Henry Wiencek, Author at Not Even Past

Sixteen Months in a Leaky Boat

A few weeks ago José Salvador Alvarenga drifted onto a small island in the South Pacific Ocean in a worn-out, 24-foot long, fiberglass boat, wearing nothing but a tattered pair of underpants. With the aid of a Spanish interpreter, Alvarenga explained to surprised locals that he had been lost at sea for at least sixteen months after his fishing boat was pushed out to sea off the coast of Mexico. He said that he stayed alive by catching and eating raw fish, turtles, and birds.

Media outlets around the world have rushed to tell Alvarenga’s amazing story of survival, but from the beginning they have doubted the veracity of the fishermen’s version of events. Underlying the media’s skepticism is the belief that it is simply not possible for a human to survive for so long at sea without food and fresh water.

Jose Salvador Alvarenga, who spent 13 months on a remote Pacific island, after being rescued. (Image courtesy of Mashable)

One Fox News article asked, “Was it all a mirage?” The Sydney Morning Herald described Alvarenga’s story as “a tale of ocean survival that smells a bit fishy.” Searching for holes in Alvarenga’s story, a number of reports pointed out that Alvarenga was rather plump for someone who had been through such an ordeal (Doctors later confirmed that his paradoxically bloated appearance is consistent with a state of long term starvation).

Could Alvarenga really have drifted for 8000 miles from Mexico to the Ebon atoll in the Marshall Islands? If we look into the history of the great Pacific Ocean, we find several stories of survival that suggest Alvarenga is telling the truth.

In his famous history of The Manila Galleon, William Lytle Schurz talked about the survivors of one of these large Spanish treasure ships that was lost crossing the Pacific from Mexico in 1693. Two men made it all the way to the Philippines in conditions similar to what Alvarenga endured (thanks to Steph Mawson for this reference). The Galleon‘s

fate was eventually learned from two men picked up long after near the town of Binangonan de Lampon. In the boat in which they had managed to reach the Philippines was the corpse of a dead companion. One of the two survivors had gone stark mad from his sufferings. Before the burning galleon had foundered six men put off from her side in an open boat and headed westward. After three weeks their food gave out and two of the starving men slid over the gunwales into the sea. Those who were left then ate their jackboots and their belts to stave of starvation. At last it was decided to draw lots as to which of the four should be eaten by the rest. One of the three preferred to starve rather than to turn cannibal. It was only the last two who survived these horrible experiences, one without his reason, the other broken by his sufferings and long under the shadow of the Church for having partaken of human flesh.

Maris Pacifici by Abraham Ortelius (1589), the first printed map of the Pacific and the Americas. (Image courtesy of Helmink Antique Maps)

Early 17th century map of the Pacific. (Image courtesy of Bibliothèque Nationale de France)

Perhaps the most famous Pacific castaway is the British Naval Captain William Bligh. In 1789, Bligh and eighteen of his men were forced to disembark from Bligh’s ship The Bounty and climb into a 25-foot long launch boat; a tiny vessel intended for carrying people and supplies from ship to shore. The mutineers surely believed that their deposed Captain and his supporters faced a certain death. Yet over the next forty-seven days, Bligh used a quadrant and a pocket watch to navigate the very crowded launch from near Tonga to the Dutch settlement at West Timor, a 4350 mile journey.

Amazingly, only one man died on this voyage. Greg Denning’s history of the mutiny Mr Bligh’s Bad Language: Passion, Power and Theatre on the Bounty wrote that:

“From [Bligh’s] careful record of every item consumed … the total food each man had in forty-eight days was this: seven pounds bread, one pound salt pork, one pint rum, five ounces wine, two and one-quarter coconuts, one banana, one pint coconut milk, one and one-quarter raw seabirds, four ounces fish … A sailor’s ordinary food allowance has been calculated at about 4,450 calories a day. On the figures I have given here a nutritionist estimates that the launch people were reduced to 345 calories a day. This would mean a possible daily energy deficit of 4,105 calories and a total weight loss of 56 pounds.

In 1947, the intrepid Norwegian anthropologist Thor Heyerdhal and five other men crossed the Pacific Ocean from Peru to Polynesia in a small, balsa-wood raft named “Kon Tiki” that Heyerdhal built with his own hands. The boat was a replica of a pre-Inca raft, and the purpose of this dangerous exhibition was to prove Heyerdhal’s theory that it was the South Americans who first discovered and populated Polynesia thousands of years ago using similar vessels.

Kon-Tiki raft, circa 1947 (Image courtesy of Wikimedia Commons

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A Kon-Tiki expedition across the Pacific, 1947 (Image courtesy of Wikimedia Commons)

Although the Kon Tiki’s voyage doesn’t exactly prove Heyerdhal’s origins theory, (which for most scholars doesn’t hold water), the fact that six men completed a 101-day long, 4300-mile voyage on a 40 square-foot raft was at the time, and continues to be, a pretty exciting feat. The raft didn’t have oars and couldn’t really be steered in any direction. Although the Kon Tiki was equipped with US army supplied food, the crew reported a rich supply of fish (and sharks!) in the warm-water currents that carried them to Polynesia. If you are interested in Heyerdhal’s adventure, the story of the Kon Tiki is told in Joachim Rønning and Espen Sandberg’s 2012 film, which is currently available on Netflix.

