Year in Review - Academic year 2021-2022

It’s been another busy year for Not Even Past with more than 130 articles published across the academic year. To celebrate all this incredible academic content we have compiled everything in one page below. Not Even Past‘s reach also continues to grow, and we just broke a million page views over the past 12 months, making the magazine an important resource not just for the University of Texas community but for Public History online. As we conclude the academic year, Not Even Past would like to thank Gabrielle Esparza our amazing Associate Editor whose energy, creativity and brilliance as an editor has been a key part of the magazine’s success this year. We would also like to recognize Dr Joan Neuberger, our Founding Editor who will be retiring from UT over the summer. Not Even Past is unimaginable without Joan’s tireless work and we have published a brief tribute to her remarkable achievements here. Finally we would like to thank all our contributors and partners across the past academic year and of course our readers.

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Features
Books
Teaching
Digital and Film
Blog
IHS and Public History
Texas
Author Spotlights

Features

My life’s story has come to be entwined with the history of the Relaciones. My intellectual place of origin, Bogotá, Colombia, facilitated my first encounter with them. My continued engagement with these sources from Latin American classrooms and special collections to Spanish archives has culminated in my current dissertation project at the University of Texas at Austin – the principal observatory and repository of these documents in the Americas. My life and research paths have allowed me to explore this neglected historical terrain. I argue that by drawing together the Relaciones Geográficas and Topográficas as a genre of documents, we can better envision how people from diverse ethnic compositions on both sides of the Atlantic produced a massive number of descriptions of local nature and societies around the same period. This perspective may allow us to see and understand the complex knowledge networks of Atlantic towns that the Spanish Crown wove together. Consider, for instance, how the Relaciones go beyond the famous Mexican indigenous charts as revealed by Map 2, the Relación of Valledupar, a township located in what is now Colombia.
Rafael Nieto-Bello

Robert Runyon was an astoundingly prolific photographer of the Texas-México borderlands at the turn of the twentieth century. The University of Texas at Austin hosts over 14,000 photographs donated by the Runyon family, along with related manuscript materials. Much of the collection is available digitally, and the Briscoe Center for American History also houses Runyon’s glass negatives, lantern slides, nitrate negatives, prints, postcards, panoramas, correspondence, and business records. The sheer scope of his work, which ranges from botanicals to portraiture to quotidian scenes of daily life, has rendered his imagery—in regard to Texas and the U.S.-México border—ubiquitous.
Annette M. Rodríguez

The largest green space in downtown Austin, Waterloo Park takes its name from the Waterloo hamlet, a frontier settlement that Austin replaced. It sits in a basin along Waller Creek, encompassing a particularly flood-prone stretch of Austin’s most central, urbanized stream. Though the park was built in 1975 as part of the Brackenridge Urban Renewal Project, its history dates to the end of the US Civil War, when formerly enslaved people began migrating to southern cities in search of work, education, lost family members, and haven from anti-Black violence. Many migrants were skilled farmers and craftsmen and had saved money to purchase land. As a rule, white landowners sold Black people only their “poorest” properties, relegating most Black communities to low-lying and otherwise hazardous spaces.
Katherine Leah Pace

Books

I remember the stink of the fishmeal plants in Iquique. During the austral winter of 1983, the vapors that turned tons of whole anchoveta into high protein fish flour lingered over the beach with the coastal fog until the customary afternoon breeze came and carried it away. Local residents called it “the smell of money.” Domestically produced fish flour had become the primary source for fish food in the new salmon farms that had begun to scar the pristine beauty of the lakes and fiords in the Chilean south. It would also become dog food, and the “high protein cookies” on school lunch menus for the undernourished children that General Pinochet’s second recession in ten years had pushed dangerously down the path of deficiency disease. But the smelly fishmeal extracted from the seemingly infinite Pacific coast of northern Chile had already become a vital element in an increasingly global ecosystem of profit-driven food production. Economists and technocrats called it a “non-traditional export.” Along with the farmed salmon, the fresh fruit out of season and the world’s finest red wines for a little less money, Chilean fishmeal would help reduce the local economy’s absolute dependence on the roller coaster of international copper prices. It would fatten pigs in Germany and chickens in California to satisfy the voracious appetites of a competing species now referred to simply as “the consumer.”
Nathan Stone

