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Not Even Past

2019 History PhDs on Not Even Past

This month on Not Even Past we are celebrating the accomplishments of seventeen students who completed their doctoral dissertations and received their PhDs in History in 2018-2019. Above you see some of them pictured. Below you will find each of their names and the title of their dissertations.

Many of these students were also contributors to Not Even Past throughout their time here, developing their skills as public historians alongside their training as a academics. Here we offer a comprehensive index to all our new PhDs’ publications on Not Even Past.  Congratulations to all!

Ahmad Tawfek Agbaria
Dissertation: The Return of the Turath: Arab Rationalist Association 1959-2000

Ordinary Egyptians: Creating the Modern Nation through Popular Culture by Ziad Fahmy (2011)

Israeli tanks advancing on the Golan Heights. June 1967 (via Wikipedia)

Christopher Babits
Dissertation: To Cure a Sinful Nation: Conversion Therapy in the United States

The Miseducation of Cameron Post (Dir: Desiree Akhavan, 2018)

Digital Teaching: A Mid-Semester Timeline

The Blemished Archive: How Documents Get Saved

Age of Fracture by Daniel T. Rodgers (2011)

Nature Boy, 30 for 30 (Dir: Rory Karpf, 2017)

Doing History in the Modern U.S. Survey: Teaching with and Analyzing Academic Articles

Finding Hitler (in All the Wrong Places?)

The Rise of Liberal Religion by Matthew Hedstrom (2013)

Encountering America: Humanistic Psychology, Sixties Culture, and the Shaping of the Modern Self by Jessica Grogan (2012)

Another Perspective on the Texas Textbook Controversy

Religious Book Week Poster from 1925 (via Library of Congress)

Bradley Joseph Dixon
Dissertation: Republic of Indians: Law, Politics, and Empire in the North American Southeast, 1539-1830

Facing North from Inca Country: Entanglement, Hybridity, and Rewriting Atlantic History

Map of Virginia, discovered and as described by Captain John Smith, 1606; engraved by William Hole (Via Wikimedia commons)

Luritta DuBois
Dissertation: United in Our Diversity: The Reproductive Healthcare Movement, 1960-2000

Historical Perspectives on Marshall (dir. Reginal Hudlin, 2017)

UT Gender Symposium: Women’s Bodies and Political Agendas

Thurgood Marshall in 1957 (Library of Congress)

Dennis Fisher
Dissertation: To Not Sell One Perch: Algonquin Politics and Culture at Kitigan Zibi During the Twentieth Century

The Many Histories of South Austin: The Old Sneed Mansion

A 1936 photograph of the Sneed House taken by the Historic American Buildings Survey (via Library of Congress)

Kristie Flannery
Dissertation: The Impossible Colony: Piracy, the Philippines, and Spain’s Asian Empire

A New History Journal Produced by Students

#changethedate: Australia’s Holiday Controversy

Acapulco-Manila: The Galleon, Asia and Latin America, 1565-1815

Notes from The Field: The Pope in Manila

Outlaws of the Atlantic by Marcus Rediker (2014)

Among the Powers of the Earth: the American Revolution and the Making of a New World Empire by Eliga Gould

Sixteen Months in a Leaky Boat

The Sapphires (2012)

2012 and the End of the World: The Western Roots of the Maya Apocalypse by Matthew Restall and Amara Solari (2011)

Imperial Subjects: Race and Identity in Colonial Latin America edited by Andrew B. Fisher and Matthew D. O’Hara (2009)

True History of the Kelly Gang by Peter Carey (2001)

Confederates in the Attic: Dispatches from the Unfinished Civil War by Tony Horwitz (1999)

detail of an 18c map depicting a pirate ship sailing near the Philippines.

Pedro Murillo Velarde and Nicolas de la Cruz Bagay. Mapa de las yslas Philipinas (1744) (Detail: Benson Latin America Collection, UT Austin)


Travis Michael Gray
Dissertation: Amid the Ruins: The Reconstruction of Smolensk Oblast, 1943-1953

Every Day Stalinism, by Sheila Fitzpatrick (2000)

Stalin’s Genocides by Norman Naimark (2011)

Soviets fighting during World War II (via wiki commons)

William Kramer
Dissertation: Faith, Heresy and Rebellion: Resisting the Henrician Reformation in Ireland, 1530-1540

Henry VIII, Elizabeth I, and Edward VI (via Art Institute of Chicago)

John Lisle
Dissertation: Science and Espionage: How the State Department and the CIA Deployed American Scientists during the Cold War

What Killed Albert Einstein

This New Ocean: The Story of the First Space Age by William Burrows (1998)

Soviet postage stamp celebrating the 10th anniversary of the launch of the Sputnik satellite

James Martin
Dissertation: In Search of the Nixon Doctrine on Latin America: Levers of Influence and Resistance in Hemispheric Relations

Vice President Richard Nixon’s motorcade drives through Caracas, Venezuela and is attacked by demonstrators, May 1958 (National Archives via Wikipedia)

Kazushi Minami
Dissertation: Rebuilding the Special Relationship: People’s Diplomacy and U.S.-Chinese Relations in the Cold War

Peeping Through the Bamboo Curtain: Archives in the People’s Republic of China

Cold War Crucible: The Korean Conflict and the Postwar World by Hajimu Masuda (2015)

Past and Present in Modern China

Historical Perspectives on Hayao Miyazaki’s The Wind Rises (2013)

shot from animated film of a boy looking up at airplane in the sky

from Hayao Miyazaki’s film The Wind Rises

Elizabeth O’Brien
Dissertation: Intimate Interventions: The Cultural Politics of Reproductive Surgery in Mexico, 1790-1940

Partners in Conflict: The Politics of Gender, Sexuality, and Labor in The Chilean Agrarian Reform, 1950-1973 by Heidi Tinsman.

Gendered Compromises: Political Culture and the State in Chile, 1920-1950 by Karin Rosemblatt

The Deepest Wounds: A Labor and Environmental History of Sugar in Northeast Brazil by Thomas D. Rogers (2010)

“Women Advance with the Flag of the Motherland” La Unidad Popular poster (1970).

Nakia Parker
Dissertation: Trails of Tears and Freedom: Black Life in Indian Slave Country,1830-1866

Popular Culture in the Classroom

The First Texans: An Exhibit in Jester Hall

Confederados: The Texans of Brazil

Black Slaves, Indian Masters: Slavery, Emancipation, and Citizenship in the Native American South by Barbara Krauthamer (2013)

Chickasaw Freedmen filing for allotment in Oklahoma (Oklahoma Historical Society)

Christopher Rose
Dissertation: On the Home Front: Food, Medicine, and Disease in WWI Egypt

You’re Teaching WHAT?

Wrong About Everything

Mapping & Microbes: The New Archive (No. 22)

Searching for Armenian Children in Turkey: Work Series on Migration, Exile, and Displacement

Industrial Sexuality: Gender in a Small Town in Egypt

Texas is Adopting New History Textbooks: Maybe They Should Be Historically Accurate

Exploring the Silk Road

The Ottoman Age of Exploration by Giancarlo Casale (2010)

What’s Missing from ‘Argo’ (2012)

Chris is also the co-founder and main force behind our podcast, 15 Minute History, where he has done many of our interviews.