After reading this piece, you might agree that Alvarenga deserves an apology from the news outlets around the world who rushed to accuse the fisherman of fabricating his story. We historians of the Pacific world know that the history of this largest ocean is punctuated by amazing stories of survival that should be celebrated.

A Jesuit in the Forbidden City: Matteo Ricci, 1552-1610, by R. Po-chia Hsia (2010)

by Shery Chanis

Hsia’s book on Matteo Ricci expands the traditional narratives of the Age of Expansion and transforms our understanding of them. Beyond the Mediterranean and Atlantic worlds, early modern Europeans, Jesuits among them, also ventured to Asia. Published on the four-hundredth anniversary of Matteo Ricci’s death, Ronnie Hsia’s biography of the Jesuit also marks part of a larger effort to commemorate one of the most important figures in the history of Christianity in China. In addition, this book shows a shift in focus to China by Hsia, who has produced an abundance of works on German social and cultural history during the Reformation era.

Hsia departs from other Ricci biographies with a more down-to-earth and rounded portrayal of the Jesuit missionary. Rather than claiming Ricci to be a saint or a pioneer cultural accommodationist who allowed Chinese converts to continue certain Chinese rituals, Hsia examines the context in which Ricci operated in two new ways. First, Hsia includes many other Jesuits in his book, illustrating that Ricci was part of a greater effort of the China Mission. Hsia discusses many Chinese figures along Ricci’s path, some of whom helped the Jesuit mission, some debated with the Jesuit, some were converted, and some collaborated with Ricci on various works. Second, Hsia discusses Ricci’s emotions at various stages of his mission. Although Ricci was highly successful in China, Hsia shows that he also experienced melancholy and sadness in his tenure in China.

After a creative prologue about Ricci’s death and burial, Hsia outlines Ricci’s life, from his birth in Macerata, Italy to his burial in Beijing, China. Hsia traces Ricci’s education and training in Europe and his journey to Asia before settling in China. Hsia devotes a chapter to each Chinese city where Ricci lived – Macao, Zhaoqing, Shaozhou, Nanchang, Nanjing, and Beijing –to illustrate Ricci’s northward movement within the Chinese empire moving towards the capital, his ultimate goal. Hsia follows this with a discussion of The True Meaning of the Lord of Heaven, which he argues is Ricci’s most important work. Hsia concludes his book with an Epilogue, witha brief historiography of works on Ricci in the four centuries since his death, from Nicholas Trigault to Jonathan Spence to Chinese scholars including Lin Jinshui and Sun Shangyang.

Detail from the China section of Matteo Ricci’s 1602 map, the “Impossible Black Tulip of Cartography” (Image courtesy of Library of Congress)

Hsia’s innovative approach continues with his attention to Michele Ruggieri, Ricci’s fellow Italian Jesuit and partner at the beginning of the Jesuit mission in China. Not only does Hsia devote an entire chapter to Ruggieri, he also includes a legal case against Ruggieri in his appendix. Hsia’s inclusion of Ruggieri, who is usually seen only in Ricci’s shadow, helps expand our knowledge of the Jesuit mission in China.

Hsia’s increasing focus on China in his scholarship is also reflected in his incorporation of many Chinese sources in his book. In addition to Ricci’s extant letters and published works, Hsia includes such Chinese materials as local gazetteers, tax records, poems, and letters. This offering of a more balanced perspective between Europe and China makes his focus and methodology less Eurocentric, which is also a strength of this book. Hsia’s inclusion of photographs he has taken in some of the cities Ricci had lived also serves as a great addition to the book.

ILLUSTRATION DEPICTS JESUIT FATHER MATTEO RICCI

Matteo Ricci in the traditional garb of a Chinese literatus (Image courtesy of Wikimedia Commons)

Hsia’s micro-historical approach of focusing on one Jesuit does not provide a full account of the Jesuit mission in China which can be viewed as a weakness of the book. In addition, the book title might be somewhat misleading, since Hsia is interested in not only Ricci in Beijing, the Forbidden City, but also in other places. Nonetheless, Hsia has provided an intriguing account of an important figure in the Jesuit China mission who was also part of the larger narrative of the Age of Expansion.

The Israeli Republic, by Jalal Al-e Ahmad (2014)

by Lior Sternfeld

In 1963 Jalal Al-e Ahmad, accompanied by his wife, the renowned Iranian novelist, Simin Daneshvar, traveled to Israel as an official guest of the country. He later wrote a travelogue about the journey, published in Iran under the title, Safr beh vilayet esrail (Journey to the Land of Israel). Two years earlier the author had gained his leftist internationalist credentials when he published one of the most important Third World manifestos, known as “Gharbzadegi” (Plague from the West). Al-e Ahmad is perceived to have laid the intellectual and ideological foundations of the 1979 revolution in Iran; both the leader of the Iranian revolution, Ayatollah Ruhollah Khomeini and Iran’s current Supreme Leader considered Al-e Ahmad to be an influence and role model. This article reviews the most recent translation of Al-e Ahmad’s travelogue, and will be useful to anyone wants to know more about modern Iran.

