threat that dominates American electoral politics – the widespread adoption of the ideology of the oppressed outsider by overwhelmingly non-oppressed groups. The adoption of this identity of outsider has evolved since the 1960s, but has been a staple in parts of the New Right and conservative politics for decades. Just as evangelicals in the 1960s and 1970s entered the political sphere as outsiders with a mission to reclaim the moral issues liberals of the era politicized, Tea Party activists and recent Donald Trump supporters have also declared themselves outsiders aiming to recover the “truth” in a world dominated by lying liberals, power hungry elites, and news media phonies. A Nation of Outsiders opens the door to further analysis concerning the political viability of the ideology and identity of the outsider in white politics. Scholars must be aware of how political candidates and their constituents romanticize the notion of the outsider as it provides insight into voters’ perceptions of their social, political, and economic place in the world. What drives this alienation of members of the white middle class? How have they come to understand themselves as outsiders, oppressed, and marginalized in a world where their economic resources and political power indicate otherwise?

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Notes From the Field: Bulgaria’s Tolstoyan Vegetarians

by Mary Neuburger

It seemed like a bad idea at the time, but I did it anyway. Maybe, just maybe, there was hope that the little museum in the Bulgarian mountain village of Yasna Polyana would be open. Established in 1998, the museum contained the intellectual remnants of the Bulgarian Tolstoyan community, who had created an agricultural commune in the village of Alan Kayryak in 1906-07. They renamed the village “Yasna Polyana” (clear meadow) after Leo Tolstoy’s famous estate, Yasnaya Polyana.

I had visited Bulgaria’s Yasna Polyana–with its shortened adjective form “yasna” (instead of “yasnaya”) before. Two summers ago I had made the long trip, braving the bumpy windy roads of the Bulgarian Strandja—a mountainous region on the SW coast of Bulgaria where the village is perched. But that summer my efforts had been in vain. The museum was closed and locked “for renovation.” As I peeked through the dusty windows in frustration, huge storks looked down on me from their nests on the nearby utility poles. They seemed to laugh at my American optimism, until I finally gave up.

And yet I returned this summer, without confirming that they were open; I could find no phone number or email online. This time google maps betrayed me, sending me down what seemed to be a sheep trail in my rental car. Still, I made it through intact and, as luck would have it, the wonderful curator of the museum was there! She generously allowed me to peruse their collection of crumbling old newspapers, carefully stacked in a back cupboard. As I gleefully thumbed through the materials, snapping pictures on my iphone, the fascinating world of the Bulgarian Tolstoyans opened up to me.

Museum pamphlet “Bulgarian Yasna Polyana” showing key members of the the movement with Tolstoy hovering above them (via Mary Neuburger)

Tolstoy was a figure of global importance in this period. It was not just his famous novels—like War and Peace and Anna Karenina—that brought him fame. He became a towering figure in global exchanges about the moral and ethical concerns of the day. His essays and other writings made him into an intellectual leader and model on a range of philosophical, spiritual, and social questions. Tolstoy cultivated contacts with like-minded people from around the world, though he never approved of the idea of a “Tolstoyan” movement.

And yet one emerged. Before and after his death in 1910, Tolstoyan communes mushroomed around the world, from the US to South Africa—where Mahatma Gandhi set up an ashram named the “Tolstoy colony” near Johannesburg. At the same time, many of the Bulgarian movement’s leaders made the pilgrimage to Tolstoy’s estate in Russia’s Tula province. Khristo Dosev, for example, spent a number of years in residence there and became extremely close to Tolstoy and his inner circle. Dosev became a direct line of contact between Tolstoy and his followers back in Bulgaria. They translated, published, and made every effort to popularize the ideas of Tolstoy in Bulgaria.

By 1907 Bulgarian Tolstoyans had broken ground on their own agricultural commune in Yasna Polyana. Its adherents established a number of agricultural communes across Bulgaria in the years that followed, but Yasna Polyana remained the movement’s epicenter. Its members set up their own printing press for its many publications, which stressed “Tolstoyan” ideas like non-violence, but also temperance, and vegetarianism. The ties to Tolstoy were so strong that many claim that he was headed to Bulgaria in his final days—when he famously left his family estate and headed south. Alas he died along the way. But if anything the Tolstoyan movement gained in strength after his death, especially in the aftermath of World War I. The massive human casualties of the war brought an even greater urgency to the Bulgarian (and global) Tolstoyan project.