Map showing typhus outbreaks in Egypt, September 1, 1914 – May 31, 1919 (created by Chris Rose)


Edward Flavian Shore
Dissertation: Avenger of Zumbi: The Nature of Fugitive Slave Communities and Their Descendants in Brazil

 

History and Advocacy: Brazil and Turmoil

Sanctuary Austin: 1980s and Today

Beyonce as Historian: Black Power at the DPLA

Remembering Willie “El Diablo” Wells and Baseball’s Negro League

The Public Historian: Giving it Back

The Quilombo Activist’s Archives and Post-Custodial Preservation, Part II

The Quilombo Activist’s Archives and Post-Custodial Preservation, Part I

An Anticipated Tragedy: Reflections on Brazil’s National Museum

The Public Historian: Quilombola Seeds

Getz/Gilverto Fifty Years Later: A Retrospective

Por Ahora: The Legacy of Hugo Chávez Frías

The Cuban Connection by Eduardo Saénz Rovner (2008)

Che: A Revolutionary Life by Jon Lee Anderson

Narco-Modernities

Photo from Edward Shore’s Collection

Eyal Weinberg
Dissertation: Tending to the Body Politic: Doctors, Military Repression, and Transitional Justice in Brazil (1961-1988)

Our History Mixtape: Embracing Music in the Classroom

Ex Cathedra: Stories by Machado de Assis: Bilingual edition (2014)

For Social Peace in Brazil: Industrialists and the Remaking of the Working Class in Sao Paulo, 1920-1964 by Barbara Weinstein (1996)

The Works Progress Administration’s music project employed musicians as instrumentalists, singers, concert performers, and music teachers during the Great Depression (via Library of Congress)

Zhaojin Zeng
Dissertation: Nourishing Shanxi: Indigenous Entrepreneurship, Regional Industry, and the Transformation of a Chinese Hinterland Economy, 1907-2004

 

Capitalism with Chinese Characteristics: Entrepreneurship and the State by Yansheng Huang (2008) 

Cantonese bazaar during Chinese New Year at the Grant Avenue, San Francisco, circa 1914 (via Wikipedia)

Pictured in photo: Dr. John Lisle, Prof Daina Berry, Dr. William Kramer, Dr. Nakia Parker, Prof. Ann Twinam, Dr. Christopher Rose, Dr. Elizabeth O’Brien, Dr. Eyal Weinberg.

History and Advocacy: Brazil in Turmoil

By Edward Shore

On August 31, 2016, Brazil’s senate impeached embattled President Dilma Rousseff on charges of concealing budget shortfalls with funds from a federal bank. The vote was merely a formality. The decision of the Brazilian Democratic Movement Party (PMDB) to abandon its coalition with Rousseff’s Workers’ Party (PT) had sealed the fate of Brazil’s first female president months ago. Dilma’s ouster took place amid a free falling economy and a jarring corruption scandal involving the state oil company, Petrobras, that has implicated roughly two-thirds of the Brazilian legislature and rocked the foundation of Latin America’s largest democracy. Operação Lava Jato or “Operation Car Wash” is a criminal investigation authorized by the Brazilian Federal Police that began as a money laundering probe but has since widened to investigate politicians and Petrobras executives accused of accepting bribes in return for awarding contracts to construction firms at inflated prices. Prominent members of every major party are accused of accepting bribes and stashing public funds in secret accounts in Panama and Switzerland. Brazil’s Supreme Court charged Michel Temer, Dilma’s former vice-president and current president of Brazil, with violating campaign finance laws, preventing him from seeking re-election after his term ends in 2018. His disqualification is probably moot. Temer is so unpopular that he chose not to attend the closing ceremonies of the Rio Olympic Games at Maracanã Stadium to avoid angry spectators who jeered and brandished signs calling for his resignation.

Picture of demonstrators clamor for Dilma Rousseff's impeachment in São Paulo
Demonstrators clamor for Dilma Rousseff’s impeachment in São Paulo. Courtesy Al Jazeera.

While cabinet ministers, legislators, and former presidential candidates are accused of stealing from public coffers, prosecutors have failed to bring similar charges against Rousseff. Many observers allege that her impeachment was a conspiracy to prevent further investigation into the Car Wash scandal and to remove the Workers’ Party from power after thirteen years. They suspect that Dilma’s predecessor and presumptive favorite to win the presidency in 2018, Luiz Ignácio “Lula” Da Silva, was the target of the federal investigators all along. Michel Temer and his all white male cabinet represent a stark repudiation of the PT coalition, an alliance of working people, students, intellectuals, social movement activists, women, and people of color. The administration’s proposal to slash social programs responsible for lifting millions of Brazilians out of poverty has led to violent clashes between police and demonstrators in major cities across the country September 2016. Once again, the poor and vulnerable will pay a heavy price for the sins of Brazil’s political class.

What does the fallout mean for Brazil’s traditional peoples- namely indigenous groups, rubber tappers, and rural black communities descended from fugitive slaves called quilombos? Two weeks before Dilma’s impeachment, I traveled to São Paulo’s Atlantic Rainforest to visit my friends and colleagues at the Instituto Socioambiental (ISA), an NGO that defends the social and environmental rights of traditional peoples in Brazil. I attended the Ninth Annual Quilombo Seeds Festival, a farmers’ market and seminar organized by ISA in the heartland of the Ribeira Valley, a region that is home to 88 quilombo communities and the last preserves of endangered species and wildlife in Brazil’s most heavily industrialized state. Each year, farmers and fishermen from the quilombos gather in the town of Eldorado to exchange seeds, roots, crops, livestock, fish, and oysters to promote food security and to defend against cultural loss resulting from environmental restrictions on subsistence farming and the intrusion of mineral companies on their lands.

Quilombos and spectators gather for the Ninth Annual ISA Quilombo Seeds Festival in Eldorado, São Paulo. Photo courtesy Claudio Tavares-ISA
Quilombos and spectators gather for the Ninth Annual ISA Quilombo Seeds Festival in Eldorado, São Paulo, August 2016. Courtesy Claudio Tavares-ISA

Dilma’s impending trial cast a shadow over the event. Quilombolas (individuals who identify as quilombo-descendants) feared the ouster of PT would embolden their enemies: corporate farmers, cattle ranchers, and proponents of hydroelectric dams. They also worried that Temer’s government would impose new limitations on quilombos’ constitutional rights to land. Dilma Rousseff was hardly an ardent defender of traditional peoples’ rights. Davi Pereira Júnior, a doctoral student in Latin American Studies at the University of Texas and activist from the quilombo community of Itamatatiua in Maranhão, has criticized Rousseff’s government for “closing its eyes to the assassinations of dozens of quilombo leaders who were killed in cold blood while defending their communities’ rights to land.” During Dilma’s presidency, Brazil fast tracked approval of several hydroelectric dams, including the Belo Monte project in Xingu, Pará, that will displace more than 20,000 people, including indigenous groups like the Juruna and Arara, and destroy 250 square miles of protected rainforest in the Amazon. Her administration also did little to resolve the bureaucratic impasse that has prevented thousands of quilombos from obtaining land and recognition from the government. Still, many acknowledge the situation could get worse. Much worse.

Michel Temer’s government has already curbed traditional peoples’ rights in significant ways. First, his administration axed the Ministry of Culture that previously was in charge of approving communities’ petitions for recognition as quilombo-descendant and stripped responsibility for titling quilombo lands from INCRA, the federal agency in charge of agrarian reform. Now the task of certifying quilombos and conferring land titles falls to the Ministry of Education, which lacks the funds, personnel, or expertise to carry out its responsibilities. “In this political climate, how will our communities obtain recognition? Who will take responsibility? Who is responsible for recognizing our rights?” asked Zé Rodrigues, a leader from Quilombo Ivaporunduva. Temer’s administration has eliminated the Secretary for the Promotion of Racial Equality (SEPPIR), an agency that oversaw public policies to promote education, health care, social services for quilombo communities across the country.