Translator Samuel Thrope’s introduction allows the reader to understand the profound complexity that characterized Al-e Ahmad throughout his career. Thrope provides excellent biographical and historical contextualization of the text. He also confronts one of the profound dilemmas confronting Al-e Ahmad’s reader. The use of Vilayet in the title can be translated in two different ways. One is charged with religious meaning as “Guardianship of Israel,” while the second carries the more prosaic meaning of Territory. As the travelogue itself makes clear, Al-e Ahmad himself was divided about Israel’s role in that land.

Like a large section of the Iranian left, Al-e Ahmad viewed Israel as part of the Third World. Al-e Ahmad juxtaposes East versus West and draws the borders of the East from “Tel Aviv to Tokyo,” acknowledging Israel’s ability to create an indigenous culture (unlike in Iran, as he analyzed in Gharbzadegi), that did not blindly mimic other cultures but was based on the ancient Hebraic Jewish culture. Al-e Ahmad was especially impressed with the revival of the Hebrew language. His admiration for almost everything he saw in Israel, did not prevent him from arguing that the Palestinians, and by extension the East in general and the Arabs and Muslims in particular, paid the price for the sins committed by Europeans in the Holocaust.

Al-e Ahmad and Daneshvar spent some time in the north Israel kibbutz “Ayelet Ha’Shahar,” which allowed the couple to get a first hand experience of kibbutz life. They saw a play, hung out with kibbutz members, and immersed themselves in conversations about China, the USSR, and Cuba over glasses of beer. Just before leaving, Al-e Ahmad wrote in the kibbutz guest book: “not only were they hospitable, but I met people here that I never expected to meet. Learned people, understanding and open-minded. In a sense, they are implementing Plato. Honestly speaking, I always identified Israel with the Kibbutz, and now I understand why.” Simin Daneshvar added: “as I see it the Kibbutz is the answer to the problem of all the countries, including our own.

This text opens a window to the mindset of the Iranian left. Al-e Ahmad’s praise of Israel articulates his (and other Iranians’) dispute with the Arabs, his harsh criticism of Arab governments, and refutes Arab ideas about Iran’s inferiority.

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Cotton fields of a kibbutz in Shamir, Israel, circa 1958 (Image courtesy of Wikimedia Commons)

The last chapter of the travelogue shifts tone and criticizes Israel for abandoning its Third World position and becoming a colonial power in its own right. The origin of the chapter is the subject of some controversy. Some believe that it was written in 1968 after the 1967 war and just before Al-e Ahmad’s death (in 1969), and reflects his own and the Iranian left’s disillusion with Israel. During the 1967 war, when Israel occupied the Sinai Peninsula, the West Bank, and the Golan Heights and then imposed military control over the entire population of non-citizen Palestinians., it became impossible for observers like Al-e Ahmad to view it as a nation that had taken part in a postcolonial struggle. The other explanation is that after his death, this chapter was written by his brother, Shams Al-e Ahmad, in order to get it approved in the radical revolutionary circles, for publication in Iran in 1984. Thrope adds some useful comments about this controversy as well. Thrope’s suggests that it was Jalal Al-e Ahmad himself who wrote this chapter, and that the voice expressed there is one of a literary character (a friend who wrote a letter to Al-e Ahmad). By presenting this fictional dialogue, Al-e Ahmad contemplates his ambiguous stand towards Israel and Zionism, or as Thrope writes: “Could Zionism really serve as a model for the remedy that Iran required? Just as importantly, as a Muslim, an Easterner, and an intellectual opposed to the Shah’s policies, which included close relationship with Israel, how should he relate to the Jewish State’s existence in the heart of the Muslim Middle East?” In this chapter, Al-e Ahmad not only criticized Israel as a colonial power, he harshly criticized the European intellectual left and singled it out for what he sees as double standards. While they vehemently fought against the colonization of Algiers and were outspoken in their criticism of the colonial project as a whole, they could live peacefully with the colonization of the territories gained by Israel in 1967. Al-e Ahmad blames Jean-Paul Sartre and Claude Lanzmann for leading this dreadful trend. He also blames the military regimes of the Arab countries for their incompetence in facing the changing reality of Israeli policy, and the “Petrodollar Empires” of the Persian Gulf for myopic political and economic goals in only caring about the oil industry.

Jalal Al-e Ahmad (r) with his wife, writer and intellectual Simin Daneshvar (l), in an undated photograph (probably from the early 1960s).

This book recounts a fascinating journey undertaken by an Iranian intellectual to an Israel that existed primarily in the author’s mind. The kind of utopia Al-e Ahmad saw would strike many Israelis as odd. Yet, I am sure that every reader would find this book (and its excellent translation) to be a window on the prerevolutionary Iranian left at a time when it was possible for an Iranian intellectual to embrace certain aspects of Israeli society; to get a glimpse of the history of the Israel-Iran relations and the greater Middle East too.

Listen to an interview with translator Samuel Thrope on 15 Minute History

Image of kibbutz guest book reproduced with the kind assistance of archivist Noa Herman at the archive of Kibbutz Ayelet Ha’Shahar.