Stefan Andreichin (via Mary Neuburger)

In the Bulgarian Tolstoyan museum on that hot July day, I was most interested in the vegetarian strand of the commune’s intellectual and organizational work. I focused my reading (and scanning) on the Bulgarian Tolstoyan newspaper Vegetarian Review (Vegetarianski Pregled), edited by an important member of the movement, Stefan Andreichin. The history of vegetarianism in Bulgaria will be featured in my book on the history of food in Bulgaria. In a chapter that focuses on meat, I will explore the making of a modern meat-eating culture, but also on the vegetarian counter culture that hotly opposed this transition.

This story is best told in global context, and meat was one of the most hotly debated food sources in history—in the past as today. Is eating meat a human instinct, or a learned behavior? Is it the gold standard of fortification or will it kill us? Even if it is good for the human body, what about the ethics of killing animals, the implications of modern methods, or the environmental impacts of meat-eating?

These questions and many more were debated on the pages of Vegetarian Review, in the years between the World Wars. For philosophical grounding, its contributors looked to ideas on vegetarianism that Tolstoy’s famous 1892 essay, “The First Step,” linked to non-violence and Christian ethics (along with a range of other spiritual traditions). Bulgarian Tolstoyans also sought intellectual scaffolding for their vegetarian convictions in famous ancient, medieval and modern vegetarians—from Pythagoras to Buddha, and Henry George to George Bernard Shaw. In addition, the journal featured articles on vegetarian strictures embedded within movements of local origin–namely the Thracian worshippers of the poet, musician, and prophet Orpheus and the eleventh-century dualist Christian sect, the Bogomils.

This preoccupation with historical precursors was coupled with a pointed critique of the industrial machine of modern animal slaughter and meat processing. In Vegetarian Review, “civilization” was derided for turning people into pleasure seeking “machines,” that could “swallow muscles and gnaw on bones” of poor innocent animals. The Chicago stockyards—since the late nineteenth century the epicenter of modern meat production–were seen as a kind of mass death camp. As an article on the pages of Vegetarian Review alleged, “In just one world city, Chicago, 54 million animals, cows, lamb, sheep, pigs and others are killed a year, with enough blood flowing from them to fill a huge reservoir.”

Cover of the Vegetarian Review (via Mary Neuburger)

This clear ambivalence towards “progress,” however, did not preclude the Tolstoyans from formulating a vision of the future. Indeed, far from retreating into the past, Tolstoyan authors advocated change, a “new life,” which they claimed was only possible without “the remains of death in our teeth.” Keeping up with the times, the Bulgarian Tolstoyans enlisted new streams of thought in nutritional science, economics, and ecology in their effort to convince a mass audience beyond its narrow circles. Vegetarianism was offered as a solution to a range of social ills, including the pervasive violence and self-destruction that seemed to be bringing the modern world to the brink of extinction.

Many—though perhaps not all—of their arguments still ring true today. And yet, after a day of reading in the museum, I have to admit that I could not forgo a heaping plate of grilled kebabche — spiced meat patties — to accompany my glass of wine at a restaurant in nearby Sozopol. This region of Thrace, after all, was the ancient home to the cults of Orpheus and Bacchus. And as a historian and enthusiast of food, I had to partake of the local cuisine. And let’s not forget, that I was raised amidst the American cult of meat, in which meat was both seen as necessary protein source and the height of pleasure and leisure—just pull that burger off the barbeque and enjoy. This cult had clear (although distinct) echoes—my research had shown—behind the Iron Curtain. And yet, in both contexts—as globally—there were very locally situated anti-meat schools of thought. In this region those ideas and practices went back to ancient times, but were articulated most powerfully by the interwar Tolstoyans.

Also by Mary Neuburger on Not Even Past:

The Prague Spring Archive Project
Tobacco & Smoking in Bulgaria
The Museum of Sour Milk: History Lessons on Bulgarian Yoghurt
Cold War Smoke: Cigarettes Across Borders
Notes from the Field: From Feasts to Feats (or Feet) on the Coals

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Demystifying “Cool:” A Brief History

by Kate Grover

Elvis Presley promoting the film Jailhouse Rock, 1957 (via Wikimedia Commons)

When I was nineteen, I was bestowed with some of the highest praise a person can receive.