Quilombola activists gather in Eldorado for a seminar on climate change hosted by Instituto Socioambiental. Courtesy Claudio Tavares ISA.
Quilombola activists gather in Eldorado for a seminar on climate change hosted by Instituto Socioambiental in August 2016. Courtesy Claudio Tavares-ISA.

The new government also endorsed PEC 215, a proposed amendment to the constitution that seeks to delegate the Brazilian Congress, dominated by the agribusiness lobby, with the duty of recognizing and demarcating indigenous and quilombola territories. “PEC 215 represents an instrument of repression against original and traditional peoples in Brazil,” affirmed Ewerton Lobório, a human rights lawyer and staffer for Nilto Tatto, a Workers’ Party congressman from São Paulo. “The right wing has seized power by demonizing the poor and enacting legislation that takes away their guaranteed rights.” Temer’s actions have emboldened his ally, Governor Gerardo Alckmin of São Paulo, who signed a bill privatizing São Paulo’s state parks and giving mineral companies a blank check to drill for lead, zinc, and baryte in environmentally sensitive areas used by quilombos and indigenous communities for subsistence farming and fishing. In sum, Temer’s rise to power represents an assault on the hard fought rights and privileges achieved by indigenous communities, Afro-Brazilians, and traditional peoples following the return to democracy in 1985.

How can the academic community express solidarity with traditional peoples’ activists and their allies? I posed the same question on this blog last January and I’m still no closer to arriving at a definitive answer. Still, I’m convinced that the university has a role to play, at the very least, in speaking out against these violations of human rights. One way researchers can help is by organizing workshops and conferences to provide quilombola activists with a platform to publicize their struggle for rights and inclusion. Next February, LLILAS and IHS will be co-sponsoring a conference about food security and quilombos’ ongoing struggle to restore subsistence farming rights in the Atlantic Rainforest. Panelists will include representatives from the Instituto Socioambiental, experts on sustainable agriculture, and quilombola farmers fighting to restore access to subsistence garden plots called “roças.” We hope that the event will enable our guests to forge partnerships with researchers at the University of Texas who are interested in agriculture, sustainability, traditional peoples’ rights, and climate change in tropical rainforests. We also hope to apply pressure on Brazilian authorities to comply with their constitutional obligation to respect the rights of quilombo communities. “What can we do about this?” asked Davi Pereira. “Well, we can do what we’ve always done: fight to defend our rights. These rights are nonnegotiable for they guarantee the social, economic, cultural, political, and religious survival of our communities.”

Author’s note: Brazilian Federal Judge Sergio Moro brought charges against Luiz Ignácio Lula da Silva on September 20, 2016, for alleged involvement in the Car Wash Scandal.


The views and opinions expressed in this article or video are those of the individual author(s) or presenter(s) and do not necessarily reflect the policy or views of the editors at Not Even Past, the UT Department of History, the University of Texas at Austin, or the UT System Board of Regents. Not Even Past is an online public history magazine rather than a peer-reviewed academic journal. While we make efforts to ensure that factual information in articles was obtained from reliable sources, Not Even Past is not responsible for any errors or omissions.

The Public Historian: Giving it Back

By Edward Shore

Dear dissertation advisers and doctoral candidates,

Remain vigilant for signs of Mid-Degree Existential Crisis (MDEC) among graduate students. Common symptoms include sleeplessness, semi-facial paralysis, and hair loss. MDEC is known to occur most frequently in doctoral candidates who have returned to Austin, Texas, after a year of dissertation fieldwork in Brazil. Physicians have prescribed Melatonin, Botox, and Propecia. If you or a loved one suspects that a PhD student is suffering from MDEC, please intervene immediately.

Signed, a distressed fifth year PhD candidate.

I discovered that I was suffering a Mid-Degree Existential Crisis during my third viewing of Star Wars: The Force Awakens earlier this month. I had dragged my partner, Cristina, to the AMC Arizona Center 24 Multiplex to experience JJ Abrams’ interpretation of the space-western saga on the second night of our honeymoon in Phoenix. Cristina gazed spellbound as our young heroine, Rey, the scavenger from Jakku, discovered the Force and defeated the villainous Kylo Ren in a climactic lightsaber duel on Starkiller Base.

“Rey is totally Luke Skywalker’s daughter,” Cristina whispered in my ear.

“This is why I married you,” I thought to myself. But then, as Resistance fighters routed the First Order, a panic attack overpowered me like a Darth Vader chokehold. I struggled to breathe. My heart pounded. My palms grew sweaty. This could mean only one thing: spring semester was right around the corner.

Allow me to explain. Last October, I returned to Austin after nine months of dissertation research in Brazil. My project retraces the historical emergence of Article 68, a 1988 constitutional amendment that extends land rights and recognition to rural black communities descended from fugitive slaves known as “quilombos.” I underscore the law’s importance as a harbinger for the nation’s affirmative action policies, while also analyzing its impact on popular struggles over land, resources, and citizenship in the Brazilian countryside. In addition to archival research, I recorded oral histories of quilombo activists living in the Atlantic Rainforest of São Paulo’s Vale do Ribeira, the last preserve of endangered species and wildlife in Brazil’s most heavily industrialized state.

Picture of Quilombo of Ivaporunduva and the Ribeira de Iguape River in São Paulo, Brazil
Quilombo of Ivaporunduva and the Ribeira de Iguape River, São Paulo, Brazil. Courtesy of the author.

The Instituto Socioambiental (ISA), a São Paulo-based NGO that defends the social and environmental rights of so-called “traditional peoples'” in Brazil, including quilombolas (communities of quilombos), indigenous groups, and rubber tappers, sponsored my research. I lived and worked for six weeks at ISA’s satellite office in Eldorado, a small town of 5,000 inhabitants located in the heartland of the Vale do Ribeira. I shadowed my friends, ISA anthropologists Alexandre Kishimoto, Raquel Pasinato, and Frederico da Silva, who assisted quilombo communities in organizing an oral history project, a farming cooperative, and a “seed bank” of rare subsistence crops that quilombolas and their ancestors had planted in the valley for over four centuries. The experience was exhilarating. It contributed immensely to the conceptual development of my dissertation. Most important, my sojourn in the Vale do Ribeira impressed on me the urgency of using scholarship to advance the social rights of Brazil’s marginalized quilombo population. I had never felt more alive than I did in the field.

Fall semester 2015 was a different story. Re-entry to university life was excruciating. I hit rock bottom. Brazil had offered shelter from writer’s block, fellowship rejections, and the pessimism of a shrinking job market. Back in Austin, I sat at my desk determined to write my first chapter. But the words never came. I tore through dozens of yellow legal pads full of scribbled notes, half-baked insights, and aborted first drafts. Anguish from writer’s block grew so severe that I developed a spasm in the left side of my face that required eight Botox injections near the eyelid to paralyze the nerve. I doubted if I would ever complete a first draft of a chapter, let alone graduate and realize my lifelong dream of becoming a professor. Mid-Degree Existential Crisis is real, even if it’s not. Trust me.

Somehow I persevered. I’m no closer to completing my first chapter today than I was last December. Still, I remain more resolute than ever to write my dissertation. I am finding motivation in a new love for public history and a burning sense of social responsibility.