Sound Maps: The New Archive (No. 6)

By Henry Wiencek

In the study of history, it’s easy to fall back on national identities: “Irish music,” an “English accent,” “American Exceptionalism” are just a few examples. But a closer examination of the local cultures—music, dialects, history—that exist within nations demonstrates how misleading those generalizations can be. Just look through one of the British Library’s “Sound Maps” and you’ll be convinced. This remarkable site takes many of the library’s 50,000 recordings of music, regional accents, and oral histories and arranges them geographically on Google Maps. The project is at once global and local—each sound map is an aural window into a unique part of the world. You can hear birds chirping in Algarve, Portugal, a folksinger perform in Carlistrane, Ireland, or the local dialect in Morton, Mississippi.

One of the most fascinating—and addictive—features on the site is “Your Accents,” a global map of the world’s seemingly endless variety of dialects. The map features recordings of people from across the globe reading the same English phrases, allowing listeners to discern how each locality articulates “scone,” “garage” and “schedule” among other richly pronounceable words. The most immediate differences are apparent along national lines, as English, Indian, American, and various other accents contour the words in unique ways. But the map goes even deeper—revealing the astonishing regional differences that exist within those nations. Although people from Brighton and Leeds ostensibly share an “English” accent, the sonic differences between them are vast.

Other sound maps use the same technology to tell far more sobering stories. “Jewish Survivors of the Holocaust” archives oral histories of that traumatic epoch. Again using Google Maps, the page arranges survival stories based on geographic origins: individuals from France, England, Germany, Poland and even Azerbaijan are all represented. These unique and deeply affecting histories underscore the striking heterogeneity of the Holocaust’s victims and survivors. They were rich and poor; came from big cities and small towns; and identified as religiously devout and irreligious. By mapping their oral histories, the British Library visually captures that geographic and experiential diversity. And by letting them speak, reinforces the kinds of variations that get flattened out or even erased when reading text on a page.

The British Library’s “Sound Maps” is an invaluable tool for anyone interested in hearing what the world sounds like. Cultural historians and preservationists will take particular interest in the collections of music and dialects—time capsules of old folkways quietly vanishing in a globalizing world. Readers may note the site’s emphasis on English speaking regions, especially the UK, but the geographic breadth of its collection remains deeply impressive. These maps do not just capture the sounds of the world, they capture its most compelling minutiae: the small town pubs, the remote jungles, and the fascinating people.

Explore the latest finds in the NEW ARCHIVE:

Charley Binkow on iTunes’s salute to Black History Month

And Henry Wiencek finds a new way of looking at Emancipation

Photo Credits:

Screenshot from “Your Accents” sound map (Image courtesy of the British Library)

Screenshot from “Jewish Survivors Of The Holocaust” sound map (Image courtesy of the British Library)

Quebecois lumbermen making music with a violin and sticks, 1943 (Image courtesy of National Film Board of Canada)

Getz/Gilberto Fifty Years Later: A Retrospective

by Edward Shore

“I’m not a sociologist but it was a time when people in the States wanted to turn to something other than their troubles,” Brazilian singer Astrud Gilberto mused in 1996. “There was a feeling of dissatisfaction, possibly the hint of war to come, and people needed some romance, something dreamy for distraction.” This year marks the fiftieth anniversary of 1964’s Getz/Gilberto, the triumphant collaboration between North American jazz saxophonist Stanley Getz (1927-1991), Brazilian singer and guitarist João Gilberto (b. 1931), his then-wife, Astrud Gilberto (b. 1940), and their friend and compatriot, the composer Antonio Carlos “Tom” Jobim (1927-1994).

Getz/Gilberto was not North America’s first encounter with bossa nova, the lyrical fusion of samba and cool jazz emanating from the smoky nightclubs, recording studios, and performance halls of Rio de Janeiro in the mid-1950s. Yet the eight-track LP was by far the most successful. Propelled by the genre-defining single, “The Girl From Ipanema,” Getz/Gilberto spent ninety-six weeks on the charts and won four Grammy awards, including Best Album of the Year in 1965. Other tracks, including “Para Machucar Meu Coração,” “Desafinado,” and “Corcovado/Quiet Nights of Quiet Stars,” also became jazz standards. “Americans are generally not very curious about the styles of other countries,” Astrud Gilberto insisted. “But our music was Brazilian music in a modern form. It was very pretty and it was exceptional for managing to infiltrate America’s musical culture.”

What explains Americans’ love affair with bossa nova in the winter of 1964? Part of the answer lies in the power of popular music to relieve a broken heart. Critics associated Getz/Gilberto’s cool, sophisticated sound with the Kennedy White House, where music, high fashion, and glamorous parties had been hallmarks of “Camelot” on Pennsylvania Avenue during the early 1960s. Perhaps audiences sought to recapture a bit of the mystique that had vanished when President Kennedy was slain in Dallas, Texas, only five months before the record’s release.

