Edward Shore considers the implications of Brazilian President Dilma Rousseff’s impeachment for the social and environmental rights of of Brazil’s traditional peoples, including three thousand rural black communities descended from fugitive slaves called “quilombos.” He underscores the need for historians to use scholarship for the advancement of social justice. He addresses current threats to the territorial and environmental rights of quilombo communities in São Paulo’s Atlantic Rainforest.
by Mary Neuburger One evening this summer, I found myself careening down a country road at breakneck speed to the town of Studen Izvor on the Bulgarian border with Serbia. Stunning scenery enveloped a string of thinly populated towns, some peppered with socialist-era industrial ruins that somehow added to the charm. Edit, the wife of my […]
My interest in studying historical representations of violence was sparked when I realized that in Colombia, memories about the atrocities of the 1980s, 1990s, and early 2000s are quite diverse and do not appear in state institutions.
Edward Shore recounts the torture of writer’s block and how a love for doing public scholarship helped him to overcome it. He underscores the need for historians to engage the public and to use scholarship for the advancement of social justice. He recalls his experience doing fieldwork for his dissertation on the history of the Quilombo Movement in the Atlantic Rainforest of southern São Paulo.
This year at Not Even Past, we plan to dig much deeper into the ways that digitization and public accessibility are changing historical research, teaching history, disseminating history online, and training graduate students to become historians.
‘What happens when PhD students from different disciplines explore links between their research and museum collections then share their discoveries with non-university audiences?’
In the contemporary dance theater work Power Goes, which arrives at McCullough Theatre on the campus of the University of Texas on September 16th and 18th, courtesy of Texas Performing Arts, the Briscoe Center for American History, and the LBJ Presidential Library, the Chicago-based dance ensemble, The Seldoms, propose that we can dance our way deeply into the historical past.
As a native Texan with a degree in history from UT I’m probably a little biased in this area, but my favorite history museum is The Bullock Texas State History Museum.
My favorite history museum, and one of my favorite museums of any type, is the Museo Nacionál de Antropología in Mexico Cit
Historians, both veterans and newcomers, recently gathered at the 2015 Texas State Historical Association conference in Corpus Christi.