Picture of Cachoeira do Meu Deus in Quilombo Sapatu, São Paulo
Cachoeira do Meu Deus, Quilombo Sapatu, São Paulo. Courtesy of the author.

My informants in the Vale do Ribeira helped me to realize that writing a thesis and reporting on my findings at academic conferences and in academic publication was not enough for me. They challenged me to make my research public to support quilombos in their efforts to achieve their constitutional rights to land and citizenship. Although the Brazilian government recognizes over 3,000 rural black communities as “quilombos,” fewer than 160 possess title to their lands. Big Agribusiness has largely succeeded in preventing the titling of quilombo lands while conservatives in congress have challenged the constitutionality of Article 68 in federal court. How could historical research empower quilombos to overcome injustices perpetrated by powerful landowners, multi-national mineral companies, and their own government?

I recently posed this question to my friend at ISA, anthropologist Alexandre Kishimoto. His response surprised me. Last August, I assisted Alexandre in recording video testimonies of quilombola leaders in the communities of Ivaporunduva, São Pedro, and Pedro Cubas. The initiative was part of a wide effort to publicize the Eighth Annual Seeds Festival sponsored by the Instituto Socioambiental in Eldorado. Since 2008, representatives from the sixty-six quilombo communities in the Vale do Ribeira convene in Eldorado in August to trade handicrafts, crops, and other agricultural goods. ISA inaugurated the Seeds Festival after local forest rangers prohibited quilombos from planting subsistence gardens in the Atlantic Rainforest. The results of the ban were devastating. Communities that for centuries had planted mandioc, rice, and beans suddenly faced food shortages. Entire species of crops vanished. Malnutrition skyrocketed. With the help of ISA, quilombos in the valley have recovered several varieties of lost seeds. The project has also strengthened the communities’ campaign for land while also pressuring the state government of São Paulo to alleviate onerous restrictions on subsistence farming. Yet change has continued to advance slowly.

Quilombola activists at a demonstration against the proposed construction of hydroelectric dams on the Ribeira de Iguape River in Adrianópolis, Paraná. Courtesy of the author.
Quilombola activists at a demonstration against proposed construction of hydroelectric dams on the Ribeira de Iguape River in Adrianópolis, Paraná. Courtesy of the author.

Alexandre responded to my question by urging me to produce English subtitles for ISA’s promotional videos on the Seeds Festival and to share them with the university community and the public at large. He believes that pressure from the US academy could force local authorities in São Paulo to lift restrictions on quilombola agriculture in the Vale do Ribeira. He also hopes that such a small act might also lead to closer collaboration between ISA, local communities, and the University of Texas to advance the constitutionally guaranteed rights of Brazil’s quilombos. This is why public history matters. This is why I get out of bed in the morning to write my dissertation. This is how I won my battle with Mid-Degree Existential Crisis.


The views and opinions expressed in this article or video are those of the individual author(s) or presenter(s) and do not necessarily reflect the policy or views of the editors at Not Even Past, the UT Department of History, the University of Texas at Austin, or the UT System Board of Regents. Not Even Past is an online public history magazine rather than a peer-reviewed academic journal. While we make efforts to ensure that factual information in articles was obtained from reliable sources, Not Even Past is not responsible for any errors or omissions.

The Invention of the Brazilian Northeast, by Durval Muniz de Albuquerque Jr. (2014)

By Diego A. Godoy

Walter Salles’ 2001 film Behind the Sun (Abril Despedaçado) chronicles the blood feud that envelops two families in the Bahian sertão (outback) in 1910. The rival Ferreira Breves clans are engaged in an unending war over land and honor. Portraits of the deceased hang on each family’s walls and their blood-drenched shirts are hung outside to signal mercy; the next killing cycle cannot commence until the blood has turned yellow. It is a depressing picture of misery, violence, and backwardness. Nevertheless, the arrival of a traveling circus and the ensuing friendships between the Breves sons and two of the performers infuse this somber story with a whimsical romanticism. Ultimately, the youngest Breves boy attempts to liberate himself and his brother from their wretched situation. The struggle, as one might expect, ends badly, but not without a note of measured optimism.

Screenshot from the film Abril Despedaçado.

Screenshot from the film Abril Despedaçado.

The Invention of the Brazilian NortheastDepictions like the one in this film, with all its attendant ideas and images, are what preoccupy Durval Muniz de Albuquerque Jr. in The Invention of the Brazilian Northeast. Albuquerque, who is Professor of Brazilian History at the Federal University of Rio Grande do Norte, is considered one of Brazil’s preeminent scholars. In this now classic study of Brazilian regionalism, the reader is presented with the story of how the Northeastern region of Brazil was “nordestinizado,” or transformed into an imagined space of misery, violence, folklore, fanaticism, and rebellion. This idea of the Northeast was “invented” by a rich archive of texts and images that achieved prominence in the 1920s and continues to influence our conception of the area and its inhabitants. Albuquerque examines a thick assortment of discourses advanced through literature, cinema, music, art, and academic production to see how they “construct and institute the realities” of the Northeast.

The very idea of the Northeast as a distinct region came into existence as Brazil’s central South, particularly the city and state of São Paulo, became a type of foil to the Northeast as a result of rapid and sustained industrialization, urbanization, and European immigration. Soon, travelers and journalists from the South began to disseminate accounts detailing the strange and backward customs of Northeasterners—a discourse that would continue to gain prominence with time. The onset of seasonal droughts proved a “point of unity for diverse Northern interests to raise their various complaints to the national level, at the cost of converging around a shared vocabulary of weather-based misery and suffering.” Banditry and messianic movements quickly joined the drought discourse as additional points of argument for “investing in the modernization of the North.”

Gilberto Freyre, circa 1975

Gilberto Freyre, circa 1975

In terms of culture, members of the new regional elite began to produce works that crystallized all the stereotypical perceptions of the region as fanatical, folkloric, underdeveloped and drought-stricken. The first generation of cultural elites, spearheaded by the renowned Brazilian sociologist Gilberto Freyre, rooted their work in notions of tradition and nostalgia for the past. Albuquerque explains the preponderance of folklorizations and romanticizations in artistic and academic works as a reaction to greater nationalist strategies that heralded a radically different and “modern” idea of Brasilidade (Brazilianess) emanating from the center South. The author is highly critical of the discursive paradigm fashioned by these individuals because of its essentialization of nordestinos and their history, one that “imposed a ready-made history that naturalized the present injustice, discrimination, and misery.” A more leftist, less traditionalist group of observers painted the Northeast as a place that was naturally inclined toward revolt against exploitation and bourgeois domination from outside the region. Inadvertently, perhaps, this cemented the marginalized identity of the Northeast as a land of perpetual misery and injustice.

The Colour of ModernityUnderpinning Albuquerque’s analysis are the Foucaldian concepts of dispositif and gaze. Dispositif refers to the various institutional, physical, and administrative bodies and knowledge structures that are responsible for maintaining the exercise of power. Gaze, on the other hand, refers to the idea that it is not just the object of knowledge in a power relationship that is constructed, but also the knower, the person “gazing.” This underscores the extreme importance of the South, particularly Sao Paulo, in the invention of the Northeast. Throughout the study, the South acts a counterpoint to the Northeast—in fact, it is just as critical as the latter. The “modern,” eugenically superior white, Italian South essentially shapes the primitively backward African, racially-mixed Northeast. Indeed, Barbara Weinstein’s excellent new book, The Color of Modernity: Sao Paulo and the Making of Race and Nation in Brazil, illuminates exactly how the intellectuals and politicians who formulated Paulista identity during the first half of the twentieth century ardently advanced the idea that their region and its people were the vanguard of Brazilian civilization. Not only was Sao Paulo culturally and economically superior to the rest of the nation, but its citizens had a unique aptitude for social progress and modernity. Not surprisingly, this discourse of exceptionalism came neatly wrapped in explanations that emphasized the European origins of the majority of its inhabitants.