For jazz critic Howard Mandel, Getz/Gilberto was like “another tonic for the assassination’s disruption, akin for adults to the salve upbeat the Beatles had provided for teenagers’ after their appearance on the Ed Sullivan Show in February 1964.” Gilberto’s hushed vocals and understated guitar, Jobim’s gentle piano, and Getz’s lush saxophone transported weary listeners to a sun soaked, tropical paradise light years removed from the turmoil confronting the United States in the winter of 1964.

Yet the Brazil of North American fantasy–languid, exotic, and serene–contrasted sharply with reality. By late 1963, the United States had declared Brazil a “trouble spot” in its hemispheric crusade against communism. Traditional elites and U.S. Cold Warriors opposed Brazilian President João “Jango” Goulart and his center-left agenda, which extended voting rights to illiterates, taxed foreign corporations, and introduced land reform. Meanwhile, peasant agitation in the Brazilian Northeast, the fulcrum of the global sugar trade, deepened the anxieties of U.S. policymakers who feared that Latin America’s largest economy might soon follow in Cuba’s footsteps. In March 1964, the Lyndon Johnson administration and the Brazilian military secretly began plotting Goulart’s overthrow.

While “The Girl from Ipanema” climbed to the top of the Billboard charts, U.S. warships penetrated Brazilian waters to support a military coup d’état on April 1, 1964, terminating the country’s brief flirtation with social reform. The United States had once again intervened in Latin America to preserve an illusion of tropical tranquility that existed only in the imaginations of ruling elites, intelligence agencies, and North American consumers. The military dictators who succeeded Jango and controlled Brazil for the next two decades understood the uses of music just as well and embraced bossa nova for its commercial appeal, apolitical subject matter, and potential to smooth over the nation’s deep-seated socio-political divisions.

Yet the marriage between bossa nova and the dictatorship was not to last. A younger generation of Brazilian artists, including Caetano Veloso, Gal Costa, Gilberto Gil, Rita Lee, and Tom Zé, fused elements of bossa nova with rock n’roll, psychedelia, experimental theatre, and Brazilian folk music into the colorful, exuberant countercultural movement known as Tropicália. Gone was the “tall, tan, young, and lovely” morena of Ipanema Beach. By 1968, the regime’s censors raced to cleanse Brazilian popular music of anti-establishment themes, even forcing Caetano Veloso and Gilberto Gil, two of the country’s most visible stars, into exile in the United Kingdom. The coup government ultimately turned its back on bossa nova, too. In 1969, the regime sacked Vinícius de Moraes from his post in the Foreign Ministry after the legendary composer, playwright, and original author of “The Girl from Ipanema” criticized the dictatorship’s restraints on artistic freedom.

Popular interest in bossa nova continued to wane over the course of the 1970s. Outraged by U.S. sponsorship of the military regime, Brazilian musicians distanced themselves from a style that enjoyed intimate ties to the “giant from the North.” A blend of rock, samba, and jazz known as MPB, or “música popular brasileira,”eclipsed bossa nova as Brazil’s national sound. MPB artists like Chico Buarque, Jorge Ben, and Novos Baianos camouflaged criticisms of government repression, social injustice, and imperialism with irresistible melodies, appealing to a growing audience of middle-class youth. Meanwhile, in the slums and favelas of Rio de Janeiro, São Paulo, and Salvador, a young generation of Afro-Brazilians challenged the nation’s vaunted reputation as a “racial democracy,” while embracing cultural symbols of Black Power and the African Diaspora, including soul, funk, and reggae. Amid this rising tide of popular protest against the regime, bossa nova, with its dreamy, cool detachment, appeared painfully at odds with the struggles of ordinary Brazilians.

Still, the genre remains a major force in Brazilian pop culture and “world” music. The millions of tourists who visit Rio de Janeiro every year arrive at an airport named after Tom Jobim. Inevitably, more than a few vacationers board their flights home in “Girl from Ipanema” t-shirts purchased at the airport gift shop. Bossa nova also experienced a brief resurgence in the mid-1990s. Red Hot+Rio, a compilation album produced by the AIDS-awareness organization Red Hot in 1996, paid tribute to the musical career of Tom Jobim and featured covers by artists including Sting, Astrud Gilberto, and David Byrne. Today, pop stars like Marisa Monte, Celso Fonseca, and Uruguay’s Jorge Drexler refashion bossa nova sounds for contemporary audiences. And what about the song that made bossa nova an international sensation? “The Girl From Ipanema” currently ranks as the second-most-recorded pop song of all time, after the Beatles’ “Yesterday.” Amid the pageantry surrounding the upcoming FIFA World Cup and the 2016 Rio Olympic Games, look for “The Girl From Ipanema” to sway gently back into the spotlight.

Stan Getz and Astrud Gilberto perform “The Girl From Ipanema” in 1964:

Hear more Bossa Nova:

João Gilberto and Antonio Carlos Jobim in a 1992 live concert

Elis Regina and Tom Jobim performing “Aguas de Março” in 1974

Astrud Gilberto’s comments can be found in “Interview with Astrud Gilberto,” by Howard Mandel, Verve Records, Re-issue of Getz/Gilberto, 1996, liner notes.

Howard Mandel’s comments come from correspondence with the author, January 2014. A special thanks to him from the author.