It happened at a rehearsal for The Vagina Monologues (go figure…) when some cast members I hadn’t met approached me for the first time:

“You’re Kate, right? Cool Kid Kate?”
“What?”
“Cool Kid Kate. There’s another Kate in the cast, so we’ve been calling you that to know which one we’re talking about.”

I was stunned. “Wow. Thank you,” was all I could say. We talked for a few more minutes, but at that point, I had completely checked out of the conversation. The compliment pinballed around my brain, igniting pleasure centers that I didn’t even know existed.

Cool kid Kate. Cool kid Kate. Ohmigosh…that is so cool!

This anecdote highlights a more-or-less universal truth: cool—as a concept, a descriptor, and a category—is potent force. For me, hearing someone say I was cool was much-needed validation, reassurance that the way I was living, acting, and being in that moment was acceptable. Better than acceptable—cool!

But while I had no doubt what cool meant to me, it remains an elusive concept. What is the mysterious power of cool? And where does it come from?

Believe it or not, scholars have been asking these questions for the last thirty years. Since the late-1980s, several writers have attempted to define cool and position it as a distinctly American concept. In the 1940s, African-American jazz musicians first popularized cool as a way of describing both the new, more restrained style of jazz and a form of emotional and aesthetic self-possession. For example, jazz saxophonist Lester Young, the figure scholars most widely cite as the first to bring cool into American vernacular, used the phrase “I’m cool” to communicate being in control and relaxed. Cool was different from hip, another staple in the lingo of African-American jazz culture, which meant being streetwise and aware of new trends and ideas.

Lester Young in New York, 1946 (via Flickr)

Though cool and hip have similar roots, it is important to distinguish these two concepts and validate their specific meanings in postwar African American culture. At the same time, it is also important to recognize that, for many people in decades past, cool and hip have come to mean the same thing: what is new, what is now, and what’s in vogue. Consequently, some of the early scholars studying cool have used the term in different ways. Two of the first major studies to explore ideas about coolness, by Richard Majors and Janet Mancini Billson, and by Peter N. Stearns use cool to connote a specific way of being—a usage akin to the meaning of cool promoted by 1940’s jazz artists. Conversely, Thomas Frank and Susan Fraiman rely on a formulation of cool that reflects its conflation with hip. While these early texts provided the groundwork for later studies, their diverging approaches and lack of consensus on cool’s origins and function in American life meant that cool remained an obscure area of scholarly research for quite some time.

Joel Dinerstein and Frank H. Goodyear’s 2014 book American Cool, has played a major role in popularizing, legitimizing, and catalyzing the scholarly study of cool. Published as a companion to the exhibition Dinerstein and Goodyear curated for the Smithsonian National Portrait Gallery, American Cool examines what it means for someone to be cool. The study introduces cool as an American concept, theorizes how cool acts as a marker of distinction, and showcases portrait photography of “cool figures” throughout American history—the same portraits that appeared in exhibition. But most importantly, the study outlines the ways these cool figures (mainly iconic politicians, musicians, or actors) provide us with new, innovative ways of being. According to Dinerstein, cool people are important to Americans because they teach us methods for living life that we would have not otherwise known. Cool figures are special among ordinary people because they take what other cool people before them have done and transform that into something new for subsequent generations. People emulate cool figures and new forms of coolness develop that provide even more people with models for being that enliven and inspire. Cool, in this construction, is a way of describing someone you admire for being and doing something you could not do and be on your own. This explains, perhaps, why the quippy compliment “Cool Kid Kate” meant so much to me.

The American Cool exhibition and its glossy-yet-scholarly coffee-table book companion attracted media attention and public interest to the study of cool. In particular, news outlets focused on Joel Dinerstein, the educator who had been teaching college courses on cool decades before the American Cool exhibition. Dinerstein has subsequently become the most prominent—and in-demand—scholar working on cool today. In 2014, writers at TIME consulted Dinerstein for their “coolest person of the year” series. A couple years later, the fashion brand Coach asked Dinerstein to write a book celebrating the company’s 75^th anniversary. This year, Dinerstein published the first cultural history of cool in the Cold War era, The Origins of Cool in Postwar America. As the title suggests, this nearly 400-page text is American cool’s origin story and gives the most comprehensive research on cool’s roots to date.