Although Albuquerque does not explicitly use the term “internal colonialism,” his narrative is engaged with the concept. The Northeast’s alterity thrust it into a cultural relationship with the South that is reminiscent of that between colonizer and colonized. And while internal colonialism seems like a fitting label, perhaps one should take a cue from postcolonial theorist Edward Said (as Weinstein does) and consider the concept of “internal Orientalism” as well. Orientalism is particularly enlightening because it focuses on the colonizing power and actually tells us more about the desires and identities of the “occidental architects” than it does about the “Orient.”

The Invention of the Brazilian Northeast is a fascinating exploration into an idea that endures to the present day, as films like Behind the Sun demonstrate. It is an enthralling book that will give the reader a clearer understanding of Brazilian culture.

The Invention of the Brazilian Northeast, by Durval Muniz de Albuquerque Jr., translated by Jerry Dennis Metz (Duke University Press, 2014)

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Michael Hatch and Felipe Cruz review two books by João José Reis: Slave Rebellion in Brazil: The Muslim Uprising of 1835 in Bahia (1993) and Death is a Festival: Funeral Rites and Rebellion in Nineteenth-Century Brazil (2007)

Slavery and Race in Colonial Latin America

Roughly 12 million Africans were forcibly transported to Europe, Asia, the Caribbean, and the Americas between 1500 and 1900. As Emory’s Slave Trade Database shows, a huge proportion of Africans ended up in Colonial Latin America, shaping the emerging societies there and leaving a lasting legacy on race relations today.

Not Even Past has published numerous articles and book reviews on Slavery and Race in Colonial Latin America, covering a wide range of topics. What hierarchies conditioned the relations between Africans, Europeans, and native groups? How did these socio-racial systems work on the day-to-day of life in Colonial Latin America? And, how did racially discriminated groups resist? These are some of the key questions addressed in the articles below.

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Spanish America:

Susan Deans-Smith discusses the eighteenth-century Casta paintings, depicting different racial mixtures derived from the offspring of various unions between Spaniards, Indians, and Blacks.

Casta painting from Luis de Mena.

Casta painting from Luis de Mena.

The Casta paintings reveal an idealized hierarchical socio-racial system, but in practice some mixed race populations achieved social mobility by purchasing whiteness. Ann Twinam discusses.

Reviewing Joanne Rappaport’s Disappearing Mestizo, Adrian Masters highlights the gap between the rigid caste system and the reality of day-to-day life in Colonial Latin America and discusses his own work on the evolution of the Mestizo category.

Fluidity and malleability of racial identity was a defining feature of Latin American colonialism as Kristie Flannery discovers reading essays from Imperial Subjects: Race and Identity in Colonial Latin America.

In the early modern Caribbean, individuals not only crossed socio-racial boundaries within the Spanish Empire but also shaped religious identities to move between Catholic Spanish and Protestant English worlds. Ernesto Mercado-Montero reviews Ordinary Lives in the Early Caribbean: Religion, Colonial Competition, and the Politics of Profit, by Kristen Block.

For further reading on the way identity worked in Colonial Latin America see Zachary Charmichael’s reviews of David Weber’s

Bárbaros: Spaniards and Their Savages in the Age of Enlightenment and Jane Mangan’s

Trading Roles: Gender, Ethnicity, and the Urban Economy in Colonial Potosí.

Brazil:

As the slave trade database shows colonial Brazil was one of the principal destinations for slaves transported from West Africa, creating an unique Luso-phone Atlantic world. In her review of studies by Mariana Candido and Rocquinaldo Ferriera, Samantha Rubino highlights the cultural exchange between Portuguese and Africans, altering the way historians conceptualize creolization and the formation of slave societies.

Portuguese officials meet with the Manikongo, who ruled the African Kongo Kingdom (Image courtesy of Wikimedia Commons)

Portuguese officials meet with the Manikongo, who ruled the African Kongo Kingdom (Image courtesy of Wikimedia Commons)

Michael Hatch discusses the story of Brazil most famous slave rebellion, the Muslim uprising of 1835 in Bahia, emphasizing the plurality of African ethnic identities in the development of Afro-Latino cultures rooted in the Atlantic slave trade.

Also focused on Brazil’s North East, Edward Shore reviews Glenn Cheney’s Quilombo dos Palmares, unveiling the history of Brazil’s nation of fugitive slaves.

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For more on casta paintings:

Magali M. Carrera, Imagining identity in New Spain: Race, Lineage, and the Colonial Body in Portraiture and Casta Paintings (2003)

María Concepción García Saiz, Las castas mexicanas: un género pictórico americano (1989)

Ilona Katzew, Casta Painting: Images of Race in Eighteenth-Century Mexico (2004)

Quilombo dos Palmares: Brazil’s Lost Nation of Fugitive Slaves, by Glenn Cheney (2014)

By Edward Shore

In November 1695, townspeople in Recife, Brazil, observed Portuguese soldiers attaching a severed head to a stake in the central plaza. The skull belonged to Zumbi, the last warrior-king of Palmares, a “quilombo,” or fugitive slave community, hidden in the rugged backcountry of the Brazilian Northeast. Palmares was home to twenty thousand runaway slaves, free blacks, Indians, and settlers of mixed ancestry who repelled the repeated assaults of European slavers for almost a century. Although the Portuguese managed to defeat Zumbi’s guerrillas, memories of Palmares evolved into myths that powerfully shaped Brazilian politics and popular culture. They fanned the flames of slave resistance and inspired future generations of black activists and intellectuals who challenged racism, capitalism, and military rule in modern times.

QdP Front CoverGlenn Cheney’s new book, Quilombo dos Palmares: Brazil’s Lost Nation of Fugitive Slaves, retraces the maroon community’s origins and casts new light upon the lived experiences of its diverse inhabitants. Drawing upon a range of colonial documents and secondary sources, Cheney advances a number of compelling claims about the nature of Palmares and its century-long struggle for survival. First, he argues that the quilombo represented a viable alternative to plantation slavery and Portuguese colonialism. Fugitive slaves established a collective economy based upon subsistence agriculture, trade, and communal land ownership. They raided plantations and sugar mills in search of new supplies and recruits. Palmarians rejected Portugal’s rigid caste system and mixed freely with Africans, crioulas (Brazilian born blacks), mulattos, Indians, and even poor whites. The author also suggests that women were socially, economically, and militarily empowered and that marriage and sexual morality were established by “necessity and efficiency” rather than by religious edict. Religion in the quilombo was syncretic, an amalgamation of beliefs and practices pulled together from Bantu (Central African), indigenous, and Catholic traditions.