Photo Credits:

1964 LP cover of Getz/Gilberto (Image courtesy of Verve Records)

Creed Taylor, Antonio Carlos “Tom” Jobim, João Gilberto and Stan Getz recording together (Image courtesy of last.fm)

Brazilians marching against the country’s military dictatorship, 1964 (Image courtesy of Mount Holyoke College)

Musical team on Getz/Gilberto: (from left) Stan Getz, Milton Banana, Tom Creed Taylor, João Gilberto and Astrud Gilberto (Image courtesy of last.fm)

Images used under Fair Use Guidelines

The 1980 Moscow Olympics and my Family

by Andrew Straw

My mother, Rae Straw, and her friend Pam had an odd assignment in 1979 for two travel agents from Houston: selling the Soviet Union to American tourists. For travel agents, such familiarization or “FAM” trips were a regular occurrence, but going to the Soviet Union during the preparations for the 1980 Moscow Olympics was a unique experience. While Red Square, the red stars on Stalinist buildings, the Moscow Metro, and the Hermitage dazzled my mother, her biggest impression was the shear excitement of Soviet citizens at hosting the world. In fact, despite Cold War tensions, since Khrushchev’s “Thaw” Soviets had enjoyed hosting foreigners at a number of international festivals. American citizens and culture were literally transported to Moscow during the World Youth Festival in 1957, and the 1959 “American Exhibition” in Moscow attracted several million Soviet citizens who came to gaze at American consumerism.

Similar to the ongoing Sochi Winter Olympics, impressive preparations for the 1980 Moscow games were surrounded by domestic repressions, corruption, and strained international relations with the West. Despite these similarities, there are obvious differences, particularly the Soviet invasion of Afghanistan and the subsequent American-led boycott of the Olympics. However, most reporting (aside from The Daily Show’s Jason Jones) has missed another big difference between the atmosphere surrounding both events: the fact that American consumer goods no longer have the potential to transform the way Russians view their state in comparison to the rest of the world.

The irony of the 1980 boycott was that it nixed an influx of American products, people, and ideas into Moscow just at the time a younger and more liberal generation of Soviet politicians and “Baby Boomers” were rising through the ranks of the Soviet system and the growing middle class desired an increase in opportunities, freedoms, leisure activities, and consumer goods. Even if most did not actively challenge the Soviet system, many wanted to experience Western culture and comforts. In this Cold War context, promoting American consumerism, music, high wages and a “life without queues” was the most attractive part of U.S. modernity. While there is no consensus on how crucial “soft power” was in deciding the outcome of the Cold War, many Americans understood the Soviet affinity for U.S. consumerism and pop-culture. Both U.S. government and businesses sponsored the post-Stalin “American invasion” that included Jazz radio programming, political propaganda, tours of musicians, student exchanges, and exhibits of American goods.

Even though travelers such as my mother had little intention of converting communists to capitalists, they loaded suitcases with cigarettes, chewing gum, pens, and blue jeans. Once in Moscow, my mother and her companions sold and bartered their Western-made goods a few blocks from the Rossiya Hotel in central Moscow. But after my mother returned to the U.S., the boycott was announced and her work of selling the Olympic host to Americans and the chance for going back to the USSR ended.

Meanwhile, my future father-in-law, Nail Aminevich Izmaylov, was a driver with the Academy of Sciences Institute in Moscow, and through connections he got a job as a stand-by driver for foreign tourists at the Olympics. While the American-led boycott was a huge disappointment for sports fans, he described the most depressing part as knowing that “business opportunities” for buying Western goods and then profiting on the black market would be limited. Still, the games went on, and drivers prepared by keeping a “driver’s komplekt” of terrible Soviet cigarettes, damp matches, and a broken pen. The idea was, once the chauffeured visitors tried one of these Soviet items, they would immediately offer their own or treat the driver to a shopping spree of Western goods in one of the stores where only foreigners were allowed to shop.

This dynamic of the event as an influx of superior consumer goods is absent in Sochi. Instead, Bosco, the Russian designer brand with ties to the Kremlin, designed the high-quality team uniforms, which are available in shopping centers throughout the country. In general, U.S. fashion and music have largely lost the subversive appeal as Putin’s “Sushi Years” have led to a continued consumerist bonanza that the majority of Russians have enjoyed to varying degrees. In short, Putin has replaced the one-party communist state with a one-party consumerist state.

As my mother and father-in-law watched the Sochi opening ceremony, they reflected on the boycott and 1980 Moscow Olympics with both nostalgia and disappointment. On the one hand, it was a period when adventurous visitors provided a profitable opportunity to savvy Soviets by transporting everyday Western goods into the Soviet Union. On the other hand, the boycott and disappointment of not being able to show Americans around Moscow remains for both my mother and father-in-law. While not shying away from acknowledging the current issues from Ukrainian protests to corruption to anti-LGBT laws, both were pleased that athletes and fans from across the world were participating in the games.