But the study of cool is far from complete. There are many more questions to ask, especially about what cool means to different groups of people in the U.S. today. Is cool still important to people? How does cool change in different environments? Who gets to be cool, and why? The answers to these questions promise to reveal major insights about American life and culture.

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More than Archives: Dealing with Unfinished History

by Jimena Perry

In July 2017, as part of my dissertation research, I had the opportunity to participate in an assembly of the Association of Victims of Granada (Asociación de Víctimas de Granada, ASOVIDA), in Colombia. This organization is composed of the survivors of the violence inflicted by guerrillas, paramilitaries, and the National Army during the 1980s, 1990s, and early 2000s. ASOVIDA was legally created in 2007 after three years of victims organizing, learning about their rights, and finding ways to prevent brutalities from happening again. Since the early 2000s, amidst the ongoing armed conflict in Colombia, the people of Granada began a process of awareness, prevention, and production of memories of the atrocities they experienced. To this day, the members of ASOVIDA gather on the first Saturday of each month to talk about their concerns as victims, to participate in community decisions, and to continue with their grieving and reparation process.

Gloria Ramírez, President of ASOVIDA introduces Jimena Perry to the crowd (Jimena Perry, 2017)

My dissertation is about the production of historical memories about the armed conflict in Colombia, including institutions like ASOVIDA and The Hall of Never Again, a space for remembering and honoring the victims of massacres, disappearances, targeted killings, bombings, and other forms of violence in Granada. Therefore, ASOVIDA´s president asked me to present my project before the assembly. She wanted me to tell the community why I am interested in ASOVIDA and the Hall, what I am going to do with the information gathered, and what benefits my work could bring to them. ASOVIDA´s president requested my presence at the assembly because some of my primary sources are the contents of so-called bitácoras, notebooks designed to make the victim´s grieving process easier. In these texts, one can read mothers talking to their children, husbands to their wives, brothers to sisters, children to their parents, and other family members remembering their departed loved ones. The bitácoras become both objects to be exhibited and historical sources for studying the violence endured by a particular person or family and how they survived. Bitácoras also provide an account of the story and character of the dead person, why he or she was important and help the public and visitors of the Hall to learn about local history and to link the survivors to community reconstruction processes. They are intimate accounts of the survivor’s feelings along with very personal stories, consequently, using them requires an ethical commitment and a deep respect towards their authors.

When requested to present my project before the assembly, my first reaction was surprise. Why should I do this? If the bitácoras are part of the Hall of Never Again´s exhibit they are already public records; they are meant to be read, but when I thought carefully about the request, I realized that the authors had reasonable suspicions. I am an outsider, a researcher who comes and goes; I have not suffered violence in the same way, and there I am using their cherished stories for an academic endeavor.

Assembly victims discussing about what forgiveness means to them (Jimena Perry, 2017)

It made even more sense when I saw the inhabitants of Granada at the assembly´s meeting. Regular people working to achieve peace in their town looked at me with curiosity. They wanted to know who was I and what was I doing there. Seeing all those people, interested in finding peace for themselves, their families, and town, I understood that academic research becomes secondary to dealing with people´s lives and feelings. I was willing to leave out of my dissertation the contents of the bitácoras if the community did not grant me permission to use them. The main purpose of my presence at the assembly was letting people know that I intend to use their stories in an academic endeavor, as an example of memory production ASOVIDA´s president introduced me and stated why I was there giving me the floor. I started by telling them about my own story. I mentioned my background, where I came from, and why I was so interested in the bitácoras. They listened carefully. I emphasized the academic purpose of my research and assured them that I would not use their names, that I was not going to sell their stories, and that when my research is over I would go back and show it to them. So far, I have traveled to Granada three times.