Second, Cheney contends that Palmares functioned like a sovereign state. He observes that the quilombo was not, at least initially, a single political entity, but rather a collection of mocambos (“hideouts”) that stretched across a territory that was two hundred miles long and fifty miles inland from the coast of what is today the Brazilian state of Alagoas. Ultimately, these communities recognized a common enemy, the Portuguese, and integrated the various mocambos into a unified military brotherhood. Inhabitants elected village leaders to a council and the council selected a head of state. There is also evidence to suggest the Portuguese monarchy had recognized the quilombo’s autonomy and even attempted to broker a truce between planters and maroons in the 1670s.

Painting of a battle at Palmares. Image via Black Women of Brazil.

Painting of a battle at Palmares. Image via Black Women of Brazil.

Cheney concludes that Palmares grew strong enough not only to frustrate, but also to seriously challenge Portuguese control of Brazil. Following the decline of sugar production and the Dutch invasion of Pernambuco, Zumbi and his army of fugitive slaves threatened to deliver a crushing blow to Portugal’s fragile colonial ambitions. Cheney alleges that Palmares signaled the beginning of a long-term movement toward independence from colonial rule and foreshadowed the rise of Toussaint L’Overture and the “Black Jacobins” in Haiti. The Portuguese, though weakened, resolved to destroy the quilombo. Armed with an influx of capital, weaponry, and manpower from Lisbon and São Paulo, colonizers assembled an army of mercenaries, Indians, and slaves that sacked Palmares in 1693 and captured and executed Zumbi two years later.

Bust of Zumbi of Palmares in Brasilia. Via Wikimedia Commons.

Bust of Zumbi of Palmares in Brasilia. Via Wikimedia Commons.

However, the destruction of Palmares failed to stem the emergence of hundreds, perhaps thousands of smaller quilombos throughout Brazil. Nor did it prevent countless other acts of resistance that undermined planter domination even after the abolition of slavery in 1888. Cheney describes how the legend of the Quilombo dos Palmares inspired a 1988 constitutional amendment that extended land rights to the descendants of fugitive slaves. Thousands of “modern quilombos” have petitioned for government recognition while organizing mass movement in the countryside that has won concessions from local landowners and pressured elected officials to implement affirmative action policies in other areas. In 2015, the specter of Palmares looms large over Brazil.

Capoeira or the Dance of War by Johann Moritz Rugendas (1825). The Brazilian dance of Capoeria is often associated with the Palmares quilombo. Via Wikimedia Commons.

Capoeira or the Dance of War by Johann Moritz Rugendas (1825). The Brazilian dance of Capoeria is often associated with the Palmares quilombo. Via Wikimedia Commons.

Cheney’s new book claims many strengths but its effort to separate “myth” from “fact” represents its greatest achievement. Portuguese colonizers sought not only to destroy Palmares but also to expunge its existence from the historical record for fear that it would incite future slave rebellions. As a result, no artifactual evidence of the quilombo exists while surviving documentation reports precious little about Palmares, its people, and their points of view. Cheney nevertheless manages to shed light on Palmarians’ lived experiences by extrapolating meaning from among the colonizers’ exaggerations, inconsistencies, and omissions. By combining gripping narrative with first-rate scholarship, Cheney provides the most accessible and comprehensive study in English about “the most important historical event ever ignored by the world outside of Brazil.”

Glenn Alan Cheney, Quilombo dos Palmares: Brazil’s Lost Nation of Fugitive Slaves (New London Librarium, 2014)

You may also like:

Eyal Weinberg on a new English translation of Joaquim Maria Machado de Assis’ short stories

Seth Garfield on his book In search of the Amazon: Brazil, the United States and the nature of a Region

Elizabeth O’Brien on labor history in the sugar industry in Brazil

Eyal Weinberg on labor history in Sao Paulo

Darcy Rendón on the social history of the lottery in Brazil

Confederados: The Texans of Brazil

By Nakia Parker

After the American Civil War ended in April 1865, white Southerners living in the defeated Confederacy faced an uncertain social, economic, and political future. Many, disappointed in the outcome of the conflict and fearful of vengeful reprisals from the victorious Union government, decided to leave the United States altogether and start afresh in a foreign land. Central and South America, in particular, seemed a safe and welcoming haven for ex-Confederates living in the Gulf South region of Alabama, Texas, Mississippi, and Louisiana. The overwhelming choice of destination for these discontented emigrants was Brazil, where slavery was still legal and the Emperor offered attractive economic incentives, such as inexpensive land ownership and favorable tax laws. These expatriates, possibly numbering into the thousands, became known as “Confederados,” the Portuguese word for “Confederates.” However, not everyone living in the recently vanquished Confederate States of America was keen on the idea of beginning a new life in Brazil. An editorial written on the August 25, 1865 in the Houston Tri-Weekly Telegraph meticulously weighs the advantages and disadvantages of the Brazilian emigration movement.

Transcription of the editorial that appeared in the Houston Telegraph

The first Americans residing in Brazil, 1867. Via Wikimedia Commons.
The first Americans residing in Brazil, 1867.

In an attempt to “look at the question fairly,” the editorial highlighted similarities between Texas, the South in general, and Brazil, such as their comparable climates and agricultural production. Yet, the parallels abruptly stop there. The writer of the piece employed common racial stereotypes of the day, claiming that while both Brazil and the U.S. South each had “plenty of free negroes,” people of Afro-Brazilian descent were “of a much lower order of intelligence than ours,” yet enjoyed “social equality.” Even more interesting is the emphasis on the commonalities between Black and White Southerners — their shared religion, language, and “familial” ties — ignoring the devastating, bloody conflict over slavery that just ended a mere few months prior.

Thus, the seedlings of the “Lost Cause” mythology of paternalistic slave owners and happy slaves as a part of their extended family reveals itself in the article’s description of Southern African-Americans. Furthermore, the document vacillates from the practical to the poignant, imploring readers to consider such factors as the financial costs of making an overseas move, the health risks of resettling in an unfamiliar land, the repercussions of moving to a country with a different political and religious infrastructure, along with the emotional and psychic wages of leaving behind beloved friends, family, and an established way of life, no matter how “shaken,” for unsure prospects. The author resolutely came to the conclusion: “No Brazil for us. The “land of the South, imperial land is still for us our home and grave. We hope to go to heaven from it.”

House of the first confederate family in Americana, Brazil. Image via Wikimedia Commons.
House of the first confederate family in Americana, Brazil.

Despite the objections of the unknown writer, many Texans did leave for Brazil. Today, many of their descendants honor their American South/Brazilian lineage with a festival known as the Festa Confederada. This annual celebration combines Brazilian culture, such as dances and music, with traditional “Southern” foods, Confederate uniforms, antebellum dresses, and the waving of Confederate flags. This proud, yet problematic, commemoration highlights the powerful hold that the Civil War exercises not just in the American South, but in the “global South” as well.

In 1972, Georgia Gov. Jimmy Carter visited Brazil and remarked on the similarity between American Southerners and Confederados, descendants of Confederates who emigrated to Brazil after the Civil War. Via Wikimedia Commons.
In 1972, Georgia Gov. Jimmy Carter visited Brazil and remarked on the similarity between American Southerners and Confederados, descendants of Confederates who emigrated to Brazil after the Civil War.

More amazing finds at the Briscoe Center:

A Texas Ranger and the Letter of the Law

“The Die is Cast”: Early Texans Face the Comanches

Standard Oil writes a “history” of the old south

Stephen F. Austin visits a New Orleans bookstore

 

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All images via Wikimedia Commons.