Megan Kate Nelson has written a captivating history of the southwestern theater of the American Civil War. There more than one war took place as different groups of people envisioned futures dependent on control of the region. The balance of perspectives makes it clear the Civil War was not just a battle for the preservation of the Union, or for those states that had seceded, but rather a multicultural war for control of much of the North American continent. The Union, the Confederacy, Mexico, the Apache, and Navajo (Diné) all fought for control of land, water, resources, and trade. Skirmishes in the West were layered contests among several parties. While historians often acknowledge the importance of the West in determining the fate of slavery in an expanding nineteenth-century United States, few have tackled the southwestern theater as Nelson has in The Three Cornered War.
Gwendolyn Lockman

Pulp Empire is filled with fascinating anecdotes and incisive analysis of the ephemera of US empire. This book offers something for an array of audiences from fervent comic book fans to historians of American foreign policy. Hirsch deftly deals with several dimensions of comics’ hidden history from their perpetuation of racist and sexist tropes to their use as a unique tool of soft-power popular abroad across class lines. Finally, Hirsch’s analysis of the debates over the atomic age played out in comic book pages proves both entertaining and enlightening. Pulp Empire effectively interrogates the intersection between politics and popular culture and profiles how superheroes have been deployed to serve American expansionist goals.
Jon Buchleiter

Teaching

In Spring 2021, my course, “Preserving Austin’s Queer History,” trained undergraduate students to conduct oral history interviews with LGBTQ community members past and present. Despite the challenges of the COVID-19 pandemic and the February 2021 weather disaster, the fifteen students in this class conducted oral history interviews with nineteen people. These oral history narrators range in age from thirty-four to eighty-four years old. They include gay, lesbian, bisexual, queer, trans and non-binary people, as well as artists and performers, grassroots activists, and small business owners. They are white, Black, Latinx, Asian American, and multi-racial. And they have contributed to Austin’s LGBTQ history and to local struggles against injustice in a variety of ways.
Lauren Gutterman

Digital and Film

In one of the final scenes of Jeymes Samuel’s gripping 2021 Black Western The Harder They Fall, androgynous outlaw Cuffee (played by Danielle Deadwyler) says a teary goodbye to her comrade “Stagecoach” Mary Fields (Zazie Beetz). The two share a long, not-quite-chaste kiss goodbye as Nat Love, Mary’s main romantic interest in the film, shifts uncomfortably in his saddle. Mary responds with a coy “What you looking at?” before mounting her horse a final time and literally riding off into the sunset with Love, leaving Cuffee behind. The film, which follows Nat Love and his gang of outlaws on an epic revenge quest across the American southwest, encompasses a litany of historical elisions and inaccuracies, culminating in this moment between Mary and Cuffee. It cements the movie’s final and most glaring lapse: while The Harder They Fall’s vision of the Old West is brazen, bold, and Black, its queer notes amount to little more than whispers. Not only was the real “Stagecoach” Mary Fields (as several writers have noted) much taller, darker, and heavier than she is depicted in the film, she was probably much queerer as well.
Candice Lyons

A key thread running through Dr. Brook Danielle Lillehaugen’s career is access—to language, to history, and to education. She recognizes that linguistic research on Indigenous languages is insufficient if members of Indigenous communities cannot access it. Therefore, throughout her career she has sought to remove barriers to such access via creative, collaborative research that goes beyond traditional academic practice.
May Helena Plumb

Throughout the last two years of the global pandemic, digital research has surged among graduate students and faculty alike. Travel restrictions prevented scholars from accessing important sources. Project Arte Colonial and the continuing efforts of Jaime H. Borja Gómez have provided invaluable access to colonial Spanish resources to individuals across the world who are unable to conduct research in-person. The digital humanities have become critical components to fields across the social sciences. ARCA works to create an easily accessible gateway that simultaneously serves veterans and newcomers of remote research. Historians must adopt new and diverse ways to engage with the public and other scholars through the medium of technology.
Haley Schroer

Blog

My Guatemalan father was born in the middle of a civil war. His childhood house was built from corrugated metal and adobe brick. He grew up clinging to my abuela’s back wrapped in a blanket as she weaved to sustain the family. He did not have shoes until he was 8 years old. He dropped out of school after the second grade. Before he reached my age, he was nearly murdered by the army three times. He worked as a trench digger and then as a laborer before fleeing his home in Huehuetenango.
Ilan Palacios Avineri

In New York City, buildings are like wallpaper. If you peeled back the facades and peeked into their histories, you’d find something different, something out of style. The buildings’ old identities wouldn’t match the modern character of the neighborhood. On the Lower East Side, if you peel back the layers of luxury apartments, churches, and fusion restaurants, you’d notice a trend. Many buildings that now house fashionable venues used to be synagogues.
Amy Shreeve