After my presentation, ASOVIDA´s president told the members of the assembly to think about my request to use their testimony. She asked them to consider why would they let me use their stories and to take their time. When the time for voting came, I was surprised and delighted with the results. The victims’ assembly approved my project and my use of the bitácoras by a vast majority. Then there were some questions and even suggestions. Granada´s victims want visibility, their voices heard, the world to know all the brutalities committed against them and their struggles for survival. Granada´s inhabitants believe that letting the world know what happened in their town can help prevent violent acts to happen again. With this in mind, they told me they granted their authorization to use their testimonies. I thanked them feeling grateful for their trust and an immense commitment to use my work to serve the people of Granada.

During this assembly the victims were asked to work in groups to think about what peace and reconciliation can be achieved in Granada (Jimena Perry, 2017)

This experience with Granada´s victims of violence changed my priorities regarding my work. I realized the enormous ethical commitment I had made in dealing with memories about a recent violent past that is still fresh, remembrances that still give people nightmares and fears. I also understood that more than the bitácoras, victims themselves are the ones who really matter. I knew this before, but seeing the people, talking to them, answering their questions raised different questions about academic research. How can one deal with intimate stories of pain without being disrespectful? How far must researcher go to achieve her or his goals? How to avoid being the kind of person that goes to a community, takes what is needed from the people, and never returns? How not to be another source of stress for the victims?

After speaking to the assembly and talking to the real protagonists of the Colombian armed conflict, I believe that analyzing the community coming to terms with its pain can encourage other social groups to do the same. In addition, I want to think that my work will inspire more victims to tell their stories and start a grieving process. I want to honor the trust Granada´s people gave me. I want my work to help them heal and I want to make the testimonies of the bitácoras known to as many audiences as possible. After attending the assembly, I feel that one of the priorities of my work should be writing a story in which the community of Granada can recognize itself. I want my dissertation to become a text in which the Granada inhabitants find their own voices. Memory production is an ongoing process that hopefully would continue until the victims feel their healing is complete, but meanwhile, their efforts for achieving peace in their town should be encouraged and acknowledged.

More by Jimena Perry on Not Even Past:

Too much Inclusion? Museo Casa de la Memoria, Medellín, Colombia
Time to Remember: Violence in Museums and Memory in Colombia, 2000-2014
History Museums: The Hall of Never Again

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The Gender of Memory: Rural Women and China’s Collective Past, by Gail Hershatter (2011)

By Jing Zhai

Seventy-two ordinary women, living in four different villages in central and southern Shaanxi Province, mostly born during the 1920s or 1930s, witnessed the rise of the new Communist regime in 1949 and experienced dramatic life transformations as a result. During the 1950s and 1960s, a few of them were national or regional labor models. Some were local activists, village-level officials, or midwives. And the others were just ordinary village women who did not involve themselves in local politics. Although the national or regional labor models might get the precious chance of going to Beijing and even meeting Chairman Mao, these women’s life experiences were mostly confined to their villages. Few of them had the habit of keeping a diary or recording their observations. And in official documents, their personal life stories were rarely discussed. If not for the interviews conducted by Gail Hershatter and Gao Xiaoxian from 1996 through 2006, aging and death would have surely silenced these women’s memory.

This book focuses on the memories of rural women who lived through the momentous events of the 1950s. It attempts to recount their life stories not only as historical witnesses, but mostly importantly as women. By tracing the social roles that rural women assumed across their lifetimes, the book reveals changes taking place in women’s field work, domestic labor, childbearing, and marriage. Hershatter successfully brings out the beauty, vibrancy and pain in these women’s rich life experiences. The author asks, “If we placed a doubly marginalized group — rural women — at the center of an inquiry about the 1950s, what might we learn about the effects of Party-state policy and its permutations and appropriations at the local level?”

Usually, memoirs, diaries and interviews that contain people’s memory are used as important clues for historical facts. However, Hershatter’s book is striking for its study of memory itself, based on the large number of interviews she and her collaborator were able to carry out. The distance between memory and the “true” story seems to not be an obstacle for the author and she is fully aware of today’s influences on recollecting the past. Instead, she analyzes the context in which individual memory is generated, especially the subjects’ special experiences as rural women and girls. The stories we hear from women reflect a more distant relationship from politics than that of men. Taking timekeeping as an example, compared with rural men who were familiar with using official time to organize their daily life, women relied on domestic events to remember things. The zodiac, the date of their marriage, and the birthdates of their children formed the system of timekeeping that they used to frame their memories. Memory here is gendered memory.