The views and opinions expressed in this article or video are those of the individual author(s) or presenter(s) and do not necessarily reflect the policy or views of the editors at Not Even Past, the UT Department of History, the University of Texas at Austin, or the UT System Board of Regents. Not Even Past is an online public history magazine rather than a peer-reviewed academic journal. While we make efforts to ensure that factual information in articles was obtained from reliable sources, Not Even Past is not responsible for any errors or omissions.

Ex Cathedra: Stories by Machado de Assis: Bilingual edition (2014)

By Eyal Weinberg

Machado Front coverOn both of my recent research trips to Rio de Janeiro I stayed on Machado de Assis Street, in the neighborhood of Flamengo. Every Tuesday, the sounds of vendors setting up their stalls in front of my window for the weekly fruit and vegetable market would wake me up at 6 am. After lengthy and unsuccessful attempts to go back to sleep, I would reluctantly get up and go out for a morning stroll in the market, already crowded by this hour. Machado de Assis never lived in the street now bearing his name (though he did live close by for several years, on Catete street), but I still imagined him having his cafezinho at the corner, observing the bustling commercial activity of a traditional market in a fast-growing, urban metropolis, and considering his next work. Reading Ex Cathedra, a new translation of some twenty-one short stories written by Machado, was a great opportunity not only to discover lesser-known works of the great Brazilian author, but also to recall that repeated annoying, yet joyful morning experience.

 

The Market on Machado de Assis Street. Photo courtesy of Eyal Weinberg

The Market on Machado de Assis Street. Photo courtesy of Eyal Weinberg

Joaquim Maria Machado de Assis was born in 1839 to a son of freed slaves who worked as a house painter and a Portuguese washerwoman from the Azores who died before he turned 13. He was raised by a stepmother who worked as a maid. Despite his unprivileged social and racial background—slavery was legal in Brazil until 1888—Machado managed to break from hierarchical determinism. Already as a teenager he was a keen learner. A local priest taught him Latin; a baker introduced French, and he later taught himself other modern and ancient languages. As a typographer’s apprentice, Machado studied the printing business and, later working as a proofreader and salesman at a bookstore, he was able not only to read the classics but also to meet some of Rio de Janeiro’s eminent authors. Although he never left Rio, Machado’s cultural and literary understanding was deeply rooted in world literature and the intellectual discourse of the period.

Marchado de Assis at 57 years old, via Wikimedia Commons

Marchado de Assis at 57 years old, via Wikimedia Commons

His first successful poems and short stories appeared in periodicals and illustrated magazines aimed at Rio’s rising middle class, attracting young socialites (particularly women) with themes of sexual desire and leisure time. Yet if this first phase of writing was romantic and humorous, Machado’s later works were pessimistic, melancholic, and disillusioned, presenting a much more cynical view of Brazilian society. Some critics highlight the physical and psychological breakdown Machado suffered in 1878—developing epilepsy and a speech disorder as well as confronting his deprived socio-racial position—to explain the shift in the author’s literary production. Others reject this interpretation, pointing to continuity in the developments of his literary technique and aesthetics.

Whatever the cause, after 1880 Machado’s works portray a somber look at society, dealing with death, insanity, gossip, hypocrisy, greed, and anxiety. The most well known is Epitaph of a Small Winner (Memórias Póstumas de Brás Cubas, 1880), a fictional autobiography of a dead hero, telling his life story from his grave. These works also brought fame. Critics praised Machado work and the Emperor of Brazil, Dom Pedro II, awarded him the Order of the Rose. In 1896, Machado was a founding member of the Brazilian Academy of Letters, serving as its first president until his death in 1908.

The twenty-one stories collected in Ex Cathedra—all originally published after 1880—beautifully represent this later phase. They take us on a journey to late nineteenth-century Brazil, mixing the mundane with the unique and sometimes hallucinatory human experience, as rightfully pointed out in the introduction. In one story, we follow a man’s relentless but unsuccessful attempts to get a loan for his entrepreneurial fantasies. In another, we witness the anxieties of an adoptive father afraid to lose his adolescent daughter when she marries. We find ourselves listening to a delirious dialogue between a member of Rio’s elite and a historic figure from ancient Greece about fashion and modernity. Or we observe the well-crafted plan of an elderly avid reader to make his goddaughter and niece fall in love.

Machado’s vignettes, with their mix of the everyday and the surreal, also shed historical light on the transitions Brazilians underwent at the turn of the century and their attempts to deal with those rapid changes. When Machado de Assis was born, Brazil was a rather stable monarchical empire, slavery was legal, and the economy was based mainly on agriculture exports such as sugar and cacao. When publishing the stories gathered in Ex Cathedra, however, both the empire and slavery system were on the verge of collapse or already gone: slavery was abolished in 1888 and monarchy in 1889. Thousands of newly constructed railroad lines introduced the first signs of industrial development and government-organized European immigration aimed to expand the labor force, whiten population, and “modernized” society. The dialogues and arguments among Machado’s characters testify to these shifts, and the author makes an effort to ridicule the difficulties of adjusting to modern developments, expressing the characters’, and perhaps his fear of the uncertain future of the new republic and its promise of “order and progress.”

Images documenting historical change in nineteenth century Rio:

Rue Droite in Rio by German painter Johann Moritz Rugendas, cerca 1830.

Rue Droite in Rio by German painter Johann Moritz Rugendas, cerca 1830.

Photo of Rio de Janeiro in 1850, courtesy of Instituto de Cultura de Cidadania.

Photo of Rio de Janeiro in 1850, courtesy of Instituto de Cultura de Cidadania.

Photo of Rio de Janeiro, 1889. Via Wikimedia Commons.

Photo of Rio de Janeiro, 1889. Via Wikimedia Commons.

Ex Cathedra is an important addition to Machado de Assis’s corpus of English translations. It brings together stories published during the author’s most productive and mature period (1880-1906), some of them appearing for the first time in English. The translations are uneven at times and some stories would have benefitted from better editing. Translating Machado de Assis, however, is not an easy job. Characters frequently use both formal and common registers, and the tone can quickly shift from playful to serious. As this is a bilingual edition, scholars can compare the original with the translation. Yet this collection is certainly not only for the bilingual researcher. English speakers will enjoy the captivating stories, and will find a brief glossary at the end to clarify Portuguese words used in translated text.

Ex Cathedra: Stories by Machado de Assis: Bilingual Edition, edited by Glenn Alan Cheney, Luciana Tanure, Rachel Kopit (New London Librarium, 2014)

Translations by:  Laura Cade Brown, Krista Brune, Glenn Alan Cheney David George, Linda Ledford-Miller, Ana Lessa-Schmidt, Nelson López Rojas, John Maddox, Adam Morris, Rex P. Nielson, Leila Osman, Marissel Hernández Romero, Steven K. Smith, Lisandra Sousa, Luciana Tanure, Nelson Vieira

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You may also like:

Seth Garfield on his book In search of the Amazon: Brazil, the United States and the nature of a Region

Elizabeth O’Brien on labor history in the sugar industry in Brazil

Eyal Weinberg on labor history in Sao Paulo

Darcy Rendón on the social history of the lottery in Brazil

Getz/Gilberto Fifty Years Later: A Retrospective

by Edward Shore

“I’m not a sociologist but it was a time when people in the States wanted to turn to something other than their troubles,” Brazilian singer Astrud Gilberto mused in 1996. “There was a feeling of dissatisfaction, possibly the hint of war to come, and people needed some romance, something dreamy for distraction.” This year marks the fiftieth anniversary of 1964’s Getz/Gilberto, the triumphant collaboration between North American jazz saxophonist Stanley Getz (1927-1991), Brazilian singer and guitarist João Gilberto (b. 1931), his then-wife, Astrud Gilberto (b. 1940), and their friend and compatriot, the composer Antonio Carlos “Tom” Jobim (1927-1994).

getz-gilberto_0Getz/Gilberto was not North America’s first encounter with bossa nova, the lyrical fusion of samba and cool jazz emanating from the smoky nightclubs, recording studios, and performance halls of Rio de Janeiro in the mid-1950s. Yet the eight-track LP was by far the most successful. Propelled by the genre-defining single, “The Girl From Ipanema,” Getz/Gilberto spent ninety-six weeks on the charts and won four Grammy awards, including Best Album of the Year in 1965. Other tracks, including “Para Machucar Meu Coração,” “Desafinado,” and “Corcovado/Quiet Nights of Quiet Stars,” also became jazz standards. “Americans are generally not very curious about the styles of other countries,” Astrud Gilberto insisted. “But our music was Brazilian music in a modern form. It was very pretty and it was exceptional for managing to infiltrate America’s musical culture.”