More reading on the Cold War and the Soviet Union:

Donald J. Raleigh, Soviet Baby Boomers: An Oral History of Russia’s Cold War Generation

Walter Hixon, Parting the Curtain: Propaganda, Culture, and the Cold War 1945-1961

Stephen Kotkin, Armageddon Averted: The Soviet Collapse, 1970-2000

Photo Credits:

Rae Straw standing alongside the Moscow River

A queue of Russians in St. Petersburg

A limo parked in Moscow’s Red Square

Rae Straw (far right) pictured with her tour group in Moscow

All images courtesy of Andrew Straw

iTunes Remembers Black History: The New Archive (No. 5)

By Charley S. Binkow

February is Black History month. It is a time for remembrance and reflection for all Americans, but for Historians it is also a rich period for study and research. iTunes U, the academic branch of Apple’s iTunes store, is featuring a vast collection of first-hand oral histories, interviews, and lectures on the extensive history of African Americans.

There are over two dozen podcasts and each one offers a unique perspective on black history: “The Louis Armstrong Jazz Oral History Project” explores the world of African American Jazz, The Gilder Lehrman Institute offers a diverse lecture series on the post Civil War age, and Stanford’s “Modern Freedom Struggle” collects videos on political thought during the Civil Rights movement. The most powerful, collection is Duke University’s “Behind the Veil,” which compiles 100 interviews with African Americans who experienced firsthand the world of segregation in places like Birmingham, New Orleans, Memphis, Albany (GA), and Muhlenberg County. These interviews are as personal and interesting as they are diverse. All the podcasts are free on iTunes and are well worth perusing.

The collection is of value for everyone, from professional historians to amateur history buffs. On top of the primary sources, subscribers can hear engaging and thought provoking lectures from renowned scholars like Eric Foner and James O. Horton. iTunes, is also offering customers a wide selection of outside reading options relating to the topic of Black History, with titles such as The Color Purple, Beloved, Fredrick Douglass’s My Escape from Slavery and Howard Zinn’s On Race.

Overall, the collection does a great job of honoring, remembering, and respecting the struggle of African Americans. The podcasts will keep listeners engaged for days and the interviews give historians hours of first-hand accounts.

If you enjoy these iTunes U collections, be sure to check out our own podcast, 15 Minute History

And explore the latest finds in the NEW ARCHIVE:

Maps and primary documents that change before your very eyes

Harry Houdini’s weird and wild scrapbook collection

Photo Credits:

Screenshot of the iTunes U podcasts and books being featured for Black History History Month

1867 engraving of African American freedmen in New Orleans voting for the first time (Image courtesy of New York Public Library Digital Collection)

Participants in the 1965 civil rights march from Selma to Montgomery, Alabama (Image courtesy of the Library of Congress)

Presidents on NEP for Presidents’ Day

Popular articles from our archive about Presidents and some of the people around them:

LBJ and Vietnam: A Conversation

and

The Prisoner of Events in Vietnam

by Mark Lawrence

A Rare Phone Call from One President to Another

by Jonathan Brown

The Atomic Bombs and the End of World War II: Tracking an Elusive Decision

by Bruce Hunt

A Historian Views Spielberg’s Lincoln

by Nicholas Roland

Liz Carpenter, Texan

and

Lady Bird Johnson in Her Own Words

by Michael Gilette

The Cross-Cultural Exchange of Atlantic Slavery

by Samantha Rubino

An African Slaving Port and the Atlantic World by Mariana Candido (2013)

Cross-Cultural Exchange in the Atlantic World: Angola and Brazil during the Era of the Slave Trade by Roquinaldo Ferriera (2012)

The Atlantic slave trade between Africa and the Americas connected merchants, Portuguese colonists, convicts, and slaves in cultural and economic relationships, reconfiguring the space of the southern Atlantic. The work of Mariana Candido and Roquinaldo Ferriera shows how creolization and the economic prosperity created by the slave trade was a two-way street.

In An African Slaving Port and the Atlantic World, Mariana Candido traces development of Benguela (in today’s Angola) from the first Portuguese expedition in 15^th century until the mid-nineteenth century. She studies colonial documents, reports, official letters, censuses, export data, parish records, official chronicles, and oral traditions collected by missionaries and anthropologists. Candido stresses the role of the local population in the Atlantic slave trade. As the demand for slaves increased in Brazil, local interactions with Portuguese officials led to a constant reconfiguration of identity and community in the port city, based on political alliances and economic preservation. Political and social instability of the hinterlands in part led to the exponential growth of the slave trade, displaying the reverberating aspects of the slave trade within the Atlantic realm. Additionally, women played a major role in the development of the slave society within Africa. Mixed marriages became the rule, and African women seized on the chance to apprehend cultural practices and a space of power. These donas controlled a large number of dependents, widows or singles, and became involved in local business, investing in the slave trade after the deaths of foreign husbands. In this regard, Candido shows slavery as a process of negotiation, adaptation, invention, and transformation rather than complete annihilation of African communities.

Candido also argues that creolization was a social-cultural transformation rather merely than an incorporation and assimilation of Western values. Luso-Africans and colonial officials spread Portuguese customs and Catholicism beyond the littoral, accelerating creolization away from coast. Colonial outposts, such as Caconda, attracted people with cultural exchange and the elaboration of new codes transforming cultural diets and colonial institutions. African religion and cosmology remained strong in the hinterland and on the coast in Benguela because they offered explanations and solutions to everyday problems that Catholicism could not address. Additionally, local languages were extremely important to the construct of a slave society. Despite colonial laws against its use, the army, commerce transactions, and the church in the hinterlands used these languages.