This book challenges the conventional narrative on the 1950s that is usually focused on changing political campaigns. Many events that people experienced are outside the narrative frame punctuated by campaigns such as land reforms, collectivization, and the Great Leap Forward. By following the life stories of women in farming communities far from the center of state control, these women’s conception of time produced a much more continuous narrative compared with official histories.

Chinese workers in front of the open hearth furnace, September 1958. Via Wikimedia Commons

Memories of Chinese rural women also questioned the unified narrative in the academic study of gender. For example Chaofeng had been a tongyangxi, a “child raised to be a daughter-in-law.” But she experienced painful uncertainties when she decided to divorce her husband during the New Marriage Law Campaign due to her close relations with her mother-in-law. Her experience argues against the traditional analysis of gender reform, regardless of the guilt of tongyangxi or the absolute legitimacy of marriage freedom. This book questions the limitations of a lot feminist scholars’ opinion and brings out the question about recording the perspective and the experience of ordinary women. Is gender such a coherent and unified genre that feminists can easily represent the experience of women from a lower society stratum?

As a work about China’s collective past, Hershatter’s book sheds light on the cultural and social history of the 1950s China. But even if you are just simply searching for some enchanting stories, Hershatter’s book is a great place to start.

Gail Hershatter The Gender of Memory: Rural Women and China’s Collective Press (University of California Press, 2011)

A Narco History: How the United States and Mexico jointly created the Mexican Drug War, by Carmen Boullosa and Mike Wallace (2015)

By Christina Villareal

The “war on drugs” originated in the late nineteenth century when the United States and Mexico began to combat the narcotics industry. By 1914, the Harrison Act criminalized non-medicinal use of opiates and cocaine in the United States. Likewise, with the ratification of the 1917 Constitution, Mexico tried to terminate the distribution of drugs with strict bans on the production and importation of opiates, cocaine, and marijuana. Before 1920, both countries had declared war on drugs. In A Narco History, Boullosa and Wallace explain how the battle against drugs has enriched narcos, escalated violence, and increased the demand for illegal substances.

Boullosa and Wallace begin by recounting the events of 2014 that led to the horrific murder of 43 students from Ayotzinapa in the state of Guerrero. Although the truth about this case remains obscure today, the authors suggest foul play rooted in collaboration between the federal government, local politicians, and drug-related gangs. The remainder of the book details the convergence of federal and local politicians with drug dealers since the late nineteenth century. Spanning from Mexico’s Porfiriato to Obama’s administration, the twelve chapters explore how the actions of one government, typically those of the United States, resulted in the expansion of the drug trade. For instance, Boullosa and Wallace argue that the North American Free Trade Agreement (NAFTA), which favored U.S. agribusiness, forced thousands of Mexican farmers to turn to marijuana and cocaine production. This deepened the local dependence on the drug market and provided a greater supply for the insatiable demand in the US. Similar instances of cause and effect, which typically benefited the United States to the detriment of Mexicans, occurred throughout the century.

Cempasuchil petals form human-shaped outlines on the ground beside lit candles and a placard during an event held in remembrances of the 43 missing student teachers from the Ayotzinapa. Via REUTERS/Henry Romero

A Nacro History will get any interested reader up-to-speed on the history of this oft discussed “war on drugs.” Beyond a simple timeline, Wallace and Boullosa spell out the implications of political corruption, neoliberalism, the arms trade, and American exceptionalism. U.S. drug policies and pressures on Mexico to squelch the trade ensured the proliferation of “cartels” and the movement of narcotics. The elimination of one “drug lord” inevitably led to the fissuring of cartels and the increase in “collateral criminality,” like kidnapping, rape, extortion, and murder. The authors end the history with a few suggestions for both countries on how to ameliorate the situations for the victims of the drug war violence. Considering the attention given to US-Mexico border issues in the upcoming presidential elections, readers will find their propositions useful.

Courtesy of The Denver Post

The clear writing style and the absence of intimidating footnotes makes A Narco History extremely accessible (even if it might raise questions for academic readers seeking its sources). The lively vignettes on individuals ranging from corrupt politicians and extravagant narcotraficantea to opportunistic agriculturalists and heroic victims, will prove especially interesting to undergraduates and nonacademic audiences. A Narco History will leave many readers eager to embark on research of their own, which they can begin with the book’s excellent bibliography.