Mauricio Tenorio thinks with his feet. As his soles touch the asphalt, he feels a piece of one of his dearest obsessions: the city. Not Mexico City specifically, although it might be the one he feels closest to, but the idea of the city. Cities have so much to say. A street in Barcelona, an old building in Chicago, an awkward monument in Washington. D.C., a park in Berlin: they all have stories and a history. And Tenorio, a Professor of History at the University of Chicago and Profesor Asociado at the Centro de Investigación y Docencia Económicas, Mexico City, tells these stories through his work. I like to repeat one about a hidden monument in Mexico City. Inside the column of the Independence monument, the capital’s famous postcard-ready landmark with angel’s wings, the white statue of an obscure figure guards the ashes of Mexico’s founding fathers—a monument of a seventeenth-century Irishman. Tenorio tells the story of Guillerme de Lampart, the “Irish Zorro” who plotted an independence movement with religious undertones in the 1640s—a peculiar reading of the Bible led him to believe that Spain did not have sovereign rights over the Americas. He became a controversial figure in Mexican history. The Inquisition burnt Lampart in 1650, making him a martyr for anti-Church Porfirian liberals. Placing his monument publicly would have surely triggered heated historiographical and political debates, weakening the process of national reconciliation. Thus, Lampart made his way into one of the nation’s central monuments: discretely.^[1] Yet Tenorio’s driving curiosity lies elsewhere: it is not so much about what cities have to say, but how they say it. The location and concealment of Lampart’s monument suggest broader discussions on religion and independence, heroes and martyrs, history and the city. Tenorio explores how cities dictate these stories.
Rodrigo Salido Moulinié

For the plebiscite of ‘88, Chile had its first political campaign in fifteen years. La Campaña del NO tried to make it fun. We all had many dark tales to tell, and maybe a moral obligation to tell them, but sad stories don’t get votes. Moreover, a very fine line, invisible to carabineros, divided protesting and campaigning. Opposition supporters had to resort to clever strategies. We would drive around with their windshield wipers on, on a dry day. Like saying “no” by moving your index finger from left to right. The cops couldn’t exactly arrest you for using your windshield wiper.
Nathan Stone

IHS and Public History

Hungry for Revolution (2021) is an ambitious book that, through the social history of food production, distribution and consumption and through a cultural history of the knowledge and science of nutrition, agriculture, and political economy of rural landholdings, offers a radical new chronology of the political history of 20^th century Chile. Hungry for Revolution masterfully goes over the nitrate export boom in the fin-de-siècle mining towns of northern Chile and the creation of the new-deal welfare state of Alessandri and the Frente Popular in the 1930s and 1940s to offer a striking new genealogy of Allende’s Socialist Revolution.
Jorge Cañizares-Esguerra

For most individuals, the Counter Reformation sought to quash new forms of democratic spiritual participation in the form of Lutheranism and Calvinism. The so-called Galileo affair epitomizes this narrative of the Counter Reformation as retrograde and even villainous. In the popular imagination, Galileo stands as the victim of the Counter Reformation’s stifling prosecution of skepticism, experimentation, and modernity. Yet Dr. Madeline McMahon begs to differ. In her manuscript the Catholic Creation of Early Modern Knowledge, McMahon argues that by creating the institution of the resident (non-absentee) bishop, the Counter Reformation became the lynchpin to the new confessional, interventionist, technocratic early-modern state.
Jorge Cañizares-Esguerra

Texas

In our exhibit Black Cowboys: An American Story, visitors from Texas, and beyond will be introduced to a diverse group of African American cowhands, from Johana July, a free Black Seminole born in 1860 to Myrtis Dightman, called “The Jackie Robinson of Rodeo” who broke the color line at professional rodeos in the late 1960s. In addition to presenting the public with depictions of numerous Black cowboys, enslaved and free, the Witte Museum introduces the audience to the legacy of Black ranches and freedom colonies throughout Texas. The audience learns about several Black owned ranches that have stood the test of time, outlasting white supremacy and Jim Crow. These ranching families, who continue to ranch the land purchased and maintained by their ancestors in the nineteenth-century, display a tenacity of will and a commitment to their family traditions. They often withstood destruction of their family legacy by organizations such as the Ku Klux Klan while also weathering continual threats of encroachment from neighbors and state governments.
Ronald Davis