Similarly, Roquinaldo Ferriera focuses on the bilateral connections between the Portuguese colonies of Brazil and Angola in Cross Cultural Exchange in the Atlantic World. Through the lens of micro histories, Ferriera pushes back from the macro structural approach to the slave trade to examine the personal trials endured by Africans and their descendants. Throughout the text he suggests an argument similar to Candido’s, in which African institutions were transformed rather than unilaterally corrupted by the slave trade. For example, the use of the traditional African court systems (tribunal de mucano) displays the transformation of the court system and the fluid boundaries between freedom and enslavement in Angola. Additionally, the relationship between belief in the power of the supernatural and accusations of witchcraft as a form of entering into enslavement was employed by Luso-Africans and Portuguese officials alike. If an accused “witch” died, a number of the witch’s relatives were enslaved and sold. As Ferriera points out, the actual number of people enslaved through these accusations would be difficult to precisely enumerate, however, the connection between these accusations and commercial disputes was unmistakable. Moreover, such accusations provide insight into the commonalities between African and colonial officials’ worldviews. Thus, through the lens of micro history, Ferriera claims that Atlantic history is a pluralistic entity in which individuals created their own spaces without strict adherence to the Portuguese institutions.

These two historians transform the way we view the impact of the slave trade. By emphasizing the role of the African populace as well as the Portuguese in the flourishing slave trade, Mariana Candido and Roquinaldo Ferriera redistribute the economic and cultural burden of the Atlantic. Candido and Ferriera demonstrate the cultural exchange between the Portuguese and African, altering the way historians conceptualizes creolization and the formation of slave societies.

You may also like:

The story of Brazil’s most infamous slave rebellion

An environmental and labor history of Brazil’s sugar industry

Photo Credits:

Cross-section of a Brazilian slave ship, taken from “Notices of Brazil in 1828 and 1829” (1830) by Robert Walsh (Image courtesy of Wikimedia Commons)

Portuguese officials meet with the Manikongo, who ruled the African Kongo Kingdom (Image courtesy of Wikimedia Commons)

A slave ship heading to Brazil, 1835 (Image courtesy of New York Public Library Digital Gallery)

Recently arrived slaves in Brazil on their way to the farms of the landowners who bought them, 1830 (Image courtesy of Wikimedia Commons)

History in Motion: The New Archive (No. 4)

By Henry Wiencek

Traditional maps can portray people and places at certain moments, but they do not capture the dynamism of movement and change over time. And historical texts can describe change over time but lack the visual element that makes it possible to see the multiple dimensions of change at once. However, “The Spatial History Project” is harnessing the power of digital technology to visually animate historical change. A collaboration between historians and computer engineers at Stanford University, this remarkable site hosts maps that actually move, grow and change before your very eyes. You can watch as infectious diseases spread, as railroads expand, as people migrate, and as Nazi concentration camps are built and, as a result, you can gain a better insight on how, and why, it all happened.

One of the site’s most compelling projects visualizes prostitution arrests in Philadelphia between 1912 and 1918. By splicing a variety of data surrounding these arrests—where the arrest took place, the individual’s racial identity, place of residence, age, among others—we get a deep historical snapshot of who was being arrested for prostitution and where. What emerges is a stark racial divide between the tenderloin district, where “white” arrests largely took place, and the 7^th ward, where “black” arrests occurred in greater concentration. Add place of residence data to the map and another fascinating dynamic appears: while “white” offenders largely travel into the tenderloin, most of the “black” and “immigrant” individuals live virtually next door to the brothels. So not only do we see who was arrested for prostitution; we get to see how they got there.

Many of the visualizations specifically challenge traditional narratives of world and US history. “Transcontinental Railroad Development, 1879-1893” allows readers to watch as rail lines creep across the western United States over this 14 year period, connecting major depots such as Chicago and St. Louis with remote frontier lands. But this is not your classic story of westward expansion and economic development. The map integrates population density to demonstrate how sparsely peopled new rail depots were. While rural populations initially grew along new railroad lines, the 1890s depression depleted them back to previous levels, suggesting that railroad companies made critical miscalculations in their rail lines’ organization. By introducing some movement into the mapping of America’s railroads, the story changes.

“The Spatial History Project” uses digital technology to convey the depth and complexity of history. Its maps depict numerous factors—economics, race, the environment and many others—bisecting and interacting to forge change. And not always the change we assume. This is history as movement, not as a moment.

More finds in THE NEW ARCHIVE:

Charley Binkow combs through Houdini’s scrapbooks

And Henry Wiencek examines a visual history of emancipation

Photo Credits:

Screenshots of the visualizations “Prostitution in Philadelphia: Arrests 1912-1918” and “Transcontinental Railroad Development, 1879-1893,” both taken from “The Spatial History Project”

Workmen celebrate the completion of America’s first Transcontinental Railroad, Promontory Summit, Utah, May 10, 1869 (Image courtesy of National Park Service)

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