What explains Americans’ love affair with bossa nova in the winter of 1964? Part of the answer lies in the power of popular music to relieve a broken heart. Critics associated Getz/Gilberto’s cool, sophisticated sound with the Kennedy White House, where music, high fashion, and glamorous parties had been hallmarks of “Camelot” on Pennsylvania Avenue during the early 1960s. Perhaps audiences sought to recapture a bit of the mystique that had vanished when President Kennedy was slain in Dallas, Texas, only five months before the record’s release.

getz_gilberto_01For jazz critic Howard Mandel, Getz/Gilberto was like “another tonic for the assassination’s disruption, akin for adults to the salve upbeat the Beatles had provided for teenagers’ after their appearance on the Ed Sullivan Show in February 1964.” Gilberto’s hushed vocals and understated guitar, Jobim’s gentle piano, and Getz’s lush saxophone transported weary listeners to a sun soaked, tropical paradise light years removed from the turmoil confronting the United States in the winter of 1964.

Yet the Brazil of North American fantasy–languid, exotic, and serene–contrasted sharply with reality. By late 1963, the United States had declared Brazil a “trouble spot” in its hemispheric crusade against communism. Traditional elites and U.S. Cold Warriors opposed Brazilian President João “Jango” Goulart and his center-left agenda, which extended voting rights to illiterates, taxed foreign corporations, and introduced land reform. Meanwhile, peasant agitation in the Brazilian Northeast, the fulcrum of the global sugar trade, deepened the anxieties of U.S. policymakers who feared that Latin America’s largest economy might soon follow in Cuba’s footsteps. In March 1964, the Lyndon Johnson administration and the Brazilian military secretly began plotting Goulart’s overthrow.

002marchaWhile “The Girl from Ipanema” climbed to the top of the Billboard charts, U.S. warships penetrated Brazilian waters to support a military coup d’état on April 1, 1964, terminating the country’s brief flirtation with social reform. The United States had once again intervened in Latin America to preserve an illusion of tropical tranquility that existed only in the imaginations of ruling elites, intelligence agencies, and North American consumers. The military dictators who succeeded Jango and controlled Brazil for the next two decades understood the uses of music just as well and embraced bossa nova for its commercial appeal, apolitical subject matter, and potential to smooth over the nation’s deep-seated socio-political divisions.

Yet the marriage between bossa nova and the dictatorship was not to last. A younger generation of Brazilian artists, including Caetano Veloso, Gal Costa, Gilberto Gil, Rita Lee, and Tom Zé, fused elements of bossa nova with rock n’roll, psychedelia, experimental theatre, and Brazilian folk music into the colorful, exuberant countercultural movement known as Tropicália. Gone was the “tall, tan, young, and lovely” morena of Ipanema Beach. By 1968, the regime’s censors raced to cleanse Brazilian popular music of anti-establishment themes, even forcing Caetano Veloso and Gilberto Gil, two of the country’s most visible stars, into exile in the United Kingdom. The coup government ultimately turned its back on bossa nova, too. In 1969, the regime sacked Vinícius de Moraes from his post in the Foreign Ministry after the legendary composer, playwright, and original author of “The Girl from Ipanema” criticized the dictatorship’s restraints on artistic freedom.

getz_gilberto_02Popular interest in bossa nova continued to wane over the course of the 1970s. Outraged by U.S. sponsorship of the military regime, Brazilian musicians distanced themselves from a style that enjoyed intimate ties to the “giant from the North.” A blend of rock, samba, and jazz known as MPB, or “música popular brasileira,”eclipsed bossa nova as Brazil’s national sound. MPB artists like Chico Buarque, Jorge Ben, and Novos Baianos camouflaged criticisms of government repression, social injustice, and imperialism with irresistible melodies, appealing to a growing audience of middle-class youth. Meanwhile, in the slums and favelas of Rio de Janeiro, São Paulo, and Salvador, a young generation of Afro-Brazilians challenged the nation’s vaunted reputation as a “racial democracy,” while embracing cultural symbols of Black Power and the African Diaspora, including soul, funk, and reggae. Amid this rising tide of popular protest against the regime, bossa nova, with its dreamy, cool detachment, appeared painfully at odds with the struggles of ordinary Brazilians.

Still, the genre remains a major force in Brazilian pop culture and “world” music. The millions of tourists who visit Rio de Janeiro every year arrive at an airport named after Tom Jobim. Inevitably, more than a few vacationers board their flights home in “Girl from Ipanema” t-shirts purchased at the airport gift shop. Bossa nova also experienced a brief resurgence in the mid-1990s. Red Hot+Rio, a compilation album produced by the AIDS-awareness organization Red Hot in 1996, paid tribute to the musical career of Tom Jobim and featured covers by artists including Sting, Astrud Gilberto, and David Byrne. Today, pop stars like Marisa Monte, Celso Fonseca, and Uruguay’s Jorge Drexler refashion bossa nova sounds for contemporary audiences. And what about the song that made bossa nova an international sensation? “The Girl From Ipanema” currently ranks as the second-most-recorded pop song of all time, after the Beatles’ “Yesterday.” Amid the pageantry surrounding the upcoming FIFA World Cup and the 2016 Rio Olympic Games, look for “The Girl From Ipanema” to sway gently back into the spotlight.

Stan Getz and Astrud Gilberto perform “The Girl From Ipanema” in 1964:

 

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Hear more Bossa Nova:

 

João Gilberto and Antonio Carlos Jobim in a 1992 live concert

Elis Regina and Tom Jobim performing “Aguas de Março” in 1974

 

Astrud Gilberto’s comments can be found in “Interview with Astrud Gilberto,” by Howard Mandel, Verve Records, Re-issue of Getz/Gilberto, 1996, liner notes.

Howard Mandel’s comments come from correspondence with the author, January 2014. A special thanks to him from the author.

Photo Credits:

1964 LP cover of Getz/Gilberto (Image courtesy of Verve Records)

Creed Taylor, Antonio Carlos “Tom” Jobim, João Gilberto and Stan Getz recording together (Image courtesy of last.fm)

Brazilians marching against the country’s military dictatorship, 1964 (Image courtesy of Mount Holyoke College)

Musical team on Getz/Gilberto: (from left) Stan Getz, Milton Banana, Tom Creed Taylor, João Gilberto and Astrud Gilberto (Image courtesy of last.fm)

Images used under Fair Use Guidelines

 

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