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Cold War Crucible: The Korean Conflict and the Postwar World, by Hajimu Masuda (2015)

By Kazushi Minami

Few topics in history have produced a larger literature than the origins of the Cold War. Since its onset, historians, rightists or leftists, have hotly debated whether the United States or the Soviet Union initiated the mutual antagonism, culminating in the Korean War. After decades of controversy, the scholarly tensions have now died down, though the issue is far from settled, as most Cold War historians moved on to a myriad of other issues. One may, therefore, well ask: Do we need yet another book about the making of the Cold War? Hajimu Masuda says yes. Contrary to the predominant notion of the Cold War as geopolitical and ideological struggle between the capitalist and communist states, Cold War Crucible depicts it as a social construct that local peoples consciously or unconsciously created from the bottom up. For Masuda, the Cold War was a popular fantasy, not an objective reality.

Cover of Red Channels, a pamphlet-style book issued by the journal Counterattack in 1950. Via Wikipedia.

Masuda begins by explaining how Cold War perceptions took shape in the United States, China, and Japan before the Korean War. After WWII, American labor unions, women, and blacks openly called for more rights; Chinese students with vivid memories of WWII opposed U.S. reconstruction of Japan; Japanese workers and students demanded liberal reforms. These social movements, though not caused by communist conspiracies, met a growing backlash from conservatives in each country, who adopted Cold War language, such as “un-American,” “Commies,” and “Reds,” to denounce liberals.

He goes on to analyze how popular discourse distinguishing “us” from “them” during the Korean War consolidated the Cold War realities in the United States and China. Despite deep uncertainty within Harry Truman’s administration about crossing the 38^th parallel on the Korean Peninsula, public enthusiasm and Republican pressure for victory against communists emboldened American policymakers. Likewise, despite ambivalence within the Communist Party toward the Korean War, Chairman Mao Zedong decided to send the People’s Volunteer Army because of popular outcry that connected the war against U.S. imperialists to the domestic struggle against landlords and bourgeoisies. Public support for the war, fueled by widespread fear of WWIII, translated local particularities into a monolithic reality of the Cold War.

Chinese Propaganda poster during the Korean War

Worldwide purges of liberals transformed such fears into political realities. In the United States, conservative offensives against African Americans, homosexuals, labor leaders, and immigrants, as well as gender struggle against working women, gave birth to McCarthyism. Similarly, Britain’s crackdown on labor unions, Japan’s Red Purge, Taiwan’s White Terror, and the Philippine’s suppression of “un-Filipino” activists, though all reflecting social divides at the local level, reinforced the Cold War illusion. Masuda concludes that, “the reality of the Cold War materialized in the crucible of the postwar era… leading to the rise of a particular mode of Cold War fantasy that ‘fit’ well with social needs of populations around the world.”

So, was the Cold War simply a fantasy? Of course not. Masuda does not intend to ignore the actual geopolitical and military conflicts in Europe, Asia, and elsewhere. Instead, he argues that the Cold War was a product of complex interactions between international and local leaders and the populace. Although the Korean War was no doubt a military reality for U.S. and Chinese policymakers, ordinary peoples interpreted it through local lenses, which turned the foreign war into a factor in domestic social conflicts. Readers, however, may wonder if Masuda slightly overemphasizes the local agency, as he often cites emotional letters by ordinary citizens, while paying relatively little attention to strategic concerns of top-level policymakers.

Reality of Korean War: A G.I. comforts a grieving infantryman. Via Wikipedia

Such a caveat aside, Cold War Crucible is a welcome addition to the rich historiography on the origins of the Cold War, as well as the burgeoning literature on the role of popular perception in international relations. Using primary sources from sixty-four archives in ten countries and regions, Masuda offers a truly international history. Although it is clearly too much to ask for more language sources, his research begs further study on Europe and the Soviet Union to examine whether the same reality-making mechanism was in place in the European front of the Cold War, where geopolitical and ideological confrontation was more intense than in Asia.

Hajimu Masuda, Cold War Crucible: The Korean Conflict and the Postwar World (Harvard University Press. 2015)

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